产品

Ernest Bilagody Sr. 纳瓦霍纯银和罗伊斯顿绿松石吊坠，重量：66.9 克，| 3.75 英寸高 x 2.25 英寸宽。欧内斯特·托马斯·比拉戈迪 (ETB) 欧尼斯特·托马斯·比拉戈迪 (ETB) 出生于亚利桑那州图巴市的红屋大水家族，一生中的大部分时间都沉浸在自己的行业中。他的祖父母分别是围屋家族和苦水家族的人。这位工匠很早就受到了母亲的指导，并将这些传统延续到了成年。自 1970 年代中期起，直至 2014 年去世，他从事银匠工作超过 35 年。他的母亲让他开始抛光她做的耳环。从那时起，她给了他其他职责，比如为她焊接东西。从这个开始，欧内斯特开始制作自己的珠宝，并且他再也没有回头。他将这些传统延续到成年。欧内斯特在自己家里工作，并为不同的商人工作。一路上，他遇到了许多其他银匠和金匠，他总是喜欢分享有关他们使用的金属、绿松石和其他材料的故事。

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Ernest Bilagody 绿松石山绿松石吊坠。经过标记和测试的纯银，重量：26.7 克，吊坠：2 英寸 x 3 英寸，签名：ETB Sr。欧内斯特·托马斯·比拉戈迪 (ETB) 欧尼斯特·托马斯·比拉戈迪 (ETB) 出生于亚利桑那州图巴市的红屋大水家族，一生中的大部分时间都沉浸在自己的行业中。他的祖父母分别是围屋家族和苦水家族的人。这位工匠很早就受到了母亲的指导，并将这些传统延续到了成年。自 1970 年代中期起，直至 2014 年去世，他从事银匠工作超过 35 年。他的母亲让他开始抛光她做的耳环。从那时起，她给了他其他职责，比如为她焊接东西。从这个开始，欧内斯特开始制作自己的珠宝，并且他再也没有回头。他将这些传统延续到成年。欧内斯特在自己家里工作，并为不同的商人工作。一路上，他遇到了许多其他银匠和金匠，他总是喜欢分享有关他们使用的金属、绿松石和其他材料的故事。

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Ernest Medina Zia Sterling inlaid shell bolo tie. Extremely high quality item inlaid with turquoise, red coral, and shell. 40" long, other measurements in pics. Hand engraved on the back of the shell by Ernest Medina Zia Pueblo.<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Ernest Roy Begay Navajo Heavy stamped sterling and turquoise concho belt. 408 grams, 43" long, longest usable length about 40", other measurements in pics. Appears unworn. 8 Conchos and 1 Buckle.Ernest Roy Begay is a contemporary Diné of the Navajo Nation jeweler who was born in 1956. He has taught jewelry classes at Monument Valley High School. He is an award winner at the Gallup Inter-tribal Indian Ceremonial for a number of years having won Best of Class for 5 consecutive years. Ernest Roy Begay signs his jewelry with a stamped STERLING and his initials ERB. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Ernest Roy Begay Navajo Turquoise and coral cluster pendant 38.4 grams with no issues.Ernest Roy Begay is a contemporary Diné of the Navajo Nation jeweler who was born in 1956. He has taught jewelry classes at Monument Valley High School. He is an award winner at the Gallup Inter-tribal Indian Ceremonial for a number of years having won Best of Class for 5 consecutive years. Ernest Roy Begay signs his jewelry with a stamped STERLING and his initials ERB.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Ernest Thomas Bilagody Sr Navajo Large sterling pendant w/ high grade turquoise. Ernest Thomas Bilagody Navajo silversmith Ernest Thomas Bilagody (ETB) was born in Tuba City, Arizona to the Red House Big Water Clan and has been immersed in his trade for the better part of his life. His grandparents are from the Around the House Clan and the Bitter Water Clan. This craftsman was guided by his mother early on and continued those traditions into his adult years. He worked as a silversmith for over 35 years, since the mid 1970’s, until his passing in 2014.His mother started him out with buffing the earrings she made. From there she gave him other duties, such as soldering things for her. With this beginning, Ernest started making his own jewelry, and he did not ever look back. He continued those traditions into his adult years.Ernest worked out of his own home, and worked for various traders. Along the way he met many other silver and goldsmiths, and he always enjoyed sharing stories about the metals, turquoises and other materials they use. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Ernest Thomas Bilagody Sr Navajo Sterling and Stingray skin belt buckle 3" square, fits a 1.5" belt, appears unworn. 87.5 grams. Ernest Thomas BilagodyNavajo silversmith Ernest Thomas Bilagody (ETB) was born in Tuba City, Arizona to the Red House Big Water Clan and has been immersed in his trade for the better part of his life. His grandparents are from the Around the House Clan and the Bitter Water Clan. This craftsman was guided by his mother early on and continued those traditions into his adult years. He worked as a silversmith for over 35 years, since the mid 1970’s, until his passing in 2014. His mother started him out with buffing the earrings she made. From there she gave him other duties, such as soldering things for her. With this beginning, Ernest started making his own jewelry, and he did not ever look back. He continued those traditions into his adult years. Ernest worked out of his own home, and worked for various traders. Along the way he met many other silver and goldsmiths, and he always enjoyed sharing stories about the metals, turquoises and other materials they use. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more<br>pictures, videos, or measurements until sold. If you look at<br>pictures/description your question should be answered. Thank you so much for<br>your time and consideration!<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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漂亮的复古大约 20 世纪中叶非常优质的正宗白玉和 14k 金经过测试的链接手镯。重 39.6 克，宽约 8 英寸。没问题。

