产品

9 英寸复古意大利纯银手链。30.5 克，没有问题。

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9 英寸斯托本水晶弹力猫公仔完美无瑕 3.5 英寸宽非常重。即使在底座上也没有裂缝、缺口、凹痕或划痕。保证 100% 是正品 Steuben 美国艺术玻璃，由 Donald Pollard 设计，零售价约为 2000 美元。

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9.25 英寸非常古老的纯拜占庭风格手链/脚链。对我来说，这似乎是一个非常古老的手链。我可以看到淡淡的旧标志痕迹，经过纯银测试。42.8 克。

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9.5 英寸 Michael Wainwright/Sandra Baccus Amalfi 沙拉盘套装。出售所示的 4 个盘子，全部没有磨损或损坏。我不完全确定这是绿松石色 Amalfi 还是专为 Sandra Baccus 设计的不同颜色，她是一个非常作为非洲裔美国艺术的重要收藏家，她在 2012 年去世后捐赠了价值数百万美元的藏品。 所有 Michael Wainwright 作品均采用真正的 24K 金和真正的铂金制成。这些盘子很重而且很漂亮。它们的直径为 12.5 英寸。Wainwrights 的许多设计源自他在意大利的学习、他对自然的热爱以及他对美术的欣赏。因为他来自工作室陶瓷艺术世界，所以他创造了侘寂（不完美的艺术）每件作品均采用手工制作的细节。最近的灵感包括 Kintsugi（Mezza 收藏）的日本技术和古斯塔夫·克里姆特（Gustav Klimt）（维也纳收藏）等艺术家的作品。 Wainwright 于 1991 年创建了他的第一个餐具系列，同年他创立了自己的公司。他最初在街头集市和工艺品市场出售他的商品，但不久之后他就被高端零售商发现了。到 1995 年，Wainwright 的系列产品已在全国各地的全国性和独立奢侈品商店出售。如今，Michael Wainwright Inc. 已从一家单人经营公司发展成为奢侈品市场上的知名企业。他的设计可以在 Neiman Marcus、Bloomingdales 等豪华商店以及小型精品家居店和精品店中找到。 Wainwright 是其系列中每件作品的唯一设计师。无论材质如何，他的几乎所有作品均采用 24k 金或铂金制成，并且全部在他位于马萨诸塞州大巴灵顿的工作室中设计。

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9.75" Navajo Upper Arm Cuff bracelet Sterling turquoise Larry Moses Begay. Or maybe you happen to have a 9"+ wrist. This is a big cuff bracelet, I assume for an upper arm bicep or upper forearm. No issues. Measurements in pics.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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900 银手印西南纳瓦霍饰品盒。经过标记和测试的银质，制作精良。 2 3/8" x 1 5/8" x 1 5/8" 高 43.2 克，手工压印。不确定制造商，但似乎是纳瓦霍人。饰品抽屉

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950 银巴洛克珍珠捷克斯洛伐克水晶项链。经过标记和测试的 95% 银高品质艺术玻璃棱镜和正宗巴洛克珍珠。 18 英寸长 76.1 克，干净的新鲜物品，没有任何问题。

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999 Silver Toy Model Soldier Figure. 2.25" tall, 37.2 grams, guaranteed solid pure silver. No markings. Comes in original box from refinery.

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9mm Lagos Caviar Diamond, 18k, and Sterling necklace. Guaranteed authentic,<br>top quality Lagos Caviar, solid 18k gold stations with 36 clean, white (tested) Natural Diamonds. 103.4 grams.

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A Dishta Zuni sterling thunderbird pendant/pin on turquoise heishi necklace 18" long necklace.. No issues, weight and measurements in pics. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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A Fin Scottish Sterling kilt pin. Measurements in pics. No issues.

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复古墨西哥舞蹈面具。 6.75 英寸高 x 5.75 英寸宽，大约 20 世纪中叶。显然签名如图所示。 JFC 马米？漂亮的旧面具，我将提供大量在 60 年代至 80 年代组装的面具，其中很大一部分来自 20 世纪第一季度，有些可能更古老。最近的那些品质卓越。有些带有识别它们的标签，有些标签丢失或随着时间的推移已经退化。我没有时间讨论每个面具的特征，但我会确保拍摄优质、准确的照片，并且如上所述，您将获得所示条件下显示的面具，并标明大致年龄。它们将被安全地存放直到出售，所以我实际上无法回答任何具体问题，我会在列出时给出每件的尺寸。如果我碰巧将中美洲/南美洲的面具称为墨西哥面具，我提前为我缺乏文化意识而道歉。 只是面具很多，时间很少，虽然我觉得每一个都非常棒，不然我不会浪费时间去拍摄它们……我宁愿把可以花的时间花在学习上每个角色的历史，确保它们包装得足够好，不会从卡车上掉下来，被碾过几次……仍然完好无损地送给你。 TW208

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AFD 德克萨斯州奥斯汀消防局局长原始照片 6 7/8" x 5 1/8" 19 世纪晚期马车。整个东西尺寸为 7 英寸 x 9 英寸。保证是 1870 年代至 1890 年代左右的原装。它来自奥斯汀当地的一个庄园，庄园里有所有当地物品。我相信那是奥斯汀。

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A.R. Cole(1892-1974) Pottery Frogskin Green Covered Casserole Dish. 5.75" tall x<br>10.75" with handle x 6 7/8" wide lid. No cracks, chips, restorations, or<br>crazing.

