帽針和胸針

4 枚復古西南純銀別針，Coyote 2 英寸寬。總重39.9 克，全純銀，全部標記。所有貴金屬均經過測試並保證，任何稱為銀或純銀的美洲原住民珠寶均保證銀含量至少為90%（硬幣），可能更高。任何標記的東西都保證與其標記的內容一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指在可能的情況下在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示金屬與布捲尺上數字相符的內週長。

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4 枚復古美洲原住民純銀和綠松石別針/吊墜。漂亮的舊的、高品質的別針，玉米還可以作為吊墜。走鵑尺寸為 2 3/8 英吋寬 x 1.5 英吋高。所有純正和天然綠松石，均未標示。總計 21.7 克。所有貴金屬均經過測試並保證，任何被稱為銀或純銀的美洲原住民珠寶均保證至少含有 90%（硬幣）銀，並且含量可能更高。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

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古董義大利 800 銀微型繪畫吊墜。偉大的作品，沒有損壞，可以是吊墜或別針。 1.5 英吋高，7.4 克，手繪，簽名難以辨認。

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2 個 1930 年納瓦霍銀和高級綠松石別針。兩者均出售，寬2.25 英寸，總重11.9 克。保證銀含量至少為90%（硬幣），含量可能更高。任何標記的東西都保證與其標記的一致，大多數手鍊都是在6 英寸的手腕（無毛），如果可能的話，在適當尺寸的手指上拍攝戒指。對於手鐲，如果描述中未給出尺寸，則顯示金屬與布捲尺上數字相符的內週長。

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復古納瓦霍純銀和綠松石暗盒吊墜/別針，2 英寸高x 1 3/8 英寸寬x 21.3 克，沒有任何問題。保證至少含90%（硬幣）銀，含量可能更高。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

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納瓦荷純金曼綠松石胸針，F Burnside 設計。約 20 世紀中葉的好老作品。 2.25 英吋 x 1.25 英吋 x 19 克，沒有任何問題。

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1930 年代中國純銀琺瑯配綠松石金鍍金花絲扇形胸針。中國從20世紀上半葉起，就簡單標示為銀。 2.75 英吋寬和長，沒有任何問題。

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c1900 Pinback buttons lot Bakers Chocolate, George Washington, and BPOE Denver. 1.25" average size. All antique from very early 20th century. No identifying marks other than backpaper on BPOE. Small dent in bottom right of BPOE. Selling the three.

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Navajo J.B. Platero Sterling Silver Turquoise Kokopelli Pin/Brooch. No issues 2 1/8" x 1 1/8"

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Large Sterling Jasperware Porcelain brooch. Marked sterling, porcelain unmarked. 2 3/8" wide. My guess is it's from the first half of the 20th century. No damage or issues.

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c1880 14k Gold/Gem grade Coral Cabochon Stickpin. 3" long with 14.5mm gem grade coral cabochon. 4.1 grams. Unmarked but tested 14k gold.

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Niels Erik From Sterling Denmark MCM Atomoic Brooch. 1 5/8" wide x 9/16" beautiful condition with no issues. Danish jeweller and silversmith Niels Erik From ( N.E. From) was born in 1908 and opened his first workshop in 1931 when he was still only twenty-three . Over the next forty years Niels Erik went on to become one one of the greats of Danish design, and created many works including floral-inspired designs often set with semi-precious gemstones. These pieces took inspiration from the Skønvirke style. This was a Scandinavian development that formed part of Denmark’s Art Nouveau and Arts and Crafts movement . This movement ususally took inspiration from nature with designs incorporating flowers and floral motifs as well as featuring natural creatures such as fish. N.E. FROM JEWELLRY STYLES - EARLY FLORAL DESIGNS AND LATER ABSTRACT MODERNIST PIECES N.E. From’s output generally displays one of two distinct styles. In the early years of production he produced wiry, thin, foliage and floral pieces .However, beginning in the 1950's the work produced by From (which were often the designs of other designers) had a very different look. No longer does the jewellery feature romantic, detailed designs from nature. The later pieces have modernist, clean lines with geometric and abstract shapes. Occasionally the modern designs show nature as inspiration with abstract blossom and leaf and blossom shapes. In generally though, they follow the trend of the 1950s of , spare, minimalist design.production .

