Retired James Avery Antelope lapel pin/tie tac sterling silver. Weight and measurements in pics. Selling the exact piece shown in great condition with no damage or significant wear. James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

讀 更多的 較少的

Mid Century 14k Natural Watermelon Tourmaline cufflinks. Solid 14k gold marked and tested. Natural Watermelon tourmaline stones used to make very creative cufflinks in approximately the third quarter of the 20th century with no issues.

讀 更多的 較少的

c1950 Zuni Rainbow Man sterling flush inlay turquoise cufflinks. Functional and cool as they come. Marked sterling on inside of bars along with pat number.

讀 更多的 較少的

c1950‘s Zuni Sterling Channel inlay Knifewing tie bar clip. Great, rare, maybe one of a kind. Measurements in pics.

讀 更多的 較少的

40‘s-50‘s Navajo sterling high grade spiderweb turquoise tie bar clip pin. Great, rare, maybe one of a kind. Measurements in pics. Solid sterling, could be used for a number of things other than a tie bar of course.

讀 更多的 較少的

Vintage Sterling concho cufflinks. Third quarter of 20th century, unmarked. Conchos are solid cast sterling, the hardware on the backs aren‘t sterling. Weight and measurements in pics.

讀 更多的 較少的

1950‘s Zuni Channel inlay Sterling thunderbird cufflinks. Functional and cool as they come. Marked sterling on sides of bars.

讀 更多的 較少的

Mid Century Gem Silica sterling modernist cufflinks. Very attractive and rare stones. One swivels freely with no spring to catch it, one with back pointing in weird direction but appears to be made like that. Both solid sterling, unmarked

讀 更多的 較少的

Vintage Georg Jensen Sterling viking ship cufflinks. No issues, weight and measurements in pics.

讀 更多的 較少的

1950's Sterling/10k Boot with spurs tie bar. Measurements in pics.

讀 更多的 較少的

Vintage Chinese silver Kanji characters cufflinks. Illegible hallmarks on reverse. From the second quarter of the 20th century, possibly older.

讀 更多的 較少的

c1950's Zuni Sterling Channel inlay boot form tie bar. Great, rare, maybe one of a kind. Measurements in pics.

讀 更多的 較少的

1950's Zuni Channel inlay Sterling horse head cufflinks. Functional and cool as they come. Marked sterling on sides of bars.

讀 更多的 較少的

William Spratling(1900-1967) Taxco Modernist sterling abalone fish cufflinks. No issues. William Spratling(1900-1967)<br>Spratling, an architect and artist who taught at Tulane University in New Orleans, came to Mexico in the late 1920s and settled in the city of Taxco. Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

讀 更多的 較少的

Large 30's-40's Navajo hand stamped silver buttons/ornaments turned cufflinks. Very large, compared to US penny for scale.

讀 更多的 較少的

c1910 Unger Bros Sterling Art Nouveau L monogram cufflinks

讀 更多的 較少的

50's-60's Zuni Flush inlay Sterling Turquoise, Coral, and Jet modernist cufflinks 19.2 grams, 1 1/15" x .75" face. Functional and cool as they come. Marked sterling on sides of bars.

讀 更多的 較少的

c1970's Navajo silver claw form channel inlay cufflinks. Sterling thick face, base metal hardware. 1" long.

讀 更多的 較少的

Antonio Pineda (1919-2009) Taxco Modernist Sterling Pre-columbian style cufflinks.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

讀 更多的 較少的

Antonio Pineda (1919-2009) Taxco Modernist Sterling Mixed metals cufflinks 1 3/8" x 1" face.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

讀 更多的 較少的

Antonio Pineda (1919-2009) Taxco Modernist Sterling/Onyx cufflinks. Faint hallmark as shown, .5" x 1.5" face.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

讀 更多的 較少的

Antonio Pineda (1919-2009) Taxco Modernist Sterling cufflinks 13/16" 9/16" face.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

讀 更多的 較少的

Antonio Pineda (1919-2009) Taxco Modernist Sterling Macaw cufflinks .75" face.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

讀 更多的 較少的

James Avery Descending Dove earrings and Celtic knot lapel pin/tie tac in sterling. Earrings 1" tall, pin .75" wide. Selling both for one price.anderasJames Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul.Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself and others. With a focus on creating straightforward designs and a core belief of integrity in all things, his jewelry became more than precious metals and gemstones. Guests came to him with their stories—their special moments—so he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs.

讀 更多的 較少的

18k Gold French Art Deco Lapis cufflinks for Nieman Marcus. I don't recognize the hallmark but these are the highest quality, similar to that of Van Cleef & Arpels, Boucheron. I feel this is likely an obscure hallmark only used for a short time by a well respected company such as the ones mentioned. 11/16" face, 16 grams.