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Aaron Anderson Navajo Tufa Cast Sterling Cuff Bracelet. Very heavy solid cuff<br>135.7 grams. 6.5" inside circumference including the 1" gap. 1.75" wide in<br>center, tested sterling.<br><br>Navajo silversmith Aaron Anderson was born 1970 in Gallup, New Mexico, on the<br>edge of the Navajo Reservation. Aaron is from a family of artists. He would<br>watch his step-father (Will Begay), and uncle (Wilford Henry) produce<br>exceptional work, and began helping them in 1991. Aaron has been an active<br>silversmith since 1996. He is known for his tufa cast jewelry, and says his<br>inspiration comes from Charles Loloma. Every cast piece is hand carved and<br>completely unique as the tufa blocks can only be used once.<br><br>Aaron, a third generation artist, is a leader in the Native American art<br>community.<br><br>He is very passionate about his work and has no problem sharing his thoughts<br>with the world. His creativity and workmanship speaks for itself and is highly<br>valued among art collectors and fellow artists around the world. Aaron uses<br>elements from his strong Christian faith as well as traditional Native American<br>designs.<br><br>Aaron has won many blue ribbons at every show he enters, including eight best in<br>casting at the famed Gallup Intertribal Ceremonial. Today he shows at the<br>Indigenous fine art market in Santa Fe and the Native Jewelers Society.

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Aaron Tallis Navajo sterling purple spiny oyster necklace and earrings set. Weight and measurements in pics.. 28" long necklace. Selling the set shown with no issues. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Abbott J Hoecker “Heck” 殖民地国家高尔夫邀请赛 1987 年 德克萨斯州沃思堡 水彩画“在树荫下休息”。 15" x 23" 没有问题。霍克是一位非常优秀的插画家，在20世纪中后期创作了几本书，包括1943年的《小白痴》、《与巴勃罗的快乐时光》。七十年代在西南水彩画社中发挥着积极作用。显然是一位非常有才华的艺术家，绘画很棒，没有损坏。无框

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Abel Soseeah Zuni Sterling channel inlay sunface concho belt. No issues, 40" total length, can be worn at any size smaller than that. 165 grams.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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抽象的 Raku 花盆花瓶。我看不清这个标记，但它太棒了。 6.75 英寸高 x 5.75 英寸宽，无损坏或磨损。 B54

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"Prelude-Trail of Tears," signed in the cast Fortunate Eagle (Adam Fortunate Eagle, a/k/a Adam Nordwall, Red Lake Chippewa, Minnesota, b.1929), dated 1988, numbered 1/ 24, bronze only: approx 13.5"h, 14"w, 9.5"d, wood base: 1.75"h, 45lbs. Nice large well cast low production bronze by an extremely interesting and gifted artist. Please excuse the bad pictures as I took them at storage because as much as I love this, it's really big. Adam Fortunate Eagle L.H.D. (born Adam Nordwall), hereditary member of the Red Lake Band of Chippewa Indians, is a Native American activist and was the principal organizer of the 1969–1971 Occupation of Alcatraz by "Indians of All Tribes". Early life Born in the missionary section of the Red Lake Indian Reservation in 1929, Nordwall was the son of a Swedish man and an Ojibwe woman. When he was five, his father died, leaving his mother no choice but to send him and four other children away to boarding school. He attended the Pipestone Indian School in Minnesota[1] and the Haskell Institute in Kansas, where he took advantage of the time to improve many skills that would help him later in life as well as escape the Great Depression, famine, and disease that was running rampant on reservations at the time. There he met his future wife, the Shoshone Indian Bobbie. California years After their marriage, the Nordwalls moved to the San Francisco Bay Area in 1951. Nordwall worked as a licensed termite inspector and by the late 1960s owned his own company in San Leandro, the First American Termite Company. Although living a comfortable life, Nordwall felt that he and his family needed to learn more about who they were as Native Americans. He became more involved in local Indian affairs and became chairman of the United Bay Area Council of American Indian Affairs. It was at this time that he proposed the takeover of Alcatraz. In 1968, at the Bay Area Italian-Americans' annual San Francisco reenactment of Columbus' landing in America, having successfully lobbied to have the Indians portrayed by genuine Indians rather than costumed Boy Scouts, Nordwall flicked the wig off Joe Cervetto, playing Columbus, with his ceremonial staff in a symbolic scalping. After he donated an 18-foot totem pole to the city of Livermore in 1969, the city shortened it before installing it in a park, and Nordwall placed a curse on their sewer system until they restored the cut off section. Nordwall began to seriously plan the takeover of Alcatraz, and he met with Richard Oakes, a local student activist, at a Halloween party at Tim Findley's house in 1969. He proposed the date of November 9 and Oakes agreed to get as many students as he could.[4] Nordwall took care of providing transportation to the island. However, on the date, none of the ships were there and the press were wary of the Indians all dressed up in their tribal wear. Nordwall found a captain who seemed interested in the events of the day and talked him into providing transportation. He agreed but said he would not dock on the island, to which Nordwall agreed.[5] Once near shore, Oakes seized the moment and jumped overboard, followed by a few of his fellow students. Nordwall stayed behind and watched as Oakes and his band struggled to reach the shore. The captain returned to shore a little while later.[6] Nordwall was not satisfied with just having been around the island and wanted to go back. Oakes and his fellow students were returned by the Coast Guard, and Nordwall asked if they wanted to try again that night. So once again Nordwall, Oakes and some two dozen other Indians set off for Alcatraz. As they approached, stormy weather and a watchdog caused the captain to become wary. Oakes and three women managed to get off, while Nordwall was left on the ship with the remaining Indians.[7] On the day of the actual takeover Nordwall was out of town, but on Thanksgiving he came riding across the bay standing on the prow of his ship exactly like George Washington.[8] Although he never lived on the island, Nordwall helped from the shores and was able to assist those on the island and keep the press reporting on the occupation while at the same time bringing to light the plight of the Native Americans. Nordwall was still active in Native American affairs after the Alcatraz occupation. He served mostly as a liaison between the Bay Area Council and the press. Nordwall later taught Native American studies at California State University, Hayward.[1] In September 1973, on his way to the International Conference of World Futures, he descended from the plane in Rome in full tribal regalia and claimed the country "by right of discovery" in the manner Columbus had claimed America. Invited for an audience with Pope Paul VI, instead of kissing the papal ring, he offered his own ringed hand in return; the Pope grinned and clasped his hand. Nordwall filed for bankruptcy and left the Bay Area in 1975 after his pest control business incurred fines for environmental code violations and underpayment of taxes. Writing and film He wrote "The Alcatraz Proclamation to the Great White Father and his People", which states that the goal of the occupiers was to create a center for Native American studies, an American Indian spiritual center, an Indian center of ecology, and a great Indian training school, none of which came to be on the island.[10] While the occupation of Alcatraz seemed a failure on the surface, the federal policy of termination of all tribes ended in 1971, and self-determination became the new policy. Many consider the Alcatraz occupation the beginning of the "Red Power" movement. His 2008 book Heart of the Rock is the story of that "invasion".[1] Fortunate Eagle performed the voice of Sitting Bull in the feature-length documentary Sitting Bull: A Stone in My Heart.[11] He is also the subject of a feature-length documentary called Contrary Warrior: The Life and Times of Adam Fortunate Eagle[11] and wrote a book on his experiences as an Indian boarding school titled Pipestone: My Life in An Indian Boarding School. His most recent work, Scalping Columbus, is a compilation of his own anecdotes. He is the father of poet nila northSun. Later life Nordwall received his Indian name Fortunate Eagle from a Crow Indian when he was 42.[1] He now lives on the Paiute-Shoshone Reservation, where his wife was born; he has built a roundhouse out of tires and other recycled materials.[1] In the 1980s he won awards for his sculpture; he also makes ceremonial pipes and headdresses, and in 1987 was jailed and tried for selling eagle feathers. His criminal trial ended in a hung jury but he was found guilty and fined in a civil trial. He is a ceremonial leader and leading statesman for his people and is heralded as one of the greatest Indians of his generation.