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Sterling Stuart NYE Feather Brooch Handmade. 3.5" x 7/8" Nice vintage piece in good condition. About Stuart Nye In the depths of the depression, Stuart Nye bought some second hand tools and a little silver. Without any experience in jewelry or metal work, but with good taste, an eye for beauty and faith in himself, he began to make a few simple bangle bracelets. Through trial and error he learned the nature of his materials and began to fashion silver into the leaves and flowers so characteristic of our jewelry today. From that day in 1933 when Mr. Nye began, our shop has changed in many ways. It has moved from an attic room through a series of additions to a garage to the rustic building built especially for our use in 1948 which we now call "The Shop".

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Limoges France Porcelain Portrait Brooch Pair c1950's. Great pair from the mid 20th century. 2" tall x 1 5/8" wide, selling both.

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Russian Baltic Amber Grape Cluster Brooch. 2 1/8" long x 1 5/8" wide with no damage or wear from the third quarter of the 20th century with no damage or issues. Russian writin on reverse that I can't read.

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Huge Art Nouveau Sterling Tulip brooch with rhinestones. Nice large brooch from<br>the first half of the 20th century. 20 grams, 3 3/8" tall x 2.5" wide

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Sterling Stuart NYE Pinecones Brooch Handmade. Nice vintage piece in good condition. 1.5" square About Stuart Nye In the depths of the depression, Stuart Nye bought some second hand tools and a little silver. Without any experience in jewelry or metal work, but with good taste, an eye for beauty and faith in himself, he began to make a few simple bangle bracelets. Through trial and error he learned the nature of his materials and began to fashion silver into the leaves and flowers so characteristic of our jewelry today. From that day in 1933 when Mr. Nye began, our shop has changed in many ways. It has moved from an attic room through a series of additions to a garage to the rustic building built especially for our use in 1948 which we now call "The Shop".

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2 Vintage Mexican Sterling Whimsical Brooches, Cow and Kids. Cow is 1 7/8" wide<br>23.2 grams total weight. Selling both with no issues, both sterling.

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1940s Art deco Guilloche enamel Rose Brooch 1 1/8" with no detectable wear or<br>damage.

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1960's JoAnn Dalsheim Huge Starfish Brooch 3.5" wide with no damage or<br>significant wear. I believe it's silverplated, to me it looks great just like<br>this with it's natural patina.

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1920's Art deco Watson Sterling Genuine Cloisonné Brooch. Great condition 1.75" wide x 5/8" tall with no detectable wear or damage.

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Mid Century Sterling Cat and Owl Brooch Signed. Selling both, they are both<br>signed, both great with no significant issues. I'm not sure who made either. Owl<br>is 1.75" tall and cat is 1.75" wide.

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1960's Scandinavian Flora Danica Brooch by Eggert. Very fine piece of sculptural jewelry. No damage or issues. 2.25" wide.

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Vintage Sterling silver brooch Collection Beau New Years Eve Clover, Salt spoon (6). Selling the collection of 6 all mid 20th century all sterling silver with no issues. Total weight 50 grams largest is 3 7/8" wide.

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Antique Shell cameo Pendants brooch signed A.C.C. on mount. NIce sized cameo with no damage or issues. Unsure of metal content but it looks like silver over copper. Measure 1 5/8" x 1 5/16"

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Vintage Sterling silver brooch Collection Grady Alexander, Mexican, Chinese<br>Filigree 8 Selling all eight brooches shown with no issues. Largest is 2.75".<br>Nice fun collection from the third quarter of the 20th century. All sterling,<br>allmarked except for the more detailed chinese filigree flower which tested<br>sterling.

