Longwy Sanka Zebras African Style French Art Pottery 1990's absolutely no wear or damage. Guaranteed authentic with un-mistakeable quality. These pieces are from the last quarter of the 20th century, new Longwy is Very expensive. The tray is 5.25", large jar is 4.5" tall x 5.5" wide other jar is 2.5" tall x 3.75" wide.The Boch family, known for their great influence on the ceramic industry, founded the “Faiencerie de Longwy” in 1798 in a former convent.The production received great recognition during the First Empire: after Emperor Napoleon Bonaparte had attended the workshops, he ordered the complete tableware for the Imperial Legion of Honor. In 1835, the Faiencerie passed into the possession of the d’Huart family and became a thriving business. In the period around 1870, the heyday of the Second Empire, Orientalism came into fashion. This trend of oriental art and culture will have a big impact on the Faiencerie: the family d’Huart hires on the Italian Amédée de Carenza, director of the ceramic works Mikado. Inspired by the enamel metal works discovered in Japan, de Carenza develops an alternative in ceramics: and the first Emaux de Longwy were born.During this time, the Faiencerie retains the manufacture of tableware, and designed a number of specific designs such as flowers and bird motifs that often occur in the period between 1870 and 1918. In the 1920s, Art Deco then enters this bastion of Orientalism.The association with “Primavera” marks a fruitful period which culminated in the Decorative Arts Exhibition of 1925 in Paris. This complete renewal of forms and decorations created Longwy’s reputation in the United States and Europe during the period before the war.Longwy is the exclusive distributor of semi-industrially manufactured pottery enamel to this day. The historic stamp guarantees the authenticity of the pieces. The last decades were marked by the collaboration of contemporary artists and designers. This brought forth an amazing collection combining tradition, luxury and the beaux arts. The limited editions are sought after and coveted collectors’ items.tw149

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Royal Doulton Flambe Figurine HN 3229 entitled "The Geisha" which was designed in 1983 for members of The Exclusive Collectors Club. The Figurine is signed by Pauline Parsons who designed it. This beautifully detailed Figurine is 9-5/8" tall. This piece is in excellent condition and has no chips, cracks, crazing, hairlines or repairs.. Any white spots are flash glare. tw149

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Royal Doulton Flambe Figure Eastern Grace Numbered limited edition. Made only in 1985, this 12 1/2" high red beauty is #528 of a Limited Edition of 2,500. The dress is decorated in blacks and blues in an "indented" style. Her black hair matches the undergarment. No chips, cracks, crazing or repairs. Any white spots are flash glare.tw149

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4 Ruby Bohemian Etched Cordial Glasses. These are nice old glasses from the first half of the 20th century. I'm unsure of the maker but I'm sure they are Czechoslovakian glass. They have two different bases as shown in the pics, the tops are the same. They are perfect with no damage or wear. 3 3/8" tall x 1 13/16" wide at rim. TW148

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c1920's Haviland Art Deco Woman Cabinet Plate. 8 5/8" wide with no cracks, chips, restorations, or significant wear. Very unusual one of a kind plate. tw146

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Abbott J Hoecker "Heck" Colonials National Invitation Golf Tournament 1987 Fort Worth, Texas Watercolor "Rest in the Shade". 15" x 23" with no issues. Hoecker was a very good illustrator that did several books in the mid to late 20th century including "Little Moron" in 1943, "happy days with Pablo". He played an active role in the Southwest Watercolor Society in the Seventies. Obiously a very talented artist, painting is great with no damage. NO frame

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1950's Elman Clothes Vintage Sewing Pattern Display with Butterick/McCall's Dress patterns. Buying exactly what's shown here patterns from the fifties and sixties.

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c1980 Manuel Felguerez Welded Steel Tennis player Sculptures Selling both, tallest is 16.25" tall, good condition. Only the man is hand signed Felguerez on the back of the base. TW159

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c1900 Meiji Period Noh Actor Japanese Bronze Okimono. Heavy solid patinated bronze figure guaranteed over 100 years old, unmarked. 7.75" tall x 7.5" wide with no damage. B50

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Russian Fedoskino Lacquer Trinket Box Madonna and Child Artist Signed. Great<br>little box with no issues or damage. Had sticker residue on base that I removed<br>for the last pic of the base. 2 7/8" x 1 5/8" x 1" tall.<br>b50

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c1910 Art Nouveau Hand painted limoges portrait plate 8.5". No cracks, chips, or<br>restorations.<br>B50

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Denys Pierre Puech, French, (1854-1942), marked in the cast Barbedienne Fondeur, circa 1880's-1890's a very uncommon bronze by an important French Sculptor in very good condition. 16.25"h, 8.5" wide x 26.75lbs From a family of farmers (his brother was Louis Puech, Député for the Seine Department from 1898 to 1932, and Minister of Public Works from 3 November 1910 to 27 February 1911), he began as an apprentice in the marble workshop of François Mahoux in Rodez. In 1872, after two years training, he pursued an apprenticeship in Paris in the workshop of François Jouffroy then of Alexandre Falguière and Henri Chapu, at the same time following an evening course at the Beaux-Arts. 1881 and 1883 saw his first successes, when he twice won the second prize in the prix de Rome contest, for his Tyrtaeus singing the Messanians (Tyrtée chantant les Messéniennes) and Diagoras dying for joy on learning of his two victorious children's triumph at the Olympic Games (Diagoras mourant de joie en apprenant le triomphe de ses deux enfants vainqueurs aux Jeux Olympiques) respectively. He at last won first prize in 1884, with Wounded Mezentius (Mézence blessé). From then on he received several official commissions from the French Third Republic, sculpting (among others) busts of Jules Ferry (1895), Charles Augustin Sainte-Beuve (1898), Émile Loubet (1901) and Benito Mussolini (1925). In all, 573 works are inventoried. He founded a museum of fine art in Rodez in 1903 (now the Musée Denys-Puech). The building, inaugurated in 1910, was designed by him in conjunction with the architect Boyer to best show off his sculptures. He was elected a member of the Académie des Beaux-Arts in 1905, and made a knight of the Légion d'honneur on 17 January 1908. On 13 May 1908, he married princess Anina Gagarine Stourdza (1 June 1865 – 14 April 1918), a painter herself, of whom he sculpted a statue holding a painter's palette in 1914. He was Director of the French Academy in Rome from 1921 to 1933. Among those who studied with him were the American sculptors Clara Hill,[2] Ernest Keyser[3] and Helen Farnsworth Mears.

