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15" & 6.25" Emma Melendez Taxco modernist sterling silver onyx choker/bracelet
Emma Melendez Taxco modernist sterling silver onyx choker/bracelet. No issues, circa third quarter of the 20th century. 15" long necklace with other measurements in pictures. No issues. Selling the necklace shown in the pics. 6.25" bracelet 15" necklace. Listed with ExportYourStore.com
$650.00
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15" 1940's Fred Davis Mexican modernist sterling silver wide choker necklace
15" 1940‘s Fred Davis Mexican modernist sterling silver wide choker necklace. No damage or issues. 15" long necklace, well made necklace with weight and measurements in pictures. No damage. Frederick W. Davis (1881-1961) known among collectors for his work as a jewelry designer and silversmith based in Mexico City, Mexico. He began designing and crafting jewelry and decorative objects in the 1920s. The wares he produced often reflected his affinity for pre-Columbian artifacts. He occasionally collaborated with Valentín Vidaurreta, another respected Mexican silver craftsman with roots in Mexico City. Davis is credited as an avid promoter of other silver artists, including William Spratling, who worked in Mexico from the 1920s through the 1950s. Frederick Davis Jewelry - History Davis moved from the United States to Mexico in 1910. Working as an assistant manager for the Sonora News Company, he toured the country on buying trips to stock railway station shops with native folk art for his employer. He established relationships with many artisans during his travels, and his knowledge of Mexican crafts grew extensively. His ardent work resulted in a promotion to manager of Sonoras arts and crafts showroom in Mexico City. René dHarnoncourt, who later served as the director of the Museum of Modern Art in New York, was employed by Davis in 1927 as an assistant. Their work together led to the companys distribution and exhibition of works by Mexican painters who are now well known, such as Diego Rivera, among many others. During this era, Davis and dHarnoncourt left an indelible footprint on the trade of Mexican handcrafts, including silver jewelry, from that point on. Davis took a position managing antiques and fine crafts for Sanborns department store in 1933 after dHarnoncourt moved to the United States. He remained with the store for 20 years, where he continued to promote Mexican art and artisans while designing and producing silver wares. Davis died in 1961.
$1,100.00
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15" 1940's William Spratling sterling beaded necklace.
15" 1940‘s William Spratling sterling beaded necklace. Weight and measurements in pics. Who Was William Spratling? William Spratling was born in 1900 in Sonyea, New York. His father was well respected and widely known for his study and writings concerning epilepsy. After the death of both Spratling‘s mother and sister, Wilhelmina, in 1910, Spratling‘s father moved temporarily to his father‘s Alabama home (known as Roamer‘s Roost) with sons William and David as well as older daughter, Lucile. At that time, the three Spratling children became wards of their grandfather. By the end of 1912, the family had moved once more and the children were separated; each went to live with with various aunts and uncles. In 1917 William Spratling attended Auburn University and a year or two later, during his stay at Auburn served as an instructor in architecture. Spratling moved to New Orleans in 1921 where he was an Associate Professor of Architecture at Tulane University. During the following nine years, Spratling published articles in Scribners Magazine, Journal of the A.I.A., Architecture Record, and many other architecture and travel publications. He became an active part of the New Orleans literary colony during those years, and his frequent companions were Natalie Scott, Sherwood Anderson, Oliver La Farge, Frans Blom, John Dos Passos and William Faulkner. Faulkner lived with Spratling for a time, and together they wrote and published Sherwood Anderson and Other Famous Creoles in 1926. 1926 was also when Spratling visited Mexico for the first time. He returned for summers over the next several years, and in 1929, moved to Mexico. Spratling quickly was introduced to and became a welcome participant in the artistic circles of Mexico. His activities in promoting the art of Diego Rivera among New York galleries led to his participation in the first exhibition of Mexican arts held in the United States. The exhibit was funded by the Carnegie Institute and opened at the Metropolitan Museum of Art in New York. Spratling assisted in assembling the exhibit and also lent a number of his own pieces. During this same period, Spratling was working on drawings for the expanding Morrow home in Cuernavaca. Many of these drawings were included in the book written by Elizabeth Morrow, Casa Mañana. Dwight Morrow, the US Ambassador to Mexico, suggested to Spratling in 1931 that Taxco had been the site of silver mines for centuries, but Taxco had never been considered a location where jewelry and objects of silver were designed and made. Subsequently, Spratling hired an experienced goldsmith from Iguala who moved to Taxco and created silver jewelry of Spratlings design. Other craftsmen joined Spratling‘s shop and produced tin ware, copper items, textiles and furniture - all designed by Spratling. These earliest designs were based on pre-Columbian motifs as well as simple themes utilizing rope borders, strap designs and other such basic ideas. The enterprise grew far beyond Spratlings expectations! Because he had created an apprentice system of training young silversmiths many new talented artisans had an opportunity to develop their craft. Over time many of these artisans opened shops of their own all with Spratlings support. During the Second World War, U.S. department stores were unable to import merchandise from Europe, and many retail stores purchased luxury goods in Mexico. In order to meet this dramatic increase in demand, Spratling opened his company to private investors, and by the end of 1944 had lost control of his company. Early in 1946, Spratling y Artesanos was out of business. By this time, Spratling had moved to a ranch he had earlier purchased south of Taxco at Taxco-el-Viejo. He never again lived within the town of Taxco. In 1946, he was asked by the U.S. Department of the Interior to develop a plan for development of native crafts in Alaska, and in 1949, a group of 7 young men from Alaska arrived at Spratling‘s ranch at Taxco-el-Viejo and began their training. Spratling had designed and produced 200 models for that effort, but after the men completed their training and returned to Alaska, the program languished primarily due to lack of government funding. The actual benefits of the program (both for Alaskans and for Spratling) were never realized. The time, however, that Spratling spent studying Alaskan native cultures and visiting all parts of Alaska created great impact as seen in Spratling‘s later silver designs. His design ethic in 1949 was dramatically different from those designs of the 1930s until mid 1940. He also used new materials in combination with silver for many of these later designs. Spratling continued to rebuild his business and had silversmiths fabricating his jewelry and object designs at his ranch. His designs were also produced by the Conquistador Company in Mexico City for a couple of years. Spratling published More Human Than Divine in 1960 and his archaeological interests not only continued but by the early 1960s seemed to take precedence over the creation of new silver designs. He donated collections of his pre-Columbian materials to the National University of Mexico and the National Museum of Anthropology in Mexico City. Spratling has been called by many "a Renaissance Man." Throughout Mexico he is acknowledged as "The Father of Mexican Silver." Certainly the town of Taxco and its economy would be vastly different without the initiative and creativity of this man. He complemented its valuable historic past with a new vitality and spirit which recognized the importance of the indigenous culture. The artistic and economic foundation he established continues to flourish today. William Spratling was killed on August 7, 1967 in an automobile accident just outside Taxco.