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Vintage Polish Sterling and Baltic amber brooch, 1.75" wide x 1 3/8" tall with no damage, marked 925 on pin.

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Fred Davis Abraham Paz Sterling Silver Angel Bird Brooch with Turquoise 3/4 x 1<br>1/8 inches in size. Marked on back "925 Echo en Mexico" and with artist's logo -<br>might be Abraham Paz who was a silversmith & designer for Fred Davis. Also has<br>the old eagle mark with number 22 inside. Pin can be worn sideways (as a bird)<br>or up/down (as an angel).Good conditio, with no significant issues.

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1919 American Tramp Art Sewing Box with Pincushion Top Dated WW1 Era 8.25" x<br>6.5" x 5.25" tall. Very minimal wear as shown, not a distraction, no significant<br>issues. Made from cigar boxes as shown from the exposed section on the base.<br>From a San Antonio, Texas estate.<br>The first picture is actually the back of the box with the initials on the front<br>and the date on the back.<br><br>Tramp art<br>Tramp art is a style of woodworking which emerged in America the latter half of<br>the nineteenth century. Some of tramp art's defining characteristics include<br>chip or notch carving, the reclaimation of cheap or available wood such as that<br>from cigar boxes and shipping crates, the use of simple tools such as penknives,<br>and the layering of materials into geometric shapes through glue or nails. One<br>technique used in tramp art is Crown of Thorns joinery.<br><br>History<br>Although widespread use of wooden cigar boxes in the 1850s sparked involvement<br>in tramp art, it was most prevalent during the Great Depression. Tramp art was<br>made around the world but it prospered in the United States. Examples can be<br>found in every state. The most common forms were the box and the frame and<br>although there were no rules or patterns to lend commonality in the artists’<br>work there were objects made in every conceivable shape and size including full<br>sized furniture and objects of whimsy.<br><br>Tramp art was a democratic art form made wherever the raw materials used in its<br>construction were found. It appealed to men who might have made an important<br>body of work such as ‘Sunflower’ artist John Martin Zubersky (active c. 1912 –<br>1920) or the wonderfully expressive wall pockets by John Zadzora (active circa<br>1910) but also to men who might have made one piece in their lifetime. It was<br>easy to make and appealed to anyone who had a desire to take a pocketknife to<br>wood.<br><br>There were countless men, some women, and even children who historically<br>constructed tramp art.<br><br>Origins of the Term<br>A 1959 article by Frances Lichten in Pennsylvania Folklife used the term "tramp<br>work" to describe crafts constructed from waste materials such as discarded<br>cigar boxes and assembled with a penknife. Contemporary scholars and art dealers<br>such as Clifford A. Wallach have noted that while this art form may have been<br>practiced among America's itinerant population, it was by no means unique to<br>them and was practiced by factory workers, farmers, and laborers in other<br>occupations.<br><br>In 1975 Helaine Fendelman published the first book on tramp art, Tramp Art an<br>Itinerant's Folk Art. The book acted as a catalog to the first museum show on<br>the art form sponsored by the American Museum of Folk Art.<br>b30

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c1900 Large Sterling Silver Arabian Knife Brooch. 4" long with no issues. Very old piece fine quality over 100 years old.

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Antique Chinese Filigree Silver Enamel Turquoise and Coral Fingernail Brooch. 3 3/8" long x 5/8" wide with no damage.

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Vintage Beau Sterling Violin Brooch. 1 13/16" long with no issues.

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Vintage Sterling Silver and Natural Baltic Amber Pinback Brooch. 1 3/8" tall x 1 7/8" wide. I couldn't find a mark but it tested sterling and authentic is amber.

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Sterling Silver Salt Spoon Brooch Pair. 2 old salt spoons about 100 years old made into brooches in the mid 20th century. No issues, similar patterns.

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5 Vintage Sterling Mexican Silver Brooch Lot. The flower is mid 20th century, the others are closer to 1980's. Largest is 2" heart that is also a pendant. No issues, 65.2 grams total, selling the lot.

