綠松石西南珠寶

6 3/8" c1950's Modernist style sterling and turquoise cuff bracelet. No markings, likely native American made, high grade natural turquoise. 13mm wide. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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6 3/8" 1950's Bell Trading post Navajo silver and turquoise bracelet 16mm wide, great looking bracelet with exterior hand stamped bands. Established in the 1930s in Albuquerque, New Mexico, Bell Trading Post was primarily known for its manufactured southwestern style jewelry that was assembled and decorated by Native Americans. These souvenir jewelry pieces were sold to tourists at their store on Rt. 66 and other tourist shops across the Southwest. The company's name changed to Sunbell Corporation in 1969, and it ceased operations in the late 1980s. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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6.25" Michael Rogers Paiute Native American sterling high grade turquoise cuff<br>bracelet 22mm wide in center. High quality bracelet from a well respected<br>Artisan that uses high grade natural American turquoise. Stones look like they<br>could be Carico Lake, Michael probably knows, he has an Etsy store.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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6.5" Vintage Zuni needlepoint turquoise and sterling bracelet 10mm wide band, illegible signature. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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6 1/8" vintage Native American silver and turquoise cuff bracelet 33mm wide in center. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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6.25" Zuni Pink Shell Silver Channel inlay cuff bracelet 19mm wide with no<br>issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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6 3/8" 20's-30's Ingot Silver Navajo turquoise cuff bracelet 11mm wide,<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Ray Tracey Knifewing Navajo Sterling Turquoise, coral, and lapis cuff bracelet<br>13mm wide with no issues.<br><br>Artist Ray Tracey has had a life-long love of jewelry. As a child growing up in<br>Sawmill, AZ, Asa Tracey, his Grandfather, influenced him with his stories of<br>working the goat bellows for his uncle. Asa would pump the goat bellows all day<br>long to fuel the fire in the forge that would melt silver in a small cast iron<br>crucible. This process was very labor intensive and his grandfather hated it.<br>The molten silver would then be poured into a tufa stone mold to form an ingot.<br>The jeweler would then execute his craft and a new piece of jewelry would be<br>created.<br><br>“I wanted to see finished jewelry and wanted to learn everything I could.<br>Whenever we would go to Gallup, NM, I would visit curio stores to see creations<br>in silver.” Ray spent time viewing jewelry designs at the Gallup Intertribal<br>Indian Ceremonial and at the Navajo Nation Fair. Anywhere, there was jewelry on<br>display; Ray could be seen viewing the works of art.<br><br>Ray’s family moved to Ganado, AZ when he was six years old. One summer day when<br>he was nine years old, he complained to his mother of how bored he was. The next<br>day his mother enrolled him into summer school and changed his life forever. He<br>went straight to art class and found a silver smithing table in the corner. He<br>remembered his grandfather’s stories and the rest is history.<br><br>“In class I fabricated my first ring out of silver for my Mother. I found an<br>unknown stone and made a cabochon. I tried to copy an old style ring design that<br>I had seen at Hubbells Trading Post. One teardrop flanked the sides of the<br>stone. It was a very simple design but it took me a week to finish. I kept<br>melting the silver. I made my next silver and stone creation at the age of 21<br>and gave it to my mother. It was another ring, but this time it was a split<br>shank with three ribs and three tear drops on the side of the stone.” I told my<br>father, I want to make jewelry for the rest of my life.”<br><br>Ray continued making jewelry while attending Brigham Young University. Studying<br>chemistry and physics by day and making jewelry at night. “The designs were<br>simple, my first love was Old Style Navajo jewelry. Weekends were spent<br>traveling to Gallup, NM, to sell his work. While at BYU another opportunity<br>arose to express his creativity—acting. “I wasn’t a very good student so<br>Hollywood had an instant appeal. My gift of creativity carried over into acting.<br>Acting was just another outlet of creative expression.” His adventurous nature<br>allowed Ray to spend several years as an actor in feature films and television.<br>This acting detour never made him lose interest in jewelry design. Eventually,<br>Ray’s love of jewelry brought him back to New Mexico to permanently pursue this<br>art form.<br><br>“One time while traveling to Albuquerque from Gallup, I noticed the horizon over<br>Laa Pueblo. I saw steps on a mesa. I incorporated this imagery of tiered steps<br>into a bracelet design.”<br><br>“Another time, while golfing at Hobble Creek Golf Course, I saw pebbles aligned<br>in a row on the river bottom. Those pebbles became my inspiration to place them<br>on the sides of an inlaid bracelet.”<br><br>“Sometimes my creativity comes to a screeching halt. When this happens I go to<br>my roots; Old Style jewelry. That is the place of fascination. The Old Ones<br>utilized rudimentary tools to create their simple, yet perfected, pieces of<br>craftsmanship. From this point I am able to create from an inspiring idea. On<br>the flip side, sometimes my mind becomes flooded with more designs than I can<br>remember. Ideas come so quickly I can’t draw them fast enough.”<br><br>“When I see someone wearing one of my designs, it takes me back to the time when<br>the piece was created. Sometimes I can recall what I was eating or even the<br>music I was listening to. I will remember the inspiration that helped create<br>that design.”<br><br>Ray has found his path or gift of self-expression that has blessed, enlightened,<br>and influenced his life and others. Awareness of this special gift, fuels his<br>energy and creativity. Inspiration helps to translate his creativity into<br>artistic-visual expression. His creations stand as transitional figures from<br>traditional to contemporary. He creates something good as he is drawn toward<br>untouched fields of yet-to-be-discovered imagery. Unknowingly he is creating a<br>legacy from which generations can learn and grow. Ray has learned to appreciate<br>and embrace the journey of life and its gifts.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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6 1/8" Heavy Silver Cuff Bracelet with Sugilite, Cat's Eye, and turquoise inlay,<br>very well made and substantial bracelet with high quality materials. I recognize<br>the hallmark but the Artisan isn't registering.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. With Bracelets now I am trying to give the<br>length of the center of the bracelet or the widest point that points from your<br>hand to upper arm in Millimeters, 1 inch = 25mm.