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Estate 14kt yellow gold necklace, double chain necklace, encompassing six pearls, pear shaped smoky quartz pendant, set with a small diamond, clasp stamped 585, approx 18" long, 20.3 grams with no damage or issues. Diamonds, gold and pearls are tested, I believe the pearls are natural, they are 9-10mm.

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Estate 14k/钻石/树枝珊瑚吊坠。高品质古董无标记（经过测试）14k 金吊坠，配有天然枝珊瑚和约 0.55 克拉钻石，平均质量为 VS1。 6.4克。

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Estate 18k 黑蛋白石钻石耳环。一对极具吸引力的天然黑蛋白石大耳环，每个耳环周围环绕着约 24 颗小钻石。每颗天然黑蛋白石尺寸约为 9 毫米 x 11 毫米。每个高 1 1/8 英寸 x 宽 15/16 英寸 x 总重 19 克。

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Estate 系列复古纯银耳环夹。所有保证均为英镑，其中两枚未标记但经过测试的英镑。总重量96.6克。

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Estate 系列复古纯银吊坠。所有标记和测试均为纯正。最大的 2.25 英寸，总重 67.8 克。

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Estate 系列复古纯银吊坠。全部都标有经过测试的英镑。总重量 73.6 克 最高为 3 3/8 英寸。

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庄园地段复古纯银戒指。出售所示的所有戒指，全部保证纯银，没有重大问题。不幸的是，我已经到了这样的地步：我已经无法列出 100 美元以下的任何东西了，所以我打算尝试一下。如果这不起作用，我会尝试其他方法，例如将其拍卖。感谢您的考虑。总重量 60.9 克，包括所有材料。

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庄园批次复古纯银戒指和手链。图片中的所有物品均带有来自各个庄园的英镑标记。显然看起来不错，没有重大问题，所有戒指都是 7-8.5，除了带有大透明宝石的戒指，它是可调节的，手链是 7.5 英寸不幸的是，我已经到了我如此支持的地步，我无法列出任何低于 100 美元左右的东西，所以我要尝试一下。如果不起作用，我会尝试其他方法，例如将其拍卖。感谢您的考虑。总重量 98.8 克，包括所有材料。

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庄园批次复古纯银戒指和手链。图片中的所有物品均带有来自各个庄园的英镑标记。显然看起来不错，没有重大问题，所有戒指尺寸均为 6-10，手镯尺寸为 6.75 英寸，不幸的是，我已经到了这样的地步，我已经无法列出 100 美元以下的任何东西了，所以我打算试试这个。如果不起作用，我会尝试其他方法，例如将其拍卖。感谢您的考虑。总重量 60 克，包括所有材料。

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庄园批次复古纯银戒指和手链。图片中的所有物品均带有来自各个庄园的英镑标记。显然是好看的东西，没有重大问题，其中一个绿松石戒指缺少两颗小宝石，我在定价时考虑到了这一点，所有戒指的尺寸均为 6-10.5，两个可调节手链的尺寸为 7.25 英寸，不幸的是，我已经达到了这样的地步我非常有信心，我无法列出 100 美元以下的任何物品，所以我要尝试一下。如果不起作用，我会尝试其他方法，例如将其拍卖。感谢您的考虑。总重量78 克，包括所有材料。

