繪畫和牆壁藝術

1970's Large Jack White Echruseos Texas First Calvary soldier on horse special<br>order piece. Presentation plaque at base. Near mint frame, no issues with<br>artwork. Please excuse the bad cellphone pics, it's great. It's just big and I'm<br>in a hurry. These look great in person but are one of the most difficult things<br>to photograph especially if they are large. I have a lot of experience shipping<br>these with no issues. 18" x 24" image 25.5" x 32" frame.<br><br>Here's a letter below from Jack White before he passed away in 2016.<br><br><br>Dear Interested Collector,<br><br>Due to the volume of requests and emails that I have received about my Echruseos<br>(gold leaf) art I felt compelled to add a button to my Website. I know how<br>frustrating it must be to you who are seeking to establish a value on the<br>Echruseos art.<br><br>I invented the process of putting small sheets of gold leaf on the reverse side<br>of glass in 1970. I coined the name for my new technique. I took a Greek lexicon<br>and invented a word to go with my art technique. Ek means 'out of'. Crus is<br>'gold'. Ous means 'having been done.' So literally the word Echruseos means,<br>'Out of gold having been done.' It is pronounced Ek-Cru-sos.<br><br>During the next eight years I sold several million dollars’ worth of my "gold<br>leaf" art all over the world. Many of the early pieces were sold for next to<br>nothing. As my popularity grew so did the retail prices of the gold leaf. In<br>1977 and 1978 I was selling the Echruseos for a significant amount. Some<br>commissioned works were selling in excess of $20,000.<br><br>Since the advent of the Internet and the appearance of eBay attention has<br>resurfaced about my career and the gold leaf work. I heard of a man buying a<br>11"x14" at a garage sale for $35. A couple discovered one of my gold leaf pieces<br>in a wrecked house. It was among the rubble. I have also seen one 30"x40" sell<br>for $25,000. Many are priced anywhere between $500 and $25,000. This is a huge<br>chasm in pricing. What this means is many people own the Echruseos and are not<br>aware of what they have. You have all heard stories of someone finding a Norman<br>Rockwell stuck in an attic, covered with dust. Once cleaned up they realized<br>they have a very valuable piece of art.<br><br>Since I stopped producing my Echruseos art in 1978 and several have broken due<br>to mishandling, the supply is shrinking. My Echruseos art is in eleven museums<br>and in my humble opinion one day will be a coveted collector item. I may well be<br>dead before the art reaches it zenith; nevertheless I am fully convinced that<br>this technique will be recognized as a rare collector item. Only time will<br>validate my claims or prove me wrong.<br><br>My sincere advice to you and your heirs is to hold on to the art, make sure it<br>is secure and insure it for a considerable sum. It is with confidence that I say<br>my epic historical novel on Texas, “Ten Years in Texas”, will be a successful<br>published book. With the book my name will resurface in the art world. When that<br>happens the true collectors will begin to surface. Be aware you own an extremely<br>rare piece of art. Once the technique is exposed to the Christies and Sothebys<br>in the world of art collectors you can expect the Echruseos to explode and reach<br>a six figure plateau.”<br><br>Jack White<br>2007

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Mid Century Modern Marquetry plaque with Kings holding goblets. This is reallyfabulous, estate fresh period MCM from the 60's or 70's. Likely one of a kind, no identifying marks that I could find. One small blemish in queen to the right's neck, looks like an adams apple. 21.75" x 12.75"I'm fairly confident this was originally a drink tray due to the size/subject matter. But judging from the patina of the hooks and wire on the back in the 70's or even 60's they decided they wanted to look at it rather than spill drinks all over it. And while there are trays from this era with a more intricate design this is by far the coolest one I've seen.This is showing up really orange on my other monitor, It's not orange, it's "regular" wood colors. More typical colors, not pumpkin orange.

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Frances Blinebry(1910-1995) 1950's Peak Mountain in Arizona, El Paso Texas Artist. 8" x 10" board 13" x 11" framed with no issues.Frances Blinebry(1910-1995) first exhibited at the El Paso Woman's Club Exhibition in 1943 and continue to exhibit there for many years through her life. She is a listed artist in the seminal Texas reference Dictionary of Texas Artists, 1800-1945 . This is a rare find and sweet oil on board. This is sure to complement your David Swing, El Boone or Willard Page collections. Signed Frances Blinebry, as shown. TW159

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1974 Large Jack White Echruseos Pandora Racehorse Texas First Calvary custom special order piece. Near mint frame, no issues with artwork. Dated 4/74 on the artwork, don't believe I've seen that on one of these before and I've had a bunch. Please excuse the bad cellphone pics, it's great. It's just big and I'm in a hurry. These look great in person but are one of the most difficult things to photograph especially if they are large. I have a lot of experience shipping these with no issues. 16" x 20" image size 23" x 27" frame.Here's a letter below from Jack White before he passed away in 2016.Dear Interested Collector,Due to the volume of requests and emails that I have received about my Echruseos (gold leaf) art I felt compelled to add a button to my Website. I know how frustrating it must be to you who are seeking to establish a value on the Echruseos art.I invented the process of putting small sheets of gold leaf on the reverse side of glass in 1970. I coined the name for my new technique. I took a Greek lexicon and invented a word to go with my art technique. Ek means 'out of'. Crus is 'gold'. Ous means 'having been done.' So literally the word Echruseos means, 'Out of gold having been done.' It is pronounced Ek-Cru-sos.During the next eight years I sold several million dollars’ worth of my "gold leaf" art all over the world. Many of the early pieces were sold for next to nothing. As my popularity grew so did the retail prices of the gold leaf. In 1977 and 1978 I was selling the Echruseos for a significant amount. Some commissioned works were selling in excess of $20,000.Since the advent of the Internet and the appearance of eBay attention has resurfaced about my career and the gold leaf work. I heard of a man buying a 11"x14" at a garage sale for $35. A couple discovered one of my gold leaf pieces in a wrecked house. It was among the rubble. I have also seen one 30"x40" sell for $25,000. Many are priced anywhere between $500 and $25,000. This is a huge chasm in pricing. What this means is many people own the Echruseos and are not aware of what they have. You have all heard stories of someone finding a Norman Rockwell stuck in an attic, covered with dust. Once cleaned up they realized they have a very valuable piece of art.Since I stopped producing my Echruseos art in 1978 and several have broken due to mishandling, the supply is shrinking. My Echruseos art is in eleven museums and in my humble opinion one day will be a coveted collector item. I may well be dead before the art reaches it zenith; nevertheless I am fully convinced that this technique will be recognized as a rare collector item. Only time will validate my claims or prove me wrong.My sincere advice to you and your heirs is to hold on to the art, make sure it is secure and insure it for a considerable sum. It is with confidence that I say my epic historical novel on Texas, “Ten Years in Texas”, will be a successful published book. With the book my name will resurface in the art world. When that happens the true collectors will begin to surface. Be aware you own an extremely rare piece of art. Once the technique is exposed to the Christies and Sothebys in the world of art collectors you can expect the Echruseos to explode and reach a six figure plateau.”Jack White2007

