古董陶瓷未分類

法國Majolica 鸚鵡投手c.1880 罕見形式早期聖克萊門茨馬克11.25 英寸高。這是早期的風格和19 世紀末的標誌。它非常乾淨，沒有裂縫、缺口、修復或污漬，也沒有裂紋。色彩令人難以置信。tw85

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無裂痕、缺口或維修。裂痕和變色非常少，轉移裝飾極其清晰，狀況令人驚嘆。大約在 1800 年代早期到中期得到保證。

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c1910 Ovington Bros 維也納奧地利甜點盤套裝，帶有重金色扇形邊緣9 英寸。非常漂亮的一套完好無損的盤子，大約有100 年的歷史。出售所有7 個，它們寬9 英寸，沒有裂紋、缺口、劃痕或其他明顯磨損。它們在奧地利維也納製造，由美國奧文頓兄弟(Ovington Bros) 零售，奧文頓兄弟(Ovington Bros) 是當時美國頂級珠寶商/奢侈品零售商，經銷蒂芙尼(Tiffany) 和世界各地其他頂級製造商等商品。

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1919 年 Bernardaud 利摩日獅頭把手花園和底座中國風裝飾藝術家簽名。造型極為罕見，特別是底座的裝飾更是罕見。總高度 12 英寸，手柄到手柄 14 英寸，邊緣寬 9 英寸。無裂紋、缺口或修復。如圖所示，凸起的金色裝飾有輕微損失，獅子爪原始底座上的鍍金部分磨損，其中極其沉重的Jardinière 已經休息了100 多年。

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皇家道爾頓人物水壺國王查理一世 1721/2500 限量版大號。 7.5 吋高此商品為二手全新狀態，經過詳細檢查，沒有缺口、刮痕、裂痕、裂痕或維修。

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Dudson Jasper Ware 水壺 6 1/8" x 5 1/8" 噴嘴手柄 沒有任何形式的損壞或修復。

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保證 C. 1890-1910 年，無損壞，鍍金有輕微磨損，整體乾淨。無裂痕、缺口、修復或刮痕。瓷器由羅森塔爾製造，由德累斯頓的另一家公司手工裝飾。保證100%手繪。

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c1960 羅森塔爾臘腸犬雕像，由庫斯珀特 (Kuspert) 設計。 4 吋高、寬，無裂縫、缺口或修復體。 TW205

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c1870 梅森飛鳥中國風手繪彩色轉移器清洗水罐和碗套裝。這兩件是我見過的最漂亮、最乾淨的洗滌套裝的一部分。過去 40 年來，它一直存放在價值 300 萬美元的醫生家中，在此之前的 110 多年裡，它似乎從未被使用過。我把它分開的唯一原因是它太大了，很難準確地作為一個集合呈現。碗寬 16.25 英寸，投手高 11.5 英寸。沒有裂痕、缺口、修復或污漬，琺瑯沒有明顯損失，總體上您會在 150 多年歷史的陶器上發現預期的裂縫。

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這是 20 世紀初期精美的 17 世紀 S. Koninck（1609-1659）畫作的複製品。它描繪了一位老人，可能是聖傑羅姆在讀書。該牌匾狀況良好。框架有一些年代線和一些修復區域。它是在德國製造的，可能是在 20 世紀上半葉製造的。牌匾：10 英吋 X 8 英吋 框架：17 3/4 英吋 X 15 3/4 英吋 深度：3 1/2 英吋 框架左側頂部和底部有兩個古老、穩定、謹慎的修復體，不會損壞牌匾。

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c1950 Rosenthal Sanssouci Shape R53 Patter 金色鑲有德累斯頓花朵型裝飾的蔬菜盤。來自Rosenthal Sanssouci 形狀系列，其特點是扇形邊緣以及凸起的格子邊緣，此圖案R53 也被識別為682是一束可愛的花束。圖案的特徵是長莖上有一朵中央粉紅色的英國玫瑰，左邊是兩朵黃色的花朵，中間是一朵紫色的菊花，英國玫瑰右邊是兩朵紫色的雛菊。所有這些都以奶油色背景為背景，帶有厚重的金色編織飾邊，並帶有美國區背印，表明它是在 WW2 之後的四十年代末到 50 年代初製作的。就像新的一樣，沒有裂縫、缺口、刮痕、污漬、裂縫或金磨損。 10.5 英吋手柄到手柄 x 6.25 英吋高（含手柄）。TW200