$380.00
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15 英寸约 1850 年旧巴黎瓷地幔花瓶一对
15 英寸 c1850 年旧巴黎瓷地幔花瓶一对。高 15 英寸 x 边缘宽 7.25 英寸。一对非常坚固的花瓶，镀金磨损极小。粉红色顶部的那个有两个缺口，一个位于顶部边缘的左侧，另一个位于顶部边缘的左侧。到同一侧的一片叶子。购买时我错过了这些，因为它们在像这样的大花瓶上并不引人注目，尤其是当像地幔一样高高地展示时。另一个没有缺口、裂缝或修复。书架
$905.00
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15" Margot De Taxco Mexican Modernist sterling silver greek key 5112 necklace
Margot De Taxco Mexican Modernist sterling silver greek key design necklace. No damage or issues. 15" long necklace, well made necklace with weight and measurements in pictures. No damage. 5112
$265.00
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15 英寸罗伯特·艾克霍特重型抽象工作室艺术玻璃中心装饰碗
15 英寸罗伯特·艾克霍特重型抽象工作室艺术玻璃中心装饰碗。15 英寸宽，无损坏或可检测到的磨损。 Robert Eickholt 是一位著名的玻璃艺术家，40 多年来一直致力于创造迷人的吹制玻璃。 1978 年，罗伯特在加利福尼亚州伯克利学习玻璃吹制技术后返回家乡俄亥俄州哥伦布，随后创立了 Eickholt Glass。回家后，他继续在俄亥俄州立大学和哥伦布艺术与设计学院学习。自成立以来，该工作室已制作了多种类型的精美艺术玻璃制品，例如镇纸、花瓶、鸡蛋、雕塑和香水瓶。每一件作品都是一次制作而成，并且完全独一无二。艾克霍特玻璃以其独特的设计而闻名，其中融入了金、银等贵金属以及钴和铜等稀有氧化物。他们美丽的艺术玻璃为他们赢得了世界各地的赞誉。 TW243
$240.00
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15.25 英寸百家乐海王星醒酒器 c1990 年
15.25 英寸巴卡拉海王星醒酒器 c1990 年。5.5 英寸宽 x 15.25 英寸高。无裂纹、缺口、划痕、凹痕或硬水。此图案于 1988 年至 1993 年生产，现已退役。台湾254
$700.00
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15.25 英寸 Longchamp 法式珐琅芦笋拼盘 9.25 英寸深 x 3.5 英寸高
15.25 英寸 Longchamp 法国 Majolica 芦笋拼盘 9.25 英寸深 x 3.5 英寸高。没有裂纹、碎裂、修复或釉片，如预期的有些开裂。我有 6 个盘子和一个单独列出的较大的碗。
$230.00
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15.4 英寸 c1860 迈森花瓶蛇形手柄手绘，重金
15.4 英寸 c1860 梅森花瓶蛇形手柄手绘，重金。手柄到手柄宽 9.5 英寸。无裂纹、缺口或修复。近乎完美的黄金很少见，但即使有，凸起区域的黄金通常会磨损得很厉害。
$2,280.00
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15.5 英寸 David Yurman 18k/纯银刻面缟玛瑙 Figaro 项链
18K 黄金和纯银 David Yurman Figaro 链条项链，配有黑色缟玛瑙刻面珠子和栓扣。二手状况非常好，没有损坏或可检测到的磨损。 39.7 克，7 毫米宽。
$555.00
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15.5" Mitchel Sockyma Hopi overlay bib choker necklace paw sterling silver
15.5" Mitchel Sockyma Hopi overlay bib choker necklace paw sterling silver. Tested and guaranteed solid sterling silver with weight and measurements in pictures. No issues. Circa last quarter of the 20th century. 15.5" long, with no apparent issues.
$395.00
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15.5 英寸复古中国景泰蓝鸟类和蝴蝶花瓶
15.5 英寸复古中国景泰蓝鸟和蝴蝶花瓶。漂亮、高品质的作品。产自 20 世纪第三季度，没有损坏，裸露黄铜有轻微氧化。没有识别标记。大件 15.5 英寸高 x 7.25 英寸宽。书架
$330.00
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15.5" Vintage Herbert Tsosie Navajo sterling silver mother of pearl necklace
15.5" Vintage Herbert Tsosie Navajo sterling silver mother of pearl necklace. Circa third quarter of the 20th century, tested and guaranteed solid sterling silver. No apparent issues.
$225.00
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15.75" c1950's Los Castillo 481 sterling silver modernist Mexican necklace
15.75" c1950‘s Los Castillo 481 sterling silver modernist Mexican necklace. No damage or issues. 15.75" long necklace, well made necklace with weight and measurements in pictures. No damage. Necklace is of course 100% symetrical, photographer didn‘t spread it out correctly in the second pic...didn‘t understand the importance I guess.. It‘s perfect with no issues. In 1939, Los Castillo was established in Taxco, Mexico by four brothers including Antonio Castillo. The brothers trained at William Spratlings world-renowned studio. The Castillos developed exceptional talent in every aspect of silver design and production and eventually opened Los Castillo. Over its history, Los Castillo employed exceptional designers, including Antonio Castillos then-wife Margot van Voorhies Carr (Margo de Taxco), Miguel Melendez, and Sigi Pineda. The Castillo family is still in the silver business today.
