1" Antonio Pineda (1919-2009) Taxco Sterling belt buckle 57.7 grams, very sturdy, other measurements in pics. This is an extremely high quality and good looking buckle. Due to reflections it's difficult to present items of this type in the light the deserve in the time available to me.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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1" Horace Iule Zuni cast sterling silver turquoise ranger belt buckle set. Tested and guaranteed solid sterling silver. Fits up to a 1" wide belt. Some expected wear, marked as shown with the artists hallmark. Good condition, functional. Circa mid 20th century. Horace Iule, Zuni Pueblo Jeweler Horace Iule learned silversmithing from his father and eventually became an expert of the casting method. He was one of the first from Zuni Pueblo to create the Knifewing God in silver. Horace began working as a silversmith in the 1930s after returning from school in Phoenix where he had studied blacksmithing. Horace Iule (1901-1978), pronounced Ai-ú-le was a third-generation silversmith. His grandfather, a man known as Sneezing Man, was identified by John Adair in his book The Navajo and Pueblo Silversmiths as one of the first silversmiths at Zuni Pueblo. Horace Iule also taught jewelry making at Zuni Day School, teaching and influencing a whole generation of Zuni smiths. Horace taught his son Wilbur Iule who carries on the tradition.

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1" James Reid 14k gold/Sterling silver southwestern ranger belt buckle set. Belt is 36"-40" with existing holes, center hole at 38". Ranger set it made to fit a 1" belt. James Reid was a very high end gold/silversmith in Santa Fe, New Mexico, he retired around 10 years ago. Very clean with minimal wear. Selling the ranger set, giving you the belt for free, if it happens to fit....great. Very thick slabs of solid 14k gold.

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1" James Reid 14k/Sterling belt buckle and keeper. James Reid did some really<br>good work out of Santa Fe, New Mexico and was expensive, he is now retired as of<br>2017. Selling the very well made buckle and keeper shown made for a 1" belt,<br>very thick chunks of 14k gold on this buckle, minimal wear. 93.2 grams, likely<br>about 10 grams of it 14k gold.

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1" Randall D Moore Sterling/14k Ranger Belt buckle set. Very well made buckle and keeper, solid sterling with thick ropes of solid 14k gold on the borders. Fits a 1" belt. No damage or significant issues. This is a retired design but would retail well over $1300 if still available. 88 grams Randall Moore arrived in Taos, New Mexico in 1977 and began an informal apprenticeship as a silversmith at The Mabel Dodge Lujan House, then known as "The Big House". In 1979, he relocated to Santa Fe where he still lives and works.His primary focus has been silver & gold belt buckles, buckle sets, and Men's accessories in sterling silver, 14K and 18K gold. Drawing upon Southwestern influences as well as contemporary elements for his designs and utilizing traditional tools and techniques, Mr. Moore crafts heirloom quality items that are at once both classic and fashionable. His creations are worn by world class athletes, entertainers, politicos and just plain cool gals and guys everywhere.Randall's studio is located in the heart of Santa Fe's historic east side, at 868 East Palace Avenue, just a block off of Canyon Road.

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1.5" 1992 Kokopelli Designs Sterling silver abstract creature belt buckle set. This is on a 1.5" belt, the center hole is 36" with 3 total, more could be added, belt is high quality and in good condition and it is free with the very heavy solid sterling silver, Buckle, keeper, and tip that I am selling. Weights and measurements are in the pictures. This company was in Business in the 1990‘s, the modern day equivalent of this type of quality would cost a small fortune.

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1.5" 1992 Kokopelli Designs Sterling silver Horses Equestrian Ranger belt buckle. This is on a 1.5" belt, the center hole is 36" and two on each side, more could be added, belt is high quality and in good condition and it is free with the very heavy solid sterling silver, Buckle, keeper, and tip that I am selling. Weights and measurements are in the pictures. This company was in Business in the 1990‘s, the modern day equivalent of this type of quality would cost a small fortune.

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1.5" 1993 Kokopelli Designs Sterling silver Jaguar Ranger belt buckle set. This is on a 1.5" belt, the center hole is 34" and two on each side, more could be added, belt is high quality and in good condition and it is free with the very heavy solid sterling silver, Buckle, keeper, and tip that I am selling. Weights and measurements are in the pictures. This company was in Business in the 1990‘s, the modern day equivalent of this type of quality would cost a small fortune.