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c1900 Royal Dux 新藝術風格鵝女孩，帶籃子中心裝飾品或梳妝台托盤。 9 1/8 英寸寬 x 7.5 英寸高，偉大的作品已有 100 多年的歷史。可以製作一個很棒的珠寶托盤或淺花盆。三片微小的釉片，一片位於右外緣，兩片位於頂部邊緣內的睡蓮葉上。沒有其他缺口，沒有裂紋，沒有修復。tw154

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c1900 Royal Dux 新藝術風格新古典主義書擋。出售兩個書擋，高 8 英寸 x 長 6 英寸，已有約 120 年曆史，非常好。女人在底座上塗上綠色植物時有非常小的薄片，並且底座上有工廠燒製缺陷，這些缺陷是在生產過程中發生的，並且很穩定，從外部看不到。一名男子的一片睡蓮葉上有一小片碎片，我相信他的頭已經恢復了。這些都令人難以置信，而且看起來很完美。經驗不足的經銷商可能會忽略的小問題。 TW199

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Porcelaine Limousine Limoges France Hand Painted Limoges Porcelain Wash Bowl and<br>Pitcher Set Pitcher and bowl 13.25" tall, (1) basin, approx 5"h, 16.25"diam;<br>10.5lbs No cracks, chips, or restorations. Extremely rare/one of kind item. All<br>hand painted, very minor wear to paint where large heavy pitcher has rested in<br>it for over 100 years.

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c1870 Masons Flying Bird Chinoisiere Hand Painted Polychromed Transferware Soap Dish and Toothbrush Holder. These pieces are part of the nicest, cleanest wash set I've ever came across. It's been in a 3 million dollar Doctor's home for the past 40 years and looks as if it never saw any use the 110+ years before that. The only reason I'm splitting it up is it's so big it's difficult to accurately present as a set. Toothbrush is 5.5" tall x 2 7/8" wide at rim, soap dish is 8" wide x 3" tall. No cracks, chips, restorations, or stains, no significant loss, overall expected crazing you'll find on 150+ year old earthenware. Selling both pieces shown, well all three really.

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c1870 Masons Flying Bird Chinoisiere Hand Painted Polychromed Transferware Slop Pail. This really big piece is part of the nicest, cleanest wash set I've ever came across. It's been in a 3 million dollar Doctor's home for the past 40 years and looks as if it never saw any use the 110+ years before that. The only reason I'm splitting it up is it's so big it's difficult to accurately present as a set. The piece has the original slotted lid, original wicker handle. 11.5" tall and wide without handle. No cracks, chips, restorations, or stains, no significant loss, overall expected crazing you'll find on 150+ year old earthenware.

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Antique French Faience Quimper Nevers Secouette Flask/Hand warmer. 4" x 3" x 7/8" One tiny glaze flake on book clasp, no other cracks, chips, or restorations, circa early 20th century. TW190

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c1920 Quimper Leroy Dubois Malicorne Butter Dish. Great piece from the early 20th century in good condition with one tiny reglued glaze flake on bottom corner of womans dress shown in first pic and slight glaze wear to sharp edges. NO other cracks, chips, or restorations. 8" x 6" x 2.75" TW190

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Vintage Wallendorf Porcelain Woman White Bisque Figure. Great piece circa mid 20th century with no damage. 8" tall. TW200

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c1920 Richard Ginori Blanc De Chine Figure of Hungry Brothers. Great piece from the first quarter of the 20th century in mint condition with no damage or wear. 6.5" tall x 4.5" wide. TW199

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c1860 Staffordshire Figures Man and Woman Holding Flags Pair. 9" tall both clean with no cracks, loss or restorations. Expected crazing man with possible fracture to foot that didn't break off. tw193