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1970's Large Jack White Echruseos Near mint frame, no issues with artwork.<br>Please excuse the bad cellphone pics, it's great. It's just big and I'm in a<br>hurry. These look great in person but are one of the most difficult things to<br>photograph especially if they are large. I have a lot of experience shipping<br>these with no issues. 15" x 30" image 22.5" x 27.5" frame.<br><br>Here's a letter below from Jack White before he passed away in 2016.<br><br><br>Dear Interested Collector,<br><br>Due to the volume of requests and emails that I have received about my Echruseos<br>(gold leaf) art I felt compelled to add a button to my Website. I know how<br>frustrating it must be to you who are seeking to establish a value on the<br>Echruseos art.<br><br>I invented the process of putting small sheets of gold leaf on the reverse side<br>of glass in 1970. I coined the name for my new technique. I took a Greek lexicon<br>and invented a word to go with my art technique. Ek means 'out of'. Crus is<br>'gold'. Ous means 'having been done.' So literally the word Echruseos means,<br>'Out of gold having been done.' It is pronounced Ek-Cru-sos.<br><br>During the next eight years I sold several million dollars’ worth of my "gold<br>leaf" art all over the world. Many of the early pieces were sold for next to<br>nothing. As my popularity grew so did the retail prices of the gold leaf. In<br>1977 and 1978 I was selling the Echruseos for a significant amount. Some<br>commissioned works were selling in excess of $20,000.<br><br>Since the advent of the Internet and the appearance of eBay attention has<br>resurfaced about my career and the gold leaf work. I heard of a man buying a<br>11"x14" at a garage sale for $35. A couple discovered one of my gold leaf pieces<br>in a wrecked house. It was among the rubble. I have also seen one 30"x40" sell<br>for $25,000. Many are priced anywhere between $500 and $25,000. This is a huge<br>chasm in pricing. What this means is many people own the Echruseos and are not<br>aware of what they have. You have all heard stories of someone finding a Norman<br>Rockwell stuck in an attic, covered with dust. Once cleaned up they realized<br>they have a very valuable piece of art.<br><br>Since I stopped producing my Echruseos art in 1978 and several have broken due<br>to mishandling, the supply is shrinking. My Echruseos art is in eleven museums<br>and in my humble opinion one day will be a coveted collector item. I may well be<br>dead before the art reaches it zenith; nevertheless I am fully convinced that<br>this technique will be recognized as a rare collector item. Only time will<br>validate my claims or prove me wrong.<br><br>My sincere advice to you and your heirs is to hold on to the art, make sure it<br>is secure and insure it for a considerable sum. It is with confidence that I say<br>my epic historical novel on Texas, “Ten Years in Texas”, will be a successful<br>published book. With the book my name will resurface in the art world. When that<br>happens the true collectors will begin to surface. Be aware you own an extremely<br>rare piece of art. Once the technique is exposed to the Christies and Sothebys<br>in the world of art collectors you can expect the Echruseos to explode and reach<br>a six figure plateau.”<br><br>Jack White<br>2007

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1970's Jack White Echruseos Roughneck Oil Well Drillers at work. I have a lot of<br>experience shipping these with no issues. 18" x 24" image size, 30.5" x 24.5"<br>framed. No damage or issues, rare subject matter.<br><br>Here's a letter below from Jack White before he passed away in 2016.<br><br><br>Dear Interested Collector,<br><br>Due to the volume of requests and emails that I have received about my Echruseos<br>(gold leaf) art I felt compelled to add a button to my Website. I know how<br>frustrating it must be to you who are seeking to establish a value on the<br>Echruseos art.<br><br>I invented the process of putting small sheets of gold leaf on the reverse side<br>of glass in 1970. I coined the name for my new technique. I took a Greek lexicon<br>and invented a word to go with my art technique. Ek means 'out of'. Crus is<br>'gold'. Ous means 'having been done.' So literally the word Echruseos means,<br>'Out of gold having been done.' It is pronounced Ek-Cru-sos.<br><br>During the next eight years I sold several million dollars’ worth of my "gold<br>leaf" art all over the world. Many of the early pieces were sold for next to<br>nothing. As my popularity grew so did the retail prices of the gold leaf. In<br>1977 and 1978 I was selling the Echruseos for a significant amount. Some<br>commissioned works were selling in excess of $20,000.<br><br>Since the advent of the Internet and the appearance of eBay attention has<br>resurfaced about my career and the gold leaf work. I heard of a man buying a<br>11"x14" at a garage sale for $35. A couple discovered one of my gold leaf pieces<br>in a wrecked house. It was among the rubble. I have also seen one 30"x40" sell<br>for $25,000. Many are priced anywhere between $500 and $25,000. This is a huge<br>chasm in pricing. What this means is many people own the Echruseos and are not<br>aware of what they have. You have all heard stories of someone finding a Norman<br>Rockwell stuck in an attic, covered with dust. Once cleaned up they realized<br>they have a very valuable piece of art.<br><br>Since I stopped producing my Echruseos art in 1978 and several have broken due<br>to mishandling, the supply is shrinking. My Echruseos art is in eleven museums<br>and in my humble opinion one day will be a coveted collector item. I may well be<br>dead before the art reaches it zenith; nevertheless I am fully convinced that<br>this technique will be recognized as a rare collector item. Only time will<br>validate my claims or prove me wrong.<br><br>My sincere advice to you and your heirs is to hold on to the art, make sure it<br>is secure and insure it for a considerable sum. It is with confidence that I say<br>my epic historical novel on Texas, “Ten Years in Texas”, will be a successful<br>published book. With the book my name will resurface in the art world. When that<br>happens the true collectors will begin to surface. Be aware you own an extremely<br>rare piece of art. Once the technique is exposed to the Christies and Sothebys<br>in the world of art collectors you can expect the Echruseos to explode and reach<br>a six figure plateau.”<br><br>Jack White<br>2007

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Anna Elizabeth Klumpke "A Path Through The Woods" impressionist Landscape<br>Painting American California Listed Artist 1856-1942 24.5" x 36" painting, 27.5"<br>x 39" frame. No craqueleur, tears, or restorations. Two very small paint flakes<br>over signature shown in last pic. No other flakes or issues. The frame is not<br>original.<br><br>Anna Elizabeth Klumpke (October 28, 1856 – February 9, 1942), was an American<br>portrait and genre painter born in San Francisco, California, United States. She<br>is perhaps best known for her portraits of famous women including Elizabeth Cady<br>Stanton(1889)[1] and Rosa Bonheur (1898).[2]<br>Anna Elizabeth KlumpkeBornOctober 28, 1856<br>San Francisco, CaliforniaDiedFebruary 9, 1942(aged 85)<br>San Francisco, CaliforniaResting placePère Lachaise Cemetery, Neptune Society<br>ColumbariumNationalityAmericanEducationAcadémie JulianKnown forGenre<br>works, painting<br><br>Life and careerEdit<br><br>Anna's father, John Gerald Klumpke, born in England[3] or Germany,[4] was a<br>successful and wealthy realtor in San Francisco. Her mother was Dorothea<br>Mattilda Tolle. Anna was the eldest of eight children, five of whom lived to<br>maturity. Among her siblings were the astronomer Dorothea Klumpke-Roberts, the<br>violinist Julia Klumpke, and the neurologist Augusta Déjerine-Klumpke. At age<br>three, Anna fell and suffered a fracture of her femur. She fell again at age<br>five and suffered osteomyelitis with purulent knee arthritis. These problems<br>handicapped her, and her mother went to extraordinary lengths to find a remedy<br>by taking Anna and three of her siblings to Berlin for treatment by Dr. Bernhard<br>von Langenbeck.<br>The treatment lasted 18 months and included thermal baths at Kreuznach.<br>Unfortunately, it was not successful, and Anna remained hobbled all her life.<br>While they were in Europe, her mother ensured that her children received<br>excellent tutoring.<br><br>Anna Klumpke in her studio<br><br>The time away in Europe strained the Klumpkes' relationship. When Anna was<br>fifteen, her parents divorced. She and her siblings (now numbering five) moved<br>with their mother to Göttingen, Germany, where they lived for a time with<br>Mattilda's sister, who had married a German national. Anna and her sister<br>Augusta were sent to school at Cannstatt, near Stuttgart. When she was<br>seventeen, the family moved to Clarens, near Lake Geneva in Switzerland where<br>she spent two years in a boarding school.<br>Anna studied art at home for the next few years, and in October 1877, moved with<br>her family once more to Paris, where she was later enrolled in the Julian<br>Academy (1883–1884), under the tutelage of Tony Robert-Fleury and Jules<br>Lefebvre. She spent many an hour copying paintings in the Musée du Luxembourg,<br>including Rosa Bonheur's Ploughing in the Nivernais.[5][6] At one point, she<br>also studied under Vuillefroy. She presented her first work at the Paris<br>Salon in 1884, while still at the Academy, and she won the grand prize for<br>outstanding student of the year. She exhibited regularly at the Salon for<br>several more years. After completing her studies, she returned to the United<br>States for a few years and taught in Boston. However, by 1889, she was back in<br>Paris.<br>As a girl, Anna had been given a "Rosa" doll, styled after the French animal<br>painter Rosa Bonheur—so famous at the time that dolls were made in her image.<br>From early childhood, Anna had been fascinated and inspired by the woman<br>artist.[7]<br>Intent on painting Bonheur's portrait, she met Rosa Bonheur on October 15, 1889,<br>under the pretext of being the interpreter for a horse dealer. The two women<br>were soon living together at Bonheur's estate in Thomery, near Fontainebleau,<br>and their relationship endured until Bonheur's death in 1899.[2]<br>Klumpke was named as the sole heir to Bonheur's estate and oversaw the sale of<br>Bonheur's collected works in 1900. She founded the Rosa Bonheur Prize at<br>the Société des Artistes Français and organized the Rosa Bonheur museum at the<br>Fontainebleau palace.<br>Klumpke was a meticulous diarist, publishing in 1908 a biography of Bonheur, Sa<br>Vie Son Oeuvre, based on her own diary and Bonheur's letters, sketches and other<br>writings. In the book, which was not published in English until 1998, Klumpke<br>told the story of Bonheur's life and related how she had met Bonheur, how they<br>had fallen in love, and how she had become the artist's official portraitist and<br>companion.<br>Klumpke exhibited her work at the Palace of Fine Artsand The Woman's Building at<br>the 1893 World's Columbian Exposition in Chicago, Illinois.[8]<br>Following Bonheur's death, Klumpke divided her time between France, Boston, and<br>San Francisco, finally settling in San Francisco in the 1930s. During World War<br>I, with her mother, she established a military convalescent hospital at her home<br>in Thomery.<br>In 1940, at the age of 84, Klumpke published her own autobiography Memoirs of an<br>Artist. She died in 1942 at the age of 86 years in her native San<br>Francisco.[7] A memorial to her is at Neptune Society Columbarium, San<br>Francisco, and she is buried alongside Rosa Bonheur at Père Lachaise Cemetery,<br>Paris.