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7.25" Vintage Wilson Begay silver and turquoise cuff bracelet. 60mm wide in<br>center tapering down at ends.<br><br>Wilson and Carol Begay are traditional Navajo silversmiths. These talented<br>silversmiths have been creating traditional Navajo jewelry since 1969. They came<br>from families well known for their jewelry making. Wilson’s father, Luke, taught<br>John Adair, author of “Navajo and Pueblo Silversmiths” how to make sand cast<br>jewelry. He worked for many years with Mike and Dean Kirk, at the famous Kirk<br>Brothers Trading Company in Gallup, New Mexico.<br><br>Carol’s parents, Angela and Allen Chee were both silversmiths who worked by C.G.<br>Wallace, the famous jewelry trader from Zuni, New Mexico.<br><br>The Begays began their career making sandcast jewelry, a traditional type of<br>Navajo jewelry that requires the artist to make carvings in Tufa stone to make<br>forms to shape molten silver. They first worked for Tobe Tupen, a well known<br>trader in Gallup. Carol remembers that silver was only $1.25 an ounce when they<br>started.<br><br>Today they are independent artists whose work is widely sought after and<br>admired. Wilson concentrates on the casting and building the foundations of the<br>jewelry and Carol sets the stones and does the finishing work. They work<br>together to design their jewelry.<br><br>Traditional sandcast silver jewelry is a unique Navajo art form. The process,<br>although it sounds simple, requires careful discipline and years of practice to<br>obtain quality results.<br><br>The artist takes two pieces of pumice stone and grinds them together to create<br>two flat surfaces. Then the design is carved into one of the two pumice stones.<br>An opening is carved from the design to the top and bottom of the stone. The two<br>pieces of stone are then tied together so that the carved design is between the<br>two flat areas. Silver is then melted in a crucible, and when it reaches the<br>proper molten form, it is poured into the opening on the top of the design. If<br>it is the proper temperature, it flows through to the bottom where it cools and<br>hardens, filling the design space. After cooling, the stones are separated, the<br>casting removed and the protrusions on the top and bottom are cut off. The<br>silver is then filed smooth and shaped.<br><br>If stones are to be set on the piece, the artist builds a silver bezel to hold<br>the stone and then solders it to the piece of jewelry. Sawdust is put in the<br>bottom of the bezel to cushion the stone and the bezel is tightened. The piece<br>is then polished to the shine the artist likes.<br><br>Wilson Begay of Gallup is the acknowledged master of the art of sandcast<br>jewelry. Luke Begay, Wilson's grandfather, demonstrated this skill to John Adair<br>in the early 1930's when Adair was conducting a survey of native silversmiths of<br>the Smithsonian. Luke taught the skill to Wilson as a young man. Today, in his<br>60's, Wilson continues to make sandcast jewelry in his Gallup home. His wife,<br>Carol, chooses the stones to be used and sets them in bezels. The Begays have<br>three daughters, Nichole, Yvonne and Bonnie, are continuing the family<br>tradition.<br><br>Wilson's stamped signature is a flat brimmed Navajo hat with his initials under<br>it. His signature is one of the most recognized in Indian jewelry. His work has<br>won top awards at the Gallup Inter-tribal Ceremonial and is a "must have" for<br>serious collectors of contemporary Indian jewelry.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Vintage Navajo Childs Cuff bracelet sterling, turquoise, and coral. 3 5/8" +<br>7/8" gap, fits 4.5" wrist. 1 1/8" wide in center, 27.6 grams. Very substantial,<br>obviously worn from a very young age basically since the kid was a baby then two<br>small holes put on each side to be worn as a pendant. I have had a lot of<br>children's cuffs but this is the nicest, biggest, smallest one I've had. For a<br>very small wrist but so substantial. I've included two pics of it on my 14 month<br>year old.