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1.5" 1993 Kokopelli Designs Sterling silver Sun Face belt buckle set. This is on a 1.5" belt, the center hole is 35" with 4 total, more could be added, belt is high quality and in good condition and it is free with the very heavy solid sterling silver, Buckle, keeper, and tip that I am selling. Weights and measurements are in the pictures. This company was in Business in the 1990‘s, the modern day equivalent of this type of quality would cost a small fortune.

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1.5" 1993 Kokopelli Designs Sterling silver Toucan ranger belt buckle set. This is on a 1.5" belt, the center hole is 36" with 3 total, more could be added, belt is high quality and in good condition and it is free with the very heavy solid sterling silver, Buckle, keeper, and tip that I am selling. Weights and measurements are in the pictures. This company was in Business in the 1990‘s, the modern day equivalent of this type of quality would cost a small fortune.

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1.5" Huge 1992 Kokopelli Designs Sterling silver Ranger belt buckle set. This is on a 1.5" belt, the center hole is 36" and one on each side, more could be added, belt is high quality and in good condition and it is free with the very heavy solid sterling silver, Buckle, keeper, and tip that I am selling. Weights and measurements are in the pictures. This company was in Business in the 1990‘s, the modern day equivalent of this type of quality would cost a small fortune.

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10 1950's English Pottery Figural Egg Cups. Selling the set from the mid 20th century with no cracks, chips, or restorations. 2.5" tall with 1.5" opening to hold egg at top. TW68

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10 個明治時期日本伊凡裡茶杯。 2 5/8 英寸高 x 3.25 英寸寬，略有不同，因為它們是 100 多年前手工製作、手繪的。大約在19世紀末。無裂痕、缺口、修復或遺失，邊緣鍍金有些磨損。全部未標記。TW199

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10" Antique Dresden hand painted Dresden reticulated plate. No cracks, chips, or restorations, no detectable wear. isshelf

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10" c1910 Royal Bayreuth Portrait vase. 10" tall with no cracks, chips, or restorations. Wear to gilding on rim. isshelf

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10" sterling anklet. Vintage from the 90's in perfect condition with no issues or significant wear, marked and tested sterling. 28.2 grams.

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10.4" c1965 Orrefors Graal Ingeborg Lundin Swedish Art Glass Bowl. 10 3/8" wide<br>x 5 1/8" tall, really big piece, uncommonly large size.<br><br>No cracks, or chips, no cloudiness, and no other issues. Good looking heavy<br>bowl. Expected extremely minor wear on base.<br>b47

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10.5" large MCM Enamel deer bowl from holland. Great piece from the third quarter of the 20th century with little wear and no damage to enamel. tw271

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100ct Boulder Opal drilled pendant/bead. Selling the exact stone shown. Has a<br>clean 2mm hole drilled through it. I have several of these I will be offering<br>them separately. They were on a 24k gold necklace with large 24k beads between<br>each stone. The gold has already been recycled and I'm hoping to repurpose these<br>as they are expensive stones that were worthy of putting on a necklace that had<br>thousands of dollars worth of gold on it. The possibilities are endless, one of<br>them or a few would be great in or out of a setting. Buying the exact stone<br>shown 48mm x 28mm, weighs 100ct.

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10k Gold WW2 USN US Navy Sweetheart Pendant. Marked and tested 10k gold,guaranteed ww2 era. 1.4 Grams. 1.75" long x .5" wide.

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10k gold mounted 1892 Columbia Half Dollar. Selling the half dollar shown in a "tested" 10k white gold setting. I thought I saw some marks on the setting but can't tell, tested it myself and it's solid 10k gold, the mounting only, coin is of cours 90% silver. 14 grams.

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10k/14k gold large vintage deep carved pink shell cameo pendant/pin. Bail likely a later addition, marked and tested 14k gold, body unmarked (tested and guaranteed) solid 10k gold. No damage, very high relief beautiful cameo.

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10k/Sterling Sunset Trails Santa Monica Police Potrolman retirement belt buckle. Solid 10k gold plaques top and bottom, quite a bit of gold, probably $300-$400 in gold at current market. The rest is solid sterling silver with weight and measurements in pics. Fully functional with some expected wear as it‘s a vintage item. Engraved as shown since it‘s solid 10k gold it could easily be removed. Any honest jeweler would do it for very little as they can recover the gold that they buff off.