讀 更多的 較少的

Marvin c Lomaheftewa Hopi silver cufflinks 7/8" wide, 10.7 grams.<br><br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

讀 更多的 較少的

William Spradling（1900-1967）Taxco 現代主義純紫水晶袖扣 18 毫米寬 12.9 克。 威廉·斯普拉特林（1900-1967） 斯普拉特林是一位建築師和藝術家，曾在新奧爾良杜蘭大學任教，於20 年代末來到墨西哥並定居在塔斯科市。杜蘭大學的同事對中美洲考古學和文化產生了興趣，他在幾個夏天前往墨西哥進行演講和探索。他找到了格雷羅州的偏遠村莊，距離墨西哥城 110 英里，那裡的一些地方講納瓦特爾語（阿茲特克語）。斯普拉特林收集了文物和當代本土工藝品。斯普拉特林靠著製造和設計銀器賺了一大筆錢，但他一生的真正工作是保護、拯救和詮釋他的祖國的古代文化。他向北美觀眾解釋了墨西哥現代大師的畫作，並作為一位博學的早期前哥倫布藝術收藏家而贏得了聲譽。斯普拉特林和他的工作室逐漸成為源源不斷的著名美國遊客和他們想要參觀和體驗的國家之間的可見且具有文化吸引力的紐帶。斯普拉特林有幸見證了自己的聲譽——作為墨西哥最受尊敬的美國人之一——在去世前獲得了傳奇般的地位。威廉·斯普拉特林的《他的生活與藝術》生動地重建了這種豐富多樣的生活，其獨特的美學遺產只是其更大的文化成就的一部分，深刻地影響了美國人對不同於自己的文明的態度。

讀 更多的 較少的

William Spradling（1900-1967）塔斯科現代主義純銀混合金屬袖扣。每邊 18 毫米 x 14 毫米，15.3 克。 威廉·斯普拉特林（1900-1967） 斯普拉特林是一位建築師和藝術家，曾在新奧爾良杜蘭大學任教，於20 年代末來到墨西哥並定居在塔斯科市。杜蘭大學的同事對中美洲考古學和文化產生了興趣，他在幾個夏天前往墨西哥進行演講和探索。他找到了格雷羅州的偏遠村莊，距離墨西哥城 110 英里，那裡的一些地方講納瓦特爾語（阿茲特克語）。斯普拉特林收集了文物和當代本土工藝品。斯普拉特林靠著製造和設計銀器賺了一大筆錢，但他一生的真正工作是保護、拯救和詮釋他的祖國的古代文化。他向北美觀眾解釋了墨西哥現代大師的畫作，並作為一位博學的早期前哥倫布藝術收藏家而贏得了聲譽。斯普拉特林和他的工作室逐漸成為源源不斷的著名美國遊客和他們想要參觀和體驗的國家之間的可見且具有文化吸引力的紐帶。斯普拉特林有幸見證了自己的聲譽——作為墨西哥最受尊敬的美國人之一——在去世前獲得了傳奇般的地位。威廉·斯普拉特林的《他的生活與藝術》生動地重建了這種豐富多樣的生活，其獨特的美學遺產只是其更大的文化成就的一部分，深刻地影響了美國人對不同於自己的文明的態度。

讀 更多的 較少的

Antonio Pineda (1919-2009) Taxco 現代主義純紫水晶袖扣，沒有任何問題，功能齊全。 30 毫米x 18 毫米x 23.2 克。安東尼奧·皮內達(1919-2009)在墨西哥格雷羅州的塔斯科山鎮，大規模採礦可以追溯到十六世紀，白銀是一種生活方式。在墨西哥革命（1910-20）之後的幾年裡，珠寶和其他銀製品在那裡以完全創新的方法製作，受到現代主義和新墨西哥民族身份的創建的啟發。如今，89 歲的 AntonioPineda 是塔斯科學院的兩名在世成員之一，被公認為世界級設計師和墨西哥國寶。近200 件皮內達廣受好評的銀飾作品將在《銀色誘惑：墨西哥現代主義者安東尼奧·皮內達的藝術》中展出，該巡迴展覽於2008 年8 月24 日在福勒博物館首次亮相。值得注意的是，鑑於皮內達取得了許多成就並享有國際聲譽，他認為自己主要是一位 Taxqueño（塔斯科）銀匠。從誕生之日起，Taxco 機芯就在技術成就和設計方面開闢了新天地。雖然出生於美國的塔斯科設計師WilliamSpradling 被譽為當代塔斯科銀器運動的先鋒，但正是一群才華橫溢的墨西哥設計師後來建立了獨立工作室並開發了 獨特的銀器。“塔斯科學校。”這些設計師融合了多種美學取向──前哥倫布時期的藝術；墨西哥殖民時期的銀製品、宗教圖像和其他藝術品；和當地流行藝術－將它們融入廣泛的現代主義之中。皮內達本人因其大膽的設計和對寶石的巧妙運用而受到讚譽。 《Silver Seduction》追溯了他從1930 年代至70 年代的作品演變，包括五十多件項鍊和手鐲，以及眾多美麗的戒指、耳環以及他的空心器皿和餐具的各種例子。所有作品都體現了皮內達難以實現的高度精緻的執行力和手工製作魅力的結合。皮內達的珠寶尤其以其對人體形態的優雅認可而聞名。人們常說 Pineda 完美貼合身體，穿著時感覺恰到好處。因此，例如，粗幾何項鍊乍一看似乎太重或太僵硬，無法舒適地佩戴，但事實上，是刻面、鉸接或鏤空的，可以優雅地環繞頸部或誘人地垂落在頸前部。此外，沒有任何其他Taxqueño 珠寶商像Pineda 一樣使用如此多昂貴的半寶石，或者以如此多的獨創性、技巧和多樣性來鑲嵌它們。只有最有才華的銀匠才能掌握

