16" c1930 Pink Cut Depression Glass Lamp. Incredible lamp 6" wide at base with<br>no cracks, chips, or restorations. There are some very tiny chigger bites where<br>the hole was drilled for the cord which is to be expected as it's not a flat<br>surface, it likely had a grommet 85 years ago. The lamp and switch work<br>TW95

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Konstanty Mackiewicz (Polish, 1894–1985) Huge Mid Century Modern Forest<br>Landscape Oil on Canvas. Great oil painting with no damage or repair. Measures<br>47" x 35" framed x 39" x 27" canvas. There is minor damage to the frame. It's an<br>old mid 20th century painting.

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c1960 Ercole Barovier & Toso Striato Murano Art Glass Vase. A large 11", complex<br>and uncommon(Documented) form from the mid 20th century. Incredible piece of art<br>glass. Unsigned with no cracks, chips, dings, or restorations. Estate fresh<br>piece.<br>B20

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Retired Royal Doulton Amy Kate Greenway Collection 6". No cracks, chips,<br>restorations, or crazing.

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2 Royal Doulton Flambe Vases with country scenes. Both with no cracks, chips,<br>restorations or scratches. Tallest is 13.5", other is 5.5". The smaller one is<br>very early about 100 years old c1920 and hand painted. The larger is circa mid<br>20th century and a woodcut as stated on the bottom. These are very difficult to<br>photograph at least for me. They're both very beautiful. I'll sell either one<br>individually for $225.<br>B19

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c1940 Meissen Art Deco Cordial Set Liqueur Shot Glass Hand Painted. Very high<br>quality uncommon set with no cracks, chips, or restorations. Very nice simple<br>design. Ground porcelain stopper decanter is 5" tall, shot glasses are 2 1/8"<br>and tray is 8 11/16"<br>B23

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Antique Hand Painted Limoges Lamp w/Neoclassical Woman Playing Lyre. Really nice<br>lamp with no damage in working condition. It's been rewired but the brass base<br>is early 20th century. By the Shape of the porcelain vase I think it may have<br>always been a lamp but have no way of knowing for sure. I did once see a very<br>similar shape in an oil lamp bring close to $2000 at auction, so maybe it was<br>once an oil lamp. I can't find a mark but the quality is unmistakably Limoges<br>French porcelain from the late 19th to early 20th century. Measures 19.5" to top<br>of socket where bulb goes, 27" to the top of the loop (not shown) where the<br>shade will rest, and 14" to the bottom of the brass stem that goes up for the<br>socket.

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c1900 Sioux Quillwork Beaded Tobacco Bag 29.25" long x 6.25" wide. Guaranteed<br>over 100 years old, late 19th to early 20th century authentic Sioux Native<br>American tobacco bag. Minor soiling and wear, very attractive with no<br>significant issues. From a local ex IBM executives estate. My asking price is<br>half what he reportedly paid in the nineties.<br>B12

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African Dogon/ Taureg brass and iron horse ring bit, early 19th c., with<br>engraved geometric designs, approx 12"h, 5"w, 3.5"d, 1.25lbs. Great no brainer<br>patina as shown, guaranteed authentic some small old cracks to brass as shown.<br>B12

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McCabe Sterling Silver Belt Buckle Sunset Trails. Measures 1.75" x 1.5" and fits a 3/4" belt. Good looking old hand engraved cowboy buckle. Selling two pieces shown, keeper isn't marked but obviously matches.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.5" Vintage navajo Sterling Turquoise cuff bracelet. Nice piece circa mid 20th<br>century, unmarked but tested sterling. 6.5" inner diameter with 1.5" adjustable<br>gap, 2" wide in center 51.3 grams

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c1910 Antique Chinese Blue and Whit Fu Lu Shou Figues Lot. Actually I think<br>they're all Fu. They're a little over 100 years old. They're small with a little<br>damage but still pretty wonderful. Tallest is 5 5/8", smaller ones are 3.75"<br>tall. They all three have a little loss but no cracks or restorations.<br>B12

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1950's Vintage Matchbooks Sun Maid Raisins Nestle Marlin Ambulance Cowboy Bars<br>Budweiser and more. Selling the 18 matchbooks shown from the 1940's and 50's<br>mostly. Some have been used some haven't, they are in the condition shown they<br>are regular sized matchbooks.<br>B12