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11 3/8" c1870 Japanese Imari Bowl Meiji period 3.5" deep. No cracks,chips, or<br>restorations. Wear to Gilding on rim and some elsewhere. Nicely decorated.

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11 Hawkes Eardley 8.25" Salad Plates with no cracks, chips, restorations, and minimal wear. Very high quality American crystal that rings like a bell.Thomas Gibbons Hawkes, born in County Cork, Ireland in 1846 to a prominent family with a glassworking heritage, emigrated to the United States in 1863. His career began as a foreman for glass factory Hoare and Daily in Brooklyn, New York moving with the company to Corning, New York in 1868.Once in Corning, he soon opened his own cutting shop which was incorporated as T.G. Hawkes & Company in 1890. This on the heels of success the year before when Hawkes famously won acclaim and Grand Prize at the Universal Exposition in Paris.Thomas Gibbons Hawkes European taste for sparkling cut glass at this time was emulated in the United States in what was called the Brilliant Cut Glass Period. Over 1,000 cutting shops were founded to meet the demand and T.G. Hawkes & Company flourished. The company was in operation for 82 years.

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Antique Persian Middle Eastern Silver Inlay Copper Tray 11" wide and very heavy for it's size as it's copper and silver. Guaranteed 18th-19th century. 90+% silver (tested) on copper. Hanging tab later added to reverse side. TW153

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12 Pound Petrified Wood Covered in Crystals. It weighs 12 pounds and Measures 13" x 7" x 4.75". Picures don't do it justice. I bought it from a guy that found it in a storage locker.

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Vintage Signed Kosta Boda "Cancan" Series Jug/Pitcher By Famous Swedish Designer<br>Kjell Engman 89147 Signed Kosta Boda No cracks, or chips, no scratches(other<br>than some expected wear to base as it's very heavy), no cloudiness, and no other<br>issues.<br>TW120

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12" Arts and Crafts Weller Rosemont Low bowl centerpiece. Rare in this larger size. No cracks, chips, or restorations. Impressed weller in center of base. Some scratches in interior and fine crazing in places. TW157

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12" c1870 Meissen large Serving Bowl with heavy gold and hand painted Fruit. No cracks, chips, or restorations. Gold is near mint. Colors are more vibrant than pics suggest. Tw47

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12" c1910 Japanese Nippon Tray with nice painting. Fantastic piece unmarked so<br>possibly pre 1890, guaranteed over 100 years old, hand painted with no chips,<br>cracks, or restorations. 11 7/8" wide some wear to gilding on rim.<br>TW252

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12" tall Harding Black (1912-2004) Texas Studio Art pottery vase with the best<br>drippy Chinese Flambe glaze. 7" wide. Very imposing piece, 12 oz v8 can shown<br>for scale. 3 really small inconsequential flakes on footrim and a few glaze<br>skips on shoulder possibly intentional. No significant chips, no cracks, no<br>restorations. Very cool space age form on this piece.<br><br>Harding Black San Antonio (1912 - 2004)<br><br>A ceramist, sculptor, painter, bricklayer, teacher, Black graduated from<br>Brackenridge High School and attended San Antonio Junior College (1929-30). In<br>1933, Black was taught by Rudolph Staffel to make wheel-thrown pottery and also<br>began to teach children's ceramic classes at the Witte. Black directed ceramic<br>installation in a San Antonio reconstruction project sponsored by the National<br>Youth Administration and the Works Progress Administration art program. In 1955<br>he retired from teaching and devoted his time to ceramics. Black became a<br>well-known ceramist from his research, innovations, and writings in the field.<br>Black's collection and archive is housed at Baylor University. Harding Black's<br>work with clay serves an an important bridge between early Texas and mid-century<br>pottery.<br><br>anderas

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12" Meiji Period Japanese Imari Vases pair. Not only one of the best look Imari<br>vases I've had, but a pair of them, 12" tall One with old stable 2.5" long<br>hairline at top shown to the very left of the last pic. No other cracks, chips,<br>or restorations. Nice pair of approximately 150 year old vases.<br>isshelf

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12" pr Republic Period Antique Chinese Famille Rose vases. Great pair of Nice sized Chinese hand painted famille rose vases from the first quarter of the 20th century with no damage or restorations. isshelf

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12.5" Meiji Period Japanese Satsuma vase with Raised Moriage decoration. Large piece hand decorated late 19th century. Unmaked, firing flaws at base, overall crazing, possibly high quality restoration to rim. I'm not certain (Doesn't show under UV light) but the crazing seems less prominent in some areas. No cracks or chips.TW199