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c1920 Mounted Porcelain Dresser Box hand painted under glaze. Nice piece of transitional late nouveau early deco. 4.5" wide x 2.5" tall with no damage, perfect tight hinge. TW158

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c1900 Antique Chinese Shiwan Figure Sancai Glaze 9.5" tall. Nice large early 20th century Sancai Shiwan figure. old rpair to the bottom of the neck of his cloak. TW157

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c1850 Old Paris Porcelain Figure Woman Pouring Tea Made into Electric Lamp. This<br>was made into an electric lamp in the first half of the 20th century. It's mid<br>19th century porcelain French i'm 99% sure. It was not damaged when lamped but I<br>don't want to damage the great job they did lamping it so I'm not removing it to<br>find a mark 14.75" total height, 10" figure height without fittings. The lamp<br>works.<br>B49

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c1900 EAPG Mold Blown Water Pitcher Early American Pattern Glass. 8.75" tall x<br>7" handle to lip with no cracks, chips, restorations, dings, or hard water. I'm<br>unsure of pattern but I'm 100% sure it's over 100 years old and American with no<br>damage.<br>TW144

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c1900 Vinranka Gefle Flow Blue Sweden Pitcher6.25" tall x 7.75" wide handle to<br>spout. A nice milk or juice pitcher much larger than a creamer, probably one<br>liter. They made a few sizes of these and this is the largest and most difficult<br>to find. No cracks, chips, restorations, or crazing.<br>TW144

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c1850 Texian Campaigne Cup Blue Transferware Staffordshire James Beech Historical Texas Battle Scenes in the 1840's or 50's. No cracks, chips, or restorations, fine overall crazing. 2.5" tall x 3.75" wide at rim, extremely rare. The "Texian Campaigne" transferware pattern was introduced about 1837; although made in Staffordshire, it was produced to appeal to Americans. The pattern was designed to commemorate the 1835-1836 revolution fought against Mexico by Texans for their independence (the word 'Texian' is the British form for Texas.) The Texas Revolution (October 2, 1835 – April 21, 1836) was a rebellion of colonists from the United States and Tejanos (Texas Mexicans) in putting up armed resistance to the centralist government of Mexico. While the uprising was part of a larger one, the Mexican Federalist War, that included other provinces opposed to the regime of President Antonio López de Santa Anna, the Mexican government believed the United States had instigated the Texas insurrection with the goal of annexation. The Mexican Congress passed the Tornel Decree, declaring that any foreigners against Mexican troops "will be deemed pirates and dealt with as such, being citizens of no nation presently at war with the Republic and under no recognized flag". Only the province of Texas succeeded in breaking with Mexico, establishing the Republic of Texas, and eventually being annexed by the United States. The revolution began in October 1835, after a decade of political and cultural clashes between the Mexican government and the increasingly large population of American settlers in Texas. The Mexican government had become increasingly centralized and the rights of its citizens had become increasingly curtailed, particularly regarding immigration from the United States. Colonists and Tejanos disagreed on whether the ultimate goal was independence or a return to the Mexican Constitution of 1824. While delegates at the Consultation (provisional government) debated the war's motives, Texians and a flood of volunteers from the United States defeated the small garrisons of Mexican soldiers by mid-December 1835. The Consultation declined to declare independence and installed an interim government, whose in led to political paralysis and a dearth of effective governance in Texas. An ill-conceived proposal to invade Matamoros siphoned much-needed volunteers and provisions from the fledgling Texian Army. In March 1836, a second political convention declared independence and appointed leadership for the new Republic of Texas. Determined to avenge Mexico's honor, Santa Anna vowed to personally retake Texas. His Army of Operations entered Texas in mid-February 1836 and found the Texians completely unprepared. Mexican General José de Urrea led a contingent of troops on the Goliad Campaign up the Texas coast, defeating all Texian troops in his path and executing most of those who surrendered. Santa Anna led a larger force to San Antonio de Béxar (or Béxar), where his troops defeated the Texian garrison in the Battle of the Alamo, killing almost all of the defenders. A newly created Texian army under the command of Sam Houston was constantly on the move, while terrified civilians fled with the army, in a melee known as the Runaway Scrape. On March 31, Houston paused his men at Groce's Landing on the Brazos River, and for the next two weeks, the Texians received rigorous military training. Becoming complacent and underestimating the strength of his foes, Santa Anna further subdivided his troops. On April 21, Houston's army staged a surprise assault on Santa Anna and his vanguard force at the Battle of San Jacinto. The Mexican troops were quickly routed, and vengeful Texians executed many who tried to surrender. Santa Anna was taken hostage; in exchange for his life, he ordered the Mexican army to retreat south of the Rio Grande. Mexico refused to recognize the Republic of Texas, and intermittent conflicts between the two countries continued into the 1840s. The annexation of Texas as the 28th state of the United States, in 1845, led directly to the Mexican–American War. tw144

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Hutschenreuther Black Knight Fish Plate Set Made for American Market (13). The<br>Black Knight mark was used between about 1925 and 1941 on dishes imported from<br>Germany by Graham & Zenger, a New York City importer and wholesaler. The dishes<br>were manufactured by Hutschenreuther Porcelain Factory. These are really great.<br>They each have hand painted accents over a transfer. There are 9 different<br>patterns all North American fish, all with the name of the fish on the back. 4<br>of the patterns have two of each plate that are slightly different in the center<br>due to the accents being hand painted. They are all mint to near mint. No<br>cracks, chips, restorations, utensil marks, or detectable wear to gilding. The<br>plates measure 9 inches or 22.8 cm in diameter.<br>TW155