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1930's Yale Town Padlock From Mount Royal Hotel Baltimore MD with Room key and Tag. This is a cool set I'm certain it's been together since it's beginning. The lock works with the key inside it. This was likely Hotel property as. The Mount Royal Hotel and Apartments were designed in 1899 by the well-respected Baltimore architect, Edward H. Glidden. The Neo-Italian Renaissance style buildings were constructed in early 1900; the 103 East Mount Royal Avenue building served as an upscale hotel and the 101 East Mount Royal Avenue building contained all upscale apartments. Centered in the rich artistic and cultural life concentrated in the then city’s center, Mount Vernon, Baltimore, The Mount Royal Hotel and Apartments were a very desirable place to visit as a hotel guest, or to live in as a resident of the apartments. Once the Pennsylvania Train Station was completed in 1911, The Mount Royal’s appeal only increased, as the property’s location attracted daily commuters to and from Washington, DC. Even in 1911, the train ride from Penn Station to Union Station was just 40 minutes. b12

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Vintage Signed Kosta Boda "Cancan" Series Jug/Pitcher By Famous Swedish Designer<br>Kjell Engman 89147 Signed Kosta Boda No cracks, or chips, no scratches(other<br>than some expected wear to base as it's very heavy), no cloudiness, and no other<br>issues.<br>TW120

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Kosta Boda Sweden Hand Painted Mirrored Glass Sphere Artist Signed. 5" tall x 6"<br>wide. No cracks, chips, restorations, or wear to enamel. A few expected<br>scratches on the base that rests on the table.<br>Tw120

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c1880 Nautical Set Folding with Hand painted Porcelain Inserts Cigar Cutter,<br>Match Holder. Extremely rare item Traveling Ships Pocket sized set from the late<br>19th century. Ships wheel cigar cutter, very nice hand painted porcelain plaques<br>likely bohemian.4 7/8" tall open x 4.25" wide closed x 2.5" tall closed. It<br>would create quite a bulge in a pocket but fit in most. Cigars were really small<br>back when this was made.

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Antique Chinese Filigree Silver Enamel Turquoise and Coral Fingernail Brooch. 3 3/8" long x 5/8" wide with no damage.

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Vintage International Sterling Repousse Rose Pendant. 2 3/8" tall x 1.5" tall. Comes with an unmarked 22" necklace that I believe came with it but I'm not sure if it's solid sterling. I'm selling the pendant and giving you the necklace.

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18th Century Frankenthal Cup. Incredible intricate hand painted decoration, really crisp molding on top. No cracks, chips, or restorations, some small worn gilding spots on rim. 3 1/8" tall x 2 9/16" wide. b12

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1950's Blue Luray Pastels Epergne Flower Frog Vase. No cracks, chips,<br>restorations, or crazing, one spot with a factory glaze skip on rim, not<br>noticeable from top. 8.5" tall x 9.5" wide.<br>tw160

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c1920 Art Deco Czechoslovakia Iridescent Luster Pottery Vase. 10.25" tall, great amphora style piece with strong Art Deco influence. 2 very small shallow flakes on feet, no other chips, cracks, or restorations. tw104

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3 Stangl Pottery Birds figure groups in Mint condition. Selling all three with<br>no cracks, chips, restorations, or crazing. Largest is 9.25" tall. I've examined<br>these very closely, especially the beaks and tails, they're perfect The bottom<br>beak on the largest has a slight glazed over flaw, not a repair. Better than<br>average colors, crisp molding, no touch ups.<br>tw103

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Native American Pottery Micaceous Clay Jar with Lid. Very high quality hand<br>coiled jar with hand stamped decoration. 5" tall x 5.5" wide with no cracks,<br>chips, restorations, or scratches. Marked on base, I'd be grateful if you<br>recognized it and told me who made it.<br>b22