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庄园批次复古纯银戒指和手链。图片中的所有物品均带有来自各个庄园的英镑标记。显然看起来不错，没有重大问题，所有戒指尺寸均为 6-10，手镯尺寸为 7 英寸，不幸的是，我已经到了一个地步，我已经非常支持我无法列出任何低于 100 美元左右的东西，所以我打算试试这个。如果不起作用，我会尝试其他方法，例如将其拍卖。感谢您的考虑。总重量 66 克，包括所有材料。

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Etta Endito Navajo High Grade Morenci Turquoise sterling pendantEtta and Randy Endito have been making jewelry together since 1980. Etta from Crownpoint, New Mexico and Randy from Smith Lake, New Mexico met in 1978.As children both Etta and Randy learned the art of silversmithing from their mothers. Etta and Randy both helped their mothers in their jewelry making after school. Both mothers were very good silversmiths. Etta has a piece of jewelry that her father made years ago, which she treasures. Etta and Randy have enormous of respect for their parents and are grateful for the lessons they learned.Randy shapes and stamps the silver. Etta creates the designs and patterns. Etta says, “We are proud to be making jewelry. This is something we still make in America, by Americans. Buy Native American Made!”Etta's silverwork has been featured in the Indian Craft Shop, at the Department of Interior, in Washington, DC. She is one of eight Native American artists chosen from throughout the United States for this honor.The Endito family is a true team, loving and respectful of one another.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Eugene Belone Navajo Sterling Spiney 牡蛎手镯。没有问题。尤金·贝隆 (Eugene Belone) 是一位出色的纳瓦霍珠宝商和银匠。尤金来自新墨西哥州盖洛普，十多年来一直致力于制作珠宝。尤金的妻子 Elouise Kee 教他珠宝和银器制作工艺。没有问题。

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尤金·拉弗雷（Eugene Laforet，1884-1955）美国马车和市场场景美国布面油画。 9" x 12" 安装在 13.5" x 16.5" 框架中，没有重大问题。 以下是 1944 年 10 月 28 日在《纽约客》杂志上发表的一篇关于他的文章：伊迪丝·汉姆伯格 (EDITH HAMBURGER) 和菲利普·汉姆伯格 (PHILIP HAMBURGER) 为大家讲述小镇艺术的故事。他在自己的商店里向公众展示他的作品，这些作品通常是刚从画架上拿出来的。他拥有并经营 Studio Store，该商店位于列克星敦大道西侧，紧邻 57 号。在我们采访时，他正在画一条乡间小路，背景是一个谷仓，他说周六有一个人订购了这幅画。 “首付一美元，货到九美元，”他说。一个女人进来问她的静物画准备好了吗？是的，她为此付了二十分。他的油画价格从微型静物画的两美元到更雄心勃勃的画布的五百美元不等。 La Foret 先生在欧洲接受培训：柏林、巴黎和慕尼黑。谢谢

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Eula Wylie 纳瓦霍绿松石/珊瑚簇戒指。高级天然睡美人绿松石和红珊瑚。无损坏或明显磨损。纳瓦霍银匠 Eula Wylie 来自亚利桑那州纳瓦霍保留地的加纳多。 Eula 因使用索诺兰美丽绿松石簇而闻名，簇簇包裹在精致的绞线设计中，并与氧化纯银形成鲜明对比。她是阿特金斯贸易公司的银匠。

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Eula Wylie 砂铸索诺兰金绿松石纳瓦霍纯套索项链。非常干净，就像新的一样，没有损坏或问题。 22 英寸项链，垂下另外 3 英寸。由一位备受尊敬的纳瓦霍艺术家制作而成，制作精良。 68克。纳瓦霍银匠 Eula Wylie 来自亚利桑那州纳瓦霍保留地的加纳多。 Eula 因使用索诺兰美丽绿松石簇而闻名，簇簇包裹在精致的绞线设计中，并与氧化纯银形成鲜明对比。她是阿特金斯贸易公司的银匠。