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Calvin Begay 納瓦霍銀和綠松石槽鑲嵌項鍊。總長約21 英寸，中心寬13 毫米。 Calvin Begay 是一位屢獲殊榮的藝術家、珠寶商、設計師和工藝大師。他1965 年出生於新墨西哥州蓋洛普，在新墨西哥州西北部托哈奇長大Calvin 10 歲時，跟隨母親和叔叔設計了自己的第一件珠寶。在20 多年的珠寶設計師和工匠生涯中，他在設計和製造過程的各個方面都成為了大師，贏得了無數獎項。蓋洛普部落間儀式上的獎項，包括1989 年的最佳展示獎。他的珠寶曾在亞利桑那州高速公路和西南藝術雜誌上發表過專題報道。這位才華橫溢的藝術家不斷創新和更新他的設計，使用金和銀，並添加新的圖案和圖案石頭是他的拿手好戲。閒暇時，Calvin 會參加牛仔競技表演，並駕駛他的全地形車馳騁在偏遠地區。當他創作珠寶時，狂野的自由精神在貴金屬和石頭中得以體現。他擁有獨特的翻譯能力將傳統納瓦霍鑲嵌技術融入珠寶中，體現了美國原住民的傳統，同時又具有優雅和現代的風格。卡爾文的作品不僅在西南部，而且在美國和世界各地都受到客戶和收藏家的青睞。在Calvin Begay 的藝術創作中，色彩與設計的結合體現了狂野西部的驚人之美，創造出令人難忘的可穿戴藝術品。 所有貴金屬均經過測試和保證，任何美洲原住民珠寶均經過測試銀或純銀保證至少含有 90%（硬幣）銀，含量可能更高。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