$1,350.00
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15 件 19 世纪中叶茶杯和茶碟 100% 手绘重金花卉带蓝色镶边
保证 1800 年代初至中期。 10 个碟子和 5 个杯子。一个碟子有鱼尾纹，但既然有额外的东西，那应该不是问题。有些碎片非常浅黄，没有明显的深色污渍。除了一个鱼尾纹外，没有任何裂缝、缺口或修复。这些都是 100% 手工装饰，需要仔细检查才能看到图案的细微变化。 5.75 英寸碟子 x 2.5 英寸高杯子。
$135.00
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15 件套 c1900 哈维兰利摩日游戏套装新艺术风格宝石轮圈手绘转印
15 件套 c1900 哈维兰利摩日游戏套装新艺术风格宝石轮圈手绘转印。我包括一个带盖子的酱船，图片中未显示，这将是一个惊喜，因为它具有相同的宝石边框和漂亮的带有金色装饰的篮子手柄。酱船的盖子上有一块修复过的缺口。该套装的其余部分没有其他裂缝、缺口或修复体。有一些非常轻微的金色磨损，主要是在最外侧边缘的盘片上，在像这一套精美而独特的套装上，这些磨损都不明显。总共 13 个盘子我在下面列出了每种款式的数量，从单个盘子显示的第一张图片开始，到最后一张结束。 3 只鹬、3 只野鸡、2 只走鹃、2 只鸽子、2 只鹌鹑、1 只绿头鸭。一个 17.75" x 12.25" 拼盘，上面有多个猎鸟。这些年来我买过很多游戏套装，这是我买过的最好的一款，它可以与大多数现代装饰完美融合，这套游戏适合任何地方。 B46
$1,770.00
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15 世纪明中国瓷碗，蓝色釉下装饰
15 世纪明中国瓷碗，蓝色釉下装饰，宽 5 英寸，在 1984 年评估中详细描述，该评估将包括在内，并在附图中包含一张照片。乔·安·亚当斯 (Jo Ann Adams) 是一位非常受人尊敬、彻底且知识渊博的评估师，专门从事亚洲古董。如果您正在阅读这篇文章，您很可能知道，自这些评估完成以来，中国瓷器是过去 38 年来被证明是极好的投资的古董/收藏品领域中的少数之一。 顶部边缘有两个小缺口，底部边缘有一个。一些裂纹和轻微污渍，顶部边缘上有几条紧线，但两侧都没有延伸太远，没有修复、裂缝或大缺口。书架
$565.00
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15 世纪泰国 Sawankhalok 青瓷罐子
15 世纪泰国 Sawankhalok 青瓷罐罐出售 15 世纪或更早的 2 英寸高，没有明显损坏，没有裂纹，没有修复。 B31
$145.00
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15 世纪泰国 Sawankhalok 青瓷罐子
15 世纪泰国 Sawankhalok 青瓷罐罐出售 15 世纪或更早的 2 3/8 英寸高，没有明显损坏，未上釉的足缘上有微小缺口，带手柄的罐罐顶部边缘和一个手柄上有非常古老的修复。没有裂纹。 b31
$125.00
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15 世纪泰国 Sawankhalok 青瓷罐子
15 世纪泰国 Sawankhalok 青瓷罐罐出售 15 世纪或更早的 2.5 英寸高罐罐，底部有明显的烧制缺陷和相关缺口。没有裂纹或修复。 B31
$135.00
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15 世纪泰国 Sawankhalok 青瓷罐子
15 世纪泰国 Sawankhalok 青瓷罐罐出售 15 世纪或更早的 2 5/8 英寸高，无明显损坏，无釉足缘上有微小缺口，无裂纹，无修复。 B31
$195.00
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15 世纪泰国 Sawankhalok 青瓷高瓶或花瓶，带刻花装饰
15 世纪泰国 Sawankhalok 青瓷高瓶或花瓶，带雕刻装饰 15 世纪或更早 4 英寸高，单手柄看起来经过非常古老的修复，顶部边缘有微小缺口，没有裂纹或其他问题。 b31
$330.00
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15 世纪泰国 Sawankhalok jarlets
15 世纪泰国 Sawankhalok 青瓷罐罐出售 15 世纪或更早的 2 英寸高，最宽 2.5 英寸。装饰过的一只脚缘上有微小的缺口，没有其他裂缝、缺口或修复体。 B31
$150.00
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15 世纪泰国 Sawankhalok 窑青瓷罐
15 世纪泰国 Sawankhalok 窑青瓷罐。 3.75 英寸高 x 4.5 英寸宽，红色低火粘土，顶部有一些烧制釉料缺陷，可能是由于窑炉过度堆积造成的。 B31
$400.00
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15 世纪泰国 Sawankhalok 窑带盖调味罐
15 世纪泰国 Sawankhalok 窑带盖调味罐。 2 3/8 英寸高 x 2.5 英寸宽，显示轻微釉面磨损。无裂纹、缺口或修复。书架
$230.00
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15 世纪泰国 Sawankhalok 窑带盖调味罐
15 世纪泰国 Sawankhalok 窑带盖调味罐。非常早期的 15 世纪泰国陶器，由一位现年 96 岁的女士在 20 世纪中叶收藏。我很快就会出售她的更多物品。 3.25 英寸高 x 4 3/8 英寸宽 盖子顶部有一个缺口，盖子和底座的边缘内部有一些粗糙度，这可能是几个世纪使用造成的烧制缺陷和轻微磨损的结合。 b31
$230.00
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15 世纪泰国 Sawankhalok 窑带盖调味罐
15 世纪泰国 Sawankhalok 窑带盖调味罐。非常早期的 15 世纪泰国陶器，由一位现年 96 岁的女士在 20 世纪中叶收藏。我很快就会出售她的更多物品。 4 3/8 英寸高 x 4.5 英寸宽 一个修复的芯片和相关的稳定发际线显示在最后一张照片的左侧中心。无其他重大问题。亚洲货架
$230.00
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15 世纪泰国 Sawankhalok 窑带盖调味罐
15 世纪泰国 Sawankhalok 窑带盖调味罐。非常早期的 15 世纪泰国陶器，由一位现年 96 岁的女士在 20 世纪中叶收藏。我很快就会出售她的更多物品。 3 英寸高 x 3.75 英寸宽，无裂纹、缺口或修复。 TW129
$365.00
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15/16 世纪早期印刷圣经页，带有手工红字首字母缩写
15/16 世纪早期印刷的圣经页，带有手工红字首字母缩写。来自大量宗教手稿收藏，装帧于 20 世纪第三季度。 10.75" x 8.75" 框架，8.5" x 6.25" 瞄准镜。画架
$165.00
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15/16 世纪牛皮纸对歌叶
15/16 世纪牛皮纸对歌叶。这是在牛皮纸/牛皮上。有一些泪水，但在框架中很稳定。由于某种奇怪的原因，玻璃背面有透明胶带，正面有一点，可能他们将两个玻璃贴在一起，随着时间的推移，胶带会稍微退化，但仍然显示良好。如图所示，略微照亮。 22.5 英寸 x 16 英寸带框。 礼拜音乐的起源传统上可以追溯到圣格列高利大帝（St. Gregory the Great，卒于 604 年），他受到圣鸽的启发，记录了“格列高利”圣歌的原则。渐进曲包含弥撒曲的音乐部分，并在祭坛的台阶（gradus）上演唱。 《对唱者》包含了《祈祷书》的音乐部分。这些术语在现代已经可以互换。由于其尺寸和复杂性，在印刷术引入后的几个世纪里，这些手稿仍在以传统方式手工制作。它们是大胆的手写和插图在大张坚固的羊皮纸上，以便整个合唱团可以从一本书中阅读。
$285.00
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15/16 世纪牛皮纸对歌叶
15/16 世纪牛皮纸对歌叶。这是在牛皮纸/牛皮上。有一些泪水，但在框架中很稳定。由于某种奇怪的原因，玻璃背面有透明胶带，可能是他们将两块玻璃粘在一起，随着时间的推移，胶带有点退化，但仍然显示良好。如图所示，略微照亮。 22.5 英寸 x 16 英寸带框。上面贴着这本和我单独提供的另一本的翻译。 礼拜音乐的起源传统上可以追溯到圣格列高利大帝（St. Gregory the Great，卒于 604 年），他受到圣鸽的启发，记录了“格列高利”圣歌的原则。渐进曲包含弥撒曲的音乐部分，并在祭坛的台阶（gradus）上演唱。 《对唱者》包含了《祈祷书》的音乐部分。这些术语在现代已经可以互换。由于其尺寸和复杂性，在印刷术引入后的几个世纪里，这些手稿仍在以传统方式手工制作。它们是大胆的手写和插图在大张坚固的羊皮纸上，以便整个合唱团可以从一本书中阅读。
$280.00
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16" & 6.6" Emma Melendez Taxco modernist sterling silver abalone choker/bracelet
16" & 6.6" Emma Melendez Taxco modernist sterling silver abalone choker/bracelet. No issues, circa third quarter of the 20th century .16" long necklace with other measurements in pictures. No issues. Selling the necklace shown in the pics. 6.6" bracelet 16" necklace. Listed with ExportYourStore.com