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This piece and two more I'm listing are from the Estate of Lael Cater Seagert UT Art Department and later Director of Laa Gloria Art Museum here in Austin so these were likely gifts from Soto as they had signed books from so many Texas Artists that were given to them as gifts. Piece measures 7 5/8" tall x 5.25" wide. No cracks, chips, restorations, or crazing.Below is an excerpt from the artists eulogy.Ishmael Soto, longtime Austin ceramicist and teacher, died Monday after a battle with cancer. He was 84.“Ishmael’s passing is a loss for us all in the community,” said Sylvia Orozco, director of Mexic-Arte Museum. “He was a great human being, teacher and artist. Ishmael was one of the first, if not the first Mexican-American Austinite to become a professional visual artist.”Artist and teacher Ishmael Soto died Feb. 27 at age 84. Contributed by Tahila MintzSoto won many prizes and was exhibited frequently in group and solo shows.A native Austinite, Soto earned his first degree from the University of Texas and his second from the famed Cranbrook Academy of Art in Michigan. His 57th Annual Potters Show and Sale took place in December 2016. He taught ceramics at UT for seven years — one of the first Hispanics to teach in the art department — then at St. Edward’s University and Austin Community College for a total of more than 30 years..“He was a modest, generous mentor and major inspiration to many artists,” said his widow, Cynthia Leigh. “He taught thousands of students over his lifetime. Many of his students decided to become artists from his encouragement and support. He did not try to mold his students to imitate his work; he encouraged them to follow their own artistic path and draw on their own talents. B26

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c1870 Old Paris Hand Painted Soup Tureen with Lid. Impressed G D on base 130-150 years old guaranteed, French. No cracks, chips, or restorations, some wear to gilding. It's 12.5" handle to handle x 9.5" tall x 7.25" deep. B47

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15pc c1900 Haviland Limoges Game Set Art Nouveau Jeweled Rims Hand Painted Over transfer. I'm including a Sauce boat with lid that isn't shown in the pics it will be a pleasant surprise as it has the same jeweled border and nice basketweave handles with gold accents. There is a repaired chip on the lid of the sauce boat. There are no other cracks, chips, or restorations to the rest of the set. There is some very minor gold wear, mainly to the platter on the very outside rim, none of it is noticeable on a fine and unique set such as this one. 13 Plates total I'm listing the quanity of each style below starting with the first pic shown of individual plate and ending with the last. 3 Woodcocks, 3 Pheasants, 2 Roadrunners?, 2 doves?, 2 Quails, 1 mallard duck. The one 17.75" x 12.25" Platter with multiple gamebirds. I've had a lot of Game sets of the years and this is the best one I've had that would mix well with most modern decor, this set would fit in anywhere. B46

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Thorens Swiss Music Box By Fred Zimbalist in the Form of a Camel Sculpture<br>nickel plate on brass with fine floral scrolled etching and glass eyes. The back<br>is hinged and opens to reveal a music box with finely etched panel Working<br>condition sounds beautiful. No damage, in very good condition with no notable<br>issues. Measures 10" high x 6" x 12" at base.<br><br>Russian born, Fred Zimbalist, 1909-2003, comes from a family of musicians. He<br>founded the Zimbalist Music Box Company located in Cleveland, Ohio. Fred<br>Zimbalist is known for unique music boxes. Most notably were the music boxes<br>made of Nickel Silver plate on brass, then hand etched in India. Each piece took<br>approximately 3 to 4 weeks to create and no two pieces are exactly alike. Once<br>etched, they were shipped to the US where the music boxes were fitted with<br>Thorens components.<br>tw152

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Orrefors Royal Swedish Air Force Presentation Plate to Captain John Gallaher. I'm not sure when this was presented, sometime in the 20th century, likely during or directly after some sort of war or conflict. 9.25" wide, super heavy, rare and one of a kind. Some wear here and there but no cracks, chips, or restorations. b43

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c1910 Japanese Bronze Ikebana Planter 3 Piece Versatile. This piece is really amazing. It can be put together so many different ways allowing for it to be used in different locations at different heights, then a few pieces can be used alone and the other piece used for something else. I know it was engineered this way even though the 100 year old instructions are long gone. Each way I put it together it fit snugly as if that was it's original intention.. It's wonderful, super heavy solid bronze with top notch casting. When the three pieces are assembled as in the first pic it is 12" tall, the top tray is 11.5" wide, the center round planter with the spikes in it is 3.5" wide inside. There are no scratches or significant blemishes, dents, bends, etc. It's right around 100 years old from the first quarter of the 20th century. B45

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Antique Gilt Carved Wood Figure depicting Summer Harvest of Wheat. Nice early piece, possibly 18th century, mid 19th century at the latest.11 5/8" tall. some minor wear and 150+ year old woodworm holes. B43

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Cristal De Sevres red Segovie T-298 wine hocks Pair (Multiple Available) I'm<br>selling two of these for one price in like new condition with no damage or wear.<br>I have several pairs available so if you change the quanity to 6 you will<br>recieve 12 Stems. They retail for $150 each and have no wear or damage.<br>The Segovie pattern was introduced in 1977 and features vivid color cased<br>crystal with deep cut triangles and notches through the colored layer revealing<br>the crystal beneath. The design is simple and extremely elegant. The very tall<br>stem is multisided with a slight step at the base and below the bowl. The base<br>has a six pointed cut star, acid etch signed "CRISTAL SEVRES FRANCE" in the<br>center. The heavy crystal sparkles and the glass has bell like resonance. The<br>Ruby color is very rich with a hint of cranberry. The glass measures 9 3/4"<br>high, 3" in diameter at the rim, hold roughly 6 fl oz and weighs 1 lb .4 oz.<br>SEVRES CRYSTAL<br>CRISTAL DE SEVRES - In 1750, the Marquise de Pompadour Louis XV acquired the<br>privilege of having a glass production in Paris, which then sent transfer units<br>from Château Bellevue to Sèvres.<br>Under the direction of the Marquis de Marigny, brother of the Marquise de<br>Pompadour, the Manufacture Royale de Sèvres Cristaux now be devoted exclusively<br>to glass, winning a prestigious clientele throughout Europe.<br>Even today, glass is the result of a subtle alchemy of natural elements,<br>magnified by fire and orchestrated by man.<br>Cristal de Sèvres, thanks to an experience that dates back more than two<br>centuries, created from fire and air, some exceptional objects, luxury and<br>excellence in the delicate world of tableware and decoration.<br>tw150

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c1900 Carl Thieme Dresden Porcelain Dinner Bell with Hand Painted Puce Decoration 4.5" tall x 3" wide at base with no cracks, chips, or restorations. B41

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c1880 Kutani Japanese Meiji Period Porcelian Statue of Drummer Boy. Nice piece from the last half of the 19th century, Japanese. Large figure 8.5" tall x 8" wide x 8" deep. No cracks, chips, or restorations, small area of glaze loss shown in the last pic. B42