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Vintage Hopi Snake-Sand Marked Pottery Piece with Pinecone Design. No cracks, chips, or restorations. TW75

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c1920 14k White Gold Cameo with Diamond Pendant/Brooch. Really nice quality hand carved victorian cameo with diamond pendant. Tested and marked 14k gold, Diamond is tested real. 1.5" tall x 1 1/8" wide 8.1 grams total weight. The top loop is hinged to come up when using as a pendant or down when wearing as a brooch.

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c1940 Symmetalic Sterling & 14K Brooch. 2 5/8" long gold plated silver. First used in 1936, Symmetalic is the registered trademark of W.E. Richards Company of North Attleboro, Massachusetts. Symmetalic pieces were typically made of sterling silver, sometimes with gold vermeil, cultured pearls, and/or top quality rhinestones. Edwardian and Art Deco design influences are often seen. The quality of this jewelry is extremely high and it is not commonly seen. These factors are responsible for the extreme desirability of these pieces.

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Vintage Mexican Silver and Brass Mixed Metal Modernistic Brooch. Circa third quarter of 20th century with no issues. 2 5/8" wide x 1.5" tall.

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Honoris Custos WW2 189th Field Artillery Regiment Enamel Pin 1.25" tall

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Antique Art Nouveau Baltic Amber Brooch in Sterling Mount Signed. Large early 20th century pendant signed in two places, looks like MS in one place. 1 5/8" wide x 1.25" tall.

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1950's Robert Allison Scottish Sterling Thistle Brooch with Citrine 1.5" wide x 1.25" tall. Good vintage condition with no significant issues.

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1930's Cedar Hill Girl a Scout Camp pin 5/8" wide. Circa 1920's-1940's. Unsure<br>of exact date. Cedar hill is a very old camp in Massachusetts.

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1950's Los Castillo Sterling Silver Modernistic Turquoise and Malachite Brooch. 2 3/8" wide x 1.75" tall. Good vintage condition with no significant issues.

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Vintage Georgiou gold tone Modernistic brooch. Minor wear on glass rhinestone upon close examination.

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Jonette Jewelry Gold Tone Cat and Mouse Brooch. 2 3/8" wide with no issues. Menu  Cart Home › WEC: Thoughts about Jewelry ›Jonette Jewelry Company aka JJ Jewelry Jonette Jewelry Company aka JJ Jewelry Posted by Laurie Zeiden on Aug 07, 2017 Jonette Jewelry Company, or JJ, was a Providence, Rhode Island company in business from 1935 through 2006. The name of the company wasn't always the same. Originally, the company, started by Abraham Lisker, was called The Providence Jewelry Company. Over the years, the company's name was changed to Lisker & Lisker and after a significant slow-down in production during the years of World War II, the company revamped and resurfaced as Jonette Jewelry.  JJ is known for it's novelty jewelry, including figurals and animal designs and its Christmas themed jewelry. In the 1980's, JJ produced two specialty lines: Artifacts, a line of novelty pins, and Santa Fe, a line of American western jewelry.  JJ jewelry is fairly easy to find in the secondary marketplace and prices can be very reasonable. The most recent pieces can usually be purchased even if you have a very tight budget making JJ a great value and an easy start to a costume jewelry collection.

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Vintage boy Scout lot. Pat 1911 pin 50's 60's patches. Selling everything in the<br>pics.

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Jez Jezlaine Sterling Silver Cat and Mouse Brooch . 1" x 1 5/16" good vintage condition.

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Vintage Germany Sterling enamel Marcasite Ship pin and Thai turtle. Selling both<br>together because that's how my wife chose to photograph them. The ship obviously<br>older than the turtle, both sterling. The sails look a little weathered on the<br>ship, I'm not sure if that's intentional or not, honestly can't tell. 14.4 grams<br>total.<br><br>Judith and her husband Jack Rosenberg created the company Judith Jack in 1969<br>when they realized there was very little marcasite estate jewelry available.<br>They had been selling antique pieces, and they could not keep up with the demand<br>for this beautiful victorian-inspired jewelry from their buyers. Exquisite style<br>and quality made Judith Jack the leading marcasite fashion jewelry brand,<br>leading Judith to be named the queen of marcasite in the U.S.