讀 更多的 較少的

Antonio Pineda (1919-2009) Taxco 現代主義純銀月光石袖扣，沒有任何問題，功能齊全。 20 毫米x 18 毫米表面，14.3 克。安東尼奧·皮內達(1919-2009)在墨西哥格雷羅州的塔斯科山鎮，大規模採礦可以追溯到十六世紀，銀是一種生活方式。在墨西哥革命（1910-20）之後的幾年裡，珠寶和其他銀製品在那裡以完全創新的方法製作，受到現代主義和新墨西哥民族身份的創建的啟發。如今，89 歲的 AntonioPineda 是塔斯科學院的兩名在世成員之一，被公認為世界級設計師和墨西哥國寶。近200 件皮內達廣受好評的銀飾作品將在《銀色誘惑：墨西哥現代主義者安東尼奧·皮內達的藝術》中展出，該巡迴展覽於2008 年8 月24 日在福勒博物館首次亮相。值得注意的是，鑑於皮內達取得了許多成就並享有國際聲譽，他認為自己主要是一位 Taxqueño（塔斯科）銀匠。從誕生之日起，Taxco 機芯就在技術成就和設計方面開闢了新天地。雖然出生於美國的塔斯科設計師WilliamSpradling 被譽為當代塔斯科銀器運動的先鋒，但正是一群才華橫溢的墨西哥設計師後來建立了獨立工作室並開發了 獨特的銀器。“塔斯科學校。”這些設計師融合了多種美學取向──前哥倫布時期的藝術；墨西哥殖民時期的銀製品、宗教圖像和其他藝術品；和當地流行藝術－將它們融入廣泛的現代主義之中。皮內達本人因其大膽的設計和對寶石的巧妙運用而受到讚譽。 《Silver Seduction》追溯了他從1930 年代至70 年代的作品演變，包括五十多件項鍊和手鐲，以及眾多美麗的戒指、耳環以及他的空心器皿和餐具的各種例子。所有作品都體現了皮內達難以實現的高度精緻的執行力和手工製作魅力的結合。皮內達的珠寶尤其以其對人體形態的優雅認可而聞名。人們常說 Pineda 完美貼合身體，穿著時感覺恰到好處。因此，例如，粗幾何項鍊乍一看似乎太重或太僵硬，無法舒適地佩戴，但事實上，是刻面、鉸接或鏤空的，可以優雅地環繞頸部或誘人地垂落在頸前部。此外，沒有任何其他Taxqueño 珠寶商像Pineda 一樣使用如此多昂貴的半寶石，或者以如此多的獨創性、技巧和多樣性來鑲嵌它們。只有最有才華的銀匠才能掌握