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c1930 Rosenthal Elite Lustre decorated Art deco bowl with heavy gold. Near mint with no cracks, chips, restorations, crazing, or detectable wear. 11.5" x 7.75" Looks to have been designed by a Rosenthal family member according to mark on base. tw146

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c1890 Wavecrest Art Glass Jewelry Box Dresser Jar. No cracks, chips, or restorations. Beautiful clean liner that is likely not the original 125 year old one. 4" wide x 3.25" tall. tw146

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c1890 Dresden Porcelain Casket in the Capodimonte Style. Great antique porcelain box likely Ernst Bohne or a Dresden company. Crown over N mark inside. Guaranteed over 100 years old with no cracks, chips, or restorations, hand painted. tw145

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Peint Main Limoges Pineapple Fruit Trinket Box Hand Painted. Tight hinge, stays snapped shut, no loss to decoration or gold, no cracks, chips, or restorations. 1.75" wide x 2.5" tall TW141

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Peint Main Limoges Fruit Trinket Box Hand Painted. Tight hinge, stays snapped shut, no loss to decoration or gold, no cracks, chips, or restorations. 2" wide TW141

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Peint Main Limoges Incrustation Trinket Box Hand Painted. Tight hinge, stays snapped shut, no loss to decoration or gold, no cracks, chips, or restorations. 1 5/8" wide x 1.25" tall TW141

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Peint Main Limoges Chair Trinket Box Hand Painted. Tight hinge, stays snapped<br>shut, no loss to decoration or gold, no cracks, chips, or restorations.<br>2.25"tall x 1.75" wide<br>TW141

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Peint Main Limoges Trinket Box Hand Painted. Tight hinge, stays snapped shut, no<br>loss to decoration or gold, no cracks, chips, or restorations.<br>3" wide x 1 5/8" deep.<br>TW141

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Rochard Peint Main Limoges Vegetable basket Trinket Box Hand Painted. Tight hinge, stays snapped shut, no loss to decoration or gold, no cracks, chips, or restorations. 2.75" wide x 3" tall with handle. TW141

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1960's Mazzega Murano Lamp Dichroic Paperweight Base. Great piece, it needs<br>wiring but since I do a high percentage of international shipping and the future<br>owner may want to put a different fixture on it I am not messing with it. It's<br>easy, one trip to the hardware store and 10 minutes and the possibilities are<br>endless...almost. No cracks, chips, dings, or restorations, a few scratches only<br>visible upon very close examination. 8.5" tall, 3.5" tall without fixture 6 3/8"<br>wide with handle. very heavy.<br>TW141

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c1920's Chinese Republic Period Wood Plaque with Soapstone inlay 14" x 8", minor loss on each side of the green mountain inlay second from the bottom, no other issues. Guaranteed from the first half of the 20th century. TW140

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c1880 Pre-Nippon Moriage Vase with Hand Painted Roses. Nice piece circa late<br>19th century, Japanese unmarked. Likely made just before the Nippon mark was<br>required in 1891. No cracks, chips, or restorations. Very minor loss to the<br>Moriage decoration all sides are shown in the pics. 7.5" tall x 7.75" handle to<br>handle.<br>tw140

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c1900 Ernst Bohne German Porcelain Figures of Monks Pair. 6.5" tall an interesting pair of figures. There is minor loss to the tip of one cross. No other cracks, chips, or restorations. tw138

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1960's Hawaiian Dreams Sunbathing Woman Ashtray Bathing Beauty Lot of Two. Selling both from the mid 20th century. No cracks, chips, or restorations, they both have some crazing. Largest is 8.5" x 6.25" tall. tw145

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c1920 British Boxed Fish set with Celluloid handles. 12 pieces in good condition with box wood box. tw138

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c1880 Ferdinand Barbedienne, French, 1810-1892 Bronze Plaque Mother and Child. Nice antique bronze plaque guaranteed late 19th century. 14" wide, 8 pounds. Ferdinand Barbedienne (Jan 10, 1810 – Mar 21,1892) was a French metalworker and manufacturer, he was well known as a bronze founder. Born the son of a small farmer from Calvados, Barbedienne started his career as a dealer in wallpaper in Paris. In 1838 he went into partnership with Achille Collas (1795-1859), who had just invented a machine to create miniature bronze replicas of statues. Together they started a business selling miniature antique statues from museums all over Europe, thus democratising art and making it more accessible to households. From 1843 they extended their scope by reproducing the work of living artists and also diversified by making enamelled household objects. The F. Barbedienne foundry was started in Paris in 1838 by Ferdinand Barbedienne and his partner, Achille Collas, who was the inventor of a machine that would mechanically reduce statues. At first they produced bronze reductions of antique sculptures of Greek and Roman origin. Their first contract to produce bronzes modeled by a living artist was made in 1843 when they arranged to produce the works of Francois Rude. They barely survived the revolution and financial collapse of 1848 which caused many artists and foundries to declare bankruptcy. Barbedienne actively pursued contracts with the many sculptors of Paris contracting with David D'Angers, Jean-Baptiste Clesinger, and even producing some casts for Antoine Louis Barye, as well as others. Achille Collas died in 1859 leaving Ferdinand Barbedienne as the sole owner of the foundry which by that time had grown to employ over 300 workers at their workshop in Paris. Barbedienne became President of the Reunion of Bronze Makers in 1865,a post he held until 1885. The outbreak of the Franco-Prussian war in 1870 and the shortage of raw metals caused him to have to stop making sculptures but he did receive a contract from the French government for the production of cannons which kept his foundry open. After the war he resumed his casting of sculptures and put even more effort into signing contracts with various sculptors. Barbedienne purchased 125 casting models from the late Antoine Louis Barye's sale in 1876. He set about casting and selling editions of these sculptures which was very successful, devoting an entire catalogue to these works. Ferdinand Barbedienne died on March 21, 1891 and was mourned by many in the world of sculpture. It was said that he strove to the highest quality in his castings Albert Susse said of him that he was the "pride of the nation" and that that he "carried the splendor of our industry so loftily to all international competitions". The running of the foundry was taken over by Gustave Leblanc, a nephew, and continued the high standards set by Barbedienne. The foundry set up agencies in Germany, Britain, and the United States to market their production. Leblanc actively purchased models and production rights form sculptors including Auguste Rodin and the estates of sculptures including Emmanuel Fremiet. The foundry continued under the stewardship of M. Leblanc until 1952. tw138