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12.5" Mid Century Modern Toasting Glasses Green Air Twist Stem Huge Blenko? Two huge glasses guaranteed circa 1950's-1970's. One has a small burst bubble on the edge of the foot shown in the base pic, insignificant. No other cracks, chips, or restorations. TW72

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12.75" Texas Studio Art Glass Vase Michael McDougal 7" wide No cracks, chips, scratches, or restorations. Inspired by nature and known for his sense of color and elegant whimsy, Glass artist Michael McDougal lives and works in the Texas Hill Country. He was introduced to glass by Jane Duryea, protégé of Robert Willson and went on to study at the Corning Museum of Glass in New York, the prestigious Pilchuck Glass School in Washington State, under Jane Bruce, Claire Kelly & Antony Schafermeyer and Boyd Sugiki. McDougal has spent time in the "fornaces" of Murano, Italy, as well. Today, he works with his friend and mentor Jason Lawson in studios in Fischer, Texas, a small town north of San Antonio. "Glass is an astoundingly versatile medium," says McDougal."It has an inherent music in it. Working with it in molten form is rhythmic… more of a dance than a process.”  Michael Monroe, former curator and director of the Smithsonian Institution's Renwick Gallery describes a pitcher from McDougal's collection as "…capturing the essence of molten glass in a moment of frozen elegance. The handle, with its dynamic but delicate pattern is beautifully integrated to give both a sense of motion and balance to the piece." "Whether appreciating it or creating it, I love art that elicits a sense of wonder, a sense of awe, makes me grin or laugh," says McDougal. "Whether an exploration of beauty, whimsy, or that huge realm of the unknown, it must remind me that all our human stresses and strains are insignificant.” McDougal's work is featured in galleries throughout Texas and California. He has been featured in shows in Dallas, Fort Worth, San Antonio, Houston and Galveston, among other cities.

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124ct Boulder Opal drilled pendant/bead. Selling the exact stone shown. Has a<br>clean 2mm hole drilled through it. I have several of these I will be offering<br>them separately. They were on a 24k gold necklace with large 24k beads between<br>each stone. The gold has already been recycled and I'm hoping to repurpose these<br>as they are expensive stones that were worthy of putting on a necklace that had<br>thousands of dollars worth of gold on it. The possibilities are endless, one of<br>them or a few would be great in or out of a setting. Buying the exact stone<br>shown 55mm x28mm, weighs 124ct.

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124mm Rare Mitra Helenae Found 1/8/82 Honduras Caribbean. Came with paper shown<br>from the estate. Small chip on very tip shown in pics, otherwise perfect.

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13" Bing and Grondahl Snarling Tiger Figure by Lauritz Jensen. Great, realistic, scarce figure with no cracks, chips, crazing, or restorations. TW88

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13" c1940 Shirley Temple Doll with book "The little Princess" These came together, estate fresh and well preserved. A little writing and wear on outside of the book, clean interior. Doll is about 13" tall without her poofy hair. I believe the clothes and shoes are original. Clean unrestored condition composition body. Selling the doll and the book, last date in the book is 1939. isshelf

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13.5" Lalique Claude French Art Cut glass Vase. Very tall piece 13.5" x 5.5" wide, hand cut designs on base. No cracks, chips, or restorations.TW189

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13.5" long Pat 1897 Clark Hill Climber Pressed Steel Friction Train Locomotive. Good condition with original paint,a few bends. Functional but could use some adjustment. The flywheel works, but could likely use some oil or adjustment to make better friction.. I don't know much about these and unfortunately don't have time to play with it. tw187

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13.5" Skyros Pomegranate Canister Large Size Discontinued Hand Painted. 6.5"<br>wide, 4.5" wide mouth. Really tall jar 10.5" interior depth. Uncommon item in<br>beautiful pattern. No cracks, chips, restorations, or crazing. 2 pin sized glaze<br>skips on side and one on finial.

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13.75" c1928 Fostoria Grape Blue Brocade Etched Cameo Glass Iridescent Oval Centerpiece. Produced from 1927-1929. Very interesting and scarce pattern. Acid etched with a slight iridescent ground. 13.75" x 11.25" x 3" tall near mint with no chips, cracks, scratches, cloudiness, or other issues. Way nicer than the pics suggest.