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Ilias Lalaounis (1920-2013) !8k gold on Tigers Eye Easter Egg. Great piece<br>tested 18k gold on cats eye. Unmarked Custom made one of a kind piece created by<br>a master and being offered at a fraction of it's original cost. I also have<br>another listed. No issues.<br><br><br>Ilias Lalaounis<br>From Wikipedia, the free encyclopedia<br>Jump to navigationJump to search<br>Ilias Lalaounis<br>LH OMRI<br>Ilias Lalaounis in 1920.jpg<br>Ilias Lalaounis in 1990<br>Born 4 October 1920<br>Athens, Greece<br>Died 30 December 2013<br>Athens, Greece<br>Nationality Greek<br>Alma mater University of Athens<br>Occupation Jeweler<br>Spouse(s) Lila Altitzoglou<br>Children 4 daughters<br>Ilias Lalaounis (4 October 1920 − 30 December 2013) was a pioneer of Greek<br>jewelry and an internationally renowned goldsmith.[1] He is especially known for<br>his collections inspired by Greek history.[2] In 1990 he became the only jeweler<br>ever to be inducted into the Académie des Beaux-Arts.[3][4]<br><br><br>Contents<br>1 Early life<br>2 Career<br>2.1 1969-1970s<br>2.2 1980s–1990s<br>3 Museum<br>4 Personal life<br>5 Honors and awards<br>6 References<br>Early life<br>Ilias Lalaounis was born on October 4, 1920 in Athens, Greece.[3][4] He was a<br>fourth generation jeweler whose family originated from Delphi.[4] He graduated<br>from the University of Athens, where he studied Political Science and the<br>Law.[3][4]<br><br>Career<br><br>Ilias Lalaounis Jewelry Museum.<br>Lalaounis started his career working for the jewelry business of his uncle,<br>Xenophon Zolotas.[4] In 1940 he took over the administration of the firm, which<br>he managed and designed all jewelry for until 1968.[3] He founded the Greek<br>Jewelers' Association and exhibited his first collection, the Archaeological<br>Collection, at the Thessaloniki International Fair in 1957. It was inspired by<br>Classical, Hellenistic and Minoan Mycenaean art. In 1969 he started his own<br>firm, Greek Gold - Ilias Lalaounis S.A..[4]<br><br>1969-1970s<br>Lalaounis provoked a sensation with his collection Blow Up (1970), draping the<br>human body in gold jewelry inspired by Minoan civilization.[5] The following<br>year he organized an international exhibition of jewelry in Athens, joined by<br>Van Cleef, Bulgari, Rene Kern and Harry Winston. In 1976, he had one of his most<br>important commissions which would prove to be one of the most inspiring for his<br>portfolio. Empress Farah of Iran commissioned Lalaounis to create a collection<br>of jewelry and objects inspired by Persian art, which went on display at the<br>Imperial Palace in Tehran.[6]<br><br>Between 1970 and 1978 Ilias Lalaounis opened stores in most European countries.<br>He opened his first international store in Paris at 364 rue Saint-Honoré, near<br>Place Vendôme and produced a short film explaining the sources of inspiration<br>for the jewels on display. Since then, he regularly produced short films to<br>illustrate his collections, such as: Aube of Art, Byzantine Arcs in Gold,<br>Choreography, The Shield of Achilles, Ilion - The Treasure of Troy, Art and<br>Gold, The Common Roots of the Creator Man, Treasures of the Holy Land.[3] In<br>1979, Lalaounis opened a store in New York on the corner of Fifth Avenue and<br>57th Street. A year later, the Smithsonian Institution invited him to give a<br>lecture on his art and to exhibit his collection The Achilles Shield at the<br>National Museum of American History.<br><br>1980s–1990s<br>Ilias Lalaounis continued to create innovative collections and expand the brand<br>to international markets during the 1980s. On the inauguration of the Lalaounis<br>store in Tokyo, he created a jewelry collection inspired by Japanese art. The<br>same year, he opened a store in Hong Kong where he presented a collection of<br>jewels inspired by the drawings of the Greek geometric period, very similar to<br>the geometric designs of Chinese art. A second store was opened in Hong Kong in<br>1982.[3] Lalaounis exhibited his Helen of Troy collection at the Penn Museum in<br>Philadelphia as well as in Houston, Texas, where he was made an honorary citizen<br>by the mayor.<br><br>In 1984, he published Metamorphoses, a book in which he presented nineteen of<br>his collections by analyzing his philosophy on the nature and function of<br>jewelry. The jewel, for Ilias Lalaounis, is not a simple decorative object,<br>rather it carries a message, is an expression of inner life, a link with the<br>distant past, a symbol and a memory.[3] He received the Thorlet Award (Prix<br>Thorlet) for the book from the Académie des Beaux-Arts. Subsequently, a<br>retrospective exhibition of his creations was presented in the Sorbonne Chapel.<br>For his contribution to the arts, Lalaounis was made Knight of the Order of Arts<br>and Letters (Chevalier de l'ordre des Arts et Lettres) by the French government<br>and Commander of the Order of Academic Palms (Commandeur des Palmes<br>Académiques). He was also elected as a member of the Académie des Beaux-Arts of<br>the Institut de France, the only jeweler ever to be inducted.[3][7] The<br>Academicians' swords (épées d'Académiciens), given to members on their<br>induction, were originally designed by Salvador Dali, and when Dali became too<br>frail to continue, he named his close friend Ilias Lalaounis to continue his<br>work.<br><br>In November 1987, Lalaounis was invited by Teddy Kollek, Mayor of Jerusalem, to<br>present his collection Treasures of the Holy Land, in an exhibition specially<br>organized by the Israel Museum and subsequently shown in New York, London and<br>Paris. The following year he presented Arabesques, a collection of gold and<br>silver creations set with precious and semi-precious stones. The Minister of<br>Foreign Affairs of Turkey invited him to exhibit Arabesques, as well as another<br>complementary collection, Soleiman the Magnificent, at the Islamic Art Museum of<br>Istanbul.[8] He launched Ameridians in New York, a collection inspired by the<br>art of North American Indians and in 1991, opened his store on Madison Avenue in<br>New York, where he presented his collection inspired by Celtic art.<br><br>Museum<br>In 1994, he founded the Ilias Lalaounis Jewelry Museum, located under the<br>Acropolis, in the center of Athens. The permanent exhibition displays jewelry<br>and micro-sculptures from forty-five collections, designed by Lalaounis in the<br>period 1940-1992.[9] Some special commissions are also kept on permanent<br>display, such as the Olympic torch, designed by Ilias Lalaounis, used to start<br>the Olympic torch rally before every Olympic Games.