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4.75 吋嬰兒手鐲美洲原住民銀和綠松石手鍊，中心寬20 毫米，圖片為16 個月大的嬰兒。 所有貴金屬均經過測試和保證，任何稱為銀或純銀的美洲原住民珠寶均保證是至少90%（硬幣）銀，含量可能更高。對於手鐲，現在我嘗試給出手鐲中心的長度或從手到上臂的最寬點的長度（以毫米為單位），1吋= 25 毫米。

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6.25 吋復古納瓦荷印花銀手鍊，綠松石4 毫米寬，無標記，約20 世紀中期。 所有貴金屬均經過測試和保證，任何稱為銀或純銀的美洲原住民珠寶保證至少為90%（硬幣）銀，含量可能更高。對於手鐲，現在我試圖給出手鐲中心的長度或從你的手到上臂的最寬點的長度（以毫米為單位），1 英寸= 25 毫米。

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6 3/8" 復古美洲原住民銀、綠松石和珊瑚手鐲，中心寬21 毫米。 所有貴金屬均經過測試並有保證，任何稱為銀或純銀的美洲原住民珠寶均保證最低90%（硬幣）銀，含量可能更高。對於手鐲，現在我試圖給出手鐲中心的長度或從你的手到上臂的最寬點的長度（以毫米為單位），1 英寸= 25毫米。

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6.25 吋c1940 納瓦霍銀和綠松石袖口手鍊，中心寬24 毫米。 所有貴金屬均經過測試和保證，任何稱為銀或純銀的美洲原住民珠寶保證至少90%（硬幣）銀，含量可能更高。對於手鐲，現在我試圖給出手鐲中心的長度或從你的手到上臂的最寬點的長度，以毫米為單位，1 英寸 = 25 毫米。

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16 吋復古納瓦霍銀和綠松石吊墜項鍊。如圖所示，沒有任何問題。 所有貴金屬均經過測試並有保證，任何稱為銀或純銀的美洲原住民珠寶保證至少為90% （硬幣）銀，含量可能更高。任何標記的東西都保證是其標記的內容，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示金屬與布捲尺上數字相符的內週長。

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中世紀西南現代主義純銀、綠松石和珊瑚吊墜，3 英寸高，帶吊環x 1.8 英寸寬，搭配24 英寸純銀項鍊。總重33.4 克。 所有貴金屬均經過測試和保證，任何原產地被稱為銀或純銀的美國珠寶保證至少含有90%（硬幣）銀，甚至可能更高的含量。任何標記的東西都保證是它標記的內容，大多數手鐲都是在6 英寸手腕（無毛）上拍攝的，如果可能的話，在適當尺寸的手指上拍攝戒指。對於手鐲，如果描述中未給出尺寸，則顯示金屬與布捲尺上數字相符的內週長。

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6.25" Vintage Nizhoni Navajo silver and turquoise cuff bracelet 43mm wide in<br>center.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. With Bracelets now I am trying to give the<br>length of the center of the bracelet or the widest point that points from your<br>hand to upper arm in Millimeters, 1 inch = 25mm.

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6 5/8" E Yazzie Navajo Silver and pink stone bracelet 60mm wide at widest point.<br>Easily adjustable to make smaller or larger, can adjust just a few of the<br>tenticles or all to suit your style or mood. I'm not sure what the stones are.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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6.75" 40's-50's Silver Zuni turquoise cluster bracelet 55mm wide in center.<br>Great, old, solid bracelet with natural turquoise.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. With Bracelets now I am trying to give the<br>length of the center of the bracelet or the widest point that points from your<br>hand to upper arm in Millimeters, 1 inch = 25mm.