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1329 Gram Labradorite Specimen. 7 3/8" x 3.5" x 2", large polished specimen. There are few gemstones that display the 'play-of-color' phenomenon better than Labradorite, reds, blues, purples, yellows and more dance before your eyes as it turns in your hand but there is much more to discover about this rare beauty. The Schiller effect, labradorescence, light interference, lattice distortions are some of the scientific explanations for flashes of color in Labradorite gemstones which we can go into later but perhaps the Inuit people of Labrador in Canada explain it best by saying that the Northern Lights or Aurora Borealis were trapped within Labradorite rocks. The story goes that a mighty Eskimo warrior freed the colors that dazzle the Polar skies with blows from his spear but could not break all the rocks leaving a number of Labradorite gemstones for us to collect then carve, polish and admire to this very day. isshelf

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13pc 1930's Little Orphan Annie nodder Walt Disney Bisque collection cartoon characters Made in Japan. Selling the lot shown mostly Disney, most if not all with Character name on back. Some paint loss, Sleepy elf with chip on foot. All made in Japan, most if not all marked so. Tallest 4.25". tw198

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13pr Retro southwestern sterling silver earrings 30mm (1.3") vintage American<br>half dollar shown in second pic for scale. Second from the left Alpaca, the rest<br>are sterling, all vintage/retro estate fresh earrings. Some Native American,<br>some signed by artisan. 95.8 grams total.<br><br>Sorry I cannot try any of these on and take pictures of me wearing them standing<br>on my head, jumping through hoops, or separate the lot, there just isn't any<br>time.

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1970‘s Navajo sterling silver tube bead necklace with turquoise stones long. Tested and guaranteed solid sterling silver with weight and measurements in the pictures. No detectable issues. Any markings detected will be shown in the pictures. Unknown artist, likely Native American made from large collection of Native American jewelry purchased in the last quarter of the 20th century and never worn for the most part.   14" long, it's on a fairly stiff but pliable wire.

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Antique Persian Middle Eastern Silver Inlay Copper Tray 14" wide and very heavy<br>for it's size as it's copper and silver. Guaranteed 18th-19th century. 90+%<br>silver (tested) on copper.<br>TW121

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14" Antonio Pineda Mid Century Modernist 970 silver choker necklace, from the 3rd quarter of the 20th century with no issues. 14" inside measurement when closed, would be longer but doesn't stretch all the way long due to it's construction. 82.3 grams, 14mm wide.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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15" Antonio Pineda Mid Century Modernist silver choker necklace, from the 3rd quarter of the 20th century with no issues. 15" inside measurement when closed, would be longer but doesn't stretch all the way long due to it's construction. 79 grams, 14mm wide. Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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14" c1910 Schierholz Dresden Germany Hand Painted handled Serving Dish No damage whatsoever, clean gold with minor wear, very big. 14" x 10 5/8" x 2" deep. Colors are more vibrant than the pics suggest.

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14" Huge Wimberly Glassworks art glass fan vase. 8" wide at rim with no cracks, chips, restorations, or wear. Signed WGW 2007 on base. While not very old, this would retail for about $400-$500 new from Wimberly Glassworks and it's in new condition, handmade. TW221

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14" Vintage Mid Century Modernist Mexican sterling choker necklace 15mm-16mm wide. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa third quarter of the 20th century.

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14" Vista Alegre Mottahedeh Tobacco Leaf Vase Lowestoft Reproduction 6" wide. No cracks, chips, restorations, crazing, or gold wear. Hand painted. Retired shape but would retail for twice my asking price directly from Mottahedeh if still available.

