Rare Retired James Avery Galloping Horses bracelet and earrings set. Weight and measurements in pics. Selling the exact pieces shown in great condition with no damage or significant wear. Box and paperwork included. James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

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Retired James Avery sterling and copper cuff bracelet and earrings set. Bracelet is 6.5" inside including the gap. Weight and measurements in pics. Selling the exact piece shown in great condition with no damage or significant wear. These pics are horrible, this is a really great set but we are short on time and I didn‘t express the importance of this set to the photographer. James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

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6.5" Vintage Navajo Pilot Mountain turquoise sterling cuff bracelet Jeff James . Weight and Measurements in pics. Single J hallmark photographed but there‘s another JJ Hallmark, possibly Jeff James Navajo. High quality silver work and extremely high quality Natural American turquoise. Some loss to matrix which is common with old pieces/natural turquoise. Great solid sterling cuff bracelet from the third quarter of the 20th century.

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6 5/8" Kirk Smith Navajo sterling and turquoise cuff bracelet. Weight and measurements in pics, appears unworn. Native American jewelry artisan Kirk Smith, or Kiyaa Alani Shush Dine (his Dine tribe name, meaning “towering house bear people clan), created a long-lasting legacy in a tragically short life. His work is highly regarded for its quality craftsmanship and his use of stones of only the highest quality and richest coloring. Kirks pieces, primarily his concho belts for which he was best known, have long been coveted and collectible, with their value only increasing as a result of his unexpected, early death. His story is an interesting one. HIS LIFE: Kirk Smith first began working with silver at around age 7 in his grandfathers hidden workshop, that according to Smiths interview with Perry Null Trading, “you would not see it unless you knew it was there. His grandfather also made jewelry and Kirk used to aid him by first learning to run the bellow to heat the charcoal that would allow his grandfather to work with the silver at high temperatures, and then eventually began to work with beads and bracelets and necklaces himself. He later used these primitive skills to craft jewelry for his uncle, who would exchange clothes and shoes for his pieces. In 1972, Kirk struck out on his own, primarily working in silver cast work, until the price of silver went up in 1974 and he went to work doing different things like working in the mine or a refinery in Galveston. He returned to jewelry making in the early 1980s when his mother got sick and he desired to be nearer to her. Thats when his craft took a turn. HIS MENTORS: Of course, his grandfather was his earliest influence, and perhaps the most profound on Kirk as a person, but when it comes to his craftsmanship, the game-changer for him was his brother-in-law. Kirks sister was married to an artisan named Harry Morgan, a well-known name in the world of Native American jewelry. Harry was known for his intricate stamp work and the way he would style his silver to give it an antique look, believing that overly polished silver hid the detailing and the beauty of a piece. It was Harry who really taught Kirk about design and style in terms of his craft. HIS CRAFT: Kirk is probably best known for his concho belts, like the one we found in Audreys closet, that we thought was too beautiful not to share with yall after being tucked away for too long. He was known for his unrelenting insistence on working his silver by hand, resulting in beautiful pieces of heavy silver and high-grade stones. In addition to concho belts, Kirk crafted gorgeous statement cuff bracelets with turquoise and red coral and some of the most striking blue lapis youve ever seen, as well as some rings, pendants, earrings, and even a few squash blossoms. As we mentioned, his work is highly collectible, not only because of its stunning beauty, but because sadly, there wont be any more made; Kirk was tragically killed in 2012. HIS DEATH: On September 17, 2012, Kirk was in an altercation in a parking lot with a young man whose truck had struck Kirks vehicle as the man was attempting to back into a parking spot. When the driver, who was intoxicated, tried to flee the scene, Kirk jumped onto the hood of the mans truck. When he was eventually unable to maintain his grip, Kirk was flung from the moving vehicle and suffered injuries which resulted in his death in an Albuquerque hospital a little while later. The driver did succeed in fleeing the scene, but eventually collided with another truck and a barrier on Interstate 25 and was apprehended after a violent struggle with police; he was found to have had a blood alcohol concentration of 0.16, twice the legal limit. Incredibly, the driver, who was 16 at the time, was only sentenced to 90 days in a treatment center and two years probation. As you might imagine, Kirks surviving family does not feel that justice was done in the wake of his death, but they are carrying on his legacy in a positive way despite the circumstances. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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7 1/8" C/J Nez Navajo sterling domed cuff bracelet. Weight and measurements in pics. No issues, solid sterling with markings shown. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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6.75" Tom Dewitt Sterling high grade turquoise cuff bracelet. Weight and measurements in pics. No issues, solid sterling with markings shown. Tom Dewitt (American, 1947-2021) Anglo Santa Fe artist Tom Dewitt is known for creating “old style silver pieces. He is inspired by silverwork from the 1880s-1940s. Toms work regularly is mistaken for being much older than it is. Tom has been creating retro-style jewelry for over four decades and sells his work in galleries around the country. Tom was born in Michigan and raised in Los Angeles, California. He graduated from Venice High in 1965. He began his silver- smith career directly after school while also working as a lighting technician for major venues in L.A. during the wave of the 1960‘s psychedelic rock & roll concerts. He eventually landed a job with Fox Studios working as an electrician for long-running TV series‘ such as M.A.S.H., Dragnet, The Love Boat, and others. He also worked on some big films; The Doors, Lonesome Dove, Natural Born Killers, The Missing, and others. He made frequent trips to Santa Fe starting when he was 21 to buy and sell jewelry, trade and pick up tools. He made New Mexico his home in the 1970s settling in Pojoaque as a silversmith also returning to L.A. for work in the movie and TV business. He was one of the original "Anglo Silversmiths" in New Mexico and a trader. He called his jewelry "old pawn while you wait" because it looked like the old Native American jewelry found in pawn shops. He had a special relationship with the Zuni Pueblo and revered the culture and artistic styles of the Native American silversmiths and artisans. He sold to major galleries in Santa Fe and had a line with Ralph Lauren in the early 2000s. He was extremely talented and people from all over the world collected his work. Tom was a silversmith for 52 years making over 20,000 pieces of southwestern and cowboy style jewelry and art. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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8.5" Zuni sterling mother of pearl channel inlay bangle. Marked with a hallmark I don‘t recognize but I believe it‘s Zuni made. Weight and measurements in pics. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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6.25" 50‘s-60‘s Native American silver turquoise row watch cuff bracelet. Weight and measurements in pics. All precious metals are tested and guaranteed,

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6 3/8" 30‘s-40‘s Navajo silver and turquoise cuff bracelet Weight and measurements in pics. Solid sterling, unmarked. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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6 5/8" Vintage Navajo sterling cuff bracelet First American traders Gallup. Solid sterling. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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1940‘s Native American Navajo Sterling silver cluster cuff bracelet high grade<br>turquoise, one partially missing small stone on right side.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman‘s wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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6.5" Vintage Navajo Overlay claw design cuff bracelet sterling. Nice bracelet most likely Navajo made with unidentified by me picto-hallmark. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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6 1/8" 30‘s-40‘s Navajo silver cuff bracelet with awesome turquoise. Weight and measurements in pics, no issues. Very nice Natural American turquoise. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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6.5" GBJ Vintage Native American sterling cuff bracelet with turquoise Weight and measurements in pics. Signed GBJ I believe by artist. Given as a gift in the 90‘s with inscription on the reverse side but I think it‘s perhaps 20+ years older than that. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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6" 40‘s-50‘s Navajo twisted silver wire cuff bracelet with turquoise. Weight and measurements in pics. Solid sterling, unmarked. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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7.25" F Frances Navajo Heavy sterling cuff bracelet. Weight and measurements in pics. Solid sterling circa 1970‘s-80‘s.