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阿德尔莫 (Delmo) Tarsitano (1921-1990) 灯饰刻面蜘蛛和花朵镇纸。 3.5 英寸宽 x 2.25 英寸高，完好无损，没有任何形式的损坏或磨损。底部可以看到签名手杖。保证正品 c1980 年代 Delmo Tarsitano 镇纸。

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Adelmo (Delmo) Tarsitano (1921-1990) Lampwork Insects and flowers paperweight.<br>3.5" tall x 2 7/8" square in mint condition with no damage or wear of any kind.<br>The signature cane can be seen on the top close to dragonfly. Guaranteed<br>Authentic c1980's Delmo Tarsitano Paperweight.

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Adelmo (Delmo) Tarsitano (1921-1990) Lampwork Salamander paperweight. 3.5" wide<br>x 2.25" tall in mint condition with no damage or wear of any kind. The signature<br>cane can be seen on the top on the opposite side of the salamanders tail.<br>Guaranteed Authentic c1980's Delmo Tarsitano Paperweight.

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可调节 1950 年代 Beau Sterling 超酷戒指。尺寸 5.5 及以上，这里的酷感非常高，找不到另一个。 1" 面部最宽点，没有重大问题。 Beau 或 Beaucraft 珠宝1947 年 - 2004 年 9 月 Beaucraft Inc. 自 1947 年起在罗德岛州普罗维登斯开始运营并生产“Beau”和“Beaucraft”珠宝。半个多世纪以来，该公司一直是美丽而独特的精美纯银珠宝的领先生产商之一。珠宝设计具有独创性、多功能性和无可挑剔的工艺。复古 Beaucraft 珠宝首饰如今被认为极具收藏价值，与 Coro 属于同一类别的珠宝。他们的最新设计采用了一种新方法，通过对比拉丝和高抛光纯银饰面，创造出将经典风格与现代时尚相结合的完全原创的外观。珠宝设计包括纯银金属制成的鱼和海马。标记：“Beaucraft”（英镑）、“Beau B Sterling”、“B”与“Ster”或“Sterling”以及“Beau Sterling”。 Beaucraft 还生产 14k 珠宝。

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可调节 Hemerson Brown 纳瓦霍纯银和金曼绿松石簇状戒指。可调节戒指目前尺寸为 9.5 2.75 英寸 x 2.25 英寸，面重 48.3 克。纳瓦霍艺术家赫默森·布朗 (Hemerson Brown) 有一种方法可以制作出您只想拥有的珠宝。他的作品绝对不精妙，他大胆的设计使银和石头栩栩如生。所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示内周长金属与布卷尺上的数字相符的地方。

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可调节现代主义纯银/黑曜石戒指。戒指很漂亮，设计看起来像斯堪的纳维亚风格，标记看起来像美洲原住民。直到我把它放在尺寸测量器上时，我才意识到它是可以调节的。它在合理范围内适合大多数所有尺寸。 7.7 克，标记为 R 英镑。

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Adjustable Navajo Sterling turquoise, malachite, and amethyst ring 30 x 38mm face, currently at size 6, easily adjustable. 17.1 grams. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Most cuff bracelets are shown photographed on a 6" woman's wrist and will include a photo showing the inside circumference where the metal tip meets the number on the tape measure.