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3 1940's sterling silver brooches. 2 Mexican silver from the 40's, one Jewel Art, likely 1950's American made. Largest 2 5/8" x 2.5" 48.8 grams total weight.

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Vintage Greek filigree, Danecraft sterling brooch lot. Selling the three broches shown, largest 2" wide, total weight 14.1 grams, I'm sure two are sterling, not completely sure about the greek filigree one.

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It's unmarked, measures 4" wide x 1.5" tall. No cracks, chips, or scratches on<br>glass.

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Heavy Vintage Sterling Flower brooch 2 3/8" 31.3 grams.

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Vintage Sterling Marcasite Pendant/brooch with faux pearl. Marked sterling with<br>Judith Jack makers mark. No damage. 28 grams.<br><br>Judith and her husband Jack Rosenberg created the company Judith Jack in 1969<br>when they realized there was very little marcasite estate jewelry available.<br>They had been selling antique pieces, and they could not keep up with the demand<br>for this beautiful victorian-inspired jewelry from their buyers. Exquisite style<br>and quality made Judith Jack the leading marcasite fashion jewelry brand,<br>leading Judith to be named the queen of marcasite in the U.S.

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* Carl McConnell / Pinjarra Pottery 4" tall x 3.5" wide. All with no damage or<br>wear.<br><br><br><br>Carl McConnell (1926-2003) was born in Chicago. He attended art schools in<br>Chicago, Dallas and Memphis, before serving in the US Navy from 1943-1945. He<br>was stationed at Brisbane for some of this time. He continued his art studies in<br>Pittsburgh after the war, but returned to Brisbane in 1948 with his<br>Australian-born wife and son Phillip (1946- ). He studied art at the Brisbane<br>Technical College, becoming interested in ceramics, setting up a studio in<br>Norman Park in 1954, and moving to the Pinjarra Hills in 1959. He taught at the<br>College from 1958-1963, resigning to become a full-time potter a year or so<br>after losing the position of Head of Pottery to Milton Moon. He taught again at<br>the College from 1971-74 and ceased working as a potter in 1983. He has come to<br>be regarded as Queensland's most significant contemporary potter and an exemplar<br>of the Anglo-Oriental tradition in Australia. He used a variety of marks, all<br>well-documented in Glenn Cooke's 1986 monograph

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Nice estate item from about a 2 million dollar house. All hand decorated and hand thrown. Teapot is 6.25" handle to spout x 3.25" tall. No damage, all pieces are in unused condition and have been in a China cabinet for the past 20 years.

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Miguel Martinez Rancho Alegre Sterling silver turquoise Chile pin 2.5" wide x 1.25" tall x 14 grams with no issues. Martinez started his career designing for Emma Melendez in Taxco in the early 1950s before becoming the head designer at Rancho Alegre in the mid 1950s to the late 1960s, and he has continued to design great things ever since. He is a designer not a silversmith, so his pieces can have marks from several different workshops. Often, not always, his pieces are also marked "Miguel", but many of his pieces from the 1950s from Rancho Alegre don't have the extra designer mark. However, his pieces are readily recognizable by the strength of the design!

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Large Antique 18k Hardstone Cameo Sardonyx Carnelian Brooch. Amazing 19th<br>century at the latest high relief tested and guaranteed to be a minimum of solid<br>18k gold. 2.25" tall x 1 5/8" wide 34.7 grams.

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Large Antique 14k Gold Sardonyx Shell cameo with natural pearls pendant/brooch.<br>2.75" x 2" x 21.2 grams. Part of an impressive collection of rare cameos.<br>Unmarked but acid tested to be just under 14k gold, guaranteed solid gold from<br>10-14 Carat.