$875.00
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16 英寸 10 毫米 David Yurman 纯银/18k Figaro 链条
16 英寸 10 毫米 David Yurman 纯银/18k Figaro 链条。保证正品 David Yurman，经过标记和测试的 18k 金和纯银。52.7 克 无损坏或明显磨损。
$630.00
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16 英寸 1920 年代装饰艺术纯银项圈项链
16 英寸 1920 年装饰艺术纯银项链。非常酷的项链，没有可检测到的标记，经过纯银测试。16 英寸长 62 克，可能是欧洲的。可能是可逆的。
$230.00
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16" 1940's Taxco Art Deco Sterling silver Mexican Disks necklace
16" 1940‘s Taxco Art Deco Sterling silver Mexican Disks necklace. Solid sterling silver tested and guaranteed Marked Taxco Sterling as shown in one of the pics.. No issues, circa second quarter of the 20th century. Weight and measurements in pictures.
$395.00
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16 英寸 6 毫米 David Yurman 14k/纯小麦链项链
16 英寸 6 毫米 David Yurman 14k/纯小麦链项链。实心纯银，顶部有实心 14k 金带，没有问题。53.8 克，非常坚固，高品质项链。正品保证。安德拉斯
$755.00
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16 英寸古董日本明治时期伊万里充电器
16 英寸古董日本明治时期伊万里充电器。无裂纹、缺口或修复，19 世纪末。
$280.00
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16 英寸 c1900 Wilhelm Schiller 奥地利珐琅花瓶 11.75 英寸宽，带手柄
16 英寸 c1900 年 Wilhelm Schiller 奥地利珐琅花瓶 11.75 英寸宽，带手柄。 X 15 7/8" 高。无裂纹、缺口或修复。 Wilhelm Schiller 于 1829 年在波西米亚博登巴赫开始生产瓷器和陶器，并以 Schiller 和 Gerbing 的名义进行经营。 1885 年，该公司解散并更名为 Wilhelm Schiller and Son，并一直运营到第一次世界大战爆发。Schiller and Gerbing 公司是否生产陶器尚不得而知，但 Wilhelm Schiller and Son 公司显然是最出色的。波西米亚的陶器制造商数量众多。 包括席勒在内的波西米亚瓷器制造商使用的调色板比斯塔福德郡的同行柔和得多。许多席勒作品的背景是哑光灰褐色、浅灰色或绿松石色，带有各种棕色和黑色色调的釉面特征。内部通常采用绿松石色釉面。该公司的大部分产品反映了从传统维多利亚时代的陶器到装饰艺术风格的转变。最常见的席勒作品是装饰花瓶、花瓶、餐桌中心和水壶。目前尚无已知的席勒瓷器盘、碗或其他功能性餐具的例子。 Wilhelm Schiller and Sons 的珐琅器上刻有字母“WS&S”，该字母要么被压印，要么包含在凸起的漩涡花饰中。
$410.00
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16 英寸 c1930 粉色切割凹陷玻璃灯
16 英寸 c1930 粉色切割凹陷玻璃灯。令人难以置信的灯底座宽 6 英寸，无裂纹、缺口或修复。有一些非常小的恙螨咬伤，这些孔是为绳子钻的，这是预料之中的，因为它不是平坦的表面，85 年前它可能有一个索环。灯和开关工作TW95
$350.00
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16" David Anersen Norway Sterling silver blue enamel leaf for modernist necklace
16" David Anersen Norway Sterling silver blue enamel leaf for modernist necklace. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa third quarter of the 20th century. No issues, marked as shown.
$395.00
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16" Georg Jensen 1 Art Deco Sterling Choker necklace
16" Georg Jensen 1 Art Deco Sterling Choker necklace 5/8" wide x 56 grams. No issues whatsoever.Georg Jensen, (born August 31, 1866, Raadvad, Denmark—died October 2, 1935,<br>Copenhagen), Danish silversmith and designer who achieved international<br>prominence for his commercial application of modern metal design. The simple<br>elegance of his works and their emphasis on fine craftsmanship, hallmarks of<br>Jensen’s products, are recognized around the world.<br><br>Jensen was apprenticed to a goldsmith at age 14. His artistic talents were<br>briefly focused on sculpture, but he returned to metalwork, primarily jewelry<br>and silver pieces, produced in the workshop he opened in Copenhagen in 1904.<br>Jensen exhibited his works at several major foreign exhibitions (winning a gold<br>medal at the Brussels Exhibition of 1910) and quickly built a reputation as an<br>outstanding and highly original silversmith. He moved to a larger workshop in<br>1912 and acquired his first factory building in 1919.<br><br>Jensen’s silverware achieved immediate popularity and commercial success. He<br>was, in fact, the first silver maker to realize a profit from the manufacture of<br>modern silver. Until Jensen’s time virtually all successful silverware producers<br>had relied on a standard repertory of popular traditional designs. Jensen,<br>however, found that the market for his sleek, simple pieces was larger than<br>anyone had predicted. His firm grew rapidly, expanding throughout Europe and<br>opening branches in London and New York City. On both continents Jensen’s work<br>set trends for contemporary tableware. He was among the first designers to<br>fashion steel—formerly considered fit only for low-quality, inexpensive<br>flatware—into handsome, serviceable cutlery.
$2,925.00
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16" Locaspino Zuni sterling silver needlepoint turquoise bib/choker necklace
16" Locaspino Zuni sterling silver needlepoint turquoise bib/choker necklace. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa third quarter of the 20th century. No detectable markings. 16" necklace, other measurements in pics.