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7" JC Navajo heavily stamped sterling cuff bracelet. Weight and measurements in pics. Solid sterling circa 1980‘s, possibly Jesse Claw. Unworn condition.

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Vintage Sterling Bowguard bracelet with huge turquoise silver mercury dimes. Weight and measurements in pics. No apparent marks, solid sterling plaque with turquoise, solid 90% silver mercury dimes. I‘m not sure how this fastens. It‘s very soft doeskin, I assume maybe you would have some type of bungies or rubber bands to go from one coin to the other one on the other side. I‘m not really sure, it‘s not functional as a bracelet as shown.

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6.25" Older Zuni sterling slant turquoise flush inlay cuff bracelet. Weight and measurements in pics. Unmarked solid sterling with no issues, mid 20th century.

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7" Ray Tafoya Navajo 14k/Sterling heavy cuff bracelet. No issues, weight and measurements in pics. Solid 14k gold center piece in sterling.

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7.25" Tony Kyasyousie Hopi Overlay Man in the Maze Paw sterling cuff bracelet. No issues, weight and measurements in pics. Solid sterling. Tony Kyasyousie (1969-1993) (Hopi) His beautiful clean designs show his exceptional talent. He learned at Hopi Craft and worked there. His work is found in many publications, and he has won many awards for his beautiful jewelry.

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7.25" Orville Tsinnie Navajo 14k/Sterling Wild Horse cuff bracelet. No issues, weight and measurements in pics. Solid 14k gold bezel and 10 decorative beads, the rest solid sterling. Fancy stamped interior. Orville Tsinnie (1943-2017) was a Navajo artist and master silversmith who has been featured in the American Indian art world for over 25 years. He was born in Tuba City, Arizona in 1943 and lived and worked in Shiprock, New Mexico. Tsinnie learned jewelry making from his Hopi brother-in-law in the 1970s and has since won many awards, including a Lifetime Achievement award from the Indian Arts and Crafts Association.

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6.5" TM Sterling Sugilite, charoite, lapis, and turquoise channel inlay bracelet. Weight and measurements in pics. Extremely high quality bracelet, make TM and SS for sterling silver. I‘m unsure of the artist due to time limitations.

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6 7/8" Mark Jimenez Apache/ Comanche 14k/sterling cuff heavy cuff bracelet. No issues, weight and measurements in pics. Solid 14k gold center piece in sterling. Mark Jimenez knew at fifteen years old that he was destined to be a silversmith and jewelry designer. He remembers distinctly the first time he felt the metal in his hand and the creativity it inspired in him. "Jewelry," he explains, " is an inanimate object until it is worn and takes on the personality and life of the wearer." Each piece he designs is done with the idea that the piece is meant to bring life - the past, present and the future - to the wearer and he uses that imagery when designing his silver and gold pieces. Born in Santa Fe, New Mexico in 1958, Mark descends from a long history of artists. His mother‘s family are renowned weavers from Chimayo in which the family has weavings on permanent display at the Smithsonian Institute in Washington, D.C. and their work dates back to 1732, according to the archives in Santa Fe. Mark‘s father‘s family are Mescalero, Apache and Mexican, are known for thier Native American sculptures in alabaster and wood. The artist has taken the precise detailed work of his mother‘s weavings and blended it with the Native American traditional themes of his father‘s family‘s sculptures to design jewelry that represents the past, present and future, of not only Native Americans, but all of mankind. He explains, "it is mankind - what we all share that is the same that I try to present in my jewelry. I try to create in jewelry the similarities we all share, the past, the present and future." Although most Native American jewelry is silver, Mark combines silver and gold in many of his more contemporary pieces. he is not confined to any one style and allows his art work to reflect, not only the traditions of his Native American roots but allows his creativity to inspire his vision of the future. mark has exhibited in The Heard Museum in Arizona and The Gilcrease Museum in Oklahoma. His jewelry is displayed in galleries in Coronado Island, California, Naples, Florida, Boca Raton, Florida, San Diego, California, Berlin, Massachusetts, Woodbine, New Jeresy, and Soho in New York City. He has won several first place awards in numerous shows and has been featured in Southwest Magazine. Mark is most proud that many celebrities are Mark Jimenez collectors including Oprah Winfrey, Linda Grey, Paul Rodriquez, Brooks and Dunn and several other country and western personalities.

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7" Sterling spiderweb turquoise cuff bracelet. Weight and measurements in pics. Sterling mark with no other markings c1980‘s in new old stock unworn condition.

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7" Roy Tawahongva hopi overlay cuff bracelet with rainclouds sterling. No issues, weight and measurements in pics. Hallmarked as shown, solid sterling silver with no issues.  Roy Tawahongva, Hopi Pueblo, active c1970's-present; Katsina carvings, and jewelry. Roy is the son of Carol Tawahongva; brother of Mark Tawahongva.  

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6.5" Huge Steve Yellowhorse sterling high grade turquoise cuff bracelet. No issues, weight and measurements in pics. Steve Yellowhorse has been creating beautiful jewelry for several decades. His contemporary designs are both unique and very wearable.