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Porfirio Salinas (1910–1973) Big Bend Texas/Mexico Landscape South of El Paso.<br>100% guaranteed Original Oil on canvas painted by Porfirio Salinas in the 1960's<br>with no damage or restorations of any kind. Overall: 32 3/4 by 38 3/4 inches<br>24" x 30" painting. Salinas is not as well known for his west Texas/Northern<br>Mexico desert landscaped but he did do some. I'm sure it was more pleasant<br>sitting in a bluebonnet field close to home in the spring then it was sweating<br>in the desert, but a trained eye should be able to see this master's skill and<br>respect his diversity.<br><br>On Oct 18, 2008 a much smaller Porfirio Salinas landscape with a similar terrain<br>was offered for auction by David Dike Fine Art at a $15,000 starting price, I'm<br>unsure if it sold or what it sold for. It was titled "75 Miles South of El<br>Paso", 1953 oil on canvas 16 x 20. So less than half of the size of this<br>painting, it had the same cacti and Red Yucca. In 2019 prickly pear Cacti<br>Landscape by Salinas brough $125,000 with the buyers premium at the same David<br>Dike Fine Art.<br><br>The paper on this frame possibly covers the title of this painting, I'm tempted<br>to remove it but I'm going to try my best not to as the old brittle paper does<br>help date the painting and I really like to leave things as I found them. No<br>damage or restorations whatsoever to the painting, thoroughly examined under<br>both natural and UV light.<br><br>Porfirio Salinas (November 6, 1910 – April 18, 1973) was an early Texas<br>landscape painter who is recognized for his depictions of the Texas Hill Country<br>in the springtime. He was one of the first Mexican American artists to become<br>nationally recognized for his paintings. He was described by The New York Times<br>as being United States President Lyndon B. Johnson's favorite painter. Works by<br>Salinas are displayed in the Texas State Capitol, the Texas Governor's Mansion<br>and in a number of museums including the Witte Museum in San Antonio, Texas and<br>the Panhandle-Plains Historical Museum.<br><br>Early history<br>Salinas was born on November 6, 1910, near Bastrop, Texas. He came from a family<br>of Mexican American tenant farmers, his father Porfirio G. Salinas and his<br>mother Clara G. Chavez Salinas leaving the farm for San Antonio when Porfirio<br>was a child. Salinas was a precocious talent who drew and painted from the time<br>he was a small boy and received encouragement from his teachers. He had little<br>formal education and left school when he was young in order to work in an art<br>supply store. When he was fifteen he met the English-born landscape artist<br>Robert William Wood (1889–1979) at the store.<br><br>Salinas went to work in Wood's studio in 1925, where he learned the basics of<br>being a professional painter. He stretched Wood's canvasses, and learned to<br>frame paintings, how to mix paints and how to prepare canvas under Wood's<br>supervision. Wood was a very capable businessman, and Salinas learned how to<br>sell and market his art from the English painter. Salinas accompanied Wood and<br>the Spanish-born artist and teacher José Arpa (1858–1952) on sketching trips to<br>the hills and valleys surrounding San Antonio where they painted blooming<br>wildflowers in the spring and the Texas Red Oak in the fall. With his talent and<br>hard work he was soon capable of professional work.<br><br>Professional career<br>Salinas began painting professionally in 1930, when he was twenty years old.[4]<br>His early work was influenced by his mentor Robert Wood's paintings.[5] He<br>painted many scenes of Texas bluebonnets, the state flower, which were sold to<br>tourists by the artists and galleries in San Antonio, Texas. In 1939 he began<br>working with the art dealer Dewey Bradford (1896–1985), who sold paintings,<br>frames and art supplies in the state capital of Austin.<br><br>National recognition<br>While Salinas sold his work steadily, by 1960 he was known primarily to Texas<br>collectors and tourists who visited San Antonio. In 1961, this changed rapidly<br>with the election of his collector Lyndon B. Johnson (1908–1973) to the Vice<br>Presidency of the United States. With his ascension from the United States<br>Senate to being Vice President, Johnson and his wife Lady Bird Johnson<br>(1912–2007) purchased a large French-style chateau from the socialite and<br>heiress Perle Mesta (1889–1975). They decorated the house with French antiques<br>and tapestries that were already in the home, but the foyer was hung with Texas<br>wildflower paintings by Salinas. Lady Bird Johnson was quoted as saying, "I want<br>to see them when I open the door, to remind me of where I come from." At the<br>time of the President Kennedy's assassination, Salinas had completed a scene of<br>a horse drinking titled "Rocky Creek" that was meant to be presented to Kennedy<br>during his ill-fated visit to Dallas. Lyndon Johnson told the Washington press<br>that Porfirio Salinas was "his favorite artist." President Johnson also<br>presented a Salinas painting to President Gustavo Diaz Ordaz of Mexico as an<br>official gift from the United States. The patronage of the President was a<br>tremendous boost to the artist's career and during the 1960s, his work sold<br>briskly for ever higher prices. The Johnsons' Salinas paintings remain in the<br>collection of the LBJ Ranch today. President and Lady Bird Johnson were both<br>advocates and admirers of wildflowers. Lady Bird Johnson will always remain<br>linked to the subject of wildflowers because of her "Beautify America" campaign<br>and the Highway Beautification Act, which was passed by the United States<br>Congress in 1965. As part of that effort, many miles of Texas roadsides were<br>seeded with Texas bluebonnets, Lupinus texensis, the flowers that Salinas is<br>known for painting.<br><br>Death and posthumous reputation<br>Salinas was recognized by the city of his birth, Bastrop, Texas in 1960, when he<br>was fifty years old. He had a solo exhibition at the Witte Museum in San Antonio<br>in 1962. His work was widely published by the New York Graphic Society, which<br>added to his national reputation. In 1967 his work illustrated a book titled<br>Bluebonnets and Cactus that was published in Austin.<br><br>Salinas died on April 18, 1973, after a brief illness. He was memorialized in<br>the City of Austin with Porfirio Salinas Day in 1973. Ruth Goddard wrote a book<br>titled Porfirio Salinas that was published two years after his death. There is a<br>Youth Art Exhibition showcasing work by K-12 students, named after the artist,<br>held each year in Bastrop. In celebration of the centennial of Salinas' birth,<br>the Witte Museum mounted an exhibition titled Porfirio Salinas: Painting South<br>Texas that opened on October 16, 2010, and ran to March 20, 2011.<br><br>Artistic production<br>The professional career of Porfirio Salinas stretched to more than forty years.<br>According to the art historian Jeffrey Morseburg, he is estimated to have<br>painted between two and three thousand works. His work is divided among a number<br>of subjects, but Hill Country landscapes of the Texas bluebonnets predominate.<br>The bluebonnet landscape has remained eternally popular with both collectors of<br>historic Texas paintings and contemporary artists. Salinas also painted many<br>scenes of Texas red oak trees in the autumn and prickly pear cactus. There were<br>also scenes of the Texas desert in the Texas Panhandle and of arid West Texas.<br>Salinas made trips to Mexico and painted rural Mexican villages and the<br>volcanoes that are south of Mexico City. For Mexican American audiences, Salinas<br>painted small scenes of bullfights, cockfights and Mexican fandangos.<br><br>Personal life<br>Salinas married Maria Bonillas, a Mexican woman who worked for the Mexican<br>National Railways, in San Antonio in 1943. They had a single child, Christina<br>Maria Salinas, who was born in 1945. Maria Bonillas Salinas helped manage her<br>husband's career. The Salinas home and studio was located at 2723 Buena Vista<br>Street in San Antonio. It consists of a small stone home with a detached studio.