讀 更多的 較少的

Antonio Pineda (1919-2009) Taxco 現代主義純瑪瑙袖扣，沒有任何問題，功能齊全。 20 毫米見方，21.2 克安東尼奧·皮內達(1919-2009)在墨西哥格雷羅州的塔斯科山鎮，大規模採礦可以追溯到十六世紀，白銀是一種方式的生活。在墨西哥革命（1910-20）之後的幾年裡，珠寶和其他銀製品在那裡以完全創新的方法製作，受到現代主義和新墨西哥民族身份的創建的啟發。如今，89 歲的 AntonioPineda 是塔斯科學院的兩名在世成員之一，被公認為世界級設計師和墨西哥國寶。近200 件皮內達廣受好評的銀飾作品將在《銀色誘惑：墨西哥現代主義者安東尼奧·皮內達的藝術》中展出，該巡迴展覽於2008 年8 月24 日在福勒博物館首次亮相。值得注意的是，鑑於皮內達取得了許多成就並享有國際聲譽，他認為自己主要是一位 Taxqueño（塔斯科）銀匠。從誕生之日起，Taxco 機芯就在技術成就和設計方面開闢了新天地。雖然出生於美國的塔斯科設計師WilliamSpradling 被譽為當代塔斯科銀器運動的先鋒，但正是一群才華橫溢的墨西哥設計師後來建立了獨立工作室並開發了 獨特的銀器。“塔斯科學校。”這些設計師融合了多種美學取向──前哥倫布時期的藝術；墨西哥殖民時期的銀製品、宗教圖像和其他藝術品；和當地流行藝術－將它們融入廣泛的現代主義之中。皮內達本人因其大膽的設計和對寶石的巧妙運用而受到讚譽。 《Silver Seduction》追溯了他從1930 年代至70 年代的作品演變，包括五十多件項鍊和手鐲，以及眾多美麗的戒指、耳環以及他的空心器皿和餐具的各種例子。所有作品都體現了皮內達難以實現的高度精緻的執行力和手工製作魅力的結合。皮內達的珠寶尤其以其對人體形態的優雅認可而聞名。人們常說 Pineda 完美貼合身體，穿著時感覺恰到好處。因此，例如，粗幾何項鍊乍一看似乎太重或太僵硬，無法舒適地佩戴，但事實上，是刻面、鉸接或鏤空的，可以優雅地環繞頸部或誘人地垂落在頸前部。此外，沒有任何其他Taxqueño 珠寶商像Pineda 一樣使用如此多昂貴的半寶石，或者以如此多的獨創性、技巧和多樣性來鑲嵌它們。只有最有才華的銀匠才能掌握

讀 更多的 較少的

Antonio Pineda (1919-2009) Taxco 現代主義貓眼純銀袖扣，沒有任何問題，功能齊全。 28 毫米 x 20 毫米 x 25.1 克。 安東尼奧·皮內達 (1919-2009)在墨西哥格雷羅州的塔斯科山鎮，大規模採礦可以追溯到十六世紀，白銀是一種生活方式。在墨西哥革命（1910-20）之後的幾年裡，珠寶和其他銀製品在那裡以完全創新的方法製作，受到現代主義和新墨西哥民族身份的創建的啟發。如今，89 歲的 AntonioPineda 是塔斯科學院的兩名在世成員之一，被公認為世界級設計師和墨西哥國寶。近200 件皮內達廣受好評的銀飾作品將在《銀色誘惑：墨西哥現代主義者安東尼奧·皮內達的藝術》中展出，該巡迴展覽於2008 年8 月24 日在福勒博物館首次亮相。值得注意的是，鑑於皮內達取得了許多成就並享有國際聲譽，他認為自己主要是一位 Taxqueño（塔斯科）銀匠。從誕生之日起，Taxco 機芯就在技術成就和設計方面開闢了新天地。雖然出生於美國的塔斯科設計師WilliamSpradling 被譽為當代塔斯科銀器運動的先鋒，但正是一群才華橫溢的墨西哥設計師後來建立了獨立工作室並開發了 獨特的銀器。“塔斯科學校。”這些設計師融合了多種美學取向──前哥倫布時期的藝術；墨西哥殖民時期的銀製品、宗教圖像和其他藝術品；和當地流行藝術－將它們融入廣泛的現代主義之中。皮內達本人因其大膽的設計和對寶石的巧妙運用而受到讚譽。 《Silver Seduction》追溯了他從1930 年代至70 年代的作品演變，包括五十多件項鍊和手鐲，以及眾多美麗的戒指、耳環以及他的空心器皿和餐具的各種例子。所有作品都體現了皮內達難以實現的高度精緻的執行力和手工製作魅力的結合。皮內達的珠寶尤其以其對人體形態的優雅認可而聞名。人們常說 Pineda 完美貼合身體，穿著時感覺恰到好處。因此，例如，粗幾何項鍊乍一看似乎太重或太僵硬，無法舒適地佩戴，但事實上，是刻面、鉸接或鏤空的，可以優雅地環繞頸部或誘人地垂落在頸前部。此外，沒有任何其他Taxqueño 珠寶商像Pineda 一樣使用如此多昂貴的半寶石，或者以如此多的獨創性、技巧和多樣性來鑲嵌它們。只有最有才華的銀匠才能掌握