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Retro Robert Farrell Sterling sodalite post modernist bracelet 7" long bracelet, weight and measurements in pics. I believe these danglies were added by the last owner, it tooks great with them on but could be easily removed as the jump rings aren‘t soldered. I don‘t think the actual danglies are solid sterling. I don‘t believe the artist that made this bracelet would have used unsoldered jump rings as all of his work I have seen including this bracelet without the danglies is absolute perfection. One of the danglies is missing.I believe Robert made jewelry in the last quarter of the 20th century, I believe now his focus is Architectural sculptures which are fantastic. The quality of workmanship here is way above most studio jewelry in my opinion, I have a feeling it took him quite some time to creat each piece and that‘s why he went on to apply his skills in more lucrative forms.Awards and Honors (*Award)*First Place, Exhibitors Choice Award, Smithsonian Craft Show, 2024.*Best of Metal, Philadelphia Craft Show, 2023.*Award of Excellence, Ann Arbor Street Art Fair, 2023.*Second Place, Exhibitors Choice Award, Smithsonian Craft Show, 2023.*First Place, Exhibitors Choice Award, Smithsonian Craft Show, 2022. *Award of Excellence, Ann Arbor Street Art Fair, 2022.*First Place, St. Louis Art Fair, 2021.*Award of Excellence, Ann Arbor Street Art Fair, 2019.*Award of Distinction, Winter Park Sidewalk Art Festival, Winter Park, FL, 2019.*Director‘s Choice Award, American Craft Exposition, Chicago, 2018.*Award of Excellence, Ann Arbor Street Art Fair, 2018.*Award of Excellence, Winter Park Sidewalk Art Festival, Winter Park, FL, 2018.*Award of Excellence, Ann Arbor Street Art Fair, 2017.*Best of Show, Smithsonian Craft Show, 2017.*Award of Excellence, Winter Park Sidewalk Art Festival, Winter Park, FL, 2017.*Best of Show, Plaza Art Fair, Kansas City, 2016.*First Place, St. Louis Art Fair, 2016.*Best of 3-D Mixed Media, Uptown Art Fair, Minneapolis, 2016.*Award of Excellence, Ann Arbor Street Art FairThe Original, 2016.*Exhibitor‘s Choice Award, Smithsonian Craft Show, 2016.*Award of Excellence, Winter Park Sidewalk Art Festival, Winter Park, FL, 2016.*Best of Metal, The Philadelphia Craft Show, 2015.*Award of Excellence, Plaza Art Fair, Kansas City, 2015.*First Place, St. Louis Art Fair, 2015.*Best of 3-D Mixed Media, Uptown Art Fair, Minneapolis, 2015.*Award of Excellence, Ann Arbor Street Art FairThe Original, 2015.*Best of Fine Craft, Art on the Square, Belleville, IL, 2015.*Best of Show, Artisphere, Greenville, SC, 2015*Morse Museum Award, Winter Park Sidewalk Art Festival, Winter Park, FL, 2015.*Award of Excellence, Plaza Art Fair, Kansas City, 2014.*First Place, St. Louis Art Fair, 2014.*Best of Show, The Domes Art Festival, Milwaukee, 2014*Award of Excellence, Ann Arbor Street Art FairThe Original, 2014.*Best of Fine Craft, Art on the Square, Belleville, IL, 2014.*Award of Excellence, Winter Park Sidewalk Art Festival, Winter Park, FL, 2014.*Best of 3-D Mixed Media, Uptown Art Fair, Minneapolis, 2013.*Award of Merit, Cherry Creek Art Festival, Denver, 2013.*Best of Fine Craft, Art on the Square, Belleville, IL, 2013.*Second Place, Winter Park Sidewalk Art Festival, Winter Park, FL, 2013.*Best of Show, Uptown Art Fair, Minneapolis, 2012.*Best of Fine Craft, Art on the Square, Belleville, IL, 2012.*Best of Show, Craft Art, St. Petersburg, 2011.*Second Place, St. Louis Art Fair, 2011.*Best of Show, Oconomowoc Arts Festival, Oconomowoc, WI, 2011.*Best of Show, Barrington Art Festival, North Chicago, 2011.*Best of Fine Craft, Art on the Square, Belleville, IL, 2011.*‘Excellence and Originality‘ (One of 10 equal awards), Ann Arbor Street Art Fair--The Original, 2010.*Best of Show, Palm Beach Fine Craft Show, 2009.*Award of Excellence, American Craft Council Show, Atlanta, 2009.*Purchase Award of Excellence, Coconut Grove Arts Festival, Miami, 2009.*Best Booth, American Craft Council Show, Sarasota, 2008.*Award of Excellence (One of 5 First Place awards), Craft Art, St. Petersburg, FL, 2008.*Best of Show, 3-D Exhibition, Venice Art Center, Venice, FL, 2008.*Museum Acquisition--Renwick Gallery, Smithsonian Institution, Awarded at the Smithsonian Craft Show, 2007.*First PlaceMetal, St. Louis Art Fair, 2006.*Best of Show, Washington Craft Show, 2004.*Jurors Award, Michael Monroe, St. Louis Art Fair, 2004.*Best of Metal, Philadelphia Craft Show, 2002.*First PlaceMetal, St. Louis Art Fair, 2002.*First PlaceMetal, Plaza Art Fair, Kansas City, 2002.*“Excellence and Originality (One of ten, equal awards), Ann Arbor Street Art FairThe Original, 2001.*Best of Metal, Philadelphia Craft Show, 2000.*Best Presentation, St. Louis Art Fair, 1999.*Piece purchased for the collection of the St. Louis Art Fair, 1999.*First PlaceMetal, Sausalito Art Festival, 1999.*First PlaceMetal, Plaza Art Fair, 1999.*Excellence and Originality, (One of ten, equal awards), Ann Arbor Street Art FairThe Original, 1999.*First Place--Metal, St. Louis Art Fair, 1998.*First PlaceMetal, Plaza Art Fair, 1998.*First PlaceMetal, Sausalito Art Festival, 1998.Museum Purchase, Mint Museum of Art and Design, Charlotte, NC., 1998.*First PlaceMetal, Winter Park Art Festival, Winter Park, FL, 1997.*Third PlaceMetal, St. Louis Art Fair, 1997.*Award of Excellence, Plaza Art Fair, 1997.*Second PlaceMetal, Cherry Creek Arts Festival, Denver, 1996.*First PlaceMetal, St. Louis Art Fair, 1995.*Second PlaceMetal, Cherry Creek Arts Festival, Denver, 1995.*Award of Excellence, Plaza Art Fair, 1995.*First PlaceMetal, St. Louis Art Fair, 1994.*Best of Metal, American Craft Exposition, Evanston, IL, 1994.*First PlaceMetal, Cherry Creek Arts Festival, Denver, 1994.*Award of Excellence, Lakefront Festival of Arts, Milwaukee, 1994.*Best of Metal, American Craft Exposition, Evanston, IL, 1993.*Best of Show, Midwest Salute to the Masters, Fairview Heights, IL, 1993.*Second PlaceMetal, Cherry Creek Arts Festival, Denver, 1993.*Wisconsin Art Board Grant, 1992.*Award of Excellence, Lakefront Festival of Arts, Milwaukee, 1992.*Second PlaceJewelry, Cherry Creek Arts Festival, Denver, 1992.*Award of Excellence, Midwest Salute to the Masters, Fairview Heights, IL, 1992.*Award of Merit, Coconut Grove Arts Festival, Miami, 1992.*First PlaceMetal, Cherry Creek Arts Festival, Denver, 1991.*First PlaceMetal, Midwest Salute to the Masters, Fairview Heights, IL, 1991.*Award of Excellence, Lakefront Festival of Arts, Milwaukee, 1991.*Award of Excellence, Crafts National 25, PA State University, 1991.*Award of Excellence, Lakefront Festival of Arts, Milwaukee, 1990.*Scholarship, Haystack Mountain School of Crafts, 1990.Design chosen for Fortunoff Silver Design Competition, New York, NY, 1990.Design chosen for Fortunoff Silver Design Competition, New York, NY, 1989.Fellowship, Craft Department, Tyler School of Art, 1988.*Representative of Tyler School of Art, Philadelphia Craft Show, 1988.*Award Designer, Lakefront Festival of Arts, Milwaukee, 1987.*Award of Excellence, Lakefront Festival of Arts, Milwaukee, 1987.*Award of Excellence, Lakefront Festival of Arts, Milwaukee, 1986.*First Place, Wisconsin Collegiate Showcase, 1986.Lectures, Public Speaking Engagements, Misc. Professional ActivitiesGuest Speaker/Visiting Artist, Cleveland Institute of Art, 2004.Guest Speaker/Visiting Artist, Cleveland Institute of Art, 1999.Juror, ACC Craft ShowsMetal, 1998.Guest Speaker, Tyler School of Art, 1997.Guest Speaker, Tyler School of Art, 1996.Demonstrator, Cherry Creek Arts Festival, 1996.Guest Speaker, Parker High School, Janesville, WI, 1996.Juror, 16th Annual Hoard Museum Art Show, Fort Atkinson, WI, 1996.Guest Speaker/Visiting Artist, Cleveland Institute of Art, 1995.Guest Speaker, Tyler School of Art, 1994.Gallery Task Force Member, University of Wisconsin-Whitewater, 1992.Guest Speaker, Tyler School of Art, 1991.Guest Speaker, Foster Gallery, University of Wisconsin-Eau Claire, 1991.Guest Speaker, University of Wisconsin-Madison, 1990.Guest Speaker/Visiting Artist, Cleveland Institute of Art, 1990.Guest Speaker, University of Wisconsin-Whitewater, 1990.Teaching Assistant, Haystack Mountain School of Crafts, 1990.Part-time Faculty, Tyler School of Art, 1989.Instructor, Saturday Metals Program, Tyler School of Art, 1988.Bibliography (*Reviews)Seymour Rabinovitch and Helen Clifford, Contemporary Silver: Commissioning, Designing, Collecting, Merrell Publishers Limited, 2000. pp. 20, 27, 56, 118-19.Paul J. Smith, General Editor, Objects for Use: Handmade by Design, Harry N. Abrams, Inc., Publishers, 2000. pp. 131, 148.*“The Commemorative Cup, American Craft, Ap/May 96, Vol. 56, No. 2, p. 53.*17th Annual Philadelphia Craft Show, Metalsmith, Spring 94, Vol. 14, No. 2, p. 47.“Portfolio, American Craft, Aug/Sep 92, Vol. 52, No. 4, p. 67.*SilverNew Forms and Expressions II, Metalsmith, Spring 91, Vol. 11, Nol. 2, p. 46.Alice Beamesderfer, Contemporary Philadelphia Artists: A Juried Exhibition catalog, Philadelphia Museum of Art, 1990. pp. 68, 141.*Honoring Something Ordinary, Metalsmith, Summer 89, Vol. 9, No. 3, p. 21.*All That Glitters, Metalsmith, Winter 87, Vol. 7, No. 1, p. 49.*Jewelry Show Sparkles at Art Museum, The Milwaukee Journal, July, 1986Juried Retail ShowsSmithsonian Craft Show, Washington, D.C. 1995, 99, 00, 02, 03, 04, 06, 07, 08, 10, 15, 16, 17, 18, 19, 22, 23, 24.Philadelphia Museum of Art Craft Show. 1989, 90, 91, 92, 93, 94, 95, 96, 97, 99, 00, 01, 02, 03, 05, 06. 07, 08, 09, 10, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24.Washington Craft Show, Washington, D.C. 1991, 94, 02, 03, 04, 05, 06, 07, 08, 09, 10, 12, 13, 14.Sausalito Art Festival. 1998, 99, 00.St. Louis Art Fair. 1994, 95, 96, 97, 98, 99, 00, 01, 02, 03, 04, 05, 06, 07, 09, 11, 12, 13. 14, 15, 16, 21.Ann Arbor Street Art FairThe Original. 1994, 95, 96, 97, 98, 99, 00, 01, 02, 03, 04, 05, 06. 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 21, 23, 24.Plaza Art Fair, Kansas City. 1995, 96, 97, 98, 99, 00, 01, 02, 03, 04, 05, 06, 10, 11, 12, 13, 14, 15, 16.Palm Beach Fine Craft Show. 2004, 05, 06, 08, 09, 10, 11, 12, 13, 14, 15, 16.Craft Art, St. Petersburg, FL. 2008, 09, 11.ACC Craft ShowBaltimore. 1993, 94, 95, 96, 97, 98, 99.Coconut Grove Art Festival, Miami. 1992, 93, 94, 95, 96, 97, 98, 02, 09, 10.American Craft Exposition, Evanston, IL. 1991, 92, 93, 94, 95, 96, 97, 98, 99, 00, 07, 08, 17, 18, 19, 20, 21.Cherry Creek Arts Festival, Denver. 1991, 92, 93, 94, 95, 96, 97, 98, 12, 13. 14, 16, 19.Lakefront Festival of Arts, Milwaukee. 1987, 90, 91, 92, 93, 94.ACC Craft ShowAtlanta. 1991, 94, 95, 97, 99, 09.ACC Craft ShowSarasota. 1993, 94, 05, 06, 08.Gasparilla Art Festival, Tampa. 1992, 05.EducationMaster of Fine ArtsMetal and Jewelry Emphasis. Temple University, Tyler School of Art, Philadelphia, 1989.Bachelor of ArtsStudio Art. University of WisconsinWhitewater, Summa Cum Laude. 1987.Bachelor of ArtsEnglish. University of WisconsinWhitewater, Summa Cum Laude. 1987.