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可调节 Running Bear shop 纯银/绿松石西南戒指。 15.1 克的戒指没有问题。跑熊店一家自 1970 年代中期开始营业的贸易商店，经营一家制造商店，直接委托制作作品，并直接从“知名”艺术家那里购买进行转售。 Running Bear 是商店和经销商的批发来源。该系列中的商品是由 Running Bear 专门制作或为 Running Bear 制作的，并且（通常）带有其徽标。带有此标志的物品并不代表特定的艺术家。 所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示内周长金属与布卷尺上的数字相符的地方。

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可调节西南纯紫水晶、蛋白石和粉色珍珠母戒指。可调节戒指目前尺寸为 7.5 16.3 克。

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可调节 925 纯银/18k 羽毛风格戒指。非常干净，几乎没有磨损，不确定制造商。目前尺寸为 8，坚固但可调节。所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示内周长金属与布卷尺上的数字相符的地方。

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可调节复古中国银和绿松石戒指。没有问题。

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Adrian Sanchez Hopi sterling warrior pendant, no issues.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Adrian Sanchez Hopi warrior Kachina pendant. All hand done, no issues.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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AF 纯银宝石吊坠。 34.5 克 3 英寸高 x 1 5/8 英寸宽，没有任何问题或损坏。 20 世纪最后 25 年的精彩作品。这位设计师通常使用半宝石，我没有测试这些。经过英镑标记和测试。

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仿 Frederick Remington 复古蚀刻珐琅黄铜皮带扣。从 20 世纪第三个季度开始，漂亮的带扣状况良好。 2.75 英寸 x 2.25 英寸适合 1.75 英寸的皮带。没问题。

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AJ Large Vintage Native American sterling and turquoise kachina pendant. No issues, weight and measurements in pics. Solid sterling, marked as shown.

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AL Vintage Navajo sterling concho pin with turquoise. Measurements in pics

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阿拉巴马州“感觉如此正确”演示记录赠送给汤姆·米德尔顿。我没有在框架之外检查过它，但我亲自从汤姆·米德尔顿（Tom Middleton，1953-2020）的遗产中获得了它，还有大约 400 双牛仔靴和所有牛仔能想象到的东西。出售这张唱片，我认为这是一张由阿拉巴马州为汤姆为专辑所做的工作而制作和提供的唱片。 19.5" x 21.5" 镜框，12" x 12" 瞄准镜。 5.5 英寸宽的牌匾。 1973 年，Tom 在沃斯堡的 Warehouse Music Sales 发现了一份乐器目录，其中包含多种多布罗。他卖掉了两把吉他，并用所得资金购买了他的第一把多布罗。到达之后，他的生活就不再一样了。如果你曾经有幸听过他演奏，你就会看到汤姆在做他喜欢做的事情。 在前往亚利桑那州继续学业之前，汤姆曾在俄亥俄河、莫农加希拉河和阿勒格尼河的联合海事联盟担任拖船水手。汤姆获得了北亚利桑那大学的英国文学学士学位。在弗拉格斯塔夫期间，他是可科尼诺国家森林摩门湖高手队的成员。比尔·麦克 (Bill Mack) 达拉斯 WBAP 的“All Night Open Road”表演让他在摩门湖警卫站陪伴。他与几位消防员战友成为了终生的朋友，并在余生与他们保持联系。 但音乐一直在召唤，Tom 开始在俄克拉荷马州瓦内特的 RQ Jones Resophonic 吉他公司工作。现在他不只是在玩多布罗，他还在制作它们。事实上，他是为一位名叫杰瑞·道格拉斯 (Jerry Douglas) 的年轻多布罗玩家制作的，他现在被广泛认为是我们这个时代的“最”多布罗玩家。该多布罗现在属于凤凰城的乐器博物馆。杰瑞和汤姆成了好朋友，近年来，每当杰瑞到奥斯汀巡演时，他们都会一起在金妮小长角酒吧等音乐场所欣赏现场音乐。 1978 年，汤姆先后在俄克拉荷马城的 Peaches Records and Tapes 和 The Handleman Company 工作，最后在达拉斯的 Pickwick Distribution Company 工作。这三份工作向汤姆展示了音乐业务的购买、销售和分销方面。 1985 年，Tom 在达拉斯的一家广告公司 The Richards Group 担任印刷制作经理。他擅长印刷制作，并留在奥斯汀的 GSD&M 和 McGarrah Jessee，工作 24 年后，他在去世前不久退休。汤姆在印刷制作方面的工作不应被忽视。毫无疑问，你无数次看过他制作的广告、包装和产品——只是你不知道而已。他拥有丰富的经验和知识，并且总是热衷于与年轻的制片人和创意人士分享他所知道的知识。当汤姆退休时，他的同事、供应商、供应商，

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Alain Le Foll 1970 年代 Rosenthal Studio Line 花瓶 8.5 英寸。没有损坏或磨损，白色斑点是照片中的倒影。

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Alaric Polequaptewa Sterling Hopi overlay silver cuff bracelet. No issues. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Albert & Jeanette Brown 纳瓦霍石灰华铸造绿松石簇状手镯。适合 6 5/8 英寸的手腕，1.25 英寸的间隙，漂亮的坚固袖口，没有任何问题。 107克。所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。

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艾伯特和约瑟芬·维吉尔 (1927-2009) 圣伊尔德丰索陶器 4.25 英寸宽 x 3.5 英寸高，没有损坏或修复，外部磨损非常轻微。带有上次购买时的标签。 阿尔伯特·维吉尔和约瑟芬·维吉尔一起制作陶器。他们于 1945 年开始制作陶器。约瑟芬制作陶器，阿尔伯特绘制图案。阿尔伯特·维吉尔（Albert Vigil，1927-2009）是玛丽亚·马丁内斯的侄子。他也是圣伊尔德丰索著名画家罗曼多·维吉尔的儿子，罗曼多·维吉尔是圣伊尔德丰索水彩艺术家学院的成员之一，也因与华特迪士尼工作室的合作而闻名。约瑟芬·科尔多瓦·维吉尔 (Josephine Cordova Vigil，1927-2001) 来自陶斯普韦布洛，与阿尔伯特结婚后搬到了圣伊尔德丰索。约瑟芬通过观看姑姑玛丽亚·马丁内斯和玛丽亚的妹妹克拉拉·蒙托亚学习陶器制作，她们被认为是圣伊尔德丰索陶器女族长。玛丽亚·马丁内斯 (Maria Martinez) 教约瑟芬 (Josephine) 如何将粘土卷成线圈形状，克拉拉·蒙托亚 (Clara Montoya) 则教她如何在设计或绘制陶器之前对其进行抛光。他们于 1945 年开始制作陶器。约瑟芬和阿尔伯特使用传统的手工卷绕、抛光和传统露天烧制陶器的方法。