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Mark Kohler Texas Artist 1990's Cowboy Watercolor Early Work Practice Sketch Gift to a Friend. Guaranteed original Watercolor unframed with no damage. This was a sketch he was working on while some friends were around about 30 years ago, he gave it to them. The estate it came from were friends of Kohler's and I'll be listing a few of his works. Measures 11 1/8" x 15 1/8""I have a passion for the American West, and for the last 16 years I've dedicated my God-given talent to one goal: documenting the independent spirit and pride that the modern working cowboy has inherited from his predecessors. It is uniquely American and worthy of preservation. Like artists before me, I am drawn to the West and the people and animals that tame this oftentimes harsh environment. I strive to capture the honor, the strength and the dignity with which they pursue their lives. It is my hope that these paintings reveal the heart and soul of my subjects, and the profound respect I have for them. It is my privilege to chronicle this amazing lifestyle and the rewards have been beyond measure." Mark Kohler is an award-winning watercolorist, the recipient of the 2008 Cowboy Artists of America Founders Award and the 2009 Phippen Museum Foundation Award. He has been invited to some of the oldest, traditional ranches still left in the country, including the O RO Ranch in Arizona and the Pitchfork Ranch in the Texas Panhandle. His works are included in private and corporate collections throughout the world.tw6

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Mark Kohler Texas Artist 1997 Cowboy Watercolor Early Work. Guaranteed original Watercolor unframed with no damage. The estate it came from were friends of Kohler's and I'll be listing a few of his works. According to his website he's been painting commercially for over 23 years, so this would be right about that time. Measures 15" x 11" on high end watercolor paper."I have a passion for the American West, and for the last 16 years I've dedicated my God-given talent to one goal: documenting the independent spirit and pride that the modern working cowboy has inherited from his predecessors. It is uniquely American and worthy of preservation. Like artists before me, I am drawn to the West and the people and animals that tame this oftentimes harsh environment. I strive to capture the honor, the strength and the dignity with which they pursue their lives. It is my hope that these paintings reveal the heart and soul of my subjects, and the profound respect I have for them. It is my privilege to chronicle this amazing lifestyle and the rewards have been beyond measure." Mark Kohler is an award-winning watercolorist, the recipient of the 2008 Cowboy Artists of America Founders Award and the 2009 Phippen Museum Foundation Award. He has been invited to some of the oldest, traditional ranches still left in the country, including the O RO Ranch in Arizona and the Pitchfork Ranch in the Texas Panhandle. His works are included in private and corporate collections throughout the world.tw6

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Mark Kohler Texas Artist 1995 Cowboy Watercolor Early Work Gift to a Friendwith no damage. The estate it came from were friends of Kohler's and I'll be listing a few of his works. According to his website he's been painting commercially for over 23 years, so this would be right about that time. Measures26" x 23.5", sight is 18.5" x 16"."I have a passion for the American West, and for the last 16 years I've dedicated my God-given talent to one goal: documenting the independent spirit and pride that the modern working cowboy has inherited from his predecessors. It is uniquely American and worthy of preservation. Like artists before me, I am drawn to the West and the people and animals that tame this oftentimes harsh environment. I strive to capture the honor, the strength and the dignity with which they pursue their lives. It is my hope that these paintings reveal the heart and soul of my subjects, and the profound respect I have for them. It is my privilege to chronicle this amazing lifestyle and the rewards have been beyond measure." Mark Kohler is an award-winning watercolorist, the recipient of the 2008 Cowboy Artists of America Founders Award and the 2009 Phippen Museum Foundation Award. He has been invited to some of the oldest, traditional ranches still left in the country, including the O RO Ranch in Arizona and the Pitchfork Ranch in the Texas Panhandle. His works are included in private and corporate collections throughout the world.

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Nestor Hippolyte Fruge (1916-2012) Louisiana Swamp Watercolor 20.5" x 26" framed x 12" x 18" sight. No issues with painting or frame.Artist biographyNestor Hippolyte Fruge was a creative artist. Nestor Hippolyte Fruge was born in 1916 and died in 2012. He was largely inspired by the 1930s. Throughout the 1930s, many political ideologies such as Marxist Socialism, Capitalist Democracy, and the Totalitarianism of both Communism and Fascism were engaged in struggles for dominance, and epitomised the political atmosphere of the era. n Europe, Surrealism continued to be prominent, and had grown to have influence across the globe. Leading artists took the ideas posed by Surrealism and incorporated them into their pioneering political ideologies, creating a new kind of magic realism. This was exemplified in the work of artists such as Frida Kahlo and Diego Riviera in Mexico.

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1972 E Rice Bauknight Watercolor Quail Texas Landscape Wildlife Artist. Very nicely done watercolor by a listed artist that was very good at painting quail. 20.5" x 25" framed x 15" x 20" sight. Minor wear to frame, bottom left corner of matting has lightened, no issues with artwork.

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This piece came from the estate of one of the Head Executives of I think most of<br>Asian Motorola which is headquartered out of Chicago where Grace Lai was from.<br>She was most likely flown to Asia, I believe this is the Beijing Building, for<br>this comission. It measures 23"x 30". It was rolled up at one point so I will<br>likely roll it up for shipping but not too tightly unless the buyer has a major<br>objection to that. NO issues with painting.<br><br>Grace Lai painted downtown Chicago in concrete and steel bloom, for two decades<br>producing vibrant montages of skyline-shaping buildings as they climbed.<br><br>An "on-site" artist who didn't seriously take up painting until nearly 60, Mrs.<br>Lai donned a hard hat and was unafraid to board construction elevators for rides<br>high into the sky to complete her work. In winter she'd wrap herself in plastic<br>garbage bags and substitute rubbing alcohol for water in her paints, so they<br>wouldn't freeze.<br><br>"She just really captured the essence of the dynamic nature of construction,"<br>said Tom Broderick, executive director of the Construction Safety Council in<br>Hillside, which has about 100 of Mrs. Lai's paintings on display. "The craft<br>workers will feel the loss of Grace. She really cared about the industry and the<br>people who worked in it."<br><br>Until her husband, Harry, died in 1985, Mrs. Lai was essentially an artist's<br>assistant. He maintained a studio on Kinzie Street in the building that now<br>houses Harry Caray's restaurant, producing signs that graced everything from<br>theater marquees to train stations.<br><br>He was also a fine artist, and on every wedding anniversary, which fell on<br>Valentine's Day, he gave his wife a painting of a rose.<br><br>Mrs. Lai did prep work and handled the books at her husband's business. While<br>she dabbled in drawing and painting, her husband always told her she needed to<br>learn the artist's trick of perspective and made her promise she'd one day go to<br>art school.<br><br>So when he died, she enrolled at the American Academy of Art in Chicago. Each<br>day she took an uncrowded, early morning bus to her classes so she'd have room<br>for her art materials.<br><br>She got off at LaSalle and Adams streets in front of a construction site. With<br>time to kill, she pulled out a pencil and sketched the action.<br><br>"The developers liked it so much they hired her to develop a documentation of<br>the progression of their buildings," her son said.<br><br>Thus the craft of construction became the primary subject of her art. Working in<br>watercolor or pen and ink, she became a familiar sight at construction projects<br>around town. Laborers stopped by to chat with the gregarious artist, asking if<br>they had been sketched in that day, sometimes buying work that bore their<br>likeness.<br><br>In addition to her work on display at the headquarters of the Construction<br>Safety Council, a longtime patron, Mrs. Lai's paintings are part of the<br>corporate collection at BP (formerly Amoco) and Northwestern Memorial Hospital,<br>her son said.<br><br>The daughter of immigrants from the Chinese region of Canton, the former Grace<br>Lee moved frequently in her youth as her family followed her father's various<br>restaurants. She graduated from Schurz High School in Chicago.<br><br>For many years, she was the Sunday school superintendent at Chinese Christian<br>Union Church in Chinatown.<br><br>She kept painting until only recently, working on projects including the Trump<br>Tower.<br><br>"If I lose myself in painting, that's good," she told the Tribune in 2002, still<br>vibrant as she neared 75.