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California Sterling Golden State Trapshooters Association Belt Buckle Trophy<br>1999. 3.25" x 2 5/8" for a 1.5" belt.<br>B39

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1950's Harker Pottery Mallow Ceramic Rolling pin Pie Server and Salad Fork and Spoon. Rolling pin is 15", other pieces are 8.5" to 9" long. No cracks, chips, restorations, some crazing throughout on all pieces except for salad fork. B39

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1950's Roseville Art pottery Console Set. Guaranteed Authentic original Roseville American Pottery mid 20th century with no cracks, chips, restorations, or crazing. I'm 100% sure it has no restorations and have the experience to back up my confidence. It's estate fresh with a little candle wax residue on the candle holders. The bowl is huge, these are always damaged but this one isn't. 17.5" handle to handle x 8". Selling the set. B53

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Schafer and Vater Googleye Unexpected Opening Match Holder Faint mark from a<br>large collection of Schafer and Vater, 4" tall with no cracks, chips, or<br>restorations.<br>b37

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Schafer and Vater Scratch my back Dog Match Holder. Marked on base. 4.75" tall<br>with no cracks, chips, or restorations.<br>b37

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c1910 Schafer and Vater Germany Googly Eyed doll Figural perfume bottle Owl,<br>Elephant, Camel Collection of 4. Selling the 4 all guaranteed German pre 1930<br>early 20th century, I'm not 100% sure if they are Schafer and Vater. Tallest is<br>2" tall with no cracks, chips, or restorations on any. No stoppers which were<br>just simple corks with metal crowns in them.<br>tw52

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1990's Studio USA Pig Trinket Box Hand Painted 3 5/8" long x 2.5" tall with no<br>damage whatsoever. Nice tight fitting lid with nice tight hinge.<br>This piece was made by Studio USA - a company that made quality porcelain boxes<br>in the USA. They were of the same quality and prices as the Limoges Boxes from<br>France. They made very high quality boxes circa 1990's. I will be adding a nice<br>little collection of them to my store at a fraction of what they cost 25 years<br>ago and they are all in mint condition have been stored in a china cabinet for<br>25 years.<br>TW52

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Marque Peint Main Menu Board Pig Trinket Box Hand Painted 3.25" tall with no damage whatsoever. I will be adding a nice little collection to my store at a fraction of what they cost 25 years ago and they are all in mint condition have been stored in a china cabinet for 25 years. TW52

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1990's Studio USA Valentines Pig Trinket Box Hand Painted 2.55" tall with no<br>damage whatsoever. Nice tight fitting lid with nice tight hinge.<br>This piece was made by Studio USA - a company that made quality porcelain boxes<br>in the USA. They were of the same quality and prices as the Limoges Boxes from<br>France. They made very high quality boxes circa 1990's. I will be adding a nice<br>little collection of them to my store at a fraction of what they cost 25 years<br>ago and they are all in mint condition have been stored in a china cabinet for<br>25 years.<br>TW52

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c1890 Hotel Inkwell with Bell Pen rest, and two large crystal inkwells. Rare and unusual inkwell likely from a hotel or shop, over 100 years old guaranteed. Lots of brass polish reside from years could easily be removed with some water and a toothbrush if desired. The two large glass inkwells are 2.75" square x 3.75" tall. They are in good condition with one chip on front right of one and very few tiny tiny flakes on sharp edges. The base of the inkwell measures 12.75" x 5 7/8" b52

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c1890 Schafer and Vater Super cool Porcelain figural match holder. Unmarked but guaranteed lat 19th century i'm 100% sure not 99%, I believe it's Schafer and Vater. 4.5" wide x 3" tall. B37

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1897 Pennsylvania Tramp Art American Folk Art Wall Box Upside down Heart. Very cool, signed and dated, original paint. 7.5" wide x 8.75" tall. Signed top left dated top right. Minor loss to stars. B51

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Antique Chinese Famille Rose Figure holding cup and Tablet. Circa mid to late<br>19th century. 5.5" tall x 4.5" wide with no cracks, chips, or restorations. An<br>unusual and charming figure over 100 years old and Chinese.<br>B37

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American Redware Folk Art Hen on Nest Bank. Very rare and unusual 18th to mid<br>19th century. Some very old chips on beak, top of head and opening, no cracks.<br>8" long x 6.5" wide.<br>b51

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Antique Chinese famille rose Vase. 11" tall nice 19th century famille rose vase.<br>They did a very good job and they did it long ago, but I believe the top was cut<br>off of this piece long ago, they did a good job disguising it.<br>B33

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c1950 Kabar Large Folding Knife. Nice solid knife from the mid 20th century. 5.25" long closed with 3 7/8" and 4 1/16" blades. Very clean, sharp untouched by me estate fresh condition. knifedrawer

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Vintage Spaulding/Wilson/Hong Kong Football/Tennis Referee whistle Lot. Selling<br>the three sports whistles from the first half of the 20th century all in working<br>condition.<br>tw7

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Late 19th century Family Of Merino Sheep Jules Moigniez - This Highly Detailed<br>Bronze By Animal Sculptor Jules Moigniez (French, 1835-1894) Was First Exhibited<br>At The 1861 Salon In Paris. Not Only Has The Sculptor Created An Attractive,<br>Well-Balanced Family Group But He Has Detailed Every Curl Of The Wool And<br>Modelled An Almost Barye-Like Series Of Folds In The Loose Skin And Wool Of The<br>Necks. The Modelling Of The Foliage Is Excellent, A Moigniez Trademark. - In<br>Common With The Accepted Ideas Of The Period, Moigniez Has Put One Of The Sheep,<br>In This Case The Proud Ram, With His Front Feet On A Rock, Giving It Added<br>Height And Perspective, And Allowing The Viewer'S Attention To Be Drawn In A<br>Slightly Asymmetrical Triangle. - Family Of Merino Sheep Was Cast In France In<br>The 19Th Century, Most Likely In The Highly Regarded Foundry Operated By The<br>Artist's Father. The Sculpture Has An Aged Patina In Tones Of Browns. It Stands<br>11.5" High By 15.5 " Wide.<br><br>Jules Moigniez (28 May 1835 – 29 May 1894) was a French animalier sculptor who<br>worked during the 19th century. His output was primarily cast in bronzeand he<br>frequently exhibited his sculptures at the Paris Salon. He was best known for<br>his bronzes depicting birds, although his skill and versatility enabled him to<br>produce quality horse sculptures (primarily racehorses), dog sculptures and<br>scenes. His bird sculptures were among the finest ever created in his time.