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巨大复古厚重现代风格美洲原住民纯银和罗伊斯顿绿松石手镯。很棒的实心手镯，在我看来，它必须是一位重要的艺术家。我相信这很可能是霍皮人。来自大部分 20 世纪中期美国本土珠宝的收藏。 2 3/8" 中心宽 7" 算上 1.25" 间隙，171 克

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Albert Payton Navajo Sterling concho belt. 57" total length, 1.25" belt, other measurements in pics. No issues, all of the conchos in good condition with no issues. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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Alburn Sleeper（1937-2021）早期作品雕刻纯银绿松石皮带扣。重 56.6 克 3" x 1 7/8"，可容纳最大 1.5" 的皮带。这不是世界上最大的带扣，但该产品的质量令人惊叹。该产品上的标记是 Sleeper 最早的标记。 青少年时期，斯利珀先生向沃尔特·U·詹宁斯 (Walter U. Jennings) 学习金属加工，沃尔特·詹宁斯 (Walter U. Jennings) 是一位原始的罗伊克罗夫特 (Roycrofter)，曾与埃尔伯特·哈伯德 (Elbert Hubbard) 一起担任铜匠、银匠和装订工。

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Alex Sanchez Navajo sterling petroglyph earrings with turquoise. No issues, weight and measurements in pics. Backs included, only one is shown in the pics. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Alex Siam Sterling silver niello box with elephant 1.25" tall, other weight and measurements in pics. Solid sterling with lightweight wood liner.

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阿尔弗雷德·J·贝内特（Alfred J Bennett，1861-1923 年）英国铅笔签名雕刻威斯敏斯特教堂。 17.75 英寸 x 13 英寸带框。仅在边框上可见轻微变色，框架干净。阿尔弗雷德·约翰·贝内特（Alfred John Bennett，1861 年 – 约 1923 年）是一位英国艺术家，从事油画、水彩画和蚀刻画创作。生活与工作 贝内特出生于伦敦，伦敦成为艺术家灵感的主要来源。他的绘画、素描和蚀刻画常常描绘首都的著名地标。 1889 年 12 月，贝内特与凯瑟琳·艾弗里结婚（他们育有一个女儿，玛丽·凯瑟琳），并在贝德福德郡东海德与家人一起生活了一小段时间。 [1]在此期间，贝内特担任珠宝商，同时还定期向皇家学院提交画作，其中四幅在 1861 年至 1880 年间展出。[1][2]取得成功后，贝内特离开了珠宝行业，专注于他的艺术，首先搬到了萨里郡的桑顿希思，然后将他的工作室搬到了纳布沃斯。[3][4]展览 贝内特广泛展出，定期向皇家水彩协会（17 张图片）和英国水彩协会（2 张图片）展览贡献作品。[2] 1916 年，另一幅名为《希尔农场》的画作在皇家学院展出，他于 1918 年和 1923 年在伦敦新邦德街著名的沃克画廊举办的个展和联展取得了更大的成功。 [4]此外，他还在美术协会、新英格兰艺术俱乐部、格罗夫纳画廊、国际协会、皇家油画家协会等机构展出作品。 [3]贝内特的许多作品都被公共艺术收藏，其中包括布莱顿博物馆和艺术画廊收藏的两幅水彩画。 B3

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Alfredo Villasana Mexican Modernist Silver Bracelet<br><br>By Alfredo Villasana<br><br>Alfredo Villasana was a highly regarded silversmith who worked for William<br>Spratling and Héctor Aguilar in Taxco during the 1930s and 1940s. He went out on<br>his own in the 1950s.<br><br>The Hallmark reads: "Sterling 925", a very tiny square shaped (Hallmark?) "Taxco<br>Mexico" "VILLASANA".<br><br>This gorgeous bracelet is masterfully crafted.....A cross between 1950s stylized<br>Modernism and Art Deco, an elegant, dimensional, raised geometric motif....Its<br>just an exquisite design!<br><br>This vintage Mexican bracelet is extremely well made; it is a sophisticated,<br>classic modernist design.<br><br>The width of the braclet is 2-1/2" closed, 7/8" at the widest point, 1/4" thick<br>at the center of the front at it's thickest point.<br><br>Its in fine condition, and could be polished to a brilliant shine if the new<br>owner prefers that look. This has not been polished.

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Alice Quam Zuni Mediterranean Coral cluster earrings sterling. Clip on with strong springs on clips, no issues. Alice Quam has worked with her husband Duane Quam since 1945 on some of the most beautiful cluster jewelry of the Zuni Pueblo. They worked together for nearly 60 years. She became a master of setting and cutting the stones, while Duane did all of the silverwork. Alice and Duane worked primarily with high quality turquoise and coral. Alice is known for her intricate needlepoint work because of the symmetry of the stones in her jewelry.