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Antique French Faience/Delft Blue Hand Painted Horseman Tiles in Frame. Guaranteed antique 19th century tiles framed around 1980. I'm thinking they're French because of the Fleur De Lis but could be Dutch. They measure 6 1/8" square and are in great conditon with no cracks or restorations, only a few tiny nicks on edges as shown. 18.75" x 6.5" total. B62

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c1860 Staffordshire Prattware Transferware Plates Sebastopol and 123 Cattle Scene. 2 great pieces from mid to late 19th century. They measure 8.25" and 8 7/8". Neither have any cracks, chips, or restorations. Large one has crazing on the back and none on the front, smaller one has no crazing. Selling both pieces shown. In the 19th century, the Pratt name was associated with the fine, usually multi-coloured, transfer printed engravings used to decorate the lids of earthenware pots used for food, pharmaceutical products and toiletries. The business also produced domestic earthenware including relief moulded earthenware (especially jugs) and tableware with underglaze, multi-coloured decoration (‘Prattware’). Terracotta and parian ware were other wares, and Godden (1988) notes that there are examples of mid-19th century porcelain printed with Pratt multi-colour underglaze prints, however, these may have been bought-in ware decorated by the company. Whilst Felix Pratt was the commercial driving force behind the business, the artist was a Jesse Austin who joined Pratt in the early-1840. He was an accomplished watercolour artist and engraver and over nearly 40 years, the business produced over 550 poly chrome prints used to decorate the now well known pot lids. Pratt’s first under-glaze, polychrome pot lid was made in 1847 and was a scene ‘Grace before Meals’. Austin’s subject included royalty, famous people, city scenes – there are eleven views of London – and this portrayal of the life and times of Victorian England is one of the reasons for the lid’s popularity today. Austin also made minature watercolour copies of famous paintings and these too appear on pot lids and Prattware. Although the pot lids have become well known, the engravings were also used on the containers themselves, on plates and on other domestic earthenware manufactured by the business and it is this good-quality domestic pottery that is termed ‘Prattware’. tw176

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c1900 Dresden Flowers hand painted serving bowl with gold 9.75". Great piece with no cracks, chips, restorations, and near mint gold. TW175

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c1890 Royal Vienna Style Hand Painted Shallow Bowl with Neoclassical Greek scene<br>9 5/8" wide with no cracks, chips, or restorations, some wear to gilding as<br>shown. 100% hand painted and artist signed.TW175

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c1890 Royal Vienna Style Hand Painted Raised Gold Neoclassical Style Cabinet<br>Creamer and Sugar . Great pair over 100 years old with no cracks, chips, or<br>restorations and near mint to mint gold. They are both 4.25" tall, a nice larger<br>sized creamer and sugar, sugar is 6" handle to handle.tw174

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c1860 Staffordshire Tam O'Shanter & Souter Johnny Figure. 13.5" tall x 10" wide<br>with no cracks, chips, or restorations. Typical firing flaws and crazing, some<br>loss to paint. Marked on base Sampson Smith 1851 Longton.<br>SAMPSON SMITH<br>1851<br>LONGTON Mark was used from c.1851-90<br>rare mark (in relief) on some earthenware dogs, jugs and figures - most 19thC<br>ware was unmarked.<br>B34

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Wedgwood Black Basalt President Eisenhower Bust 8.5" tall with no cracks, chips, or restorations, paperwork included as shown. Tw53