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7" Heavy 14k/Sterling Jefferson Brown heartline bear Navajo cuff bracelet. No issues, weight and measurements in pics.

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6.25" c1940‘s Navajo shadowbox sterling cuff bracelet with nice turquoise. No issues, weight and measurements in pics. Solid sterling. Unmarked. Numbers inside likely previous owners social security number. A few dents to interior, exterior overall clean.

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7" Large Eugene Hale Navajo sterling storyteller cuff bracelet. No issues, weight and measurements in pics.

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6 1/8" 1940‘s Navajo sterling 3 stone turquoise cuff bracelet No issues, weight and measurements in pics. Solid sterling. Unmarked.

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6 3/8" Navajo Ike Wilson (1900-1942) sterling and turquoise cuff bracelet. No issues, weight and measurements in pics. Solid sterling. Diné silversmith Ike Wilson worked for many years for the Kelsey Trading Company at Zuni. He did silverwork for many of the Zuni lapidary artists including Ida Vacit Poblano. He often collaborated with his wife, Katherine Wilson. Navajo Nation artist Ike Wilson (1900-1942) would sign his creations with his bow and arrow hallmark. There has been some confusion in the past about the hallmark of Ike Wilson (1901-1942). It seems that sometimes his work was attributed to Austin Wilson. Both men were born in the same year and in a similar area of the reservation and both men worked at times for trader C. G. Wallace and the Kelsey Trading Company. Ike Wilsons work is signed with a bow and arrow. After his death in 1942, his wife Katherine Wilson (1907-1985) continued to use his hallmark. The bow and arrow hallmark was initially attributed to Ikes contemporary, Austin Wilson, but the corrected attribution was published in Messier, 2014.