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Good looking piece measures 1 7/7" x 7/8"

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Great estate fresh piece. Frame measures 15.75" x 12 5/8". Inside of matting is<br>8" x 5.75". The paper is a little dark and there's a small damaged spot on the<br>very right center. Replacing the matting with slightly smaller would easily fix<br>that issue. Here's a link for this print at Rago's.<br><br>https://www.ragoarts.com/auctions/2015/02/14/early-20th-c/246<br>B3

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Antique 14k enamel flowers seed pear pin. Great little pin well over 100 years old, most likely late 19th century. Tested 14k gold with worn hallmarks. 1" wide 1.7 grams.

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1940's Art deco Mexican Sterling/amethyst brooch 2.5" x 1.5" 20 grams.

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Vintage Native American Sterling Multi-stone channel inlay fish pendant/pin. 1.75" tall and wide 9.9 grams with no damage. Nice vintage piece that would polish up beautifully if that's your preference.

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1930's Chinese Gilt Sterling Silver Enamel with Turquoise and coral fan brooch.<br>Chinese from the first half of the 20th century, simply marked silver. 2.75"<br>wide and long with no issues.

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Antique Chinese Export silver pin cushion. Late 19th to very early 20th century.<br>2.75" wide x 1.5" tall. No damage, some expected wear to pin cushion which is<br>removable. High content pure silver.

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1940's Native American Bisbee/royston turquoise sterling pin. Nice large pin<br>with high grade turquoise cabochons. Piece has a lot of character. 2.25" wide x<br>2.5" tall 12.4 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Mid Century Danish Sterling enamel Leaf pin by Jemax Denmark. No damage to<br>enamel 5.3 grams. 1.75" wide.

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Vintage Hand Painted Enamel brooch. Wonderful hand painted brooch on copper<br>enamel in silver (unknown content) frame. Pin on the back is steel. 1 5/8" tall<br>x 1 3/8" wide.

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Vintage Zuni Petit point turquoise silver cluster pin 1.75" wide, 10.9 grams with no issues. anderas

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Vintage Native American tufa cast silver/turquoise channel inlay pin. Nice old<br>pin 2.25" wide x 1 3/8" tall x 11,3 grams<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Retired James Avery Textured Ichthus Fish Lapel pin/tie tac 5/8" x .5" face, 6.2 grams with back. You can cut chain or use a different back to wear as a lapel pin if you aren't into tie tacs. James Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul. Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself and others. With a focus on creating straightforward designs and a core belief of integrity in all things, his jewelry became more than precious metals and gemstones. Guests came to him with their stories—their special moments—so he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs. anderas

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Vintage Southwestern sterling roadrunner pin 2 5/8" wide 6.2 grams.

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Antique Engraved 14k gold Turquoise pin. Marked and tested solid 14k gold. Mark<br>is faint on catch, worn over time. Hand engraved, fantastic piece. 15/16" x 5/8"<br>x 2.5 grams.

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Vintage Mexican Sterling abalone butterfly pin. No issues.

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Fred Harvey Era Turquoise/sterling pin. Kind of a funny pin, really nice turquoise in machine stamped pin, vintage piece from the second quarter of the 20th century.

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Vintage Navajo Sterling turquoise Roadrunner pin. Very nice pin with no issues from the second quarter of the 20th century. 2.75" wide.

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Antique Blue Topaz Sterling silver pendant/brooch. Great piece from the 19th century, unmarked tested 97% silver, stone tests as a topaz and it's gorgeous. Pendant approx 2" wide, stone approx 22mm wide, 25.9 grams. Unmarked.

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Vintage Artisan Sterling "Close" Hummingbird and 800 silver enamel pins. Both<br>really great with no issues. Largest 3" wide, 14.5 grams total, selling both.<br><br>anderas

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Vintage Navajo Overlay Sterling Channel inlay turquoise pin. Great little pin with no issues, tested sterling.