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7.25" Vintage Native American silver and turquoise cuff bracelet 25mm wide with<br>no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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6 1/8" Herbert Patero Navajo Silver an turquoise cuff bracelet 18mm wide with no<br>issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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6.5" Vintage Zuni Sterling - Turquoise, coral, and shell channel inlay cuff<br>bracelet 40mm wide with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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sz10 Large Native American Turquoise Sterling channel inlay ring 38mm face, 29<br>grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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6.5" Vintage Native American silver and turquoise cuff bracelet 26mm wide in<br>center.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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6.25" 50's-60's Navajo silver Shadowbox cuff with turquoise 22mm wide, very<br>nicely done bracelet with nice old natural turquoise.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Large Vintage Navajo Sterling and Onyx pendant necklace 2.25" wide pendant. 26"<br>long pendant. 64.6 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Vintage Navajo Sterling and shell pendant necklace and earrings set Pendant 2<br>7/8" x 1.5", earrings 1.75" long x 7/8" wide, Necklace 25" long, 68.8 grams<br>total weight.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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較大的復古疊加風格純銀和綠松石吊墜。製作精良，帶有有趣的手工鑿刻標誌，但我無法識別。 2.75 英吋 x 1.5 英吋 x 25.2 克。 所有貴金屬均經過測試和保證，任何被稱為銀或純銀的美洲原住民珠寶均保證至少含有 90%（硬幣）銀，甚至可能更高。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

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sz8.5 復古納瓦霍銀和綠松石戒指20 毫米長面，9.9 克，無標記。所有貴金屬均經過測試和保證，任何稱為銀或純銀的美洲原住民珠寶保證至少為90 %（硬幣）銀，含量可能更高。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

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sz11 巴克納瓦霍純銀和綠松石戒指。簽名 Buck Sterling，面長 33 毫米，重 15.7 克。 所有貴金屬均經過測試和保證，任何被稱為銀或純銀的美洲原住民珠寶均保證至少含有 90%（硬幣）銀，甚至可能更高。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

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sz12.5 大祖尼雕刻青蛙綠松石、珊瑚銀戒指 34 毫米長面，38.4 克，無標記。 所有貴金屬均經過測試和保證，任何被稱為銀或純銀的美洲原住民珠寶均保證至少含有 90%（硬幣）銀，甚至可能更高。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

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Sz11.5 巨大復古美洲原住民純銀和綠松石戒指，長面 37 毫米，重 56.7 克，無標記。 所有貴金屬均經過測試和保證，任何被稱為銀或純銀的美洲原住民珠寶均保證至少含有 90%（硬幣）銀，甚至可能更高。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

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大型復古 Zuni 銀色太陽面鑲嵌十字架 3 英寸總高 x 1 7/8 英寸寬 x 29.2 克。

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大號 Rita Touchine 納瓦霍化石和純銀吊墜 3 5/8 英寸高，帶吊環 x 1.5 英寸寬 x 36.5 克，沒有任何問題。吊環適合約 13 毫米的項鍊。

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尺寸 7.5 納瓦荷純粉紅珍珠母貝戒指 31 公釐長 9 公克。 所有貴金屬均經過測試和保證，任何被稱為銀或純銀的美洲原住民珠寶均保證至少含有 90%（硬幣）銀，甚至可能更高。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

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Sz11 巨大復古祖尼雕刻珊瑚、綠松石、純銀戒指48 毫米長面，30.1 克所有貴金屬均經過測試和保證，任何被稱為銀或純銀的美洲原住民珠寶保證至少90% （硬幣）銀，含量可能更高。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