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爱丽丝·斯科特 (Alice Scott，1924-2005) 查尔斯顿·古拉女士 (Charleston Gullah Lady) 的原版无框签名和无框水彩画。 10 英寸 x 14 英寸； 6 1/8" x 8 5/8" 瞄准镜，状况良好，如图所示。她的一系列画作随歌剧《波吉与贝丝》一起在美国和欧洲巡演。艾丽丝·斯科特出生于南卡罗来纳州哥伦比亚，但在南卡罗来纳州查尔斯顿长大，在那里她活跃于戏剧和绘画领域。她在皇后街的工作室里向儿童和成人教授绘画，毗邻历史悠久的码头街剧院。她的艺​​术生涯包括跟随纽约市艺术学生联盟的罗伯特·布拉克曼（Robert Brackman）以及华盛顿特区科克伦画廊的海因茨·沃内克（Hainz Warneke）​​、唐·图拉诺（Don Turano）和理查德·莱希（Richard Lahey）学习。曾展出她作品的画廊包括： 高等艺术博物馆，佐治亚州亚特兰大 二十世纪画廊，弗吉尼亚州威廉斯堡 吉布斯美术馆，南卡罗来纳州查尔斯顿 哥伦比亚艺术博物馆，南卡罗来纳州哥伦比亚 罗伯特·卡伦画廊，宾夕法尼亚州费城 彭萨科拉艺术中心，彭萨科拉，FLVZTOP 画廊，彭萨科拉，佛罗里达州查尔斯敦画廊，查尔斯顿，南卡罗来纳州莱莫恩艺术基金会，塔拉哈西，佛罗里达州艺术画廊，巴拿马城，佛罗里达州以及其他画廊！

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爱丽丝·斯科特 (Alice Scott，1924-2005) 查尔斯顿·古拉女士 (Charleston Gullah Lady) 的原版无框签名和无框水彩画。 10 英寸 x 14 英寸； 6 1/8" x 8 5/8" 瞄准镜，状况良好，如图所示。她的一系列画作随歌剧《波吉与贝丝》一起在美国和欧洲巡演。艾丽丝·斯科特出生于南卡罗来纳州哥伦比亚，但在南卡罗来纳州查尔斯顿长大，在那里她活跃于戏剧和绘画领域。她在皇后街的工作室里向儿童和成人教授绘画，毗邻历史悠久的码头街剧院。她的艺​​术生涯包括师从纽约市艺术学生联盟的罗伯特·布拉克曼 (Robert Brackman) 以及华盛顿特区科克伦画廊 (Corcoran Gallery) 的海因茨·沃内克 (Hainz Warneke)、唐·图拉诺 (Don Turano) 和理查德·莱希 (Richard Lahey)。曾展出她作品的画廊包括： 高等艺术博物馆，佐治亚州亚特兰大 二十世纪画廊，弗吉尼亚州威廉斯堡 吉布斯美术馆，南卡罗来纳州查尔斯顿 哥伦比亚艺术博物馆，南卡罗来纳州哥伦比亚 罗伯特·卡伦画廊，宾夕法尼亚州费城 彭萨科拉艺术中心，彭萨科拉，FLVZTOP 画廊，彭萨科拉，佛罗里达州查尔斯敦画廊，查尔斯顿，SC 莱莫恩艺术基金会，塔拉哈西，佛罗里达州艺术画廊，巴拿马城，佛罗里达州以及其他画廊！

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Allenroy Paquin（Jicarilla Apache/Zuni）多宝石通道镶嵌蜥蜴串珠纯银项链，长约 22 英寸，重 79.7 克，没有任何问题。 https://www.youtube.com/watch?v=zjw_iOVUyhM上面是制作这件作品的工匠 15 年前接受采访的视频链接。 Allenroy Paquin 是一位珠宝商，以其对蜥蜴、青蛙和海龟的金银精美描绘而闻名，通常还带有精美的镶嵌作品。他喜欢将幽默融入到他的作品中，这一点可以从他精美的蜥蜴别针中看出，这些别针被设计成栖息在佩戴者的肩膀上，这是他独特的设计之一。 艾伦罗伊在阿尔伯克基长大，远离父亲的祖尼普韦布洛和母亲的吉卡里拉阿帕奇保留地，他并不总是对自己的本土传统感兴趣，更不用说制作珠宝了。高中时，他对花式舞蹈产生了兴趣，这是他至今最喜欢的活动之一。与此同时，他的父亲在一次事故中致残后开始从事珠宝制作来养家糊口，但艾伦罗伊仍然对此不感兴趣。相反，他获得了技术工程学位。直到几年后父亲去世，母亲将父亲的工具交给他时，阿伦罗伊才意识到这是他的继承和传承。如今，他认为父亲是他最强大的灵感来源。 有一次当他遇到创作障碍时，这种感觉更加强烈。他在清理的棚子里发现了一只蜥蜴，并被它的颜色和形状迷住了。 “就像有人告诉我，‘制作镶嵌蜥蜴珠宝。’”我觉得这是我父亲告诉我这样做的。”之后，转向海龟和青蛙似乎是合乎逻辑的。艾伦罗伊对教育也很感兴趣。他的儿子伊格纳西奥 (Ignacio) 和凯尔 (Kyle) 已经开始制作珠宝，并因其工作而获奖。艾伦罗伊还向学童传授本土传统知识，试图打破“好莱坞印第安人的刻板形象”。他在学校进行了一场集讲故事、舞蹈和长笛演奏于一体的独奏表演。他还希望“为那些失去了保留地或本土联系的城市印第安人带来启发——帮助他们找到能够将他们与那个世界联系起来的东西。”