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5 Vintage Native American Sterling Pins. Selling the pins shown, all vintage, all native American made between the 40's and 80's. Largest is 3 1/8" tall, all tested sterling. 26.9 grams total weight.

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Vintage Navajo Sterling/turquoise Sandcast pin 2.25" wide x 34.3 grams with no issues. Unmarked other than makers marks, tested sterling.

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Eugene Belone Navajo Sterling Spiney Oyster cuff. No issues.Eugene Belone is an accomplished Navajo jeweler and silversmith. Hailing from Gallup, New Mexico, Eugene has been making jewelry for over a decade. Eugene's wife, Elouise Kee, taught him the craft of jewelry and silversmithing. No issues.

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Large Antique 14k gold Es Crystal Boxer Dog pin. Marked and tested 14k gold<br>1.75" wide 22 grams, no damage or issues. Very wonderful item that is so great<br>in real life but difficult to photograph due to reflections. This piece is<br>100-120 years old.<br><br>Es crystal pieces are formed from a rock crystal cabochon (polished domes of<br>rock crystal with a flat base), an image or motif is then reverse carved into<br>the flat base, and then painted, to give them impression of a three dimensional<br>object or image encapsulated in the cabochon when viewed from above. This<br>process of carving into the back of the cabochon is sometimes referred to as<br>reverse intaglio, not be to mistaken with intaglio, which is designed to be<br>viewed from the same side on which it is carved, unlike Es crystal. Particularly<br>when the image is of something which is itself small in reality, such as an<br>insect, they can be very convincing when created by skilled craftsman.

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Retro Collection Mexican Sterling/Brass Mixed metals brooches. Selling the exact collection shown, hand polished. All of them are sterling silver with brass accents and marked 925 or sterling. Penny shown in second pic for scale. Widest is the Abstract tube Curtis Jere looking thing at 3.5" wide. Total weight 84.7 grams, different makers as shown. No damage. These are approximately 40 years old and possibly never worn.

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Vintage Zuni Sterling Channel inlay redbird pendant/pin 1 5/8" x 1.25" x 9 grams with no issues. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Vintage Zuni Multi-Stone inlay Silver roadrunner pin. Great old mid 20th century pin, slight loss, stable. 1 5/8" wide, unmarked, tested 90% or more silver.

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Vintage Navajo Sterling turquoise pin. Very nice pin with no issues from the second quarter of the 20th century. 2.75" wide.