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6.5" 30‘s-40‘s Navajo carinated silver twisted wire cuff bracelet nice turquoise. Weight and measurements in pics. Solid sterling, mid 20th century. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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6.25" Fred Harvey Era sterling and green turquoise cuff bracelet. Weight and measurements in pics. Solid sterling, unmarked, second quarter of the 20th century. stone secure in bezel with what appears to be a fracture right through the center through the matrix. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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6.5" c1940‘s Zuni sterling carved turquoise row cuff bracelet Weight and measurements in pics. Solid sterling, unmarked. Circa second quarter of 20th century. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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6" Vintage Native American silver cast cuff bracelet with 4 turquoise. Weight and measurements in pics. Solid sterling, third quarter of the 20th century. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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6" Vintage Native American twisted wire carinated silver cuff bracelet. Weight and measurements in pics. Illegibly signed in two places in interior, solid sterling. Circa third quarter of 20th century. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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7 1/8" Navajo Nora Tahe Deep Stamped silver cuff bracelet. Weight and measurements in pics. Fairly modern with no issues. Nora Tahe used a 4lb. ball-pein to create these one of a kind patterns, that looks like overlay, but are created by pure brute strength. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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6.75" Navajo Douglas Etsitty Sterling Feather cuff bracelet. Weight and measurements in pics. Fairly Modern. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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6.25" 30‘s-40‘s Navajo silver and turquoise cuff bracelet Weight and measurements in pics. second quarter of 20th century, stone secure in bezel with some wear/fracture.. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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6 1/8" 30‘s-40‘s Navajo Hand stamped silver thunderbird cuff bracelet turquoise. No issues, weight and measurements in pics. Solid sterling.

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7" huge Godber turquoise Navajo sterling cuff bracelet by E Piaso, solid sterling silver, weight and measurements in pics. I believe the previous owner paid $9500 for this bracelet about 25-30 years ago. High grade Godber is expensive. History of Godber-Burnham Turquoise The Godber mine, discovered in 1932, is located east of Austin, Nevada. First claimed under the name “Last Chance, it was later sold to Frank Burnham and then in 1934 to Walter Godber. It is said that during his short time owning the mine, he pulled out over "100,000" worth of turquoise, before selling it to Godber. Godber turquoise has been featured in the movie "The 10 Commandments" in the 50s, and was sold in Tiffany stores. The Godber mine was mined underground for the majority of its early years. Due to the miners chasing veins underground, you never know when you will run into an underground working where the turquoise has already been mined. The turquoise ranges from medium to dark blue, usually with a beautiful spider webbing. It has also been know for a very dark or black mottling forming, blotches and veins running through the stone. This mottling forms blotches and veins running through the stone that creates a impressive spiderweb appearance. Oscar Branson in his book, “Turquoise has called Godber ‘so hard and ‘some of the finest turquoise in Nevada‘. Godber has always been considered a very high quality turquoise and very collectible.

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6 7/8" Ray Bennett Navajo Sterling twisted wire cuff bracelet with turquoise. No issues, weight and measurements in pics. Solid sterling.

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6 3/8" 1940‘s Sterling and turquoise Fred Harvey era dog cuff bracelet. No issues, weight and measurements in pics. Solid sterling.

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6.25" Vintage Zuni spiderweb turquoise flush inlay sterling cuff bracelet. No issues, weight and measurements in pics. Solid sterling.

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6.5" 40‘s-50‘s Zuni carved turquoise sterling row cuff bracelet. No issues, weight and measurements in pics. Solid sterling.

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6.75" Clarence Chama Navajo sterling variscite row cuff bracelet, solid sterling silver, weight and measurements in pics. I believe there are two Clarence Chama native American artists, one Kewa, one Navajo. I believe this was made by the Navajo.

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6.5" Fatoya Yazzie Navajo sterling and turquoise cuff bracelet. No issues, weight and measurements in pics. Solid sterling.

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7.25" Orville Tsinnie Navajo carinated sterling cuff bracelet w/ turquoise. No issues, weight and measurements in pics. Solid sterling. Orville Tsinnie (1943-2017) was a Navajo artist and master silversmith who has been featured in the American Indian art world for over 25 years. He was born in Tuba City, Arizona in 1943 and lived and worked in Shiprock, New Mexico. Tsinnie learned jewelry making from his Hopi brother-in-law in the 1970s and has since won many awards, including a Lifetime Achievement award from the Indian Arts and Crafts Association.

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6 1/8" Lloyd Tsalabutie Zuni sterling coral needlepoint turquoise cuff bracelet, solid sterling silver, weight and measurements in pics. Lloyd is mainly known for inlay jewelry but he also carves Zuni fetish animals.

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6.75" Bobby Johnson Navajo sterling red coral row cuff braclet solid sterling. Weight and measurements in pics, no issues. Bobby Johnson is from Church Rock, New Mexico in the heart of the Navajo reservation.. He was born in the summer of 1952 and is native Navajo. He began to silversmith in the early 70s, learning from his family. Bobby is looked up to by his brothers and sisters, who are all expert silversmiths themselves.Coming up in this time when quality natural turquoise was more available,it‘s hard for people like Bobby who came out of that era,to use anything less than the best turquoise there is in today‘s market. His love for silver and turquoise led him to choose this as his life time path and can proudly say he is a proud silversmith!

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6 5/8" Mike Thomas Jr Navajo heavy sterling feather cuff bracelet. No issues, weight and measurements in pics.

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6.75" Orville Tsinnie Navajo 14k/Sterling sugilite cuff bracelet. No issues, weight and measurements in pics. Solid 14k gold bezel and 12 decorative beads, the rest solid sterling. Fancy stamped interior. Orville Tsinnie (1943-2017) was a Navajo artist and master silversmith who has been featured in the American Indian art world for over 25 years. He was born in Tuba City, Arizona in 1943 and lived and worked in Shiprock, New Mexico. Tsinnie learned jewelry making from his Hopi brother-in-law in the 1970s and has since won many awards, including a Lifetime Achievement award from the Indian Arts and Crafts Association.

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7" Huge 60‘s-70‘s Navajo sterling turquoise cluster cuff bracelet, solid sterling silver, weight and measurements in pics. No apparent markings.

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7" AUT Sterling turquoise and coral heavy cuff bracelet, solid sterling silver, weight and measurements in pics. Most likely Native American made, and artist unknown to me, from the last quarter of the 20th century.

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7" 50‘s-60‘s Marie Qualo Zuni sterling sunface cuff bracelet, solid sterling silver, weight and measurements in pics. Unmarked which was common during this era. The small fancy stamped design on the sides sets this one apart. Her work is found in the publication, ZUNI THE ART AND THE PEOPLE, Vol 1, pg.13. Not hallmarked which was common during this era.

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6.25" c1960‘s Zuni sunface row cuff bracelet sterling turquoise/coral. Solid sterling, unmarked. Weight and measurements in pics, no issues.