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14.25 英寸Georg Jensen 裝飾藝術純銀和月光石頸鍊。14.25 英寸閉合長x 5/8 英寸寬x 48.4 克。沒有任何問題，圖片掛在12 英寸脖子上。Georg Jensen，（出生於8 月31 日）生於 1866 年，丹麥拉德瓦德 — 1935 年 10 月 2 日逝世於哥本哈根），丹麥銀匠和設計師，因現代金屬設計的商業應用而享譽國際。他作品的簡潔優雅和對精細工藝的重視是Jensen 產品的標誌，得到了全世界的認可。Jensen 14 歲時曾在金匠那裡當學徒。他的藝術天賦曾短暫地集中在雕塑上，但他回到了金屬製品領域，主要是珠寶和銀器，這些作品是在1904 年他在哥本哈根開設的工作室中生產的。Jensen 在多個大型國外展覽中展出了他的作品（在1910 年的布魯塞爾展覽會上獲得了金獎），並很快建立了作為傑出且極具原創性的銀匠。 1912 年，他搬到了一個更大的車間，並於 1919 年獲得了他的第一座廠房。Jensen 的銀器立即獲得了受歡迎和商業上的成功。事實上，他是第一個從現代白銀製造中獲利的白銀製造商。在詹森時代之前，幾乎所有成功的銀器生產商都依賴流行傳統設計的標準庫。然而，詹森發現他的時尚、簡約作品的市場比任何人預期的都要大。他的公司發展迅速，業務遍及整個歐洲，並在倫敦和紐約開設了分公司。 Jensen 的作品在兩大洲引領了當代餐具的潮流。他是最早將鋼材——以前被認為只適合製作低質、廉價的餐具——轉變為美觀、耐用的餐具的設計師之一。

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70‘s-80‘s Navajo sterling turquoise and coral bolo tie 14.5" long with no issues. Weight and measurements in pics.

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14.75" Chinese Kangxi (1661-1722) Famille Verte charger. 14.75" wide x 3" deep, small chips and glaze frits all around rim and some on footrim. One tight and stable hairline really only visible on reverse side shown at bottom of last pic by the label. No large cracks or restorations. Stable and displays very well.

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14K gold and Jasper beaded necklace. Marked and tested 14k gold clasp and beads.<br>24" long with no issues.

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14k gold/Sterling silver Colorado Rocky mountains belt buckle. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa last quarter of the 20th century.. Fits up to a 1.75" belt. Unknows artisan. Listed with ExportYourStore.com

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14k High Grade spiderweb Carico Lake turquoise earrings AC. Weight and measurements in pics. Solid 14k gold with no issues, likely Native American made from the last quarter of the 20th century. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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14k White gold Blue Topaz and diamond earrings. Approx 5.6cttw topz .05cttw diamonds, Both marked and tested 14k gold. 4.1 grams with no issues.

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Vintage Italian designer clamper bracelet from the late 20th century very clean<br>with strong spring. Marked and tested 14k gold and sterling 36 grams<br>approximately 7" inside diameter.

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14k/sterling modernist southwestern earrings 1 1/8" tall, amazing quality, unsure of artisan. 6.4 grams. All precious metals are tested and guaranteed,

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14mm-15mm Lagos Caviar 18k gold and Sterling bracelet. Guaranteed authentic, top quality Lagos Caviar, solid 18k gold beads and logo mounted a thick high quality sterling silver bracelet. 107 grams total weight. No issues, preowned with little wear.

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15 1950's-1960's Restaurant China Coasters for Astrup Company Walker China 4".<br>Selling all 15 2 atlantic Cities, other than that all different. These are all<br>mint with no cracks, chips, scratches, crazing, or stains.

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Cups are 3" tall, saucers are 5.75" wide. Great vintage set in a harder to find<br>pattern. No cracks, chips, or stains. Crazing on every piece, I believe it was<br>produced that way on purpose.

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15" & 17" 2 1970‘s Vintage Navajo sterling silver turquoise/chip inlay necklaces. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa 1970‘s, one 15" long another 17" long. Selling both for one price.

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Emma Melendez Taxco modernist sterling silver onyx choker/bracelet. No issues, circa third quarter of the 20th century. 15" long necklace with other measurements in pictures. No issues. Selling the necklace shown in the pics. 6.25" bracelet 15" necklace.

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15" c1850 Old Paris Porcelain Mantle Vases Pair. 15" tall x 7.25" wide at rim.<br>Very substantial pair of vases with minimal wear to gilding. The one with the<br>pink top has Two chips, one on left side of top rim and one to a leaf on the<br>same side. I missed these when purchasing them as they don't stand out on huge<br>vases like this especially when displayed up high like a mantle. The other has<br>no chips, cracks, or restorations.<br>isshelf

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15" Robert Eickholt Heavy Abstract studio art glass centerpiece bowl. 15" wide with no damage or detectable wear. Robert Eickholt is a well known glass artist who has been creating captivating blown glass for over 40 years. Robert founded Eickholt Glass in 1978 when he returned home to Columbus, Ohio after studying glassblowing in Berkeley, California. Once home he continued his studies at Ohio State and at the Columbus College of Art and Design. Since its founding the studio has produced numerous types of beautiful art glass creations such as paperweights, vases, eggs, sculptures and perfume bottles. Each piece is made one at a time and completely unique. Eickholt Glass is quite well known for their distinctive designs which incorporate precious metals including gold and silver and rare oxides like cobalt and copper. Their beautiful art glass has earned them accolades worldwide. tw243