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Todd Winters Watercolor Texas/New Mexico "Flyfishing at Yellowstone" National<br>Park 15" x 18" framed with 8.25" x 11.25" handmade paper watercolor. Very clean<br>frame, no issues with art or matting.<br><br><br>Todd Abbott Winters has been a full time artist for 34 years since his<br>graduation from UT-Austin in 1983 with his degree in Fine Art. He has shown in<br>dozens of Art Galleries in States from coast to coast,.....California, Arizonia,<br>New Mexico, Illinois, Oklahoma, Texas, Tennessee, Florida and yes even in New<br>Jersey.

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Todd Winters Watercolor Texas/New Mexico "Poppy Stargazer" 11" x 15" handmade<br>Paper watercolor in a 21" x 25" frame. Very clean frame, no issues with art or<br>matting.<br><br><br>Todd Abbott Winters has been a full time artist for 34 years since his<br>graduation from UT-Austin in 1983 with his degree in Fine Art. He has shown in<br>dozens of Art Galleries in States from coast to coast,.....California, Arizonia,<br>New Mexico, Illinois, Oklahoma, Texas, Tennessee, Florida and yes even in New<br>Jersey.

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David S Clow Kansas City Listed Artist Impressionism Watercolor on handmade paper. Very interesting piece with no significant issues, a few scratches on frame. 10.25" x 18.25" framed x 4.75" x 12.5" sight.B2

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Impressionistic Goat Acrylic on Board by Barbara Mallonee. No issues with painting or frame. 13.25" x 11.25" framed.B1

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c1960 Matador Acrylic On Board Bull Fighter Painting. No issues with painting or frame. Illegible signature. 20" x 25.5" framed x 13.75" x 20" painting.

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Carol Jean Green Miniature Watercolors Listed California Artist. Selling both. Sight measures 2 1/8" x 2 5/8". 5.5" x 7.5" framed. Art is perfect with no issues, original watercolors guaranteed. Frames are near mint.Carol Jean Green was born in California but raised and educated in the Far East and India. She lived for many years on the island of Ibiza, Spain. A self -taught "naif" her original watercolors of the Mediterranean, California and Southwest influence are sought after by collectors worldwide.Tw61

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I'll be listing a nice collection of Amy Freeman Lee Drawings and paintings that have not been offered anywhere else. These are all originals that were inherited when she passed and have been stored.Boating to Windward Watercolor Amy Freeman Lee Listed Artist San Antonio, Texas (1914-2004) 25.5" x 30.5" framed, 19" x 25" sight. No issues. To art, clean frame.Amy Freeman Lee (1914-2004 ) A native of Seguin, Texas, Lee would become a permanent resident of San Antonio. A self-taught watercolorist, Lee helped found the Texas Watercolor Society in 1949. Her works were exhibited in Mexico City and in traveling exhibits at arranged by the Smithsonian and California National Watercolor Society. She worked as an art critic for the San Antonio Express-News and radio station KONO. She was the focus of a 1984 CBS documentary titled Reality is Becoming. Her works are included in the collections of the University of Texas at Austin, the Norfolk Museum of Arts and Sciences and the San Antonio Art League.

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Western mountain Landscape watercolor Painting Complex and Colorful signed<br>-Hare- 18.25" x 14.25" framed. 7.5" x 12" sight. Clean frame painting, and<br>matting.

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Inside of matting measures 9" x 11.25", frame measures 13" x 15". A little foxing just inside matting. Appears to be a Victorian frame.B1

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1941 Bob Crabb Texas Hill country Bluebonnet Landscape Watercolor. Really nice<br>watercolor. This guy did a lot of exhibitions in his time, there's archives of<br>him in the Smithsonian. He was in the Dallas Museum of art in 1940. Frame<br>measures 18.75" x 14 5/8" inside of matting is 12" x 8". His art is in many<br>private collections but rarely comes on the market as he was not very prolific.

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Frame measures 23.25" x 19 3/8" Great vintage watercolor. It was framed in 1984 and marked so on the back. Watercolor is in perfect condition, there are some nicks on outside edge of frame that could be easily touched up with a marker.

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Original watercolors by listed artist Hans Kleiss. Frames measure 17.25" x 14", watercolors measure 11.5" x 9.5". Pictures are in great condition but the woman appears slightly off center in frame, an easy fix but I figured they're liable to shift in shipping so I'd leave as is.

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George Boutwell Texas Hill country Pastoral Farmhouse watercolor. 17" x 16" framed, 9.75" x 8" sight. No issues with painting, slight wear to frame. Great painting by a listed Texas artist, much better in person.Born in East Hartford, Connecticut, in 1943. After his Mothers untimely death in 1945, he and his father traveled around the country and by the time he started the First Grade in San Antonio, Texas, they had lived in Connecticut, Vermont, Maine, New York, Indiana, Michigan, Tennessee, California and Texas. George spent most of his life in Austin and moved to Bosque County in 1987 where he and his wife Martha live on a ranch near Clifton, in a 1904 Victorian home known as Highview, which is set on the crest of a hill overlooking the Bosque River Valley. The Boutwell's have two daughters: Valerie 49, and Kimberlee 47, two grandsons: Josh 19 and Brady 16 and one Granddaughter, Kaylee 13. Hobbies and interests include Historic Preservation, Old Cars, fossil and observation of wildlife and Longhorn Cattle.George was Art Director for Texas Highways Magazine from 1966 to 1972 and became aware of the diversity of Texas during that time and this awareness has become the focus of his life's work. George has refused to specialize in one Genre of Art and only limits the scope of his work to Texas. He has been able to make his living exclusively from his Art for 40 Years!The Boutwell's former home in Austin won a 1983 Austin Heritage Society Award which was presented at the Governor’s Mansion. George was an appointed member of the Austin Historic Landmark Commission from 1982 to 1985.Professional BackgroundArt Training:Self-taught. George was too poor to afford Art Lessons and due to his failing half a year of High School because he was sitting in class drawing cars instead of studying his grades were not sufficient to enter College. He read every Art book he could find in the Public Library and practiced continually, doing 100 sketches per day for one year! When he was finally able to afford Art Lessons it was because he had become a full time Professional Commercial Artist and had some disposable income for the first time in his life. George took a correspondence course in Fine Art from the Famous Artist School which helped him make the transition from Commercial to Fine Art in 1973.anderas

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Alberto Meza(1930-2021) 1971 Wild Turkey Texas Hill country Landscape Watercolor8" x 10" painting in a 16.25" x 18.25" frame. No issues with painting or frame. This is an original watercolor dated 1971.Meza migrated to the US, with his family, to San Antonio TX in 1953 and proudly became a US Citizen. In 1963, he began his career as a barber at the Lackland AFB NCO Barber Shop. Alberto from an early age began to notice his passion for drawing and the innate skill of being able to draw from magazines. He attended Hunter Art School to give him the basics of artistry. In 1971, Alberto changed his career as he had the drive and spirit to become an artist of watercolor wildlife paintings. Meza began to showcase his paintings at the San Antonio River Starving Artist Exhibition. Meza's paintings were exhibited at Rockport Art Festival, Harlingen Art Forums and Padre Island, Salado Art Fair, Austin, and San Antonio Western Art Show until 1984.

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Jerry Seagle Texas Mixed Media Pastel/Watercolor. 7.25" x 10" sight 12" x 16"<br>framed with no issues.<br><br>Jerry Seagle is a contemporary Texas artist, trained in more traditional art. He<br>graduated with honors from the University of Texas at Austin with a BFA in<br>painting, and received a graduate fellowship to further his studies at the<br>University of the Americas in Mexico City. He draws on his past in Southwestern<br>art to create his abstract acrylic paintings.<br><br>Seagle has shown art in over one hundred individual exhibits. He has received<br>more than 250 awards in national and regional exhibitions, and his paintings<br>have been reproduced in several articles on experimental water media painting.