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6.25" 1940‘s Navajo Sterling agate cuff bracelet. Weight and measurements in pics. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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6.5" 1930‘s Heavily stamped whirling log silver turquoise row cuff bracelet. Weight and measurements in pics. No detectable markings, solid sterling silver. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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6.5" c1940‘s Navajo silver cuff bracelet w/three large turquoise. Weight and measurements in pics. No detectable markings other than EAT which is likely the original owner‘s initials. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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6.25" c1950‘s Vintage Zuni sterling and turquoise inlay shadowbox cuff bracelet. Weight and measurements in pics. Solid sterling with no markings, third quarter of the 20th century. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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6.25" 40‘s-50‘s heavily stamped Native American silver cuff bracelet with nice turquoise. Weight and measurements in pics. No detectable markings, solid sterling silver. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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7" Linkin Navajo heavy stamped sterling silver cuff bracelet. Weight and measurements in pics. Solid sterling All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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6.75" JH Large vintage Native American sterling and turquoise cuff bracelet. Weight and measurements in pics. Solid sterling with on JH initial for markings of an artist once known, third quarter of the 20th century. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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6.5" Large 1940‘s Navajo Petrified wood sterling cuff bracelet. Weight and measurements in pics. Unmarked, solid sterling, mid 20th century. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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7.25" large Vintage Native American sterling onyx cuff bracelet Weight and measurements in pics. Solid sterling, unmarked, circa third quarter of 20th century. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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6 3/8" 40‘s-50‘s Fred Harvey Era sterling and turquoise arrows cuff bracelet Weight and measurements in pics. Solid sterling, mid 20th century. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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7.25" Rosco Scott Navajo sterling sleeping beauty turquoise cuff bracelet. Solid sterling, weight and measurements in pics. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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6 7/8" Nice Vintage Hand chiseled sterling high grade turquoise cuff bracelet. Solid sterling, weight and measurements in pics. Apparently unmarked, third quarter of the 20th century. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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6 1/8" Pete Sierra Navajo sterling cobblestone turquoise cuff bracelet. Solid sterling, weight and measurements in pics. Marked as shown. Sierra was a former student of Charles Loloma, and is mentioned in Nancy Schiffer‘s book "Jewelry by Southwest American Indians: Evolving Designs." Sierra‘s works are found in the Maxwell Museum of Anthropology as well as other museums, and he has been represented by many galleries worldwide. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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6.75" c1940‘s large Navajo sterling and turquoise cuff bracelet. Solid sterling, weight and measurements in pics. Unmarked as shown. Circa second quarter of 20th century. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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6.25" Gary Vacit Zuni Sterling multi-stone inlay knifewing cuff bracelet. Solid sterling, weight and measurements in pics. Signed G Vacit Zuni with no sterling mark, third quarter of the 20th century. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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7 1/8" Large vintage Native American sterling, turquoise, coral cuff bracelet. Solid sterling, weight and measurements in pics. Apparently unmarked. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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6.75" Vintage Native American stamped carinated silver cuff bracelet w/turquoise. Solid sterling, weight and measurements in pics. Unmarked as shown. Circa mid 20th century. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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6.25" Russel Retro Multi-stone gold filled scarab bracelet Weight and measurements in pics. High quality bracelet with no issues.