讀 更多的 較少的

William Spradling（1900-1967）塔斯科現代主義純青蛙泳池袖扣，功能齊全，沒有任何問題。 16 毫米 x 12 毫米 x 16.5 克。 威廉·斯普拉特林（1900-1967） 斯普拉特林是一位建築師和藝術家，曾在新奧爾良杜蘭大學任教，於20 年代末來到墨西哥並定居在塔斯科市。杜蘭大學的同事對中美洲考古學和文化產生了興趣，他在幾個夏天前往墨西哥進行演講和探索。他找到了格雷羅州的偏遠村莊，距離墨西哥城 110 英里，那裡的一些地方講納瓦特爾語（阿茲特克語）。斯普拉特林收集了文物和當代本土工藝品。斯普拉特林靠著製造和設計銀器賺了一大筆錢，但他一生的真正工作是保護、拯救和詮釋他的祖國的古代文化。他向北美觀眾解釋了墨西哥現代大師的畫作，並作為一位博學的早期前哥倫布藝術收藏家而贏得了聲譽。斯普拉特林和他的工作室逐漸成為源源不斷的著名美國遊客和他們想要參觀和體驗的國家之間的可見且具有文化吸引力的紐帶。斯普拉特林有幸見證了自己的聲譽——作為墨西哥最受尊敬的美國人之一——在去世前獲得了傳奇般的地位。威廉·斯普拉特林的《他的生活與藝術》生動地重建了這種豐富多樣的生活，其獨特的美學遺產只是其更大的文化成就的一部分，深刻地影響了美國人對不同於自己的文明的態度。

讀 更多的 較少的

William Spradling（1900-1967）塔斯科現代主義純寶石鑲嵌袖扣，功能齊全，沒有任何問題。 27毫米寬，17.4克威廉·斯普拉特林（1900-1967） 斯普拉特林是一位建築師和藝術家，曾在新奧爾良杜蘭大學任教，於20年代末來到墨西哥並定居在塔斯科市。杜蘭大學的同事對中美洲考古學和文化產生了興趣，他在幾個夏天前往墨西哥進行演講和探索。他找到了格雷羅州的偏遠村莊，距離墨西哥城 110 英里，那裡的一些地方講納瓦特爾語（阿茲特克語）。斯普拉特林收集了文物和當代本土工藝品。斯普拉特林靠著製造和設計銀器賺了一大筆錢，但他一生的真正工作是保護、拯救和詮釋他的祖國的古代文化。他向北美觀眾解釋了墨西哥現代大師的畫作，並作為一位博學的早期前哥倫布藝術收藏家而贏得了聲譽。斯普拉特林和他的工作室逐漸成為源源不斷的著名美國遊客和他們想要參觀和體驗的國家之間的可見且具有文化吸引力的紐帶。斯普拉特林有幸見證了自己的聲譽——作為墨西哥最受尊敬的美國人之一——在去世前獲得了傳奇般的地位。威廉·斯普拉特林的《他的生活與藝術》生動地重建了這種豐富多樣的生活，其獨特的美學遺產只是其更大的文化成就的一部分，深刻地影響了美國人對不同於自己的文明的態度。

讀 更多的 較少的

William Spradling（1900-1967）Taxco 現代主義純銀袖扣，雙向 30 毫米，10.8 克。功能齊全，沒有任何問題威廉·斯普拉特林（1900-1967） 斯普拉特林是一位建築師和藝術家，曾在新奧爾良杜蘭大學任教，於20 年代末來到墨西哥並定居在塔斯科市。杜蘭大學的同事對中美洲考古學和文化產生了興趣，他在幾個夏天前往墨西哥進行演講和探索。他找到了格雷羅州的偏遠村莊，距離墨西哥城 110 英里，那裡的一些地方講納瓦特爾語（阿茲特克語）。斯普拉特林收集了文物和當代本土工藝品。斯普拉特林靠著製造和設計銀器賺了一大筆錢，但他一生的真正工作是保護、拯救和詮釋他的祖國的古代文化。他向北美觀眾解釋了墨西哥現代大師的畫作，並作為一位博學的早期前哥倫布藝術收藏家而贏得了聲譽。斯普拉特林和他的工作室逐漸成為源源不斷的著名美國遊客和他們想要參觀和體驗的國家之間的可見且具有文化吸引力的紐帶。斯普拉特林有幸見證了自己的聲譽——作為墨西哥最受尊敬的美國人之一——在去世前獲得了傳奇般的地位。威廉·斯普拉特林的《他的生活與藝術》生動地重建了這種豐富多樣的生活，其獨特的美學遺產只是其更大的文化成就的一部分，深刻地影響了美國人對不同於自己的文明的態度。