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Candy Tangney Texas Coastal child on beach watercolor 14.5" x 11.5" framed, 8" x 5.25" sight. No issues with painting or frame. I couldn't show the whole frame due to my current setup and time limitations but it's all clean like what's shown.tw71

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Alice Scott (1924-2005) original unframed signed and matted watercolor ofCharleston Gullah Lady. 10" x 14" ; 6 1/8" x 8 5/8" sight, good condition as shown. A collection of her paintings toured the United States and Europe with the Opera Porgy an Bess. Alice Scott was born in Columbia, South Carolina but grew up in Charleston, South Carolina where she was active in both the theater and painting. She taught painting to both children and adults from her studio on Queen Street next to the historic Dock Street Theater. Her career in art included study with Robert Brackman of the Art Students League in New York City and Hainz Warneke, Don Turano and Richard Lahey of the Corcoran Gallery in Washington, DC. Some of the galleries which have exhibited her works include: High Museum of Art, Atlanta, GA Twentieth Century Gallery, Williamsburg, VA Gibbes Art Gallery, Charleston, SC, Columbia Museum of Art, Columbia, SC Robert Carlen Gallery, Philadelphia, PA Pensacola Art Center, Pensacola ,FLVZTOP Gallery ,Pensacola, FL Charlestown Gallery, Charleston, SC Lemoyne Art Foundation, Tallahassee, FL Gallery of Art, Panama City, FL plus others Galleries!

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Alice Scott (1924-2005) original unframed signed and matted watercolor of Charleston Gullah Lady. 10" x 14" ; 6 1/8" x 8 5/8" sight, good condition as shown. A collection of her paintings toured the United States and Europe with the Opera Porgy an Bess. Alice Scott was born in Columbia, South Carolina but grew up in Charleston, South Carolina where she was active in both the theater and painting. She taught painting to both children and adults from her studio on Queen Street next to the historic Dock Street Theater. Her career in art included study with Robert Brackman of the Art Students League in New York City and Hainz Warneke, Don Turano and Richard Lahey of the Corcoran Gallery in Washington, DC. Some of the galleries which have exhibited her works include: High Museum of Art, Atlanta, GA Twentieth Century Gallery, Williamsburg, VA Gibbes Art Gallery, Charleston, SC, Columbia Museum of Art, Columbia, SC Robert Carlen Gallery, Philadelphia, PA Pensacola Art Center, Pensacola ,FLVZTOP Gallery ,Pensacola, FL Charlestown Gallery, Charleston, SC Lemoyne Art Foundation, Tallahassee, FL Gallery of Art, Panama City, FL plus others Galleries!

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Myrtle Lillian Stedman (1908-2007) 1931 Houston Texas Watercolor of Southern woman of color Feeding chickens. This is a really great watercolor from 1931 when she was living in Houston Texas and attending the Houston Museum of Fine Arts School. I personally find it extremely refreshing to find a picture from this era depicting a woman of color just "doing her thing" in a non derogatory fashion. 9.25" x 11.5" sight in a 15.5" x 18" frame. No issues with painting or frame. It's behind museum glass. It came with a note that I seem to have lost but it was just a pre-internet explanation of the importance of the artist with notes of when it was reframed behind museum glass. Myrle is more famous for her New Mexico landscapes, I personally find this one very interesting and refreshing.Myrtle Stedman was known as an “Artist in Adobe,” designing, building, and remodeling adobe homes under a contractor’s license. She was also a well-know artist whose academic training started in 1927 when she was a student in the Houston Museum of Fine Arts school.Myrtle Stedman - Santa Fe Living Treasureshttp://sflivingtreasures.org/index.php/treasures/131-stedman-myrtle-.htmlMyrtle Stedman A painter, a poet, and a writer, Myrtle Stedman is best known for the work in adobe restoration and design she began shortly after arriving in Tesuque in 1934, with her artist husband, Wilfred Stedman.Myrtle Lillian Stedman Myrtle Lillian Stedman, American artist. Recipient Visual and Literature Arts award New Mexico Arts Commission, Mayor's award City of Santa Fe, 1994, Old Santa Fe Association award, 1993, Watercolor awards Houston Fine Arts Museum, 1933, New Mexico Governor's award for Excellence in the Arts Art/Architecture, 1997; named Living Treasure Santa Fe Networks, 1985.BackgroundStedman, Myrtle Lillian was born on February 5, 1908 in Charleston, Illinois, United States. Daughter of Edward Bullard and Myrtie (Harrell) Kelly.EducationStudent, Museum Fine Arts, Houston, 1934. Student, Art Student's League, New York City, 1980.CareerFine artist, illustrator Stedman Studio, Houston, 1927—1934. Designer, builder Tesuque Home Builder, 1952-1987.AchievementsMyrtle Lillian Stedman has been listed as a notable artist by Marquis Who's Who.

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c1980 Bob white Quail Watercolor by Anita Diebel. Very nice watercolor from the seventies or 80's. 13.75" framed 9.5" sight. No issues or damage.ART has always been part of my life.It is my personal means of expression, of reaching out,of sharing my world and the wonder I find within it.The marvels of nature infuse my work, whether realistic or abstract.I am blessed, now, to live by the sea, where endless horizons meetmarvelous sunrises and the sound of the gull, the heron, the crane minglewith the music of wind whistling in the palms. Every turn in my life brings new inspiration. My art is a delightful journey of never ending exploration. I find joy in each experience and delight when the viewer findS Something within my work that reaches out to them. I will never paint all the things that call to me but I shall surely try. Enjoy Anita Diebel is recognized for her sensitive water-media and collage paintings that resonate with layers of color and texture. An intuitive painter, her work evolves from an inner spirit as she responds to the interaction of colors and shapes, line and rhythm.Each painting is the combination of many layers: painted, collaged,obscured, found, hidden, enhanced and melded into the whole as the many events in our lives serve to make us who we are, a combination of that which has gone before, that which we experience and that of which we dream.Diebel's paintings hang in private and corporate collections throughoutthe US and abroad. Her work has been honored with awards at local,national and international levels. She has attained signature status inTexas Watercolor Society, Southwest Watercolor Society and Western Federation of Watercolor Society.b41

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c1900 Henriot Quimper Prototype Watercolor Sheet from the Factory. Extremely<br>rare item one of two I acquired from an extensive Quimper collection that was<br>put together in the mid 20th century. This piece is over 100 years old<br>guaranteed but recently framed and matted with non acid paper. I'm 100% sure<br>it's an original watercolor from the factory over 100 years old with notes in<br>pencil below each item.<br><br>It was customary in the past that one watercolor prototype be made for the finer<br>faience pieces. These watercolors served as a model to guide the artists who<br>ultimately painted the pieces which were so rich in color and detail. 24.5" x<br>17" x 10 5/8" x 18.25" sight. Some wear to drawings/paper from before it was<br>framed but it displays beautifully and is sure the be the highlight of any<br>Quimper collection.

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c1900 Henriot Quimper Prototype Watercolor Sheet from the Factory. Extremely<br>rare item one of two I acquired from an extensive Quimper collection that was<br>put together in the mid 20th century. This piece is over 100 years old<br>guaranteed but recently framed and matted with non acid paper. I'm 100% sure<br>it's an original watercolor from the factory over 100 years old with notes in<br>pencil below each item.<br><br>It was customary in the past that one watercolor prototype be made for the finer<br>faience pieces. These watercolors served as a model to guide the artists who<br>ultimately painted the pieces which were so rich in color and detail. 24.5" x<br>17" x 10 5/8" x 18.25" sight. Some wear to drawings/paper from before it was<br>framed but it displays beautifully and is sure the be the highlight of any<br>Quimper collection.

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Jerry Seagle Texas Mission Watercolor 14" x 17" framed 9" x 12" sight, no damage<br>or issues.<br><br>Jerry Seagle is a contemporary Texas artist, trained in more traditional art. He<br>graduated with honors from the University of Texas at Austin with a BFA in<br>painting, and received a graduate fellowship to further his studies at the<br>University of the Americas in Mexico City. He draws on his past in Southwestern<br>art to create his abstract acrylic paintings.<br><br>Seagle has shown art in over one hundred individual exhibits. He has received<br>more than 250 awards in national and regional exhibitions, and his paintings<br>have been reproduced in several articles on experimental water media painting.<br>tw122

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1970's Austin Texas watercolor "the Preacher's car" By Robert William"Windy" Winn. 12" x 16" sight 19" x 23" framed. Windy Winn was one of the co-founders of the Waterloo Watercolor Group in 1977. Painting is clean with no issues. Some wear to frame. It was local personality Cactus Pryor who introduced Wings wife Babs to his high school buddy, Windy. Jake Pickle and Windy were partners in the 1950s, handling political and advertising campaigns. Babs and Windy had a lot of fun together. They were original "founding" members of Austin Civic Theater (now the Zachary Scott Theater). They acted, danced, sang, directed and wrote plays, promoted the Austin Civic Theatre and organized the Laa Gloria Art Fiesta. He attended Austin High School in Austin, TX. In 1942, he enlisted in the US Navy and attended San Diego State university where he was editor of the Navy Base newspaper before being shipped out. When he returned, he worked briefly as a graphic artist for the Austin American Statesman newspaper and teamed with former US Rep Jake Pickle and Ed Eyers to form the advertising agency Eyers, Pickle and Winn in 1947.