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Ilias Lalaounis (1920-2013) !8k gold on Tigers Eye Easter Egg. Great piece tested 18k gold on cats eye. Unmarked Custom made one of a kind piece created by a master and being offered at a fraction of it's original cost. I also have another listed. No issues. Ilias Lalaounis From Wikipedia, the free encyclopedia Jump to navigationJump to search Ilias Lalaounis LH OMRI Ilias Lalaounis in 1920.jpg Ilias Lalaounis in 1990 Born 4 October 1920 Athens, Greece Died 30 December 2013 Athens, Greece Nationality Greek Alma mater University of Athens Occupation Jeweler Spouse(s) Lila Altitzoglou Children 4 daughters Ilias Lalaounis (4 October 1920 − 30 December 2013) was a pioneer of Greek jewelry and an internationally renowned goldsmith.[1] He is especially known for his collections inspired by Greek history.[2] In 1990 he became the only jeweler ever to be inducted into the Académie des Beaux-Arts.[3][4] Contents 1 Early life 2 Career 2.1 1969-1970s 2.2 1980s–1990s 3 Museum 4 Personal life 5 Honors and awards 6 References Early life Ilias Lalaounis was born on October 4, 1920 in Athens, Greece.[3][4] He was a fourth generation jeweler whose family originated from Delphi.[4] He graduated from the University of Athens, where he studied Political Science and the Law.[3][4]CareerIlias Lalaounis Jewelry Museum. Lalaounis started his career working for the jewelry business of his uncle, Xenophon Zolotas.[4] In 1940 he took over the administration of the firm, which he managed and designed all jewelry for until 1968.[3] He founded the Greek Jewelers' Association and exhibited his first collection, the Archaeological Collection, at the Thessaloniki International Fair in 1957. It was inspired by Classical, Hellenistic and Minoan Mycenaean art. In 1969 he started his own firm, Greek Gold - Ilias Lalaounis S.A..[4]1969-1970s Lalaounis provoked a sensation with his collection Blow Up (1970), draping the human body in gold jewelry inspired by Minoan civilization.[5] The following year he organized an international exhibition of jewelry in Athens, joined by Van Cleef, Bulgari, Rene Kern and Harry Winston. In 1976, he had one of his most important commissions which would prove to be one of the most inspiring for his portfolio. Empress Farah of Iran commissioned Lalaounis to create a collection of jewelry and objects inspired by Persian art, which went on display at the Imperial Palace in Tehran.[6]Between 1970 and 1978 Ilias Lalaounis opened stores in most European countries. He opened his first international store in Paris at 364 rue Saint-Honoré, near Place Vendôme and produced a short film explaining the sources of inspiration for the jewels on display. Since then, he regularly produced short films to illustrate his collections, such as: Aube of Art, Byzantine Arcs in Gold, Choreography, The Shield of Achilles, Ilion - The Treasure of Troy, Art and Gold, The Common Roots of the Creator Man, Treasures of the Holy Land.[3] In 1979, Lalaounis opened a store in New York on the corner of Fifth Avenue and 57th Street. A year later, the Smithsonian Institution invited him to give a lecture on his art and to exhibit his collection The Achilles Shield at the National Museum of American History.1980s–1990s Ilias Lalaounis continued to create innovative collections and expand the brand to international markets during the 1980s. On the inauguration of the Lalaounis store in Tokyo, he created a jewelry collection inspired by Japanese art. The same year, he opened a store in Hong Kong where he presented a collection of jewels inspired by the drawings of the Greek geometric period, very similar to the geometric designs of Chinese art. A second store was opened in Hong Kong in 1982.[3] Lalaounis exhibited his Helen of Troy collection at the Penn Museum in Philadelphia as well as in Houston, Texas, where he was made an honorary citizen by the mayor.In 1984, he published Metamorphoses, a book in which he presented nineteen of his collections by analyzing his philosophy on the nature and function of jewelry. The jewel, for Ilias Lalaounis, is not a simple decorative object, rather it carries a message, is an expression of inner life, a link with the distant past, a symbol and a memory.[3] He received the Thorlet Award (Prix Thorlet) for the book from the Académie des Beaux-Arts. Subsequently, a retrospective exhibition of his creations was presented in the Sorbonne Chapel. For his contribution to the arts, Lalaounis was made Knight of the Order of Arts and Letters (Chevalier de l'ordre des Arts et Lettres) by the French government and Commander of the Order of Academic Palms (Commandeur des Palmes Académiques). He was also elected as a member of the Académie des Beaux-Arts of the Institut de France, the only jeweler ever to be inducted.[3][7] The Academicians' swords (épées d'Académiciens), given to members on their induction, were originally designed by Salvador Dali, and when Dali became too frail to continue, he named his close friend Ilias Lalaounis to continue his work.In November 1987, Lalaounis was invited by Teddy Kollek, Mayor of Jerusalem, to present his collection Treasures of the Holy Land, in an exhibition specially organized by the Israel Museum and subsequently shown in New York, London and Paris. The following year he presented Arabesques, a collection of gold and silver creations set with precious and semi-precious stones. The Minister of Foreign Affairs of Turkey invited him to exhibit Arabesques, as well as another complementary collection, Soleiman the Magnificent, at the Islamic Art Museum of Istanbul.[8] He launched Ameridians in New York, a collection inspired by the art of North American Indians and in 1991, opened his store on Madison Avenue in New York, where he presented his collection inspired by Celtic art.Museum In 1994, he founded the Ilias Lalaounis Jewelry Museum, located under the Acropolis, in the center of Athens. The permanent exhibition displays jewelry and micro-sculptures from forty-five collections, designed by Lalaounis in the period 1940-1992.[9] Some special commissions are also kept on permanent display, such as the Olympic torch, designed by Ilias Lalaounis, used to start the Olympic torch rally before every Olympic Games.