$295.00
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16 英寸 Los Castillo 现代主义纯银和绿松石项圈项链
16 英寸 Los Castillo 现代主义纯银和绿松石项链。16 英寸长 14 毫米宽，没问题，可能是仿制或块状绿松石 53 克，罕见设计。 Los Castillo 珠宝 - 历史Antonio Castillo 和他的兄弟 Jorge、Miguel 和 Justo 于 1939 年创立了 Los Castillo。他们都曾在 William Spradling 的高高店当学徒，然后在墨西哥塔斯科开始自己的生意。安东尼奥·卡斯蒂略在斯普拉特林工作期间晋升为银匠大师。 几十年来，洛斯卡斯蒂略作坊培养并雇用了许多熟练的银匠，其中包括卡斯蒂略兄弟的表弟萨尔瓦多·特兰、西吉·皮内达、安东尼奥·皮内达和安东尼奥·卡斯蒂略的妻子玛戈·范·沃里斯·卡尔。所有这些艺术家都继续开设了自己的成功工作室，其中包括范·沃里斯·卡尔 (van Voorhies Carr)，她在与安东尼奥·卡斯蒂略 (Antonio Castillo) 离婚后创立了玛格特·德塔斯科 (Margot de Taxco)。洛斯卡斯蒂略以其优质银器以及将铜和/或黄铜与纯银混合的混合金属而闻名。其他装饰性家居饰品有镀银和镶嵌石材装饰。 查托 (豪尔赫) 卡斯蒂略 (Chato (Jorge) Castillo) 是卡斯蒂略兄弟之一，曾在 20 世纪 30 年代为威廉·斯普拉特林工作。他以其技术专长和设计才华而闻名。他开发了结合金属、银羽毛、阿兹特克马赛克或石镶嵌、贝壳或鲍鱼镶嵌的技术……（墨西哥银：莫里尔和伯克的现代手工珠宝和金属制品（Schiffer：2007 年，第 4 版），第 86 页。
$760.00
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16" Margot De Taxco Mid Century Modernist sterling Pendant on cuban link necklace
16" Margot De Taxco Mid Century Modernist sterling Pendant on cuban link necklace. Necklace is nice and thick 4mm with no apparent markings, tested sterling. The ends of the clasp will not go through the bail of the pendant, so I assume they have been together "forever".. Pendant 2.25" with bail x 1 3/8". 42.9 grams.Margot Van Voorhies was born in 1896 in San Francisco, California. By the time<br>she left her native country for good, she had survived the death of her father<br>in 1903, the San Francisco Earthquake in 1906, the loss of her mother at the<br>hands of a er in 1931 and the end of her first marriage in 1936.<br><br>Fortunately, a Mexican vacation changed the life of Margot Van Voorhies in ways<br>she could never have imagined. In 1937, forty-one-year-old divorcée Margot Van<br>Voorhies left San Francisco on a trip to Mexico City. Fate threw her into the<br>path of Don Antonio Castillo, who took her to Taxco, a Mexican hotbed for the<br>design, crafting, and production of silver objects, in particular jewelry and<br>housewares.<br><br>Soon, Castillo would become Margot’s second husband. At the time, Castillo was<br>working for William Spratling, a pioneer in Mexican silversmithing. He brought<br>Margot into the business as a designer, helping her to transform her paper<br>creations into three-dimensional forms in silver. In 1939, the pair, along with<br>other members of Castillo’s family, opened shop as Los Castillo Taller [Taller<br>is Spanish for “Workshop”], with Margot as the top designer.<br><br>After ten years, the marriage between Castillo and Van Voorhies dissolved, as<br>did their professional association. Margot went on to open her own shop in 1948,<br>taking the name Margot de Taxco, by which she is best known today. Seven years<br>later, enamel was added to many of her pieces, and this is where Margot found<br>her legacy.<br><br>At the peak of her career, Margot, who designed each piece herself, had two<br>dozen silversmiths and a dozen enamellists in her employ to execute her vision.<br>The men performed the duties as silversmiths; the women did the enamel work,<br>using tiny brushes to bring the watercolor drawings to life. To ensure the<br>accurate rendering of her jewelry designs, she compiled a book of instructions<br>and drawings, detailing the construction and finishing of each. Margot attracted<br>talented craftsmen who later went on to cement their own reputations, such as<br>Sigi Pineda, Miguel Melendez, and Melecio Rodriguez.<br><br>Many contemporary Hollywood celebrities were clients of Margot, including John<br>Wayne and Lana Turner, who visited her shop every year.<br><br>Tragedy struck in the form of a fire in 1960. Forced to move her studio, she<br>never again regained her prior success, and the business folded in 1974. Margot<br>granted several of the silversmiths in her employ permission to use her molds to<br>create pieces on their own, in return for debt forgiveness. As a result, many of<br>Margot’s pieces were re-created by silversmiths such as Jaimie Quiroz and<br>Geronimo Fuentes, bearing their hallmark rather than hers.<br><br>Margot passed away in 1985. But her talent as a designer and her influence as an<br>artist have continued to gain recognition since the time of her death.<br><br>Margot’s shop produced some repousse silver (a technique where a raised or<br>relief design is hammered in from the reverse side of the piece). But she is<br>best known for her champlevé enamel work. Champlevé is created by carving,<br>etching, striking, or casting troughs or cells into the surface of a piece and<br>filling it with vitreous enamel. In Margot’s jewelry, the designs were<br>die-struck, a process that was detailed and critical to the final product.<br><br>Margot produced many suites that included necklaces, brooches, bracelets, and<br>earrings, as well as convertible jewelry. Margot de Taxco jewelry is recognized<br>for its elegance, femininity, and variety.<br><br>There were many areas of influence that can be found in Margot’s work. Her fish<br>and wave motifs celebrated her love of Japanese art. The ornate swirls and<br>floral motifs were reminiscent of the Art Nouveau style. Mischievous<br>pre-Columbian figures were a recurring theme. Art Deco style ballerinas struck<br>graceful poses. Margot was also taken with Egyptian motifs and Mexican crafts.<br><br>Margot de Taxco pieces are distinguished by the stamp that includes her name,<br>Eagle 16 (or Eagle 1, for her earlier works), along with a production number.<br>Issued by the government, the eagle stamp was a way to identify th
$300.00
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16" Retired James Avery heavy modernist sterling necklace
16" Retired James Avery heavy modernist sterling necklace. Weight and measurements in pics. Selling the exact piece shown in great condition with no damage or significant wear. James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.
$905.00
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16" Retro Southwestern sterling and lapis freeform cross necklace.