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c1850 Antique Chinese Pith Watercolor/Gauche Paintings on rice paper framed early 20th century. Selling the lot shown, these are mid 19th century Chinese framed in the first half of the 20th century as they already had value at that time. Two are 5 1/8" x 7 5/8" with some damage to paper at the edges as shown, the images are clean so could be reframed if seen as a distraction. The other is 12 1/8" x 5 7/8" framed with a double image each having sight of 3 5/8" x 2 1/8". Selling the lot shown all from the same estate, fresh.tw227

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George Crionas(1925-2004) Golfer Watercolor Listed California Artist. George C. Crionas was born in Detroit, MI on Sept. 25, 1925. Crionas lived in Michigan before moving to southern California. He died in Canoga Park, CA on March 24, 2004. He often painted clowns. Measures 22" x 17.5" framed, 14.5" x 10.5" sight. No issues with painting or matting, clean frame. Any discolorations you see are from the lighting or reflections.

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Faye Schnuriger( 1911-1997) 聖安東尼奧德州風景鹿木板畫17" x 14" 帶框，12" x 9.5" 面板。Faye Schnuriger( 1911-1997) 是一位土生土長的德克薩生斯人、畫家、教師和作家。她跟隨 Fredrick Taubes、William Earle、Harold Roney、Fred Samuelson、Clint Bermann 和其他知名導師學習藝術。她曾就讀於紐約時尚技術學院和特拉法根設計學院；曾在一所函授學校擔任作家、設計師和助理藝術家。她有一本書值得稱讚——《與費伊一起品脫》。她的畫作被加拿大、華盛頓、達拉斯、米德蘭和聖安東尼奧的私人收藏。她的“學習塔”在中央公園邀請賽中獲得最佳表現，並被聖安東尼奧的一位醫生購買。她的《蕨類森林》與其他二十位藝術家的畫作一起被選參加在華盛頓特區舉行的美國筆會婦女二百年藝術展全國聯盟。施努里格隸屬於：聖安東尼奧河藝術集團、倫道夫藝術聯盟、新布朗費爾斯藝術聯盟、自由藝術聯盟、孤星藝術聯盟、山地藝術聯盟。她的作品收藏於史密森尼和德克薩斯女子大學圖書館B3

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Antique Mexican Retablo Painting on Tin, 19th century. 11" x 15" framed. 19th century retablo with tiny hole on top where it once hung on a wall in Mexico, framed in the third quarter of the 20th century. Minor expected wear with no significant issues.

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弗萊施沒有畫很多肖像畫，我只看過其他幾幅。其中一件於2013 年在eBay 上以6100 美元的價格售出。這件作品是新鮮的，自從從藝術家那裡購買以來，直到現在從未在任何地方出售過。框架尺寸為31"x 19"，這是原始框架製作在義大利，上面貼有 78061 貼紙，與畫作背面的數字一致。畫布尺寸為 24 英吋 x 12 英吋。無論是畫還是畫框都完美無瑕。這是他1970年代的早期作品之一，也是我認為他較好的作品之一。他名列前茅，甚至在2008 年去世之前就在拍賣會上拍出了非常高的價格。Ken Fleisch（美國，1943-2008 年） Ken Fleischs 的畫作風格鮮明、引人入勝，而且外觀看似簡單。 Fleisch 的作品在細節和現實主義方面完美無缺，以近乎古典的方式觸及生活的核心。            1943 年11 月4 日出生於德克薩斯州，Fleisch 早年經歷了廣泛的視角作為空軍軍官的兒子，他的生活遍布美國和歐洲。弗萊施的藝術教育結合了美國和歐洲大學的正規訓練以及透過私人學習和與國際知名藝術家的聯合計畫所獲得的嚴格實踐經驗。            他自稱是一位現實主義者，他經常從家鄉德克薩斯州汲取靈感，但他的繪畫超越了地理界限，以近乎古典的方式觸及生活的核心。他令人回味的畫作不僅僅是對現實的反映：它們是他分享哲學和情感的一種方式。他用平凡的事物來表達複雜的情感，經常使用舊陶器、手工藝品和宗教偶像來描繪他那樸素的靜物畫，許多人覺得這些作品很引人注目。             ‧弗萊施開始所畫風景，然後轉向建築與建築物，最後則被造成長期被遺忘的物品吸引到架子上。弗萊施現在專門畫靜物畫。他對文化的融合以及他所畫物體背後的故事感興趣。肯·弗萊施(Ken Fleisch) 的獲獎作品在地區和國家出版物中廣泛報道，他的畫作被主要私人和公共收藏全國各地。肯·弗萊施（Ken Fleischs）的藝術在全國範圍內得到廣泛認可，他的印刷系列廣受歡迎，他的收藏家（從鮑勃·迪倫（Bob Dylan）到哥倫比亞廣播公司電視台（CBS Television ））的廣泛多樣性，只能強調他作品的深度和完整性。

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鎮廣場上的古董法國油畫與藥局 Pharmacien。保證呈現 18 至 19 世紀偉大的早期繪畫作品。它採用 c1870 框架，我認為不是原廠的。它被塗在一塊帶有手工倒角邊緣的木板上。面板輕微彎曲，有一些非常輕微的裂痕，在繪畫的頂部，雲區域中有一些舊的清漆斑點，知道自己在做什麼的人可以輕鬆清潔這些斑點。我自己並不認為它們會讓人分心。偉大的畫作，找不到簽名。18.5" x 14.5" 框架 12 5/8" x 9 3/8" 面板。這曾經屬於南部邦聯內戰上校 William Lamb （1835年9月7日- 1909年3月23日），美國報紙編輯、政治家、商人和士兵，他指出，他在內戰期間作為南方邦聯陸軍軍官，指揮位於開普菲爾河口的費舍爾堡的南方邦聯駐軍。戰爭。 它是透過繼承傳遞給我所代表的家族的。

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Arthur McCall Texas Hill country Landscape Dog and Quail Oil on Board c1980's<br>22.5" x 18.25" framed 18" x 14" panel. Incredible work of art with no issues to<br>painting or frame.Arthur McCall, a native of South Texas is a long-time resident<br>of Pleasanton, Texas. He has had an interest in drawing and painting as far back<br>as he can remember, a childhood hobby that has grown into a professional career.<br>He would call himself a self-taught artist even though commercial art studies<br>were an early part of his beginning in art. This schooling, however brief, was<br>interrupted by military service and eventually being assigned to the U.S. Army<br>First Infantry Division and a tour to Vietnam back in the 1960s, ended the art<br>schooling. Some years later McCall was selected to attend the Texas Game Warden<br>Academy at Texas University and was commissioned as a Texas Game Warden in 1969.<br>He was assigned to Atascosa County in 1971 and served the area as Game Warden<br>until 2012 when he retired after 43 years of service.

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1978 Winter Landscape oil on board paintings pair by Besty Jones. Great looking pair of paintings with no significant issues. Measure 8.75" x 6.75" framed each.tw82

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Bud McCaulley(1932-2014) Listed Texas Artist Native American Portrait. Bud was a veteran in the United States Marines. He was a successful artist in Commercial art, fine art, and Cowboy cartooning. He is best known for his Caricature cartoons portraying western scenes in the 1970's. There were table mats and so many things made from his art. 10.5" x 8.5" each framed with 6" x 8" panels.No issues with paintings or frames.Tw3

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Miriam Sowers(1922-2008) Listed Albuquerque Artist "Cave Boy" Oil On Board. Board measures 8" x 10", frame 16.5" x 18.5". No issues with painting or frame

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Frame measures 32" x 28", canvas is 24" x 20". Really nice coastal landscape<br>with Houses in a really good looking heavy frame. Painting is mint condition<br>with no issues. Frame is very clean and presentable.