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Allison Lee - Navajo Sterling and turquoise pendant. No issues, weight and measurements in pics. Allison "Snowhawk" Lee (1958 - 2022) was an award-winning artist from Mexican Springs, New Mexico. He was a full-blooded Navajo and is the third oldest of eight (four brothers and three sisters). Allison lived in Albuquerque, New Mexico with his three sons, Wyatt, Kyle and Trent. He enjoyed spending time outdoors hunting, fishing, hiking, and camping with his family. When there was a boom in Indian Jewelry in the early seventies, Allisons mother and uncle started making Squash Blossoms. At the young age of 14, Allison was asked by his mother to make a silver ring with a Turquoise stone. He made the ring well and so began his interest in jewelry making. Allison graduated from Tohatchi High School, during the summers he worked at various silver shops in the Gallup area, where he perfected the methods of silversmithing from the top silversmiths in the shops. Allison began competing in juried art shows back in 1988 and continues this tradition of competition throughout his life. He received many top awards, such as: Best of Division at the Santa Fe Indian Market, the George C. West Memorial Award for Excellence in Silver Jewelry (which he has won three years in a row), and at Indian Market in Santa Fe, NM. Allison was asked to join in on making a piece for the millennium sampler concha belt along with twelve renowned Indian Market jewelers. He was very honored to be chosen to participate in this collaboration. The proceeds of this auction benefited the Southwestern Association for Indian Arts (SWAIA). Sadly, Allison passed away in June of 2022. He will be greatly missed, but his legacy will live on in his sons‘ beautiful jewelry. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Allison Snowhawk Lee (1958-2022) Hand Hammered silver concho belt.. 45" total length, adjustable to any size below that. Extremely high quality with no issues. Each concho 1" x 2" with tabs not counting center rings. 15 conchos total. 184.8 grams. Allison Lee - Navajo Silversmith: Speaking of the silver and gold jewelry he hand crafts, Allison Lee's captivating voice is sincere when he says, "One time my uncle told me that everything we build comes from the earth, like the silver that comes from the earth, or the turquoise that comes from the earth. That is a lot of energy. You put it together and you put your heart and mind into a piece. Then sometimes a certain piece of jewelry- I believe- it is made for a certain person. I usually have a ring, or something, that stays with me for about two or three years, until the right person comes along. And then that person buys that piece. I believe that every piece of jewelry that I make is made for somebody out there- it's made for somebody special. Whoever might be having problems, or something like that. In essence, that energy helps that person get help, by wearing pieces that we make. That is the way I look at it."Born in the heart of the Navajo homeland, in the spring of 1958, Allison Snowhawk Lee attended boarding school until 8th grade. Lee is the last name given to him by the boarding school because they couldn't pronounce, spell, or translate his Navajo name; Snowhawk is his grandmother's name.Allison became involved in silversmithing in a high school art class, making his first simple jewelry pieces at age 12. When he was 14 years old his mother asked him to remove the last stone from an old turquoise brooch and make her a ring with it. Being able to combine old and new into something beautiful gave him a metaphysical sense of bridging generations, connecting him to his heritage and at the same time launching him into a viable vocation.During his high school summers he worked at silver shops in Gallup, New Mexico. His first job included sweeping floors, but as he worked he became acquainted with the top silversmith, and learned his techniques. Each summer thereafter he found a job in different shops, and studied under various masters. Now he is the master who owns a shop that employs high school age apprentices.When Allison graduated from high school in 1977 he won the "Most Artistic" award in his class of 160 students. That was just the beginning of his awards. Allison has won numerous honors in prestigious shows in seven different states. He is not only artistic, but very creative, and therein lies his greatest challenge. "A lot of people copy," he says, "and then pretty soon an original idea is being mass produced. I've got to keep ahead of them."Allison makes many different kinds of jewelry: earrings, necklaces, rings, and bracelets; and is best known for his elaborate concho belts. "I really like making concho belts," he professes, "and coming up with different styles."Allison uses either silver or, occasionally, 14 karat gold, and sets it with coral, turquoise, or other semi-precious stones. Hand fabricated, his work may be either stamped or contain bezel set stones. His favorite piece was a squash blossom necklace he made using tools he created.Allison goes on the road two or three times a month, for two or three days at a time, to market his work or attend shows. He also does demonstrations and seminars at Grand Canyon and other places. When he is at work in his shop he may put in up to 16 hours a day. "I take breaks sometimes," he confesses, "Sometimes I get burned out. That's the time to just walk away from it. That's when it's time to go outdoors, just to kind of refresh my mind."I go hunting, I go hiking. What I really love to do is go to old Indian ruins and just look around, see what I can find. In a way I get ideas from the old, and then try to come up with something new. Then I get back into it. Everything just starts coming together once I start making something. It just comes together in my mind."Allison is considered a success by all who are familiar with his work, but he has a different standard, set with his three sons in mind: "I think being successful is keeping everything balanced out between your family and your work. I think that's what being successful is, caring enough to spend time with your family, and not letting the work and the career overtake your life. I've seen a lot of people that have done that. I'm just glad that I've had people there to tell me the difference. Successful to me is just being happy and making sure my family is fed and clothed. That says it all, right there." Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Allison Snowhawk Lee (1958-2022) Navajo sterling ranger style concho belt. Absolutely amazing belt, every concho is solid sterling silver made by famous deceased Navajo silversmith Allison Lee. Measurements in pics. Belt fits a 30" - 33" waist with existing holes. 14 extremely well made conchos, all on a 3/4" belt 432 grams total weight. Allison Lee - Navajo Silversmith: Speaking of the silver and gold jewelry he hand crafts, Allison Lee‘s captivating voice is sincere when he says, "One time my uncle told me that everything we build comes from the earth, like the silver that comes from the earth, or the turquoise that comes from the earth. That is a lot of energy. You put it together and you put your heart and mind into a piece. Then sometimes a certain piece of jewelry- I believe- it is made for a certain person. I usually have a ring, or something, that stays with me for about two or three years, until the right person comes along. And then that person buys that piece. I believe that every piece of jewelry that I make is made for somebody out there- it‘s made for somebody special. Whoever might be having problems, or something like that. In essence, that energy helps that person get help, by wearing pieces that we make. That is the way I look at it." Born in the heart of the Navajo homeland, in the spring of 1958, Allison Snowhawk Lee attended boarding school until 8th grade. Lee is the last name given to him by the boarding school because they couldn‘t pronounce, spell, or translate his Navajo name; Snowhawk is his grandmother‘s name. Allison became involved in silversmithing in a high school art class, making his first simple jewelry pieces at age 12. When he was 14 years old his mother asked him to remove the last stone from an old turquoise brooch and make her a ring with it. Being able to combine old and new into something beautiful gave him a metaphysical sense of bridging generations, connecting him to his heritage and at the same time launching him into a viable vocation. During his high school summers he worked at silver shops in Gallup, New Mexico. His first job included sweeping floors, but as he worked he became acquainted with the top silversmith, and learned his techniques. Each summer thereafter he found a job in different shops, and studied under various masters. Now he is the master who owns a shop that employs high school age apprentices. When Allison graduated from high school in 1977 he won the "Most Artistic" award in his class of 160 students. That was just the beginning of his awards. Allison has won numerous honors in prestigious shows in seven different states. He is not only artistic, but very creative, and therein lies his greatest challenge. "A lot of people copy," he says, "and then pretty soon an original idea is being mass produced. I‘ve got to keep ahead of them." Allison makes many different kinds of jewelry: earrings, necklaces, rings, and bracelets; and is best known for his elaborate concho belts. "I really like making concho belts," he professes, "and coming up with different styles." Allison uses either silver or, occasionally, 14 karat gold, and sets it with coral, turquoise, or other semi-precious stones. Hand fabricated, his work may be either stamped or contain bezel set stones. His favorite piece was a squash blossom necklace he made using tools he created. Allison goes on the road two or three times a month, for two or three days at a time, to market his work or attend shows. He also does demonstrations and seminars at Grand Canyon and other places. When he is at work in his shop he may put in up to 16 hours a day. "I take breaks sometimes," he confesses, "Sometimes I get burned out. That‘s the time to just walk away from it. That‘s when it‘s time to go outdoors, just to kind of refresh my mind. "I go hunting, I go hiking. What I really love to do is go to old Indian ruins and just look around, see what I can find. In a way I get ideas from the old, and then try to come up with something new. Then I get back into it. Everything just starts coming together once I start making something. It just comes together in my mind." Allison is considered a success by all who are familiar with his work, but he has a different standard, set with his three sons in mind: "I think being successful is keeping everything balanced out between your family and your work. I think that‘s what being successful is, caring enough to spend time with your family, and not letting the work and the career overtake your life. I‘ve seen a lot of people that have done that. I‘m just glad that I‘ve had people there to tell me the difference. Successful to me is just being happy and making sure my family is fed and clothed. That says it all, right there." Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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阿隆佐·胡斯蒂托·祖尼 (Alonzo Hustito Zuni)（1910-1990）银色 Kachina Bolo 和吊坠/别针套装 Bolo 亲笔签名，吊坠/别针盖章。两者都卖。 标记或未标记如图所示，重量和其他尺寸如图所示。抱歉，我的珠宝存放在安全位置，在售出之前无法访问更多图片、视频或测量数据。如果您查看图片/描述，您的问题应该得到解答。非常感谢您的时间和考虑！所有贵金属均经过测试并有保证。被称为“银”或“锭”的美洲原住民珠宝首饰保证至少含有 90% 的银。手镯拍摄于 6 英寸女性手腕上。