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Large Matl style Sterling Turquoise Amethyst repousse birds pendant/pin,MAT-MATILDE POULAT & RICARDO SALAS JEWELRY Matl is the mark that appears on some of the most beautiful and unique jewelry in Mexico. Matilde Eugenia Poulat introduced MATL in 1934 and, since her death in 1960, her designs and techniques have been carried on by her nephew, Ricardo Salas. For sr. Salas, who can recite poetry in the language of the Aztecs, the mark matl, has greater meaning in its reference to the Nahuatl or Aztec word for water, atl.As a young woman, Matilde Poulat studied painting at the prestigious San Carlos academy of fine arts in Mexico city, she went on to teach painting classes at an art school until her interest turned exclusively to silver. Matilde Poulat´s designs for jewelry and figures were part of the new cultural vision among Mexico’s intellectuals after the revolution in 1920s, artists were searching for Mexican aesthetic, rejection European subjects in favor of the art of the pre-conquest Indians and of the Mexican pueblos. Sra. Poulat found inspiration in the mextec gold jewelry discovered in 1932 at Monte Alban. Her choice of motifs the dove, flowers, and tiny bells are reminiscent of the whimsical subjects of contemporary Mexican folk art.Matilde Poulat received international recognition for her jewelry when she was asked in 1941 to participate in an exhibit of Latin American silver at the pan American union in Washington, D.C. as a result of increasing demand for matl silver during world war ii , the number of silversmiths in the taller increased to thirty-three. In 1950, Srta. Poulat and her nephew opened a showroom on the first floor of her home, where she also had the workshop. Ricardo Salas recalls that they made three thousand types of silver jewelry and one hundred different pieces.Ricardo Salas worked closely with his aunt from the time he was eleven years of age. He says she recognized his artistic talent when she saw him do a play with puppets he had made himself. Sr. Salas was sent to the San Carlos academy, where he received the premio Diego Rivera. As a youth, he learned the techniques of the silversmith and perfected the carving of "Off White", coral, turquoise, and other stones used in the jewelry and figurines. From sr. Salas perspective, he and his aunt collaborated so closely as designers, that there really cannot be a comparison of their work.In 1955, William Spratling wrote of Matilde Poulat: “she has continued to produce some of the most charming native jewelry in Mexico, intensely her own. Her jewelry has the same charm and delightful surface and colorful quality of the old lacquer work of Uruapan. Spratling`s admiration for matl silver reflects his recognition of their shared appreciation for Mexican native art. This mutual inspiration led each of the two artists in different directions within the same medium. The exuberance of matl silver resembles the interiors of the churches in Puebla, like the chapel of Santa Maria Tonantzintla, where Indians covered the interior of the dome with polychromed and gilded angels. In matl silver, the introduction of color is accomplished with bits of coral, turquoise, and amethyst quartz. The surfaces are decorated with applied wire and elaborated with embossing and repousse of astounding complexity (pl.XXIII-1, XXIII-10). Matilde Poulat and Ricardo Salas have been successful in incorporating the artistic language of the Mixtecs into jewelry and silver figures with imagination, drama, and with a style that is completely personal.

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Retro Aztec/Incan warrior sterling chip inlay Pendant/pin 1 3/8" round.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Vintage Navajo Tufa cast silver and turquoise pendant/pin 2.5" x 1 5/8" with no issues. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Antique Scottish Citrine/Agate/Sterling pendant brooch 2 1/8" 32 grams, amazing<br>piece but it is missing one of the stone sections. Unmarked tested sterling.

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Retro Collection Mexican Sterling/Brass Mixed metals brooches. Selling the exact collection shown, hand polished. All of them are sterling silver with brass accents and marked 925 or sterling. Penny shown in second pic for scale. Tallest is the Erte style woman 2.5" tall. Total weight 63.9 grams, different makers as shown. No damage. These are approximately 40 years old and possibly never worn.

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Retro Collection Mexican Sterling/Brass Mixed metals brooches. Selling the exact collection shown, unpolished, will clean up beautifully with little effort if desired. All of them are sterling silver with brass accents and marked 925 or sterling. Penny shown in second pic for scale. Longest is 4.5" Total weight 169.4 grams, different makers as shown. No damage. These are approximately 40 years old and possibly never worn.

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Retro Sarda Byzantine sterling silver blue topaz, lab spinel, and Turquoise set.<br>Retro set that has never been worn, approx 20 years old had original price tags<br>totaling $800 on the set but my wife removed them. It is a really nice set and<br>would be the upper end of what Sarda offers, retired design. Stones test as<br>Topaz and Spinel, but I believe the Spinel's are lab created. Selling the exact<br>bracelet and necklace shown.<br><br>All precious metals are tested and guaranteed, if Stated sterling it's<br>guaranteed to be 90% silver or more, all clasps are functional, I will not offer<br>anything here with any significant issues. Measurements and weight should be<br>shown in the pics if not otherwise described in the listing.<br><br>When I call a piece of jewelry "retro", I mean last quarter of the 20th century,<br>"vintage" would be second or third quarter of the 20th century, "antique" would<br>be first quarter of the 20th century or earlier.

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2 Scottish Sterling Thistle Stickpins and one more victorian sterling stickpin. Selling the three stickpins shown, one victorian marked on shaft sterling 4 7/8" long. The other two with British halllmarks that I don't have time took up indicating they are sterling, both 7" long. Selling all three with no damage silverdrawer

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