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c1860 Staffordshire Prattware Teapot Stand and Plate with Cattle Farm Scene. 2 great pieces from mid to late 19th century. Teapot stand is 6.5" and plate is 8 5/8". Neither have any cracks, chips, or restorations. Both have the expected crazing of 150 year old earthenware. Selling both pieces shown. In the 19th century, the Pratt name was associated with the fine, usually multi-coloured, transfer printed engravings used to decorate the lids of earthenware pots used for food, pharmaceutical products and toiletries. The business also produced domestic earthenware including relief moulded earthenware (especially jugs) and tableware with underglaze, multi-coloured decoration (‘Prattware’). Terracotta and parian ware were other wares, and Godden (1988) notes that there are examples of mid-19th century porcelain printed with Pratt multi-colour underglaze prints, however, these may have been bought-in ware decorated by the company. Whilst Felix Pratt was the commercial driving force behind the business, the artist was a Jesse Austin who joined Pratt in the early-1840. He was an accomplished watercolour artist and engraver and over nearly 40 years, the business produced over 550 poly chrome prints used to decorate the now well known pot lids. Pratt’s first under-glaze, polychrome pot lid was made in 1847 and was a scene ‘Grace before Meals’. Austin’s subject included royalty, famous people, city scenes – there are eleven views of London – and this portrayal of the life and times of Victorian England is one of the reasons for the lid’s popularity today. Austin also made minature watercolour copies of famous paintings and these too appear on pot lids and Prattware. Although the pot lids have become well known, the engravings were also used on the containers themselves, on plates and on other domestic earthenware manufactured by the business and it is this good-quality domestic pottery that is termed ‘Prattware’. tw176

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c1920 Carl Thieme Dresden Flowers Cup and Saucer. All hand painted with No<br>cracks, chips, or wear to gilding. Selling the cup and saucer shown. Cup is 3<br>5/8" wide without handle x 2" tall Saucer is 5.5" wide.<br>TW172 and bdrmshlf

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c1910 Bourne & Leigh Blue Willow England Soup Bowls 9" Selling both earthenware<br>with light expected crazing no stains, no cracks, or chips.<br>B55

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Cantagalli Antique Itanian Faience Reticulated Plate with Crest. 9.5" wide with no cracks, chips, or restorations. 19th century. About Ulisse Cantagalli Ulisse Cantagalli was a superb artist and an even better businessman. Not much of him is known before 1878 when he took over the family factory in Florence and started to produce highly decorative Italian ceramics in the Renaissance style. At the time the taste for this kind of pottery was a very hot trend in the English speaking countries. He devoted his artistic energy to the understanding of the techniques and the designs of the old masters from Gubbio, Deruta, Urbino and other important ceramic centers. His ability to master the ruby and golden luster techniques of Mastro Giorgio Andreoli brought the factory to fame, particularly in Britain. The passion for Italian pottery and its role in the success of Cantagalli’s factory is well described in a delicious article published in the New York Times in 1879, titled “The Making of Majolica: A Florence Pottery Factory”. The event that more than any other contributed to the International success of Cantagalli was his friendship with William de Morgan, Britain’s most talented and most admired pottery and tile designer of his days. He introduced him to influential collectors in England and US and encouraged him to participate to International exhibitions. In a short time, Cantagalli works were highly regarded in English speaking countries, where they still are popular Collector’s items. Cantagalli died in 1901. His wife and daughter continued to operate the factory in Florence. In 1934 they sold it together with the Cantagalli’s trademark to Amerigo Menegatti, former artistic director of the factory. The economic turmoil following World War II forced Menegatti to a step change in production. He began to offer more utilitarian items, which still bore the famous cockerel that English speaking collectors find so appealing. The Cantagalli factory closed in 1985. The production of Cantagalli ware is now over, although the Menegatti family still owns the trademark. TW156

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Abstract Raku Planter Vase. I can't make out the mark but it's fantastic. 6.75" tall x 5.75" wide with no damage or wear. B54

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c1900 Sevres Style Bronze Mounted Porcelain Cabinet Flate French Hand Painted woman w/Cherub artist signed Huet. No scratches, cracks, chips, or restorations, minor wear to inside ring of gold just outside the portrait. TW165

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c1890 St Malo Terracotta Tobacco Jar Scottish Man. 6" tall with no cracks, chips, or restorations. Guaranteed late 19th to early 20th century. TW162

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c1790 Derby Figure Group Pair "The Welsh Tailors" Woman Breastfeeding guy with tongue out. Selling the pair late 18th century. Interesting pair with the Tailor sticking his tongue out at his wife that's breastfeeding, strange. Tallest is a hair under 6". Minor losses and some old restorations, woman is missing part of one leg. TW162