讀 更多的 較少的

Fred Davis (1880-1961) Taxco 現代主義純銀袖扣30 毫米x 11 毫米x 20.9 克。Frederick W. Davis 因其在墨西哥墨西哥城擔任珠寶設計師和銀匠而在收藏家中廣為人知。他於 1920 年代開始設計和製作珠寶和裝飾品。他製作的製品常常反映出他對前哥倫布時代文物的熱愛。他偶爾與瓦倫丁·維達烏雷塔 (Valentín Vidaurreta) 合作，瓦倫丁·維達烏雷塔 (Valentín Vidaurreta) 是另一位紮根於墨西哥城的受人尊敬的墨西哥銀器工匠。戴維斯被認為是其他銀器藝術家的熱情推動者，其中包括 1920 年代至 1950 年代在墨西哥工作的威廉·斯普拉特林 (William Spradling)。 弗雷德里克·戴維斯(Frederick Davis) 珠寶- 歷史戴維斯於1910 年從美國搬到墨西哥。作為索諾拉新聞公司的助理經理，他週遊全國，到火車站商店購買當地的商品為他的雇主提供民間藝術。在旅行期間，他與許多工匠建立了聯繫，他對墨西哥工藝品的了解也廣泛增長。他的熱情工作使他晉升為墨西哥城索諾拉藝術和工藝品陳列室的經理。 後來擔任紐約現代藝術博物館館長的勒內·達農庫特 (René d’Harnoncourt) 於 1927 年受僱於戴維斯擔任助理。他們的共同努力導致該公司發行和展覽了現在眾所周知的墨西哥畫家的作品，例如迭戈·裡維拉（Diego Rivera）等。在這個時代，戴維斯和達農庫特從此在包括銀首飾在內的墨西哥手工藝品貿易中留下了不可磨滅的足跡。 1933 年 d’Harnoncourt 移居美國後，戴維斯在桑伯恩百貨公司擔任古董和精美工藝品管理職務。他在這家商店工作了 20 年，在設計和生產銀器的同時，繼續推廣墨西哥藝術和工匠。戴維斯於 1961 年去世。

讀 更多的 較少的

Antonio Pineda (1919-2009) Taxco 現代主義純瑪瑙袖扣 18 毫米見方，19.9 克。 安東尼奧·皮內達 (1919-2009)在墨西哥格雷羅州的塔斯科山鎮，大規模採礦可以追溯到十六世紀，白銀是一種生活方式。在墨西哥革命（1910-20）之後的幾年裡，珠寶和其他銀製品在那裡以完全創新的方法製作，受到現代主義和新墨西哥民族身份的創建的啟發。如今，89 歲的 AntonioPineda 是塔斯科學院的兩名在世成員之一，被公認為世界級設計師和墨西哥國寶。近200 件皮內達廣受好評的銀飾作品將在《銀色誘惑：墨西哥現代主義者安東尼奧·皮內達的藝術》中展出，該巡迴展覽於2008 年8 月24 日在福勒博物館首次亮相。值得注意的是，鑑於皮內達取得了許多成就並享有國際聲譽，他認為自己主要是一位 Taxqueño（塔斯科）銀匠。從誕生之日起，Taxco 機芯就在技術成就和設計方面開闢了新天地。雖然出生於美國的塔斯科設計師WilliamSpradling 被譽為當代塔斯科銀器運動的先鋒，但正是一群才華橫溢的墨西哥設計師後來建立了獨立工作室並開發了 獨特的銀器。“塔斯科學校。”這些設計師融合了多種美學取向──前哥倫布時期的藝術；墨西哥殖民時期的銀製品、宗教圖像和其他藝術品；和當地流行藝術－將它們融入廣泛的現代主義之中。皮內達本人因其大膽的設計和對寶石的巧妙運用而受到讚譽。 《Silver Seduction》追溯了他從1930 年代至70 年代的作品演變，包括五十多件項鍊和手鐲，以及眾多美麗的戒指、耳環以及他的空心器皿和餐具的各種例子。所有作品都體現了皮內達難以實現的高度精緻的執行力和手工製作魅力的結合。皮內達的珠寶尤其以其對人體形態的優雅認可而聞名。人們常說 Pineda 完美貼合身體，穿著時感覺恰到好處。因此，例如，粗幾何項鍊乍一看似乎太重或太僵硬，無法舒適地佩戴，但事實上，是刻面、鉸接或鏤空的，可以優雅地環繞頸部或誘人地垂落在頸前部。此外，沒有任何其他Taxqueño 珠寶商像Pineda 一樣使用如此多昂貴的半寶石，或者以如此多的獨創性、技巧和多樣性來鑲嵌它們。只有最有才華的銀匠才能掌握