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Alvin and Lula Begay Navajo silver and coral earrings.In 1956, Alvin and Lula Begay were both born into artistic families in Winslow, Arizona. They have worked as a silversmithing team since 1991, each serving their own role; Alvin works on the overall composition and construction of the piece, while Lula works on the setting/cutting of the stones as well as the polishing and final touches. The dynamic pair is known to not use any pre-made findings, everything outside of earring posts are handcrafted. Alvin is especially known for using his techniques of double and triple overlay, reversible necklaces, shadowboxes, and engraving--often all on the same piece!<br><br>While still very adept in the art of jewelry-making, Alvin’s first love is bareback riding in rodeos. He grew up in a traditional Navajo life style on the reservation and is a natural athlete and cowboy. He has competed for 10 years, winning championships in 1987 and 1989. Although Alvin is a very humble and unassuming individual, he is one on AIRCA’s top award winners. Awards in jewelry-making are also no stranger to Alvin; among several awards, he has won first with a necklace in a competition in Dallas, Texas.<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Alvin and Lula Begay Navajo silver, turquoise, and coral pendant<br><br>In 1956, Alvin and Lula Begay were both born into artistic families in Winslow, Arizona. They have worked as a silversmithing team since 1991, each serving their own role; Alvin works on the overall composition and construction of the piece, while Lula works on the setting/cutting of the stones as well as the polishing and final touches.<br><br>The dynamic pair is known to not use any pre-made findings, everything outside of earring posts are handcrafted. Alvin is especially known for using his techniques of double and triple overlay, reversible necklaces, shadowboxes, and engraving--often all on the same piece!<br><br>While still very adept in the art of jewelry-making, Alvin’s first love is bareback riding in rodeos. He grew up in a traditional Navajo life style on the reservation and is a natural athlete and cowboy. He has competed for 10 years, winning championships in 1987 and 1989. Although Alvin is a very humble and unassuming individual, he is one on AIRCA’s top award winners. Awards in jewelry-making are also no stranger to Alvin; among several awards, he has won first with a necklace in a competition in Dallas, Texas.<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Alvin Thompson Navajo sandcast sterling kokopelli belt buckle. No issues, measurements in pics.Alvin is a highly regarded Navajo silversmith who has perfected the art of ‘sand casting’ to produce exquisite pieces of work. He was born in Winslow Arizona but spent much of his younger life in Seba Dalkai area on the Navajo Reservation north of Winslow. Alvin’s talent is a family tradition, he learned sand casting from his sister. Alvin describes his work method as ‘unassisted hand poured cast silver,’ a process that involves using a sand medium for mold into which the silver is poured. He ‘carves’ designs into the sand or creates impressions in the sand with patterns. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn't answered in this listing that we put so much effort into already :)<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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