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15.25" Baccarat Neptune Decanter c1990. 5.5" wide x 15.25" tall. No cracks, chips, scratches, dings, or hard water. This pattern was produced from 1988-1993 and is retired. TW 254

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15.25" Longchamp French Majolica Asparagus Serving Platter 9.25" deep x 3.5" tall. No cracks, chips, restorations, or glaze flakes, some crazing as expected. I have 6 plates and a larger serving bowl listed separately.

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15.4" c1860 Meissen Vase serpent Handles Hand Painted, Heavy Gold. 9.5" wide<br>from handle to handle. No cracks, chips, or restorations. Near perfect gold,<br>these are seldom found, but when they are the gold is often very worn on the<br>raised areas.

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18K yellow gold and sterling silver David Yurman Figaro chain necklace featuring<br>black onyx faceted beads with toggle closure. Very fine pre-owned condition with<br>no damage or detectable wear. 39.7 grams 7mm wide.

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15.5" Mitchel Sockyma Hopi overlay bib choker necklace paw sterling silver. Tested and guaranteed solid sterling silver with weight and measurements in pictures. No issues. Circa last quarter of the 20th century. 15.5" long, with no apparent issues.

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15.5" Vintage Chinese Cloisonné Birds and Butterfly Vase. Nice, high quality piece. Estate fresh from the third quarter of the 20th century with no damage, minor oxidation to exposed brass. No identifying marks. Large piece 15.5" tall x 7.25" wide. isshelf

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15.75" c1950‘s Los Castillo 481 sterling silver modernist Mexican necklace. No damage or issues. 15.75" long necklace, well made necklace with weight and measurements in pictures. No damage. Necklace is of course 100% symetrical, photographer didn‘t spread it out correctly in the second pic...didn‘t understand the importance I guess.. It‘s perfect with no issues. In 1939, Los Castillo was established in Taxco, Mexico by four brothers including Antonio Castillo. The brothers trained at William Spratlings world-renowned studio. The Castillos developed exceptional talent in every aspect of silver design and production and eventually opened Los Castillo. Over its history, Los Castillo employed exceptional designers, including Antonio Castillos then-wife Margot van Voorhies Carr (Margo de Taxco), Miguel Melendez, and Sigi Pineda. The Castillo family is still in the silver business today.

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Guaranteed early to mid 1800's. 10 saucers and 5 cups. One saucer has a crow's foot, but since there's extras that shouldn't be an issue. Very light yellowing to some pieces, no dark noticeable stains. No cracks, chips, or restorations other than the one crow's foot. These are 100% hand decorated, it takes close examination to see the subtle variations of the pattern. 5.75" saucer x 2.5" tall cup.

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15pc c1900 Haviland Limoges Game Set Art Nouveau Jeweled Rims Hand Painted Over transfer. I'm including a Sauce boat with lid that isn't shown in the pics it will be a pleasant surprise as it has the same jeweled border and nice basketweave handles with gold accents. There is a repaired chip on the lid of the sauce boat. There are no other cracks, chips, or restorations to the rest of the set. There is some very minor gold wear, mainly to the platter on the very outside rim, none of it is noticeable on a fine and unique set such as this one. 13 Plates total I'm listing the quanity of each style below starting with the first pic shown of individual plate and ending with the last. 3 Woodcocks, 3 Pheasants, 2 Roadrunners?, 2 doves?, 2 Quails, 1 mallard duck. The one 17.75" x 12.25" Platter with multiple gamebirds. I've had a lot of Game sets of the years and this is the best one I've had that would mix well with most modern decor, this set would fit in anywhere. B46

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15th century Ming Chinese porcelain bowl with blue underglaze decoration 5" wide, described in detail on 1984 appraisal which will be included and a pic of is included in the attached pictures. Jo Ann Adams was a very well respected, thorough, and knowledgeable appraiser that specialized in Asian antiques. And as you most likely know if you're reading this Chinese porcelain is one of the few areas of Antiques/Collectibles that have proven to be an excellent investment in the last 38 years since these appraisals were done.Two tiny chips on top rim, one on footrim. Some crazing and light stains, a few tight lines on top rim that don't extend far on either side, no restorations, cracks, or large chips.isshelf