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Eva Etstate Zuni Channel inlay sterling turtle pin. Considerably bigger than most you will find. 2" x 1.25" x 7.7 grams, no issues.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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伊瓦琳·塞勒斯 (Evaline Sellers) (1903-1995) 中世纪生锈铝墙雕塑“Letitia”罗马欢乐、欢乐和幸福女神 - 由德克萨斯州沃思堡雕塑家伊瓦琳·克拉克·塞勒斯 (Evaline Clark Sellers) 创作。 14 英寸高 x 7 1/8 英寸高，没有损坏，鼻子右侧可能有划痕。 伊娃琳·克拉克·塞勒斯 (Evaline Clarke Sellers) 1903 年出生于德克萨斯州沃思堡。在进入著名的宾夕法尼亚美术学院学习之前，她学习了艺术、插画和模特。塞勒斯于 1929 年和 1930 年获得了该机构的威廉·埃姆伦·克雷森奖学金，使她能够去欧洲学习雕塑。返回德克萨斯州后，塞勒斯于 1932 年与萨莉·吉莱斯皮 (Sallie Gillespie) 和布兰奇·麦克维 (Blanche McVeigh) 共同创办了德克萨斯艺术学院。塞勒斯和麦克维也是沃斯堡艺术家协会的创始成员。卖家在沃斯堡的许多机构教授艺术，同时执行工程进步管理局 (WPA) 的委托。达拉斯艺术博物馆收藏了她的作品示例。德威特·麦金利（DeWitt McKinley，1905 年至 1997 年）首先是德克萨斯州沃思堡麦金利钢铁厂的联合创始人，然后在 1967 年至 1969 年期间担任该市市长。 TW123

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Everett MacDonald (1924-1991) 加利福尼亚州拉古纳海滩 现代主义纯银抽象袖扣。没有问题。 Everett Macdonald，他的拉古纳海滩商店于 1947 年开业。Macdonald 创作了开放式雕塑银和金首饰，经常在吊坠和耳环的负空间中使用尼龙单丝，让人想起 Henry Moors 和 Naum Gabo 的雕塑。安德拉斯

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大量古董缅甸青铜鸦片配重套装。最大的 2.5 英寸高，重 240.7 克。最小的 3/8 英寸高，重 1.4 克，是 20 世纪中期收集的非常广泛的套装。

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大量古董缅甸青铜鸦片配重套装。最大的 2.5 英寸高，重 244.4 克。最小的 5/8 英寸高，重 4.5 克，是 20 世纪中期收集的非常丰富的套装。

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大量古董缅甸青铜鸦片配重套装。最大的高 3 5/8 英寸，重约 2 磅 5 盎司（1.05 千克），最小的高 15 毫米，重 5.8 克。属于 20 世纪中叶广泛收藏的一部分。

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No cracks, chips, or repairs. Very little crazing and discoloration, extremely crisp transfer decoration and amazing condition. Guaranteed circa early to mid 1800's.

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FA Southwestern Hand Stamped Sterling high grade turquoise pin. Likely Navajo made, very high quality workmanship and stone. Stone secure in bezel with old fracture.

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FA Southwestern Hand Stamped Sterling high grade turquoise pin. Likely Navajo made, very high quality workmanship and stone. Stone secure in bezel with old fracture.

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Fabian Bowannie Zuni sterling channel inlay Rainbow Man pendant/pin. No issues. Measurements in pics.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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有趣的作品来自德克萨斯大学高尔夫教练庄园，7 英寸宽 x 1.5 英寸高。一侧轮辋上有小缺口。背面会有油漆，正面有一些，我在拍照时用指甲把它刮掉了。正面刻有兴趣。

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不寻常的 19 世纪中国作品。手工建造和装饰。穿如预期，来装饰。边缘有镀金磨损，边缘有小缺口，边缘右角有紧致的 0.75 英寸发际线，底部也有非常紧的 1 英寸发际线。

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精美古董纯银收藏。出售所示批次的中央糕点服务器经过测试，保证为 800 银或更高，没有清晰的纯度标记，所有其他标记如图所示。最长 7 7/8 英寸，总重 133.5 克。

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精美古董纯银收藏。出售所示批次，最大的是扭柄布里特切糕点服务器，长 7 7/8 英寸，宽 2.75 英寸，扁平服务器。总重182.4克。如图所示，有一些字母组​​合，但都是很棒的作品。