讀 更多的 較少的

Antonio Pineda (1919-2009) Taxco 現代主義貓眼純銀袖扣，沒有任何問題，功能齊全。 29 毫米 x 25 毫米表面，27 克。 安東尼奧·皮內達 (1919-2009)在墨西哥格雷羅州的塔斯科山鎮，大規模採礦可以追溯到十六世紀，白銀是一種生活方式。在墨西哥革命（1910-20）之後的幾年裡，珠寶和其他銀製品在那裡以完全創新的方法製作，受到現代主義和新墨西哥民族身份的創建的啟發。如今，89 歲的 AntonioPineda 是塔斯科學院的兩名在世成員之一，被公認為世界級設計師和墨西哥國寶。近200 件皮內達廣受好評的銀飾作品將在《銀色誘惑：墨西哥現代主義者安東尼奧·皮內達的藝術》中展出，該巡迴展覽於2008 年8 月24 日在福勒博物館首次亮相。值得注意的是，鑑於皮內達取得了許多成就並享有國際聲譽，他認為自己主要是一位 Taxqueño（塔斯科）銀匠。從誕生之日起，Taxco 機芯就在技術成就和設計方面開闢了新天地。雖然出生於美國的塔斯科設計師WilliamSpradling 被譽為當代塔斯科銀器運動的先鋒，但正是一群才華橫溢的墨西哥設計師後來建立了獨立工作室並開發了 獨特的銀器。“塔斯科學校。”這些設計師融合了多種美學取向──前哥倫布時期的藝術；墨西哥殖民時期的銀製品、宗教圖像和其他藝術品；和當地流行藝術－將它們融入廣泛的現代主義之中。皮內達本人因其大膽的設計和對寶石的巧妙運用而受到讚譽。 《Silver Seduction》追溯了他從1930 年代至70 年代的作品演變，包括五十多件項鍊和手鐲，以及眾多美麗的戒指、耳環以及他的空心器皿和餐具的各種例子。所有作品都體現了皮內達難以實現的高度精緻的執行力和手工製作魅力的結合。皮內達的珠寶尤其以其對人體形態的優雅認可而聞名。人們常說 Pineda 完美貼合身體，穿著時感覺恰到好處。因此，例如，粗幾何項鍊乍一看似乎太重或太僵硬，無法舒適地佩戴，但事實上，是刻面、鉸接或鏤空的，可以優雅地環繞頸部或誘人地垂落在頸前部。此外，沒有任何其他Taxqueño 珠寶商像Pineda 一樣使用如此多昂貴的半寶石，或者以如此多的獨創性、技巧和多樣性來鑲嵌它們。只有最有才華的銀匠才能掌握

讀 更多的 較少的

William Spradling（1900-1967）Taxco 現代主義純拳袖扣，功能齊全，沒有任何問題。 22毫米見方，12.7克。 威廉·斯普拉特林（1900-1967） 斯普拉特林是一位建築師和藝術家，曾在新奧爾良杜蘭大學任教，於20 年代末來到墨西哥並定居在塔斯科市。杜蘭大學的同事對中美洲考古學和文化產生了興趣，他在幾個夏天前往墨西哥進行演講和探索。他找到了格雷羅州的偏遠村莊，距離墨西哥城 110 英里，那裡的一些地方講納瓦特爾語（阿茲特克語）。斯普拉特林收集了文物和當代本土工藝品。斯普拉特林靠著製造和設計銀器賺了一大筆錢，但他一生的真正工作是保護、拯救和詮釋他的祖國的古代文化。他向北美觀眾解釋了墨西哥現代大師的畫作，並作為一位博學的早期前哥倫布藝術收藏家而贏得了聲譽。斯普拉特林和他的工作室逐漸成為源源不斷的著名美國遊客和他們想要參觀和體驗的國家之間的可見且具有文化吸引力的紐帶。斯普拉特林有幸見證了自己的聲譽——作為墨西哥最受尊敬的美國人之一——在去世前獲得了傳奇般的地位。威廉·斯普拉特林的《他的生活與藝術》生動地重建了這種豐富多樣的生活，其獨特的美學遺產只是其更大的文化成就的一部分，深刻地影響了美國人對不同於自己的文明的態度。

讀 更多的 較少的

William Spradling（1900-1967）Taxco 現代主義純拳袖扣，功能齊全，沒有任何問題。 20毫米寬，14.7克威廉·斯普拉特林（1900-1967） 斯普拉特林是一位建築師和藝術家，曾在新奧爾良杜蘭大學任教，於1920年代末來到墨西哥並定居在塔斯科市。杜蘭大學的同事對中美洲考古學和文化產生了興趣，他在幾個夏天前往墨西哥進行演講和探索。他找到了格雷羅州的偏遠村莊，距離墨西哥城 110 英里，那裡的一些地方講納瓦特爾語（阿茲特克語）。斯普拉特林收集了文物和當代本土工藝品。斯普拉特林靠著製造和設計銀器賺了一大筆錢，但他一生的真正工作是保護、拯救和詮釋他的祖國的古代文化。他向北美觀眾解釋了墨西哥現代大師的畫作，並作為一位博學的早期前哥倫布藝術收藏家而贏得了聲譽。斯普拉特林和他的工作室逐漸成為源源不斷的著名美國遊客和他們想要參觀和體驗的國家之間的可見且具有文化吸引力的紐帶。斯普拉特林有幸見證了自己的聲譽——作為墨西哥最受尊敬的美國人之一——在去世前獲得了傳奇般的地位。威廉·斯普拉特林的《他的生活與藝術》生動地重建了這種豐富多樣的生活，其獨特的美學遺產只是其更大的文化成就的一部分，深刻地影響了美國人對不同於自己的文明的態度。