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Retro Robert Farrell 18k/sterling post modernist bracelet 6.5" long bracelet, weight and measurements in pics. No issues.   I was fortunate enough to be contacted by the artist and he listed the materials for me.  Precise materials are: sterling silver, shibuichi (a Japanese alloy), 18k gold (wire), 24k gold (chunky, random shapes).Awards and Honors (*Award)*First Place, Exhibitors Choice Award, Smithsonian Craft Show, 2024.*Best of Metal, Philadelphia Craft Show, 2023.*Award of Excellence, Ann Arbor Street Art Fair, 2023.*Second Place, Exhibitors Choice Award, Smithsonian Craft Show, 2023.*First Place, Exhibitors Choice Award, Smithsonian Craft Show, 2022. *Award of Excellence, Ann Arbor Street Art Fair, 2022.*First Place, St. Louis Art Fair, 2021.*Award of Excellence, Ann Arbor Street Art Fair, 2019.*Award of Distinction, Winter Park Sidewalk Art Festival, Winter Park, FL, 2019.*Director‘s Choice Award, American Craft Exposition, Chicago, 2018.*Award of Excellence, Ann Arbor Street Art Fair, 2018.*Award of Excellence, Winter Park Sidewalk Art Festival, Winter Park, FL, 2018.*Award of Excellence, Ann Arbor Street Art Fair, 2017.*Best of Show, Smithsonian Craft Show, 2017.*Award of Excellence, Winter Park Sidewalk Art Festival, Winter Park, FL, 2017.*Best of Show, Plaza Art Fair, Kansas City, 2016.*First Place, St. Louis Art Fair, 2016.*Best of 3-D Mixed Media, Uptown Art Fair, Minneapolis, 2016.*Award of Excellence, Ann Arbor Street Art FairThe Original, 2016.*Exhibitor‘s Choice Award, Smithsonian Craft Show, 2016.*Award of Excellence, Winter Park Sidewalk Art Festival, Winter Park, FL, 2016.*Best of Metal, The Philadelphia Craft Show, 2015.*Award of Excellence, Plaza Art Fair, Kansas City, 2015.*First Place, St. Louis Art Fair, 2015.*Best of 3-D Mixed Media, Uptown Art Fair, Minneapolis, 2015.*Award of Excellence, Ann Arbor Street Art FairThe Original, 2015.*Best of Fine Craft, Art on the Square, Belleville, IL, 2015.*Best of Show, Artisphere, Greenville, SC, 2015*Morse Museum Award, Winter Park Sidewalk Art Festival, Winter Park, FL, 2015.*Award of Excellence, Plaza Art Fair, Kansas City, 2014.*First Place, St. Louis Art Fair, 2014.*Best of Show, The Domes Art Festival, Milwaukee, 2014*Award of Excellence, Ann Arbor Street Art FairThe Original, 2014.*Best of Fine Craft, Art on the Square, Belleville, IL, 2014.*Award of Excellence, Winter Park Sidewalk Art Festival, Winter Park, FL, 2014.*Best of 3-D Mixed Media, Uptown Art Fair, Minneapolis, 2013.*Award of Merit, Cherry Creek Art Festival, Denver, 2013.*Best of Fine Craft, Art on the Square, Belleville, IL, 2013.*Second Place, Winter Park Sidewalk Art Festival, Winter Park, FL, 2013.*Best of Show, Uptown Art Fair, Minneapolis, 2012.*Best of Fine Craft, Art on the Square, Belleville, IL, 2012.*Best of Show, Craft Art, St. Petersburg, 2011.*Second Place, St. Louis Art Fair, 2011.*Best of Show, Oconomowoc Arts Festival, Oconomowoc, WI, 2011.*Best of Show, Barrington Art Festival, North Chicago, 2011.*Best of Fine Craft, Art on the Square, Belleville, IL, 2011.*‘Excellence and Originality‘ (One of 10 equal awards), Ann Arbor Street Art Fair--The Original, 2010.*Best of Show, Palm Beach Fine Craft Show, 2009.*Award of Excellence, American Craft Council Show, Atlanta, 2009.*Purchase Award of Excellence, Coconut Grove Arts Festival, Miami, 2009.*Best Booth, American Craft Council Show, Sarasota, 2008.*Award of Excellence (One of 5 First Place awards), Craft Art, St. Petersburg, FL, 2008.*Best of Show, 3-D Exhibition, Venice Art Center, Venice, FL, 2008.*Museum Acquisition--Renwick Gallery, Smithsonian Institution, Awarded at the Smithsonian Craft Show, 2007.*First PlaceMetal, St. Louis Art Fair, 2006.*Best of Show, Washington Craft Show, 2004.*Jurors Award, Michael Monroe, St. Louis Art Fair, 2004.*Best of Metal, Philadelphia Craft Show, 2002.*First PlaceMetal, St. Louis Art Fair, 2002.*First PlaceMetal, Plaza Art Fair, Kansas City, 2002.*“Excellence and Originality (One of ten, equal awards), Ann Arbor Street Art FairThe Original, 2001.*Best of Metal, Philadelphia Craft Show, 2000.*Best Presentation, St. Louis Art Fair, 1999.*Piece purchased for the collection of the St. Louis Art Fair, 1999.*First PlaceMetal, Sausalito Art Festival, 1999.*First PlaceMetal, Plaza Art Fair, 1999.*Excellence and Originality, (One of ten, equal awards), Ann Arbor Street Art FairThe Original, 1999.*First Place--Metal, St. Louis Art Fair, 1998.*First PlaceMetal, Plaza Art Fair, 1998.*First PlaceMetal, Sausalito Art Festival, 1998.Museum Purchase, Mint Museum of Art and Design, Charlotte, NC., 1998.*First PlaceMetal, Winter Park Art Festival, Winter Park, FL, 1997.*Third PlaceMetal, St. Louis Art Fair, 1997.*Award of Excellence, Plaza Art Fair, 1997.*Second PlaceMetal, Cherry Creek Arts Festival, Denver, 1996.*First PlaceMetal, St. Louis Art Fair, 1995.*Second PlaceMetal, Cherry Creek Arts Festival, Denver, 1995.*Award of Excellence, Plaza Art Fair, 1995.*First PlaceMetal, St. Louis Art Fair, 1994.*Best of Metal, American Craft Exposition, Evanston, IL, 1994.*First PlaceMetal, Cherry Creek Arts Festival, Denver, 1994.*Award of Excellence, Lakefront Festival of Arts, Milwaukee, 1994.*Best of Metal, American Craft Exposition, Evanston, IL, 1993.*Best of Show, Midwest Salute to the Masters, Fairview Heights, IL, 1993.*Second PlaceMetal, Cherry Creek Arts Festival, Denver, 1993.*Wisconsin Art Board Grant, 1992.*Award of Excellence, Lakefront Festival of Arts, Milwaukee, 1992.*Second PlaceJewelry, Cherry Creek Arts Festival, Denver, 1992.*Award of Excellence, Midwest Salute to the Masters, Fairview Heights, IL, 1992.*Award of Merit, Coconut Grove Arts Festival, Miami, 1992.*First PlaceMetal, Cherry Creek Arts Festival, Denver, 1991.*First PlaceMetal, Midwest Salute to the Masters, Fairview Heights, IL, 1991.*Award of Excellence, Lakefront Festival of Arts, Milwaukee, 1991.*Award of Excellence, Crafts National 25, PA State University, 1991.*Award of Excellence, Lakefront Festival of Arts, Milwaukee, 1990.*Scholarship, Haystack Mountain School of Crafts, 1990.Design chosen for Fortunoff Silver Design Competition, New York, NY, 1990.Design chosen for Fortunoff Silver Design Competition, New York, NY, 1989.Fellowship, Craft Department, Tyler School of Art, 1988.*Representative of Tyler School of Art, Philadelphia Craft Show, 1988.*Award Designer, Lakefront Festival of Arts, Milwaukee, 1987.*Award of Excellence, Lakefront Festival of Arts, Milwaukee, 1987.*Award of Excellence, Lakefront Festival of Arts, Milwaukee, 1986.*First Place, Wisconsin Collegiate Showcase, 1986.Lectures, Public Speaking Engagements, Misc. Professional ActivitiesGuest Speaker/Visiting Artist, Cleveland Institute of Art, 2004.Guest Speaker/Visiting Artist, Cleveland Institute of Art, 1999.Juror, ACC Craft ShowsMetal, 1998.Guest Speaker, Tyler School of Art, 1997.Guest Speaker, Tyler School of Art, 1996.Demonstrator, Cherry Creek Arts Festival, 1996.Guest Speaker, Parker High School, Janesville, WI, 1996.Juror, 16th Annual Hoard Museum Art Show, Fort Atkinson, WI, 1996.Guest Speaker/Visiting Artist, Cleveland Institute of Art, 1995.Guest Speaker, Tyler School of Art, 1994.Gallery Task Force Member, University of Wisconsin-Whitewater, 1992.Guest Speaker, Tyler School of Art, 1991.Guest Speaker, Foster Gallery, University of Wisconsin-Eau Claire, 1991.Guest Speaker, University of Wisconsin-Madison, 1990.Guest Speaker/Visiting Artist, Cleveland Institute of Art, 1990.Guest Speaker, University of Wisconsin-Whitewater, 1990.Teaching Assistant, Haystack Mountain School of Crafts, 1990.Part-time Faculty, Tyler School of Art, 1989.Instructor, Saturday Metals Program, Tyler School of Art, 1988.Bibliography (*Reviews)Seymour Rabinovitch and Helen Clifford, Contemporary Silver: Commissioning, Designing, Collecting, Merrell Publishers Limited, 2000. pp. 20, 27, 56, 118-19.Paul J. Smith, General Editor, Objects for Use: Handmade by Design, Harry N. Abrams, Inc., Publishers, 2000. pp. 131, 148.*“The Commemorative Cup, American Craft, Ap/May 96, Vol. 56, No. 2, p. 53.*17th Annual Philadelphia Craft Show, Metalsmith, Spring 94, Vol. 14, No. 2, p. 47.“Portfolio, American Craft, Aug/Sep 92, Vol. 52, No. 4, p. 67.*SilverNew Forms and Expressions II, Metalsmith, Spring 91, Vol. 11, Nol. 2, p. 46.Alice Beamesderfer, Contemporary Philadelphia Artists: A Juried Exhibition catalog, Philadelphia Museum of Art, 1990. pp. 68, 141.*Honoring Something Ordinary, Metalsmith, Summer 89, Vol. 9, No. 3, p. 21.*All That Glitters, Metalsmith, Winter 87, Vol. 7, No. 1, p. 49.*Jewelry Show Sparkles at Art Museum, The Milwaukee Journal, July, 1986.Juried Retail ShowsSmithsonian Craft Show, Washington, D.C. 1995, 99, 00, 02, 03, 04, 06, 07, 08, 10, 15, 16, 17, 18, 19, 22, 23, 24.Philadelphia Museum of Art Craft Show. 1989, 90, 91, 92, 93, 94, 95, 96, 97, 99, 00, 01, 02, 03, 05, 06. 07, 08, 09, 10, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24.Washington Craft Show, Washington, D.C. 1991, 94, 02, 03, 04, 05, 06, 07, 08, 09, 10, 12, 13, 14.Sausalito Art Festival. 1998, 99, 00.St. Louis Art Fair. 1994, 95, 96, 97, 98, 99, 00, 01, 02, 03, 04, 05, 06, 07, 09, 11, 12, 13. 14, 15, 16, 21.Ann Arbor Street Art FairThe Original. 1994, 95, 96, 97, 98, 99, 00, 01, 02, 03, 04, 05, 06. 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 21, 23, 24.Plaza Art Fair, Kansas City. 1995, 96, 97, 98, 99, 00, 01, 02, 03, 04, 05, 06, 10, 11, 12, 13, 14, 15, 16.Palm Beach Fine Craft Show. 2004, 05, 06, 08, 09, 10, 11, 12, 13, 14, 15, 16.Craft Art, St. Petersburg, FL. 2008, 09, 11.ACC Craft ShowBaltimore. 1993, 94, 95, 96, 97, 98, 99.Coconut Grove Art Festival, Miami. 1992, 93, 94, 95, 96, 97, 98, 02, 09, 10.American Craft Exposition, Evanston, IL. 1991, 92, 93, 94, 95, 96, 97, 98, 99, 00, 07, 08, 17, 18, 19, 20, 21.Cherry Creek Arts Festival, Denver. 1991, 92, 93, 94, 95, 96, 97, 98, 12, 13. 14, 16, 19.Lakefront Festival of Arts, Milwaukee. 1987, 90, 91, 92, 93, 94.ACC Craft ShowAtlanta. 1991, 94, 95, 97, 99, 09.ACC Craft ShowSarasota. 1993, 94, 05, 06, 08.Gasparilla Art Festival, Tampa. 1992, 05.EducationMaster of Fine ArtsMetal and Jewelry Emphasis. Temple University, Tyler School of Art, Philadelphia, 1989.Bachelor of ArtsStudio Art. University of WisconsinWhitewater, Summa Cum Laude. 1987.Bachelor of ArtsEnglish. University of WisconsinWhitewater, Summa Cum Laude. 1987.