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c1920's Haviland Art Deco Woman Cabinet Plate. 8 5/8" wide with no cracks, chips, restorations, or significant wear. Very unusual one of a kind plate. tw146

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c1910 Art Nouveau Hand painted limoges portrait plate 8.5". No cracks, chips, or<br>restorations.<br>B50

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c1900 Vinranka Gefle Flow Blue Sweden Pitcher6.25" tall x 7.75" wide handle to<br>spout. A nice milk or juice pitcher much larger than a creamer, probably one<br>liter. They made a few sizes of these and this is the largest and most difficult<br>to find. No cracks, chips, restorations, or crazing.<br>TW144

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This piece and two more I'm listing are from the Estate of Lael Cater Seagert UT Art Department and later Director of Laa Gloria Art Museum here in Austin so these were likely gifts from Soto as they had signed books from so many Texas Artists that were given to them as gifts. Piece measures 7 5/8" tall x 5.25" wide. No cracks, chips, restorations, or crazing.Below is an excerpt from the artists eulogy.Ishmael Soto, longtime Austin ceramicist and teacher, died Monday after a battle with cancer. He was 84.“Ishmael’s passing is a loss for us all in the community,” said Sylvia Orozco, director of Mexic-Arte Museum. “He was a great human being, teacher and artist. Ishmael was one of the first, if not the first Mexican-American Austinite to become a professional visual artist.”Artist and teacher Ishmael Soto died Feb. 27 at age 84. Contributed by Tahila MintzSoto won many prizes and was exhibited frequently in group and solo shows.A native Austinite, Soto earned his first degree from the University of Texas and his second from the famed Cranbrook Academy of Art in Michigan. His 57th Annual Potters Show and Sale took place in December 2016. He taught ceramics at UT for seven years — one of the first Hispanics to teach in the art department — then at St. Edward’s University and Austin Community College for a total of more than 30 years..“He was a modest, generous mentor and major inspiration to many artists,” said his widow, Cynthia Leigh. “He taught thousands of students over his lifetime. Many of his students decided to become artists from his encouragement and support. He did not try to mold his students to imitate his work; he encouraged them to follow their own artistic path and draw on their own talents. B26

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c1890 Dresden Porcelain Casket in the Capodimonte Style. Great antique porcelain box likely Ernst Bohne or a Dresden company. Crown over N mark inside. Guaranteed over 100 years old with no cracks, chips, or restorations, hand painted. tw145

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Pair of Derby Boy and Girl Figures 5" tall. Beautiful pair. The boy has one leaf<br>chipped on basket, girl has slight loss to basket and a 1" hairline in the base<br>that is really difficult to find. I believe these may be" King Street Derby"<br>perhaps from the early 20th century.<br><br>King Street, Derby(1848 to 1935)<br>A group of former employees set up a factory in King Street in Derby, and<br>continued to use the moulds, patterns and trademarks of the original business,<br>but not the name. No mechanical processes were used and no two pieces produced<br>were exactly the same. Among the items preserved was the original potters wheel<br>used by the Duesburys.<br>There is much damage to the applied Florals on both pieces. I believe there is a<br>very old professional restoration to his hat and her arm.<br><br>tw138

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Early Celadon Jar 3" tall x 4 3/8" wide. Earthenware from a collection of mostly Ming Chinese ceramics put together in the mid 20th century. One hairline shown in center of first pic if you look very closely and a few small chips on rim, no restorations. TW132

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Early Celadon Stoneware Tea Bowl with Lotus Decoration. From a collection of<br>mostly Ming chinese porcelain but some other asian ceramics mostly from the same<br>era. 5 old stable hairlines as shown. 4.25" wide x 1 13/16" deep.<br>TW132

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Antique Delft Tiles in Mahogany Frames. Delft earthenware tiles, 19th c., in polychrome tin glazes, stylized blue border, central octagonal reserve depicting ships in canal, centered in circular mahogany frame, (one) tile with hairline, tile: approx 6"h, 6"w, overall: approx 9.75"diam; 3.75lbs total. TW140