讀 更多的 較少的

Ed Harris 創作的 1970 年現代主義純銀袖扣 7/8 英寸方形，總重 23.2 克。

讀 更多的 較少的

Sterling Paul Harrie「Tectonic」系列風格袖扣。純銀袖扣，帶有砂漿藝術玻璃碎片。我有一些 Paul Harrie 的作品，它們非常相似，但我不確定。我確信它們很酷而且很純正。 11.8克。

讀 更多的 較少的

50 年代至 60 年代納瓦霍純銀袖扣。漂亮的大套復古袖扣 1.25 英寸 x 7/8 英寸面，19.8 克。

讀 更多的 較少的

1950's Modernist Cufflinks Southwestern Legal Center Texas Oil Derricks Lawyer Gift. Cool and unusual cufflinks with no issues. The front parts are 15/16"

讀 更多的 較少的

2 vintage Coin Tie Clips 1922 France 1925 Denmark largest is 7/8". These were<br>probably made mid 20th century, nice patina on the clips.

讀 更多的 較少的

Vintage Swank Mesh/Rhinestone Cufflinks. Really good looking, the rhinestones<br>shine beautifully, no noticeable wear.

讀 更多的 較少的

Mid Century Modernist sterling and wood earrings. Great pair of earrings from<br>the third quarter of the 20th century, unsure of designer/maker. Screw backs, 2<br>1/8" tall x 1 3/8" wide x 13.7 grams.

讀 更多的 較少的

Mid Century Austrian Roulette wheel cufflinks. High quality cufflinks, I believe brass or gold filled, no damage. They each have functional roulette wheels with center knob that spins them..

讀 更多的 較少的

Vintage collection cufflinks money clips, tie clips, etc. Selling the lot from the third quarter of the 20th century, most cufflinks have mates, a few don't. Please no questions as the lot will be inaccessible after listing until sold. Some gold filled, some sterling, nothing with any significant wear or damage, dog money clip has a pocket knife an nail file. If you're thinking "Why didn't he take 10 pictures of this in every picture imaginable then spend twenty minutes describing each item?" The answer is I would have had to charge twice as much for it if I did that and I would rather sell this for a good deal. It has to be a good deal at this price.

讀 更多的 較少的

Mid Century Modernist sterling and wood cufflinks. Both marked sterling with no<br>other markings, great pair of possibly one of kind cufflinks from the third<br>quarter of the 20th century.

讀 更多的 較少的

c1950's Zuni Native American Sterling multi-stone inlay tie bar. Fantastic item,<br>top isn't sterling, knifewing is sterling, slight loss to inlay at bottom left<br>foot. 2.5" wide x 2" tall x 10 grams total weight.

讀 更多的 較少的

Large Vintage Sterling Grey/Blue Cat's Eye Cufflinks. Large oversized cufflinks 25.6 grams with no significant issues.

讀 更多的 較少的

Retired James Avery Textured Ichthus Fish Lapel pin/tie tac 5/8" x .5" face, 6.2 grams with back. You can cut chain or use a different back to wear as a lapel pin if you aren't into tie tacs. James Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul. Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself and others. With a focus on creating straightforward designs and a core belief of integrity in all things, his jewelry became more than precious metals and gemstones. Guests came to him with their stories—their special moments—so he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs. anderas

讀 更多的 較少的

ww2 Era Sterling pilot wings tie bar. Wings just over 2" wide, marked sterling, I don't believe the top bar is sterling. 11.3 grams.

讀 更多的 較少的

Mid century modern sterling cufflinks. They appear either Scandinavian or Native<br>American :). They are really cool, circa mid 20th century, each marked sterling<br>inside bars. Selling the pair shown

讀 更多的 較少的

Vintage High Grade turquoise Native American Sterling cufflinks. These are extremely unusual with two pieces of high grade natural turquoise with the best matrix. Selling the exact pair shown circa mid 20th century.

讀 更多的 較少的

1926 1927 Silver sixpence cufflinks with gilt sterling mounts. Extremely high quality cufflinks with no issues, possibly never worn.

讀 更多的 較少的

Vintage Gumps Jade/Sterling cufflinks. No damage, ready to use. Gumps always used high quality jade.

讀 更多的 較少的

Retro Tiffany 18k ropes on Sterling Cufflinks. Nice pair of authentic Tiffany<br>cufflinks, very well made with little to no wear. Strong springs on back make<br>audible click when the lever is moved. No issues.

讀 更多的 較少的

Vintage David Donahue Guilloche Enamel Sterling silver cufflinks. Clean with no damage and little wear.

讀 更多的 較少的