讀 更多的 較少的

Ray Tracey Knifewing 納瓦荷純綠松石與青金石十字架吊墜 2。75 英吋高（含提把）x 1 7/16 英吋寬 x 18。9克沒問題。 藝術家 Ray Tracey 一輩子都熱愛珠寶。 當他還是個在亞利桑那州索米爾長大的孩子時，他的祖父阿薩·特雷西（Asa Tracey）就用為叔叔拉山羊風箱的故事影響了他。 阿薩會整天抽動山羊風箱，為熔爐中的火提供燃料，從而在小鑄鐵坩堝中熔化銀。 這個過程非常費力，他的祖父討厭它。 然後將熔化的銀倒入凝灰岩模具中形成錠。 然後，珠寶商將執行他的工藝並製作出一件新的珠寶。「我想看到成品珠寶，並想學習我所能學到的一切。 每當我們去新墨西哥州蓋洛普時，我都會去古董店看看銀製品。」 雷花時間在蓋洛普部落印第安儀式和納瓦霍國家博覽會上觀看珠寶設計。 到處都陳列著珠寶；可以看到雷正在觀看藝術品。雷 (Ray) 六歲時，全家搬到了亞利桑那州加納多 (Ganado)。 他九歲那年的一個夏日，他向母親抱怨自己有多無聊。 第二天，他的母親將他送入暑期學校，並永遠改變了他的生活。 他直接去上美術課，在角落發現了一張銀器鍛造桌。 他記得他祖父的故事，剩下的就是歷史了。 「在課堂上，我為母親製作了我的第一枚銀戒指。 我找到了一塊不知名的石頭，並製作了一顆凸圓面。 我試圖複製我在 Hubbells Trading Post 看到的老式戒指設計。 石頭的側面有一滴淚珠。 這是一個非常簡單的設計，但我花了一周的時間才完成。 我不斷地熔化銀子。 21 歲時，我製作了下一件銀石作品，並將其送給了我的母親。 這是另一枚戒指，但這次是一個裂開的戒圈，有三個肋骨，石頭側面有三個淚滴。「我告訴父親，我想用餘生製作珠寶。」Ray 在楊百翰大學就讀期間繼續製作珠寶。 白天學習化學和物理，晚上製作珠寶。 「設計很簡單，我最喜歡的是老式納瓦荷珠寶。 週末他去新墨西哥州蓋洛普出售他的作品。 在楊百翰大學期間，另一個展現他創造力的機會出現了——表演。 「我不是一個非常優秀的學生，所以好萊塢立刻就產生了吸引力。 我的創造力天賦延續到了表演中。 表演只是創意表達的另一個出口。雷的冒險本性讓他在長片和電視中擔任了數年演員。 這段演藝彎路並未讓他失去對珠寶設計的興趣。 最終，雷對珠寶的熱愛讓他回到新墨西哥州，永久地追求這種藝術形式。「有一次從蓋洛普前往阿爾伯克基時，我注意到拉普韋布洛上空的地平線。 我看到檯面上有台階。 我將這種分層台階的圖像融入手鐲設計中。」「還有一次，當我在霍布爾溪高爾夫球場打高爾夫球時，我看到河底有一排卵石。 這些鵝卵石成為我將它們放置在鑲嵌手鐲兩側的靈感來源。」「有時我的創造力會戛然而止。 當這種情況發生時，我就會回到我的根源；舊式珠寶。 這就是令人著迷的地方。 古聖們利用基本的工具來創造他們簡單而完美的工藝品。 從這一點開始，我能夠根據鼓舞人心的想法進行創作。 另一方面，有時我的腦海裡充滿了比我能記得的更多的設計。 想法來得太快，我來不及快點把它們畫出來。」「當我看到有人穿著我的設計作品時，我會回到創作這件作品的時候。 有時我可以回想起我吃的東西，甚至我聽的音樂。 我會記住幫助創造該設計的靈感。」雷找到了自我表達的道路或天賦，這祝福、啟發並影響了他的生活和他人。 對這種特殊天賦的認識激發了他的能量和創造力。 靈感有助於將他的創造力轉化為藝術視覺表達。 他的創作是從傳統到當代的過渡人物。 當他被尚未發現的圖像領域所吸引時，他創造了一些美好的東西。 不知不覺中，他正在創造一份遺產，讓幾代人可以從中學習和成長。 雷學會了欣賞和擁抱生命的旅程及其禮物。所有貴金屬均經過測試和保證，任何被稱為銀或純銀的美洲原住民珠寶均保證至少含有 90%（硬幣）銀，甚至可能更高的含量。 任何標記的內容都保證與其標記的內容一致，大多數手鐲都是在 6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。 對於手鐲，如果描述中未給出尺寸，則顯示金屬與布捲尺上數字相符的內週長。