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c1910 Bronze Boy Figure Marble Trinket dish Change tray. Guaranteed antique bronze over 100 years old unsigned but obviously a good artist and fine casting. 5.75" tall x 5.75" long tray.

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Sterling and Turquoise/Shell Navajo Heishi Necklace/Earrings. The necklace is<br>28", earrings are 2". This is a nice vintage set very good quality. The earrings<br>are clip on and marked sterling, the metal on the necklace tests sterling but is<br>unmarked. These came from the same estate and I'm assuming have been together<br>for 50 years or so.<br>tw7

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c1940 Art Deco Arthur Wood Garden Wall Vase. 9.25" tall x 9.5" handle to handle<br>with no cracks, chips, or restorations. Fine crazing with no stains. Very large<br>and good looking piece hand decorated from the first half of the 20th century.<br>TW137

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1950's Mobo Steel Pedal Ride On Horse Toy made in England. Nice durable working<br>toy from the mid 20th century in good condition. When the pedals are pushed the<br>legs go out and it moves forward. It works and the paint is in good condition as<br>shown.<br>26.5" long x 29" tall x 21" tall at tail. Shipping is included in the price and<br>it's going to cost me hundreds of dollars in time, material, and actual cost.

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Antique Chinese Shiwan Buddha Figure with Flambe Cloak. Late 19th to early 20th<br>century. 9.5" tall x 7 7/8" wide. Firing flaw in base. No cracks, chips, or<br>restorations.<br>B35

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Antique Chinese Soapstone Monkeys Brush Washer or small vase. Very nice piece<br>with high quality carving and no damage. Nice natural patina from handling<br>throughout the years. This is an old piece circa late 19th century. 7" wide x 3<br>5/8" tall.<br>B35

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1967 Hawaiian Black Coral Bust by Frank Schirman. 4" tall x 4" deep with no detectable wear. B50

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c1925 Royal Doulton Chang over Sung decorated Flambe Signed by Charles Noke<br>(1858 - 1941); Harry Nixon (1886 - 1955). Large, rare, one of a kind and<br>important. 9.75" 24.5cm tall x 6" 15cm wide. No cracks, chips, restorations or<br>wear. Overall crackle glaze from production. This is likely the most fun and<br>interesting piece of pottery I've owned and I've appreciated art pottery the<br>majority of my life. This piece was entirely decorated with the prunus<br>chinoiserie "Sung" decoration (Iridescent branches and flowers) and flambe glaze<br>then they poured this crazy thick Chang glaze on it and just let it run. I feel<br>this is likely a piece from the very beginning of Chang production in 1925 or<br>even before when they were experimenting as it's a most unusual and extremely<br>labor intensive piece, even the bottom seems like a party. In addition to the<br>painted marks and signatures there is also an impressed Doulton and something<br>else that I just couldn't decide what it was. For international shipment it will<br>be sent Fedex so it will be there in less than a week unless you have an<br>objection.<br>B33

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1920's Lightolier Pendant Light With Iridescent Uranium Glass Painted Shade<br>Parrots and Geometric Art Deco Designs. It's really amazing to find a light<br>light this intact. It has the Lightolier label inside the brass ring where it's<br>wired to the ceiling. The top iron section is 15.5" The shade is 8.5" tall and<br>the Ornament at the bottom of the shade is 4.5" long. So it will hang about<br>28.5" down from the ceiling. The Globe is about 10.5" wide. It's Iridescent but<br>didn't show well in the pics. There is also some uranium in the glass as it<br>glows green under a blacklight but not as much as full on yellow vaseline glass.<br>Tiny flakes where shade attaches to hardware, no big deal and expected. No large<br>chips, no cracks, extremely rare and super cool. It will be packed with the<br>hardware in one box and the glove in another then tons of padding. There's a<br>little surface rust on the iron but really it's just got character and lots of<br>it.<br>B33

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Antique Chinese Bowl Famille Rose Cobalt Blue Bats. Nice piece late Quing<br>Dynasty 19th century very small flake on footrim no other cracks, chips, or<br>restorations. 6" wide x 3" tall.<br>B49

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c1850 Texian Campaigne 10.5" Purple Transferware Staffordshire James Beech Historical Texas Battle Scenes Plate made with Texas Revolution Scenes in the 1840's or 50's. No chips or restorations. It does have overall crazing and some stains, it also has a very tight hairline on the upper right that extends almost to the footrim, it is stable and can't be seen from the front without very close examination. The "Texian Campaigne" transferware pattern was introduced about 1837; although made in Staffordshire, it was produced to appeal to Americans. The pattern was designed to commemorate the 1835-1836 revolution fought against Mexico by Texans for their independence (the word 'Texian' is the British form for Texas.) The Texas Revolution (October 2, 1835 – April 21, 1836) was a rebellion of colonists from the United States and Tejanos (Texas Mexicans) in putting up armed resistance to the centralist government of Mexico. While the uprising was part of a larger one, the Mexican Federalist War, that included other provinces opposed to the regime of President Antonio López de Santa Anna, the Mexican government believed the United States had instigated the Texas insurrection with the goal of annexation. The Mexican Congress passed the Tornel Decree, declaring that any foreigners against Mexican troops "will be deemed pirates and dealt with as such, being citizens of no nation presently at war with the Republic and under no recognized flag". Only the province of Texas succeeded in breaking with Mexico, establishing the Republic of Texas, and eventually being annexed by the United States. The revolution began in October 1835, after a decade of political and cultural clashes between the Mexican government and the increasingly large population of American settlers in Texas. The Mexican government had become increasingly centralized and the rights of its citizens had become increasingly curtailed, particularly regarding immigration from the United States. Colonists and Tejanos disagreed on whether the ultimate goal was independence or a return to the Mexican Constitution of 1824. While delegates at the Consultation (provisional government) debated the war's motives, Texians and a flood of volunteers from the United States defeated the small garrisons of Mexican soldiers by mid-December 1835. The Consultation declined to declare independence and installed an interim government, whose in led to political paralysis and a dearth of effective governance in Texas. An ill-conceived proposal to invade Matamoros siphoned much-needed volunteers and provisions from the fledgling Texian Army. In March 1836, a second political convention declared independence and appointed leadership for the new Republic of Texas. Determined to avenge Mexico's honor, Santa Anna vowed to personally retake Texas. His Army of Operations entered Texas in mid-February 1836 and found the Texians completely unprepared. Mexican General José de Urrea led a contingent of troops on the Goliad Campaign up the Texas coast, defeating all Texian troops in his path and executing most of those who surrendered. Santa Anna led a larger force to San Antonio de Béxar (or Béxar), where his troops defeated the Texian garrison in the Battle of the Alamo, killing almost all of the defenders. A newly created Texian army under the command of Sam Houston was constantly on the move, while terrified civilians fled with the army, in a melee known as the Runaway Scrape. On March 31, Houston paused his men at Groce's Landing on the Brazos River, and for the next two weeks, the Texians received rigorous military training. Becoming complacent and underestimating the strength of his foes, Santa Anna further subdivided his troops. On April 21, Houston's army staged a surprise assault on Santa Anna and his vanguard force at the Battle of San Jacinto. The Mexican troops were quickly routed, and vengeful Texians executed many who tried to surrender. Santa Anna was taken hostage; in exchange for his life, he ordered the Mexican army to retreat south of the Rio Grande. Mexico refused to recognize the Republic of Texas, and intermittent conflicts between the two countries continued into the 1840s. The annexation of Texas as the 28th state of the United States, in 1845, led directly to the Mexican–American War. tw144