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Faye Schnuriger( 1911-1997) San Antonio Texas Landscape Deer Painting on Board<br>17" x 14" framed, 12" x 9.5" panel.<br><br>Faye Schnuriger( 1911-1997) is a native Texan, painter, teacher, and writer. She<br>studied art with Fredrick Taubes, William Earle, Harold Roney, Fred Samuelson,<br>Clint Bermann, and other well known instructors. She studied at the Fashion<br>Institute of Technology and Traphagen School of Design in New York; was<br>associated with a correspondence school as a writer, designer, and assistant<br>artist. She has one book to her credit-“Pint-along-with Faye.” Her Paintings are<br>in private collections in Canada, Washington, Dallas, Midland, and San Antonio.<br>Her “Learning Tower” won best of showin a Central Park Invitational Show and was<br>purchased by a Doctor from San Antonio. Her “Fern Forest” was choosen with<br>twenty other artists’ paintings for the National League of American Pen Women’s<br>Bi-Centennial Art Show in Washington, D.C. Schnuriger was affiliated with: San<br>Antonio River Art Group, Randolph art League, New Braunfels Art League, Liberty<br>Art League, Lone Star Art<br>League, Hillcountry Art League. She has pieces in the Smithsonianand Texas<br>Women's University Library<br>B3

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Felicita Eustace Cochiti (1927-2016) Silver and carved turquoise pin. Gorgeous<br>with no issues, extremely high grade natural American turquoise. Marked or<br>unmarked as shown in pics, weight and other measurements in pics. Sorry but my<br>jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>Felicita was born in 1927 and raised at Cochiti Pueblo. She learned to make<br>traditional pottery and storytellers from her parents. After her marriage during<br>the World War II years, she moved to her husband Ben’s home in Zuni. Ben taught<br>her some basics of jewelry-making. She sold her first ring to legendary Zuni<br>trader C.G. Wallace. Over the years she become and accomplished jeweler in her<br>own right, while developing a large following for her pottery and storytellers.<br>“There are always more orders for my claywork than there’s time to do them,” she<br>said.<br><br>The Eustaces show strong respect for the materials and time-honored processes of<br>their art. Felicita still makes her storytellers the traditional way. Her<br>jewelry features an old family design copyrighted in the early 1960s: a domed,<br>natural leave motif in sterling silver alongside a carved, bezeled and polished<br>turquoise stone. Felicita and Ben have passed their respect for quality on to<br>their 13 children, many of whom create their own pottery and jewelry.<br><br>Daughter Bernadette Eustace says, “My parents told us that if we were going to<br>do jewelry at all, we would have to do it their way, the right way. It wasn’t<br>the designs they were talking about, it was the technical aspects of our work:<br>setting stones, welds, engravings and so on. They were the ones who would be<br>selling these items for us, so they would make sure that a certain standard of<br>quality was being met.”<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Felicita Eustace, Cochiti (1927-2016) Carved turquoise silver clip on earrings 1" tall x 7/8" wide, strong springs on clips, no issues, 8.6 grams. Felicita was a potter and silversmith.<br><br>Felicita was born in 1927 and raised at Cochiti Pueblo. She learned to make traditional pottery and storytellers from her parents. After her marriage during the World War II years, she moved to her husband Ben’s home in Zuni. Ben taught her some basics of jewelry-making. She sold her first ring to legendary Zuni trader C.G. Wallace. Over the years she become and accomplished jeweler in her own right, while developing a large following for her pottery and storytellers. “There are always more orders for my claywork than there’s time to do them,” she said.<br><br>The Eustaces show strong respect for the materials and time-honored processes of their art. Felicita still makes her storytellers the traditional way. Her jewelry features an old family design copyrighted in the early 1960s: a domed, natural leave motif in sterling silver alongside a carved, bezeled and polished turquoise stone. Felicita and Ben have passed their respect for quality on to their 13 children, many of whom create their own pottery and jewelry.<br><br>Daughter Bernadette Eustace says, “My parents told us that if we were going to do jewelry at all, we would have to do it their way, the right way. It wasn’t the designs they were talking about, it was the technical aspects of our work: setting stones, welds, engravings and so on. They were the ones who would be selling these items for us, so they would make sure that a certain standard of quality was being met.”<br><br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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芬顿丝带糖果篮粉色虹彩乳白色手绘 Coralene。柜子完好无损，没有损坏或磨损。 8.75 英寸高 x 8.5 英寸宽。 TW109