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復古Zuni 青蛙雕刻綠松石和珊瑚銀皮帶扣3 英寸x 2 英寸，適合1.5 英寸皮帶，重66.2 克。所有貴金屬均經過測試和保證，任何稱為銀或純銀的美洲原住民珠寶符合保證至少含有90%（硬幣）銀，甚至可能更高的含量。任何標記的東西都保證是其標記的內容，大多數手鐲都是在6 英寸手腕（無毛）上拍攝的，戒指在可能的情況下在適當尺寸的手指上拍攝的。對於手鐲，如果描述中未給出尺寸，則顯示金屬與布捲尺上數字相符的內週長。

讀 更多的 較少的

Dan Nieto，Kewa Sterling 項鍊，鑲有高級綠松石。真人大小的手的比例。 23 英寸長，145.6 克。 底部吊墜4 英寸高x 2.25 英寸寬。Dan Nieto，Kewa（聖多明各）普韋布洛珠寶設計師，其作品獨一無二，無與倫比。他的“天賦」是融入人物圖像他的設計中融入了這枚戒指。這枚戒指向您展示，它不僅僅是一枚美麗的純銀戒指，鑲嵌著深黑色的藍銅礦。 Dan Nieto 經常在他的銀飾中描繪一位引人注目的土著人（大概是一位女性）。她的長髮身上飾有羽毛，抬頭仰望天空，側臉輪廓鮮明。

讀 更多的 較少的

sz7 復古美洲原住民銀、綠松石和珊瑚戒指，長面 24 毫米，3.6 克。未標記所有貴金屬均經過測試和保證，任何被稱為銀或純銀的美洲原住民珠寶均保證至少含有 90%（硬幣）銀，並且含量可能更高。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

讀 更多的 較少的

sz5.25 30 年代至 40 年代納瓦霍銀和綠松石戒指，長 21 毫米，7.8 克。 所有貴金屬均經過測試和保證，任何被稱為銀或純銀的美洲原住民珠寶均保證至少含有 90%（硬幣）銀，甚至可能更高。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

讀 更多的 較少的

sz4.75 復古納瓦霍銀和綠松石戒指 15 毫米長面，4.4 克。 所有貴金屬均經過測試和保證，任何被稱為銀或純銀的美洲原住民珠寶均保證至少含有 90%（硬幣）銀，甚至可能更高。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

讀 更多的 較少的

3 件 Simplicio Zuni 和其他美洲原住民純銀耳環。出售 3 對，真人大小的手秤。最大2.5 英吋長，總重26.1 克。所有貴金屬均經過測試並保證，任何稱為銀或純銀的美洲原住民珠寶均保證至少含有90%（硬幣）銀，並且可能更高的內容。任何標記的內容都保證是其標記的內容，大多數手鐲都是在 6 英寸的手腕（無毛）上拍攝的，戒指盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示金屬與布捲尺上數字相符的內週長。

讀 更多的 較少的

sz5.75 Fred Harvey Era 純銀和蜘蛛網綠松石戒指17 毫米表面，3.9 克所有貴金屬均經過測試並保證，任何稱為銀或純銀的美洲原住民珠寶保證至少為90 %（硬幣）銀，含量可能更高。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

讀 更多的 較少的

sz3.75 30's-40's 納瓦霍銀綠松石簇狀戒指19mm 長面，5.8 克所有貴金屬均經過測試和保證，任何被稱為銀或純銀的美洲原住民珠寶保證至少為90% （硬幣）銀，含量可能更高。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