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1920's Czechoslovakian Amethyst Iridescent Hand Enameled Candlestick. 8.75" tall, over the top with iridescence and enameling from the first half of the 20th century with no cracks, chips, or restorations. B32

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Antique Chinese Bronze Horse Censer Ornament. 10" tall x 8.5" wide, very early piece one leg has been restored long ago and one hoof is missing. It's been more recently mounted to a very old piece of bronze with some cracks in it. I'm not sure if the two pieces were originally together or not. B31

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Qing Dynasty Chinese Celadon Crackle Glazed Bowl. 5.25" wide x 2" tall. No<br>cracks, chips, or restorations. Natural wear to footrim, guaranteed 19th century<br>or older.<br>b31

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Ming Dynasty Chinese Bronze Tripod Censer with Greek Fret Rim. 5.5" tall to top<br>of handles x 5.3" wide. Nice original patina likely never polished, very old<br>restoration to part of one handle, slight dent towards the bottom of and hole in<br>the bottom of one foot. No other issues, several hundred years old and Chinese<br>guaranteed.<br>B31

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15th Century Thai Sawankhalok Kiln Condiment Jar with Lid. Very early piece of Thai pottery 15th century collected in the mid 20th century by a woman that is now 96. I'll be selling more of her items shortly. 3.25" tall x 4 3/8" wide One chip on top of lid and some roughness inside the rim on the lid and base that is likely a combination of firing flaws and minor wear from centuries of use. b31

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2 Antique Chinese Republic Period Mixed Metal Tea Caddies Pewter copper and brass. Selling both, the Ying Yang one has a few dents, the other some minor oxidation. Neither have any holes. Ying yang one is scratched china on base, the double happiness one is marked Hong Kong. They are both early to mid 20th century. They are both about 3 5/8" tall, widest is 4.75" wide. TW136

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c1890 Nut Pick set in leather covered wood bad derby silver company silverplate. Box measures 5.5" x 3.5". The hinge on the box is broken, loose threads. The pecan or nut picks appear unused. No wear to plating. tw136

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c1900 Austrian bronze Figural Toothpick/Match holder Boy carrying bag. Guaranteed late 19th to every early 20th century. 2 5/8" long x 1 7/8" tall. Not sure if it was originally a match holder or toothpick holder but I'm sure it's great. tw135