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Fidencio Castillo，墨西哥人（1907-1993 年）带有 Rebozo 雕塑的女人，签名为 Fide C.，安装在黑色大理石底座上，石底座上有一些碎片，对青铜没有损坏。整体：约 9.5 英寸高、7 1/8 英寸宽、6 1/8 英寸深、11 磅菲登西奥·卡斯蒂略·圣地亚哥（Fidencio Castillo Santiago，1907年11月16日－1993年7月29日）是一位墨西哥艺术家、教育家，也是墨西哥塑料沙龙的创始成员。墨西哥革命前不久，他出生于墨西哥哈利斯科州的埃察特兰，父母是特立尼达·卡斯蒂略和雷蒙达·圣地亚哥。他的妹妹罗莎·卡斯蒂略·圣地亚哥（Rosa Castillo Santiago，1910-1989）也是一位知名艺术家。 Fidencio Castillo Santiago 曾就读于圣卡洛斯学院，然后在 Escuela Nacional de Pintura、Escultura y Grabado "La Esmeralda" 学习。[1]随后，他在后者任教了三十多年，并与帕斯·卡斯蒂略·阿拉尔孔结婚。 他的作品在墨西哥和国外展出，包括1995年墨西哥艺术展期间的东京和仓敷等城市以及1967年亚利桑那州凤凰城的展览。在墨西哥，主要展览包括1960年的Bienal Mexicana Contenporánea、Salón de Invierno、Galería 1956 年的 Plástica Mexiana、1958 年的 Salón de Arte Mexicano 和 1964 年的第一届 Salón de Pintura y Escultura Contemporánea Jalisciense。1971 年，Salón de la Plástica Mexicana 举办了他的作品回顾展。 2004 年，墨西哥塑料艺术家协会、联合国教科文组织和墨西哥城地铁公司联合举办了另一场活动，以纪念他和他的妹妹罗莎·卡斯蒂略 (Rosa Castillo)。他因多种原因在墨西哥城去世，享年 85 岁。今天，哈利斯科州瓜奇南戈历史博物馆举办了该作者的永久展览

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国际足联可口可乐世界杯使用的足球裁判旗。来自国际足联青年世界杯的漂亮复古裁判旗。我不确定是哪一年，但你不太可能找到另一双。有些污渍和磨损。它们并不像照片上显示的那么明亮。外壳长 19 英寸TW100

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精美古董纯银火柴保险箱。极高品质，19 世纪至 20 世纪初。盖子内置非常坚固的弹簧，关闭时形成紧密密封，1 7/8" x 1.25" x 7/16"，没有问题。盖子上的花押字牌可以轻松更换。37.9 克，难以辨认的标志。饰品抽屉

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精美复古 Zuni 蜂鸟多宝石通道镶嵌南瓜花风格项链。品质优良，配有手工雕刻的石头、刺牡蛎和贝壳。长约 30 英寸，底部吊坠宽 4 英寸。 143.2克。所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示内周长金属与布卷尺上的数字相符的地方。

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5.5 英寸高 x 3 3/8 英寸宽，无裂纹、缺口、凹痕、划痕或其他问题。很漂亮，比照片好看。

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Flli Menegatti 纯银圈形耳环。出售这对 20 世纪最后 25 年的庄园耳环，没有损坏，纯正，但法式夹子没有，并且有一点氧化，可以用醋或柠檬汁轻松去除，直到照片才注意到。 。高 1 5/8 英寸。总重 17.6 克。

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Floyd becenti（1962-2016）纳瓦霍大号镀金纯银 Kachina 主题 Concho 腰带，采用覆盖风格。大皮带已使用 20-30 年，状况超级干净，厚金镀层无磨损，下方为实心纯银。 10 个贝壳，包括带扣，尺寸为 2.5 英寸 x 3 英寸，总重量为 625 克，包括所有材料。每个外壳都在背面标记，如图所示。 1.5 英寸皮带，适合 36 英寸-41 英寸腰部，有现有孔，当然很容易在任一方向打孔，或者只需更换不同的皮带，因为这是标准尺寸。弗洛伊德·贝森蒂 (1962-2016)纳瓦霍银匠，以纳瓦霍生活和精神主题的复杂覆盖或贴花叙事场景而闻名，尤其是在大型贝壳带、盘子、种子罐等上。他的每件作品都有一个主题：本土历史的斗争，包括现代； 2011年的恐怖事件；传统的纳瓦霍仪式等。每件作品都充满戏剧性且细节惊人。 弗洛伊德于 1962 年 3 月 7 日出生于凤凰城，属于 Táchii'nii（红色跑入水族），出生于 Tó'aheedliinii（水一起流族）。他的 nali 是 Bit'ahnii（交叉双臂）； chei 是 Haltsooi（草甸人）。他于 2016 年 2 月 16 日在盖洛普去世。弗洛伊德毕业于托哈奇高中，并在银城上大学一年。他还在彭德尔顿营的海军陆战队服役了一年。