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6.25" c1940‘s Navajo hand stamped silver cuff bracelet. Solid sterling, weight and measurements in pics. No markings. All precious metals are tested and guaranteed,

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Retro Sterling quartz link bracelet. Weight and measurements in pics. High quality bracelet with no issues. Solid sterling.

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7.5" Big Bend Saddlery Hand Engraved sterling cuff bracelet, very sturdy with no issues. Solid sterling, weight and measurements in pics. All precious metals are tested and guaranteed,

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Niels Erik From Sterling Denmark MCM Atomoic bracelet/pin set. 7" long bracelet, weight and measurements in pics. No issues. Danish jeweller and silversmith Niels Erik From ( N.E. From) was born in 1908 and opened his first workshop in 1931 when he was still only twenty-three . Over the next forty years Niels Erik went on to become one one of the greats of Danish design, and created many works including floral-inspired designs often set with semi-precious gemstones. These pieces took inspiration from the Skønvirke style. This was a Scandinavian development that formed part of Denmarks Art Nouveau and Arts and Crafts movement . This movement ususally took inspiration from nature with designs incorporating flowers and floral motifs as well as featuring natural creatures such as fish. N.E. FROM JEWELLRY STYLES - EARLY FLORAL DESIGNS AND LATER ABSTRACT MODERNIST PIECES N.E. Froms output generally displays one of two distinct styles. In the early years of production he produced wiry, thin, foliage and floral pieces .However, beginning in the 1950‘s the work produced by From (which were often the designs of other designers) had a very different look. No longer does the jewellery feature romantic, detailed designs from nature. The later pieces have modernist, clean lines with geometric and abstract shapes. Occasionally the modern designs show nature as inspiration with abstract blossom and leaf and blossom shapes. In generally though, they follow the trend of the 1950s of , spare, minimalist design.production .

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WW2 Era Sterling silver Pilots sweetheart bracelet. Selling the bracelet shown with no issues.

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6.25" Vintage Zuni sterling carved turquoise cuff bracelet. Great unmarked solid sterling from the third quarter of the 20th century with no issues. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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6 3/8" 1950‘s Blue Diamond Turquoise Navajo sterling cuff bracelet. Weight and measurements in pics, no issues. Mid 20th century. Unmarked as typical of most Native American jewelry of this era, solid sterling silver. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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6.75" AB Navajo 14k/Sterling Sugilite cuff bracelet, weight and measurements in pics. I‘m not sure who AB is, but likely A Begay, still there‘s a few options. Last quarter of the 20th century. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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6.25" Vintage Native American Sterling feather cuff bracelet. Very nice bracelet with no issues, thin but sturdy enough. Artist unidentified by me, weight and measurements in pics. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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6 3/8" Steven Apachito Navajo sterling opal cuff bracelet, weight and measurements in pics. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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8" Wilbur Tracy Navajo Sterling bangle bracelet, weight and measurements in pics. Last quarter of the 20th century with no issues. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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6 3/8" Vintage Navajo sterling and turquoise hand tooled cuff bracelet. Weight and measurements in pics. Solid sterling with no markings. Third quarter of the 20th century. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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7 3/8" Roland Dixon Navajo sterling high grade turquoise cuff bracelet. This, heavy, handmade Navajo cuff bracelet with no issues. Weight and measurements in pics. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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7 1/8" c1975 Notah Johnson Scottsdale AZ Sterling and turquoise cuff bracelet. Fantastic bracelet with no issues. I‘m not sure if Notah was Native American or not. Weight and measurements in pics. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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5 5/8" Bev Etsate Zuni Sterling in cuff bracelet. Weight and measurements in pics. Bev Etsate is the daughter of Rosalie an Augustine Pinto, who were known for their intricate inlay work. She has been making jewelry for well over thirty years. She is one of Zunis top jewelers and her work is collected worldwide. One of her favorite subjects is the Kachinas which she is well known for.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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6.5" 40‘s-50‘s Native American silver cuff bracelet with nice turquoise. Complex bracelet with a lot going for it, solid sterling with no markings, weight and measurements in pics. If a mark isn‘t shown then it isn‘t marked which is common with pre 1970‘s Native American jewelry that isn‘t from one of the larger trading posts. All precious metals are tested and guaranteed,

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Retired James Avery link bracelet in sterling. Fits up to a 6.5" wrist as shown. Weight and measurements in pics, no issues. -anderas James Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul. Mr. Averys mission was simple: to create jewelry with meaning both for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and >gemstones. Guests came to him with their stories their special mementos he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs.

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James Avery sterling charm bracelet with Phone, RN, Boy, Heart, xx00 etc. Fits up to a 6" wrist as shown. Weight and measurements in pics, no issues. -anderas James Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul. Mr. Averys mission was simple: to create jewelry with meaning both for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and >gemstones. Guests came to him with their stories their special mementos he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs.

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6.25" 40‘s-50‘s Navajo sterling petrified wood cuff bracelet. No issues, weight and measurements in pics. All precious metals are tested and guaranteed,

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