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Steuben Air Twist Cordial Crystal Stems Set of 8. Selling the set shown with no cracks, chips, restorations, cloudiness, or scratches. 3 7/8" tall x 1 9/16" wide at rim. They are all hand signed Steuben in the center .Steuben Glass is an American art glass manufacturer, founded in the summer of 1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is in Steuben County, from which the company name was derived. Hawkes was the owner of the largest cut glass firm then operating in Corning. Carder was an Englishman (born September 18, 1863) who had many years' experience designing glass for Stevens & Williams in England. Hawkes purchased the glass blanks for his cutting shop from many sources and eventually wanted to start a factory to make the blanks himself. Hawkes convinced Carder to come to Corning and manage such a factory. Carder, who had been passed over for promotion at Stevens and Williams, consented to do so. In 1918, Steuben was acquired by Corning Glass Works and became the Steuben Division. In July 2008, Steuben was sold by Corning Incorporated for an undisclosed price to Schottenstein Stores,[2] which also owns 51% of Retail Ventures, a holding company for DSW, Filene's Basement, and formerly Value City Department Stores; Value City Furniture, which changed its name to American Signature Furniture; 15% of American Eagle Outfitters, retail liquidator SB Capital Group, some 50 shopping centers, and 5 factories producing its shoes, furniture and crystal. On September 15, 2011, Schottenstein announced it was shutting down Steuben's Corning factory and Manhattan store, ending the company's 108-year history. Soon after, Corning Incorporated repurchased the Steuben brand. In early 2014, The Corning Museum of Glass announced that it would work with independent contractors to reproduce Steuben using a new, lead-free formula and their classic leaded crystal. Carder period (1903-1932)[edit] Steuben Glass Works started operation in October 1903. Carder produced blanks for Hawkes and also began producing cut glass himself. Carder's great love was colored glass and had been instrumental in the reintroduction of colored glass while at Stevens and Williams. When Steuben's success at producing blanks for Hawkes became assured, Carder began to experiment with colored glass and continued experiments that were started in England. He soon perfected Gold Aurene which was similar to iridescent art glass that was being produced by Tiffany and others. Gold Aurene was followed by a wide range of colored art glass that eventually was produced in more than 7,000 shapes and 140 colors. These are a pair of handblown Steuben gold Aurene glass candlesticks designed by Frederick Carder for the Steuben Glass Works, ca. 1913. (From a private collection in Manhattan, New York.)Steuben Glass Works continued to produce glass of all sorts until World War I. At that time war time restrictions made it impossible for Steuben to acquire the materials needed to continue manufacture. The company was subsequently sold to Corning Glass Works and became the Steuben Division. Carder continued as Division manager without any real change in the company's operation except that he now had reporting responsibilities to Corning Glass Works' management. Corning's management tried, mostly unsuccessfully, to limit the articles that Steuben made to only the most popular. Production continued until about 1932. In 1932, there was a major change in Steuben management. The nationwide depression had limited the sale of Steuben and there was a lessening of public interest in colored glass. In February 1932, John MacKay was appointed to Carder's position. Carder became Art Director for Corning Glass Works. Steuben then produced primarily colorless art glass. Steuben still produced colored art glass, but mostly to fill special orders. A few new colors were added after Carder transitioned into his new role with Corning Glass Works, but the last known sale for colored art glass by Steuben was in 1943. Houghton period (1933–2012) An example of Steuben Glass design during the Houghton era is the Balustrade Candlestick set, which mimics a classical balustrade. Of special note is the hallmark of the perfectly formed tear drop air bubble suspended in the design.Corning Glass Works appointed Arthur A. Houghton Jr. as President in 1933, and under his leadership Steuben changed artistic direction toward more modern forms. Using a newly formulated clear glass developed by Corning (referred to as 10M) which had a very high refraction index, Steuben designers developed beautiful, fluid designs. Pieces such as Gazelle Bowl, designed by Sidney Waugh incorporated Art Deco and modernist themes into glass. The themes during this period included "balustrade" designs for water goblets and candlesticks, footed bowls and serving pieces. Decorative forms included wildlife pieces representing owls, penguins and other birds in smooth stylistic forms. Some pieces, such as the Ram's Head Candy Dish, playfully included clean lines crowned by an ornate design (a ram's head, complete with a ruff) on the lid as an homage to its classic earlier pieces. The company also entered into the field of larger show and presentation pieces celebrating various scenes (such as its cut-away design featuring an Eskimo ice fisherman above the ice, and the fish below, or the Cathedral Window design) and elements that incorporated etchings. In some cases sterling silver or gold plating were used on metal finish elements such as the golden "fly" atop the nose of a rainbow trout. Each piece is signed simply with "Steuben" on the underside of the object. Toward the 1990s, the company also began production of small objects—"hand coolers"—in various animal shapes. Items from this period were also noted for their careful and elegant packaging. Before boxing, each Steuben piece was placed in a silver-gray flannel bag (stitched with the Steuben name), and then placed in a presentation box. TW143

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c1880 French Bronze Champleve & Agate Pill Trinket Box. Rare and fantastic item. 2" x 1 5/8" x 13/16" tall. Very clean, well over 100 years old with minimal wear. TW74

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Julius Heinrich HAHNEL (1823-1909) Bronze Playful Cat 6.75" wide x 3 5/8" tall. Nice antique bronze c1900 with incredible patina and no issues. This artist tends to do well at auction and I can see why. b29

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Antique Viennese Bronze Don Quixote on a Horse High Detail Miniature. Very nice 19th century bronze with incredible detail. The only identifying mark I could find on the base is a Stamped F, I'm not sure if Bergman marked any pieces like that. The quality is comparable to Bergman IMO. 8" tall to top of staff x 5" wide. No detectable issues. B29

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Carl Kauba Bronze Bust Pair of beautiful young ladies standing 8" tall on a marble base. Their hair in a fashionable updo of the period and elegantly dressed for an evening out. Properly signed C Kauba on side and marked by J Kalmar Foundry in Austria as well Guaranteed genuine Reddish marble base with dark veining. No damage to bronzes, minor chipping to Marble bases. This price is for both, obviously a matching reverse pair that has been together for over 100 years. Carl Kauba (1865-1922) The Austrian sculptor Carl Kauba attended the Viennese Academy of Fine Arts, where he was taught by Laufenberg, Waschmann and Schwartz. He later continued his education in Paris. Kauba's polychrome, very detailed and realistic sculptures make him one of the leading 'Viennese bronze' artists. b29

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2 Waterford Kenmare Claret Wine Glasses Vintage Irish Crystal. Selling the two shown with no cracks, chips, scratches, or hard water stains. 6" tall x 3" wide at rim. B48

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c1970's Murano Millefiori gold perfume bottle with stopper. 3 5/8" tall x 2 1/8" wide from the last half of the 20th century. No cracks, chips, or restorations. B47

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c1880 Samson French Armorial Plate Set . Selling the four, late 19th century. The first one has the tiniest flake on the left side just below the center, last one shown has a large crowsfoot in the back. No damage to the other two, some minor wear as shown. 9" wide. B46

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Antique Bronze Dutch Girl Bust. Nice Bronze from the last half of the 19th century. 5.75" tall x 5.5" wide with a great patina and no issues. TW134

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Antique Chinese Wooden Water Bucket with Puzzle Lid. 11" tall x 10.25" wide at the widest point of the top. Nice solid over 100 year old bucket that will hold water. The Mechanism that holds on the lid is very interesting and precise with the handle being a lever that slides back and forth. tw69

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c.1820 British Porcelain Pattern 346 Shallow Bowl 8.5" or deep plate. No cracks, chips, restorations, or crazing. Very minimal signs of use. Unsure of manufacturer, but guaranteed British and approximately 180-210 years old. b43

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c1920's Herend Persil Art Deco Hand Painted Soup Tureen. Extremely rare and in perfect condition. No cracks, chips, restorations, or other issues. 14" wide x 9" deep x 12" tall. B44

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c1920's Acoma Pueblo Native American Pottery Bowl with Thunderbirds. Nice early<br>estate fresh piece from the first quarter of the 20th century. 9.5" wide x 3.25"<br>deep with no cracks, chips, or restoration. Some wear in interior most likely<br>from Acoma use when it was first made as it was purchased as a collectible in<br>New Mexico in the mid sixties by my consignors mother according to my consignor.<br>TW134

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1880's Figural Napkin Ring Tennis racket and ball. There's a scratch in the interior, it's not a crack, doesn't penetrate. Upon close examination the tip of the handle of the racket is broken off, worn plating, rare napkin ring. TW134

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