16" Retro Southwestern sterling and lapis freeform cross necklace.. Sterling fitting and chain, genuine Lapis Lazuli, weight and measurements in pics. All precious metals are tested and guaranteed,
$125.00
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16" Retro Southwestern sterling and lapis freeform necklace.
16" Retro Southwestern sterling and lapis freeform necklace.. Sterling fitting and chain, genuine Lapis Lazuli, weight and measurements in pics. All prcious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.
$125.00
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16 英寸复古粉色视觉成人电影纯色拨动项链，带粉色视觉心形吊饰
16 英寸复古纯银铰链项链，带有粉色视觉心形吊饰。漂亮的实心重项链，实际上是我从一位退休的成人电影女演员那里购买的。这是她的，是送给她的促销品。测试英镑标记看起来像 JC 925。心形如果不需要，可以很容易地切断，如果要求的话我可以这样做，但除非要求，否则显然不会。59.3 克。
$280.00
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16" Retro Taxco Mexican sterling silver onyx beaded tab choker necklace
16" Retro Taxco Mexican sterling silver onyx beaded tab choker necklace. Solid sterling silver tested and guaranteed Marked Taxco Mexico 925 as shown in one of the pics close to the clasp. No issues, circa last quarter of the 20th century. Weight and measurements in pictures.
$245.00
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16" Vintage Barry Kieselstein Cord Carnelian beaded necklace with Sterling frogs/ladybug
Vintage Barry Kieselstein Cord Carnelian beaded necklace with Sterling frogs/ladybug 16" long, rare if not one of a kind.
$765.00
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16" Vintage Carol Felley Amethyst and sterling southwestern necklace
16" Vintage Carol Felley Amethyst and sterling southwestern necklace. No issues, measurements and weight in pics.<br><br>Following her passion for painting and jewelry design Carol moved to New Mexico<br>after graduating from Carnegie Mellon University with a Fine Arts degree. She<br>was inspired by the jewelry making community in the Southwest and opened a<br>design and jewelry manufacturing business in Albuquerque, New Mexico which she<br>owned and operated for thirty years.<br><br>She has also been deeply moved by her volunteer work with hospice and decided to<br>develop a new jewelry company called “Style Conscience” dedicated to raising<br>awareness and support for specific causes that she is passionate about. Carol<br>has rededicated her efforts and has combined her love and talent for jewelry<br>design with her passion for making a difference in the world.<br><br>Carol has developed her own unique signature jewelry collections that raise<br>awareness jewelry to a new level of design and beauty. She believes that women<br>want to wear something precious and meaningful that is beautifully designed to<br>express their support for important causes. Carol’s jewelry is crafted from<br>precious metals and gemstones and each individual piece is beautifully finished<br>by hand.”<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.
$490.00
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16 英寸复古墨西哥英镑项链和胸针
16 英寸复古墨西哥纯银项链和胸针。简单标记为墨西哥制造，（测试）纯银。1.25 英寸胸针，16 英寸长项链，总重 48.2 克
$115.00
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16" Vintage Mid Century Modernist Mexican sterling collar necklace
16" Vintage Mid Century Modernist Mexican sterling collar necklace 13.5" plus 2.5" flexible gap, 36.1 grams.
$125.00
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16" Vintage Native American sterling silver shell heishi turquoise tab necklace
16" Vintage Native American sterling silver shell heishi turquoise tab necklace. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa third quarter of the 20th century. Unmarked.. No significant issues
$450.00
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16 英寸复古纳瓦霍银和绿松石吊坠项链
16 英寸复古纳瓦霍银和绿松石吊坠项链。如图所示，没有任何问题。 所有贵金属均经过测试并有保证，任何称为银或纯银的美洲原住民珠宝保证至少为 90% （硬币）银，含量可能更高。任何标记的东西都保证是其标记的内容，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示金属与布卷尺上数字相符的内周长。
$300.00
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16" Vintage Santo Domingo shell bead stamped sterling silver tube necklace
16" Vintage Santo Domingo shell bead stamped sterling silver tube necklace. Solid sterling silver tested and guaranteed beads with no apparent markings, with weight and measurements in the pictures. No issues, circa third quarter of the 20th century.
$545.00
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16" Vintage South/Central American 980 Silver high grade Lapis Lazuli Necklace
16" Vintage South/Central American 980 Silver high grade Lapis Lazuli Necklace . Solid (980) sterling silver tested and guaranteed with weight and measurements in the pictures. Circa third quarter of the 20th century. No apparent markings other than 980. No issues.
$195.00
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16" Vintage Southwestern sterling silver tube bead necklace
Vintage Southwestern sterling silver tube bead necklace. Tested and guaranteed solid sterling silver fittings with weight and measurements in the pictures. No detectable issues or markings. Great piece from large collection of Native American jewelry purchased in the last quarter of the 20th century and never worn for the most part. 16" long.
$95.00
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16.5" & 14" Vintage Native American sterling silver heishi turquoise necklaces
16.5" & 14" Vintage Native American sterling silver heishi turquoise necklaces. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa third quarter of the 20th century. Unmarked.. No significant issues Selling both necklaces shown, length shown in pictures.
$245.00
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16.5" & 23" Vintage Santo Domingo Pueblo Heishi shell necklaces bird fetish
16.5" & 23" Vintage Santo Domingo Pueblo Heishi shell necklaces bird fetish. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa third quarter of the 20th century. Unmarked.. No significant issues Selling both necklaces shown, length shown in pictures.
$295.00
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16.5" 1970's Navajo sterling silver chip inlay sunface squash blossom necklace
16.5" 1970‘s Navajo sterling silver chip inlay sunface squash blossom necklace. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa last quarter of the 20th century. 16.5" long, apparently unmarked.
$650.00
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16.5" Alice Platero Navajo modernist sterling silver turquoise beaded necklace
16.5" Alice Platero Navajo modernist sterling silver turquoise beaded necklace. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa last quarter of the 20th century.