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c1920 Porcelain plaque with courting scene in gilt metal frame. Frame measures<br>7.75" x 5.5". I believe it has hand painted accents over a transfer.<br>B36

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1950's Mexican Coin Art Ashtray. Made from 1940's and 50's coins, made in the<br>fifties or sixties. 4 1/8" wide with no issues.<br>tw7

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c1960 Su Casa Chicago Restaurant Ashtray Tlaquepaque Mexican Folk pottery . 7 3/8" wide rare and unusual. No cracks or chips but some glaze surface wear as expected and shown. tw130

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c1940s Tlaquepaque Mexican Folk Man by barrel. Very unusual and super whimsical piece. 8" tall, there is a chip on the back top of his hat and his head has been glued back on long ago. Still great and rare. b30

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c1880 Nautical Set Folding with Hand painted Porcelain Inserts Cigar Cutter,<br>Match Holder. Extremely rare item Traveling Ships Pocket sized set from the late<br>19th century. Ships wheel cigar cutter, very nice hand painted porcelain plaques<br>likely bohemian.4 7/8" tall open x 4.25" wide closed x 2.5" tall closed. It<br>would create quite a bulge in a pocket but fit in most. Cigars were really small<br>back when this was made.

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3 Stangl Pottery Birds figure groups in Mint condition. Selling all three with<br>no cracks, chips, restorations, or crazing. Largest is 9.25" tall. I've examined<br>these very closely, especially the beaks and tails, they're perfect The bottom<br>beak on the largest has a slight glazed over flaw, not a repair. Better than<br>average colors, crisp molding, no touch ups.<br>tw103

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1882 18.5" Crown Derby Imari Tea Tray Rare form of early tray with an uncommon<br>pattern. No cracks, chips, or restorations, some wear to gilding as shown. 138<br>years old.<br>b22

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18th century Porcelain Cherub with applied Florals Possibly Capodimonte. Very early piece guaranteed 200+ years old. I believe it's capodimonte, but it could be German. Some restorations to body, missing bouquet, some missing petals. 5.5" tall. tw82

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c1920 Haviland Limoges hand painted cabinet plate. No cracks, chips, or<br>restorations.<br>TW82

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c1880 Austrian Hand Painted and Gilt multicolor Pitcher. Unusual decoration on<br>this piece. No cracks, chips, or restorations. Very minor wear in a few spots to<br>painting and some wear to gilding as shown.<br>Tw117

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Herend Fruits and Flowers Cream Soups and Underplates (6). Selling all 6 cream soups with matching saucers. The underplates are 6.5", cream soups are 4 3/8" wide without handles. These are all in like new unused condition with no cracks, chips, gold wear, utensil marks, or any other defects. All hand painted therefore all unique. TW20

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c1910 Sevres Style Muville Artist Signed Hand Painted Courting Cabinet Plate. No cracks, chips, or restorations. Likely framed about 30-40 years ago, but the plate is much older. It is one of a pair I'm listing the other separately under similar keywords. Frame is 14.25", plate is 9.5" Tw55

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c1910 Sevres Style Muville Artist Signed Hand Painted Courting Cabinet Plate. No cracks, chips, or restorations. Likely framed about 30-40 years ago, but the plate is much older. It is one of a pair I'm listing the other separately under similar keywords. Plate is 9.5", frame is 14.25" Tw55

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c1860 British Historical Staffordshire Transferware Jug with Eton College and<br>Fontville Abbey Wiltshire. 7" tall x 7" handle to spout with no cracks, chips,<br>crazing, or restorations. I'm listing a larger mate to this pitcher in a larger<br>size with different scenes separately. Both pitchers have some illegible to me<br>impressions on the footrim.<br>TW10

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c1860 British Historical Staffordshire Transferware Jug with Eton College and<br>Fontville Abbey Wiltshire. 5.5" tall x 5.5" handle to spout with no cracks,<br>chips, crazing, or restorations. I'm listing a larger mate to this pitcher in a<br>larger size with different scenes separately. Both pitchers have some illegible<br>to me impressions on the footrim.<br>TW10

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