讀 更多的 較少的

sz7 大號復古納瓦霍純銀和綠松石戒指，長 50 毫米，重 16.7 克，沒有任何問題。 所有貴金屬均經過測試和保證，任何被稱為銀或純銀的美洲原住民珠寶均保證至少含有 90%（硬幣）銀，甚至可能更高。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

讀 更多的 較少的

sz10 大型美洲原住民純銀和綠松石戒指，長面35 毫米，25.9 克。，無標記。所有貴金屬均經過測試並保證，任何稱為銀或純銀的美洲原住民珠寶保證至少為90 %（硬幣）銀，含量可能更高。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

讀 更多的 較少的

sz7 復古美洲原住民銀綠松石簇狀戒指 33 毫米表面，13.1 克。 所有貴金屬均經過測試和保證，任何被稱為銀或純銀的美洲原住民珠寶均保證至少含有 90%（硬幣）銀，甚至可能更高的含量。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

讀 更多的 較少的

4pr 美洲原住民西南純銀耳環。出售所示的 4 雙，我認為最下面的一雙不是美洲原住民的，都是英鎊的。羽毛長45毫米。總計 21.1 克。 所有貴金屬均經過測試和保證，任何被稱為銀或純銀的美洲原住民珠寶均保證至少含有 90%（硬幣）銀，並且含量可能更高。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

讀 更多的 較少的

2 件復古 Zuni 純綠松石簇夾式耳環。最大的一對寬 37 毫米，較小的寬 17 毫米。兩者的夾子上都有強力彈簧，沒有問題。總計 25.5 克。 所有貴金屬均經過測試和保證，任何被稱為銀或純銀的美洲原住民珠寶均保證至少含有 90%（硬幣）銀，並且含量可能更高。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

讀 更多的 較少的

sz6 復古納瓦霍銀戒指，綠松石，35 毫米長面，9.6 克。 所有貴金屬均經過測試和保證，任何被稱為銀或純銀的美洲原住民珠寶均保證至少含有 90%（硬幣）銀，甚至可能更高的含量。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

讀 更多的 較少的

sz7.75 美洲原住民銀、綠松石和珊瑚簇戒指，長面 38 毫米，10.9 克。 所有貴金屬均經過測試和保證，任何被稱為銀或純銀的美洲原住民珠寶均保證至少含有 90%（硬幣）銀，甚至可能更高的含量。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

讀 更多的 較少的

sz10.5 復古美洲原住民銀和綠松石戒指 22 毫米長面，5.2 克。 所有貴金屬均經過測試和保證，任何被稱為銀或純銀的美洲原住民珠寶均保證至少含有 90%（硬幣）銀，甚至可能更高的含量。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

讀 更多的 較少的

sz6 復古銀和綠松石戒指，長 20 毫米，重 3.8 克。 所有貴金屬均經過測試和保證，任何被稱為銀或純銀的美洲原住民珠寶均保證至少含有 90%（硬幣）銀，甚至可能更高的含量。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

讀 更多的 較少的

sz8 30's-40's 納瓦霍銀和綠松石戒指，中心長30 毫米，6.1 克。所有貴金屬均經過測試和保證，任何稱為銀或純銀的美洲原住民珠寶保證至少90%（硬幣）銀，含量可能更高。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

讀 更多的 較少的

sz7.5 30 年代至 40 年代納瓦霍銀和綠松石戒指，中心長 14 毫米，重 4.2 克。 所有貴金屬均經過測試和保證，任何被稱為銀或純銀的美洲原住民珠寶均保證至少含有 90%（硬幣）銀，甚至可能更高的含量。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

讀 更多的 較少的

sz5.75 納瓦荷銀和綠松石長戒指，長 55 毫米，無標記，21.4 克。 所有貴金屬均經過測試和保證，任何被稱為銀或純銀的美洲原住民珠寶均保證至少含有 90%（硬幣）銀，甚至可能更高。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

讀 更多的 較少的