$450.00
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16.5 英寸，约 1890 年卡尔·蒂姆·德累斯顿瓷质瓮，上面有孔雀、火鸡、鹌鹑、鸡，带翅膀的女人把手
16.5 英寸，约 1890 年 Carl Thieme Dresden 瓷质瓮，上面有孔雀、火鸡、鹌鹑、鸡和带翅膀的女人，每个手柄宽 9 英寸。所有手绘博物馆品质独一无二的作品。两个盖子都完好无损，没有裂缝、没有缺口，也没有修复。其中一只翅膀和一颗女士头像进行了旧修复。另一个没有裂缝、缺口，但可能对其中一位女士头像进行了专业修复，没有其他修复。
$1,815.00
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16.5 英寸 Polia Pillin（1909-1992）世纪中叶现代加州艺术陶碗 1940 年代至 50 年代末。
16.5 英寸 Polia Pillin（1909-1992）世纪中叶现代加州艺术陶器碗 1940 年代至 50 年代末。杰出的早期重盆 Pillin 作品刚刚在庄园新鲜发现。从 Polia 购买，价格为 75 美元，我认为标签上的 101 表明它是可能是她制作的第 101 件作品。这是一个非常大的碗，有典型的裂纹，外缘有 3 个最小的釉片。没有裂纹、缺口或修复。出生于波兰的 Polia Pillin（1909-1992 年）和她的丈夫 William 于 1948 年在加利福尼亚州洛杉矶的车库里成立了他们的陶瓷工作室 The Pillin Art Pottery Company。她的丈夫对陶罐进行了造型和上釉，这些陶罐后来成为 Polia 用来作画的画布中世纪风格的人物和动物的奇幻场景。制作了数千件作品，波利亚成为当今最受推崇的当代工作室陶艺家之一。 用于皮林陶器的粘土通常是红砖色。威廉尝试了不同的釉料，并制作了一些没有波利亚艺术品的作品。然而，波莉亚的艺术设计为她赢得了国际认可。波莉亚受到立体主义运动和她非常欣赏的巴勃罗·毕加索作品的启发。她的风格通常被称为“拜占庭式”。波利亚最喜欢的题材是在色彩丰富的釉料上画出的女人、马、鸟、鱼和其他动物。整个托盘具有有机、宝石色调的品质。每一件 Pillin 陶器都是手工制作、上釉、上漆，因此独一无二。因为皮林在她的车库工作（当她住在芝加哥时，她在厨房工作），所以她无法接触到专业商人、化学家或可以批量生产她的作品的专业设备。因此，大多数皮林陶器都非常疯狂。几乎没有裂纹的稀有作品价值更高。 大多数 Pillin 陶器都是从 1948 年开始生产的，底部用粗或细的黑色墨水刻有 Polia 的签名“Pillin”。她于 1946 年和 1947 年在芝加哥厨房制作的稀有作品均刻有“46”或“47”字样。一些非常早期的作品在皮林签名上方标有“W+P”，表示威廉投掷这些作品，波利亚装饰它们。较厚的投掷作品往往表明早期作品。
$2,675.00
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16.5" Retro Carol Felley Sterling silver malachite beaded pendant necklace
16.5" Retro Carol Felley Sterling silver malachite beaded pendant necklace. Solid sterling silver tested and guaranteed with the markings shown in the pictures markings, with weight and measurements in the pictures. No issues, circa last quarter of the 20th century.
$395.00
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16.5" vintage Mexican Sterling link Collar Choker necklace
16.5" vintage Mexican Sterling link Collar Choker necklace. Thick solid marked and tested sterling with no issues. 101.3 grams.
$300.00
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16.5" Vintage Navajo pearl sterling silver beaded necklace
16.5" Vintage Navajo pearl sterling silver beaded necklace, weight and measurements in the pictures. No issues, circa last quarter of the 20th century. 16.5" long necklace with other measurements in pictures. No issues. Selling the necklace shown in the pics. It is a little different, but the beads are handmade, it tests sterling silver, has the right interior chain, clasp, etc. I believe the whole thing is Navajo made. Listed with ExportYourStore.com
$245.00
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16.5" Vintage Navajo sterling silver cone beaded necklace w/turquoise pendant
16.5" Vintage Navajo sterling silver cone beaded necklace w/turquoise pendant . Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa third quarter of the 20th century.
$285.00
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16 5/8 英寸高古董帕罗斯人物雕塑穿着华丽服饰的女人 19 世纪 9 磅
16 5/8 英寸高古董帕罗斯人像雕塑，穿着华丽服饰的女人，19 世纪，底座宽 8 英寸。底座边缘内有小缺口。无裂纹、其他缺口或修复体。大而重的一块。重 9 磅。 B&B 标记为菱形，顶部为 H，底部为 S。
$270.00
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168 克拉博尔德蛋白石钻孔吊坠/珠子
168 克拉博尔德蛋白石钻孔吊坠/珠子。出售所示的确切石头。钻有一个干净的 2 毫米孔。我有几个这样的东西，我将单独提供它们。它们戴在一条 24k 金项链上，每颗宝石之间都有 24k 大珠子。黄金已经被回收利用，我希望重新利用它们，因为它们是昂贵的宝石，值得戴在一条项链上，项链上有价值数千美元的黄金。可能性是无穷无尽的，其中一个或几个在某个环境内或外都会很棒。购买所示的原石，尺寸为 58 毫米 x 36 毫米，重 168 克拉。
$500.00
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17" 1970's waterweb turquoise silver beaded Navajo necklace
17" 1970's waterweb turquoise silver beaded Navajo necklace. Very attractive natural stones, Bottom stone in bezel is 1 5/8" x 1 1/8" with bail. 45.9 grams<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.
$400.00
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17" 40's-50's Deep stamped Navajo pearl 11-12mm sterling silver beaded necklace
17" 40‘s-50‘s Deep stamped Navajo pearl 11-12mm sterling silver beaded necklace. Tested and guaranteed solid sterling silver, weight and measurements in pictures. No issues, oxidized naturally as shown. Handmade, hand stamped, mid 20th century, unmarked.
$995.00
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17" 40's-50's Vintage Zuni sterling silver petit point bib necklace turquoise
17" 40‘s-50‘s Vintage Zuni sterling silver petit point bib necklace turquoise. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Stones secure, a few with old fractures.. Circa second quarter of the 20th century. Chain appears later.
$450.00
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17 英寸 97 克纯银双链项链
17 英寸 97 克纯银双链项链。这条项链宽 0.5 英寸，采用实心纯银标记并经过测试，非常酷的超重复古纯银项链。没有问题。
$270.00
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17 英寸仿古中国木雕佛像
17 英寸古董中国木雕佛像。18-19 世纪古董佛像，之前在佳士得东部出售，标签完好。17 英寸高 x 7 英寸宽，手工修复，如图所示。
$650.00
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17" c1940's Navajo sterling silver high grade turquoise pendant necklace
17" c1940‘s Navajo sterling silver high grade turquoise pendant necklace Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa second quarter of the 20th century. Unmarked.. No significant issues
$575.00
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17" Heavy Retro Mexican modernist Sterling silver choker necklace
17" Heavy Retro Mexican Sterling choker. 17" long 22mm wide at widest point,<br>Very substantial 135 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.<br><br>anderas
$350.00
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17" J*C Vintage Native American sterling and turquoise beaded cross necklace
17" J*C Vintage Native American sterling and turquoise beaded cross necklace 17" long with no issues. Weight and measurements in pics. Solid sterling with no sterling mark as typical of Native American jewelry of this era (60‘s-70‘s) All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.