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Formia Sommerso Murano 花瓶一对。出售一对 10.25 英寸高的花瓶，没有损坏或磨损，其中一个的日期为 2007 年，均带有原装标签。 b13

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Foster Yazzie 纳瓦霍纯银/缟玛瑙和其他美洲原住民西南耳环。出售所示的 3 对耳环，其中两对是美洲原住民的，另一对是西南商店的标志，我一时没认出来。黑色宝石是缟玛瑙，蓝色宝石可能是红榴石或块状绿松石。最大的一对 1 7/8 英寸高 x 2 英寸宽。总重 47 克，三双均顺利出售。 所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示内周长金属与布卷尺上的数字相符的地方。

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Fostoria 午夜玫瑰蚀刻脚喇叭形花瓶 8 3/8" 无缺口、裂纹或污渍。花瓶底部内部有轻微划痕。

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带框古董中国打印机块。这是一个古董块，镶有镀金字母，用于装饰目的。该块是玻璃的，我相信它是在 20 世纪第三季度建造的，当时已有大约 100 年的历史。 17.5 英寸 x 9 英寸。

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Frances Blinebry（1910-1995）1950年代亚利桑那州山顶山、德克萨斯州埃尔帕索艺术家。 8" x 10" 板 13" x 11" 装框没有问题。 Frances Blinebry（1910-1995）于 1943 年首次在埃尔帕索妇女俱乐部展览上展出，并在她的一生中继续在那里展出多年。她是影响深远的《德克萨斯艺术家参考词典》（1800-1945 年）中列出的艺术家。这是船上罕见的甜油。这肯定会补充您的 David Swing、El Boone 或 Willard Page 系列。签名为 Frances Blinebry，如图所示。 TW159

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框架尺寸为 32 英寸 x 28 英寸，画布尺寸为 24 英寸 x 20 英寸。非常漂亮的沿海景观，房屋的框架非常漂亮。绘画状况完好，没有任何问题。框架非常干净、美观。

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Francis L Begay Tufa Cast Lapis 手镯，适合 6 5/8 英寸的手腕，没有任何问题。所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示内周长金属与布卷尺上的数字相符的地方。

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Franciscan Apple Soup Tureen and Lid American Backstamp. Large footed soup tureen. Near mint with no cracks, chips, crazing, or restorations. 12.5" handle to handle x 9" tall.

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Franciscan 沙漠玫瑰美国 Backstamp 三脚架 6.5 英寸很难找到这种图案的作品，它不再在美国制造。无裂纹、缺口或裂纹。

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Frank & Brihilda Coriz Santo Domingo sterling heart clip on earrings. Strong springs on clips, no issues. Weight and measurements in pics.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Frank Patania Sr(1899-1964) Modernist southwestern Azurite Sterling pin. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.Frank Patania Sr. immigrated to New York City in 1908. Child labor laws kept the young man from working as a craftsman, but after World War I he was old enough to be hired as a designer for an important jewelry firm. In 1924 he contracted tuberculosis, and the firm sent him to a sanatorium in Santa Fe, New Mexico. Patania was seduced by the active art colony and healthy climate, and chose to remain in the Southwest even after his health improved. His work reflects both his European training and his exposure to Pueblo and Navajo jewelry.The legacy left by Frank Patania, Sr. came from the integration of two distinctly different traditions-one European, and the other Native American. On the one hand, Frank Sr. drew from a long history of Italian creative spirit, combining technical expertise and artistic imagination. He instilled in his family the Italian commitment to fine craftsmanship, as well as the Italian custom of family corporate bonding.This uniquely Italian tradition can be traced back as far as the Renaissance, and provides a structure in which each member of an artisan family has a job to perform that contributes to the family enterprise. This familial check and balance system has been a powerful asset to the Patania family's continued standard of excellence through the years. But Frank Sr.'s style was drastically transformed when he was introduced to the work of southwest Native American jewelers in the 1920s.His inspiration was multi-faceted; he began to work in a new medium-silver and turquoise-as well as in increased scale, and using new techniques. The successful marriage of these two disparate traditions has become the foundation upon which each generation has maintained the tradition of excellence in craftsmanship and design that has come to be known as the "Patania Thunderbird" style.

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