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Frame measures 30.5" x 26.5" board measures 24" x 20" Frame and painting are inincredible condition. A couple tiny 1mm dings at the bottom left of her chair as shown in the third pic. There is a line across the top of the painting maybe 3/4" down, maybe where they made the board taller to fit this expensive frame, I'm not sure. It can only be seen with very cloud examination. I can find little info on the artist other than she was born in 1901.

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Richard Maitland (1928 - 2014) Miniature train traveling towards silo oil on board. 9" x 12" painting in a 10" x 13" frame, no issues with painting or frame. Signed Maitland bottom left.Richard Maitland (1928 - 2014)He shared the stage and partied with Marilyn, exchanged correspondences and artwork with Jackie O., and introduced The Twist to India. The son of a New York City truck driver and Pinos Altos gold miner's daughter, dancer and artist Richard Maitland was born in Bisbee, Arizona. He spent his formative years—and much of his life, for that matter—on the road. In the year of the Great Depression, his family moved to San Francisco. That's where he got his feet wet as a dancer—performing in his first production at the age of 8.Before settling in New Mexico in the mid-’60s, he worked in movies and Broadway productions with the likes of Ethel Merman and Richard Burton. He taught and performed ballet in India for six years with support from Indira Gandhi. That's also where he started showcasing his artwork, as well as where he met Jacqueline Kennedy, who fell in love with his paintings and became a collector.Those colorful memories inform and consume Maitland's artwork and his world. He is a self-proclaimed nostalgist, who in an interview with the Alibi in 2011 said about himself: "I've been living in the past since I was a kid.”He is a performer and storyteller of the highest degree, and it's an exercise in futility to draw a line between the man and his nostalgic surroundings; they define him, and he embodies them.It's also hard to put a stylistic label on Maitland's work. A self-taught artist, his pieces run the gamut from surrealism to folk art, always inhabited by complex and personal narratives. He uses doll parts, bones, feathers, old photos of himself—just about anything he can get his hands on to convey his messages. His ideas are dark, grotesque, whimsical, beautiful and bittersweet. Along with a quality of vivacious celebration for a life fully lived, there is often an infinite sadness in his work.There is an undercurrent of sociopolitical commentary persists in much of Maitland's work. "I make comments on politics and ," says Maitland. "I'm very much a secular humanist. I hate fanaticism, and I hate bigotry and narrow-mindedness. I love nature and animals. And I think love is what rules the world."

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1912 Josef J Brabender Impressionism Oil on Board. I do not know a whole lot<br>about this artist, but I do know in the 30's and 40's he painted a lot of<br>miniatures. I believe he started off painting in Mexico then moved to Alaska.<br>Most of his miniatures were a thicker impasto paint in a similar style to this<br>one. I found a result of a 3" x 4" painting by this artist bringing $675 on ebay<br>in 2016, and a 2" square bringing $335 at Bonhams. 7.25" square painting 11"<br>square framed. No issues with painting, appropriate wear to frame.

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Thomas L. Lewis (1907-1978) Taos New Mexico Landscape Oil on Panel. Nice old painting from the mid 20th century by a well listed artist. No issue or damage, clean frame, signed on back. Also a note on the back indicating at one point is was cleaned and varnished, looks fantastic now. 21" x 26" framed 17.5" x 22" panel. Born in Bay City, Texas, Thomas became a painter of detailed Southwest landscapes and an art gallery owner in Taos, New Mexico. He was a professional artist from the age of nineteen and began by painting scenes of the American South. In the early 1930s, he began experimenting with sepia-tones and desert painting and developed a sophisticated range of colors, which were particularly expressive of the desert country. After the War, he settled in Taos, New Mexico, and Bert Phillips, founder of the Taos Art Colony, became one of his best friends. His paintings are in the Gilcrease Institute of American History, the University of Arizona Art Museum, and many private collections.

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Giuseppe Rispoli (1882-1960) Pair of Neapolitan Street Scenes Oil on panel.Selling the two paintings shown in good condition with no detectable issues. 16.5" x 12.75" each framed. Selling both for one price.

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Monique Sakellarios was born in Egypt and was educated at the Leonardo Da Vinci<br>School of Art and the American University in Cairo. She moved to the United<br>States while in her twenties.<br><br>She has painted professionally for almost twenty years and has accumulated an<br>impressive number of national awards and has participated in dozens of juried<br>exhibitions. Ms Sakellarios is a member of the New Hampshire Art Association, a<br>signature member of the National Oil and Acrylic Painters Society and an<br>associate member of the Oil Painters of America, the Hudson Valley Art<br>Association and the Catharine Lorillard Wolfe Art Club. She has been profiled in<br>The Artist's Magazine (March 1997 and September 1997) as well as in The<br>International Artist Magazine (August/September 1999).<br><br><br><br>Her paintings are characterized by their impressionist style and by their rich<br>warm palette - an effect achieved in part through Ms Sakellarios' practice of<br>priming her canvases with cadmium red. She paints wet on wet and the resulting<br>works reflect a fluidity of style and an immediacy which capture her subjects<br>with compelling integrity. Her landscapes are gentle, reflective worlds which<br>are imbued with a quiet dignity and elegance. As silent observer, Ms Sakellarios<br>immortalizes the private world to which she often bears witness. Figures may<br>serve as distant focal points: a young child standing in a sea of wildflowers,<br>lost in some moment of child reverie ...a woman reading quietly amidst the<br>shadows of a summer garden. Ms Sakellarios' compositions resonate with light and<br>sentiment and speak to a universally appealing theme of serenity and grace."<br><br>16.5" x 18.5" frame, 8" x 10" masonite panel. Original work. No issues with<br>painting, some wear to frame and soiling to matting.

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Rider Mid Century Modern Impasto Oil on board. No damage or wear to painting or frame. I had limited distance so couldn't photograph the whole frame but surely you get the idea. 10.25" x 8" framed, 7" x 5" painting. I'm unfamiliar with the artist and it's difficult to research with a name like Rider, signed on right side just below the blue, nice painting. Dutch Art Gallery Dallas TX tag on reverse side.isshelf

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Shep Chadhorn was a Blackfoot American Indian who had formal training at the Art Institute in New York. Chadhorn is known for several magazine and publication type art. Most of his works have been exclusively sold out of the Country Store Gallery and other galleries in the Southwest.19" x 23" Framed, 12" x 16" sight. No damage to painting, clean frame, Authentic original oil circa 1980's from a very accomplished and well listed artist.

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John McClusky (1914-1994) Oil Painting of a Texas home. This a really nice painting by a well listed artist with some high auction results. There are no issues with the painting or frame, it has protective foamboard on the reverse. 12" x 24" in an 18" x 30" frame.

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c1850 Portrait of a Young woman Oil on Canvas in incredible frame. This piece isincredibly vivid more than shown. It was professionally restored in 2004. They are very descriptive about what they did, it doesn't sound like it had any holes or anything significant but it sounds like they did it right and I bet it cost a few grand to do this job as this type of work doesn't come cheap. I'm including the folder I got with the painting. The painting measures 13 3/8" x 15.25" framed with a 10" x 8" canvas.tw194

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Robert Rohm Texas/New Mexico Artist Large Southwestern home Oil on Canvas. Mint<br>condition, estate fresh 18" x 24" in a 24" x 30" frame. No damage to painting or<br>frame. Gallery price on this was $3500 about 20 years ago, they paid right<br>around 4k for it framed with tax. It's a wonderful painting that I likely didn't<br>do justice in my humble photography.<br><br>Bob has been painting most of his life, and received classical art training at<br>the York Academy of Arts in Pennsylvania. Now a resident of Texas, his paintings<br>reflect the brilliance of the colors found in the clear, bright light of the<br>southwest.<br>Known for his ability to capture the poetry of light, he has received many<br>awards and is a signature member of the Pastel Society of America, Oil Painters<br>of America and the Outdoor Painters Society. He is the author of the book THE<br>PAINTERLY APPROACH and has been featured in many publications including<br>Southwest Art, American Artist, The Artist’s Magazine, The Pastel Journal,<br>International Artist and Pure Color. Bob's painting approach has been the<br>subject of several instructional DVD productions. His work is collected<br>internationally and is represented by a number of fine galleries including<br>Sorrel Sky in Santa Fe, RS Hanna in Fredericksburg, Aspen Grove Fine Arts in<br>Aspen and Southwest Gallery in Dallas.

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