$230.00
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17" Retro Southwestern Touch of Santa Fe sterling channel inlay necklace
17" Retro Southwestern Touch of Santa Fe sterling channel inlay necklace 5mm wide with no issues.The initial idea was born in Santa Fe, New Mexico in the heart of the Native American art district to cater to the educated collectors of southwest jewelry and art, and the every day American consumers which are interested in a modern look that carries value and pizzazz . A Touch of Santa Fe was founded in 1993 in Albuquerque, New Mexico. ATSF grew rapidly to become one of the largest producers of Native American crafted lapidary (Inlay) jewelry. The collectors of southwestern jewelry and art have recognized for the past 24 years ATSF as the only company in the industry that offers a lifetime guarantee on its products, along with a wide variety of both men and women’s jewelry styles in an unlimited selection of color combinations.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.
$370.00
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17" Southwestern sterling silver onyx, lab opal arrowhead form pendant necklace
17" Southwestern sterling silver onyx, lab opal arrowhead form pendant necklace. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa last quarter of the 20th century. Unknown maker.
$225.00
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17 英寸复古欧式打制铜混合金属托盘
17 英寸复古欧式敲打铜混合金属托盘。这是该系列中罕见的形式，状况令人惊叹。它是实心铜，镀锡或镀银，我相信然后涂漆。背面有壁挂架，装饰性或功能性部件，非常大，非常很好，没有重大问题。书架
$165.00
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17" Vintage Dishta Zuni sterling silver flush inlay turquoise bib necklace
17" Vintage Dishta Zuni sterling silver flush inlay turquoise bib necklace Tested and guaranteed solid sterling silver with weight and measurements in the pictures. Buying the Necklace shown with no damage, high quality workmanship with illegible signature, circa last quarter of the 20th century. Tested and guaranteed solid sterling silver. Hallmarked on pendant by the artist as shown in the pictures, I have made no effort to determine the identity of this artist due to time limitations.
$395.00
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17 英寸复古墨西哥纯银项链
17 英寸复古墨西哥纯银项链，长 17 英寸，垂下另外 4.5 英寸。经过标记和测试的纯银。扣环上标有墨西哥 925 和其他一些难以辨认的东西。63.4 克。
$175.00
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17 英寸复古美洲原住民纯银、绿松石和鹿角项链
17 英寸复古美洲原住民纯银、绿松石和鹿角项链。长 17 英寸，珠子和其他金属为实心纯银、真正的绿松石，吊坠重 2 英寸，重 45.7 克。背面标有 FB。
$400.00
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17" Vintage Native American sterling, turquoise, and coral beaded pendant necklace
17" Vintage Native American sterling, turquoise, and coral beaded pendant necklace.
$145.00
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17" Vintage Zuni sterling silver turquoise/coral channel inlay necklace
17" Vintage Zuni sterling silver turquoise/coral channel inlay necklace . Solid sterling silver, marked as shown, with weight and measurements in the pictures. Tested and guaranteed solid sterling silver. No damage. Unmarked, nice older piece circa mid 20th century.
$950.00
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17 3/8 英寸 c1900 中国青花南京裂纹釉落地花瓶手绘皇帝
c1900 中国青花南京裂纹釉地板花瓶手绘皇帝 17 3/8 英寸 x 8 英寸宽。绘画精美，烧制缺陷如皇帝服装所示。无裂纹、缺口或修复
$905.00
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17.5" c1950 Vintage Navajo pearl sterling silver hand stamped beaded necklace
17.5" c1950 Vintage Navajo pearl sterling silver hand stamped beaded necklace. Tested and guaranteed solid sterling silver with weight and measurements in pictures. No issues. 17.5" long, circa mid 20th century with no significant issues. All handmade, hand stamped beads.
$995.00
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17.5" Christin Wolf Sterling silver sugilite channel inlay beaded necklace
17.5" Christin Wolf Sterling silver sugilite channel inlay beaded necklace. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa third quarter of the 20th century, 17.5" long. Christin Wolf was a nationally recognized jewelry designer known for blending timeless lines and contemporary style with a vibrant southwest color palette. The owner passed away in 2017, and I believe production ceased.
$695.00
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17.5" JCJ Southwestern Modernist sterling silver bib necklace w/earrings
17.5" JCJ Southwestern Modernist sterling silver bib necklace w/earrings. Circa last quarter of the 20th century, tested and guaranteed solid sterling silver. No apparent issues. Unknown maker.
$245.00
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17.5 英寸纯银玛瑙珠项链
17.5 英寸纯银玛瑙珠项链。漂亮的复古项链，中心有 1.5 英寸玛瑙石，无损坏，重 75 克。
$145.00
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17.5" Vintage 1960's Navajo sterling silver Bisbee turquoise 3 pendant necklace
17.5" Vintage 1960‘s Navajo sterling silver Bisbee turquoise 3 pendant necklace. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Center stone could have tight old stable fracture, please see pics, circa third quarter of the 20th century. Unmarked. This has an old 60‘s-70‘s mark on the back labeling it as Bisbee, the center and the right stones look like they could be Bisbee, the other with a tad of green looks more like some higher grade Royston. I didn‘t mine these of course and probably would not confidently call them Bisbee without Bisbee having been written on the back long ago. There are many grades and forms of Bisbee.
$950.00
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17.5" Vintage Barry Kieselstein Cord 14k/Sterling Frogs Necklace
17.5" Vintage Barry Kieselstein Cord 14k/Sterling Frogs Necklace. Guaranteed authentic, no issues, clean. 95.2 grams.
$915.00
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17.5" Vintage Santo Domingo sterling silver shell/turquoise heishi necklaces
17.5" Vintage Santo Domingo sterling silver shell/turquoise heishi necklaces . Solid sterling silver beads tested and guaranteed with weight and measurements in the pictures. No issues, circa third quarter of the 20th century. 16.5" and 17.5" Selling both, 1970‘s.
$295.00
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17 5/8" c1860 日本 Sometsuke 充电器手绘蓝色釉下彩
17 5/8" c1860 日本 Sometsuke 充电器手绘蓝色釉下彩。非常大的充电器，状况良好。边缘上有一个非常小的薄片，位于第三张图片底部的板架右侧。没有其他问题，没有裂纹、大缺口或修复。书架
$430.00
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1709 French Land Grant Texas?
1709 French Land Grant Texas? The acrylic case measures 17" tall x 20" wide. I haven't had a chance to figure out what territory is being discussed here as I don't speak French. I did acquire it with some early Texas documents/land grants with presidential signatures but none quite this old. I feel like this is likely a really important document and would be grateful for any type of info regarding the territory discussed here or anything else.
$655.00