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15th Century Thai Sawankhalok celadon jarlets selling both 15th century or older<br>2" tall no significant damage, no cracks, no restorations.<br>B31

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15th Century Thai Sawankhalok celadon jarlets selling both 15th century or older 2 3/8" tall no significant damage, tiny chips on unglazed footrims, the one with handles has a very old restoration on top rim and one handle. no cracks. b31

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15th Century Thai Sawankhalok celadon jarlets selling both 15th century or older 2 5/8" tall no significant damage, tiny chips on unglazed footrims, no cracks, no restorations. B31

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15th Century Thai Sawankhalok celadon Tall bottle or Vase with incised<br>decorations 15th century or older 4" tall one handle looks to have very old<br>restoration, tiny chip on top rim, no cracks or other issues.<br>b31

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15th Century Thai Sawankhalok celadon jarlets selling both 15th century or older<br>2" tall widest is 2.5" . Decorated one has tiny chip on footrim, no other<br>cracks, chips, or restorations.<br>B31

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15th Century Thai Sawankhalok Kiln Celadon Jar. 3.75" tall x 4.5" wide, red low fired clay, some firing glaze flaws on top likely from overstacking the kiln. B31

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15th Century Thai Sawankhalok Kiln Condiment Jar with Lid. Very early piece of Thai pottery 15th century collected in the mid 20th century by a woman that is now 96. I'll be selling more of her items shortly. 3.25" tall x 4 3/8" wide One chip on top of lid and some roughness inside the rim on the lid and base that is likely a combination of firing flaws and minor wear from centuries of use. b31

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15th Century Thai Sawankhalok Kiln Condiment Jar with Lid. Very early piece of Thai pottery 15th century collected in the mid 20th century by a woman that is now 96. I'll be selling more of her items shortly. 3.25" tall x 4 3/8" wide One chip on top of lid and some roughness inside the rim on the lid and base that is likely a combination of firing flaws and minor wear from centuries of use. b31

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15th Century Thai Sawankhalok Kiln Condiment Jar with Lid. Very early piece of<br>Thai pottery 15th century collected in the mid 20th century by a woman that is<br>now 96. I'll be selling more of her items shortly. 3" tall x 3.75" wide with no<br>cracks, chips, or restorations.<br>TW129

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15th/16th Century Early Printed bible page with hand rubricated initials. From a large collection of manuscripts, framed in the third quarter of the 20th century. 10.75" x 8.75" framed, 8.5" x 6.25" sight. paintingshelf

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15th/16th century Vellum Antiphonal leaf. This is on Vellum/hide. There are some tears but it's stable in the frame. For some weird reason there is clear tape on the back of the glass and a little on the front, possibly they taped the two panes together and over time the tape degraded a little, still it displays well. Slightly illuminated in the picture shown. 22.5" x 16" framed.The origins of liturgical music traditionally date back to St. Gregory the Great (d. 604), who was inspired by the Holy Dove to record the principles of 'Gregorian' chant. The Gradual contained the musical parts of the Missal and was sung from the steps (gradus) of the altar. The Antiphoner contained the musical sections of the Breviary. These terms have become interchangeable in modern times. Because of their size and complexity, these manuscripts were still being handmade in the traditional way for centuries after the introduction of printing. They were boldly hand-written and illuminated on large sheets of sturdy vellum so that the entire choir could read from one book.

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15th/16th century Vellum Antiphonal leaf. This is on Vellum/hide. There are some<br>tears but it's stable in the frame. For some weird reason there is clear tape on<br>the back of the glass and a little on the front, possibly they taped the two<br>panes together and over time the tape degraded a little, still it displays well.<br>Slightly illuminated in the picture shown. 22.5" x 16" framed.<br><br>The origins of liturgical music traditionally date back to St. Gregory the Great<br>(d. 604), who was inspired by the Holy Dove to record the principles of<br>'Gregorian' chant. The Gradual contained the musical parts of the Missal and was<br>sung from the steps (gradus) of the altar. The Antiphoner contained the musical<br>sections of the Breviary. These terms have become interchangeable in modern<br>times. Because of their size and complexity, these manuscripts were still being<br>handmade in the traditional way for centuries after the introduction of<br>printing. They were boldly hand-written and illuminated on large sheets of<br>sturdy vellum so that the entire choir could read from one book.

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