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c1920 Art deco Beaded Handbag with silk interior. Great piece with glass beads, handmade. Minor wear as shown, really fantastic. TW101

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1928 Presentation Cocktail Shaker American Legion "Revue" Cast to Dan G Folan. I'm not sure what the history is on this piece but it seems so dramatic I had to list it. It does have some dents a few on the body and on the footrim. I didn't try to fix them, still a cool one of a kind piece. tw101

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FIFA Coca Cola World Cup Used Soccer Referee Flags. Nice vintage pair of Referee flags from the Fifa youth world cup. I'm not sure which year, but you aren't likely to find another pair. Some stains and wear. They aren't as bright as the pics suggest. Case is 19" long tw100

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1882 18.5" Crown Derby Imari Tea Tray Rare form of early tray with an uncommon<br>pattern. No cracks, chips, or restorations, some wear to gilding as shown. 138<br>years old.<br>b22

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Zanetto Maia Italian MCM Style Silverplate Pitcher. This pitcher isn't very old<br>but the quality is incredible and it retails for $480 new. It's in near mint to<br>mint condition with no dents or noticeable scratches or other wear. 7.25" tall x<br>9" handle to spout. If you see anything that looks bad in the pics it's either a<br>fingerprint or a reflection this thing is beautiful.<br><br>Zanetto<br>Veneto, Italy Silversmith<br>Zanetto, founded in 1963, is a workshop of highly skilled silversmiths devoted<br>to the crafting of decorative household objects in silver, silver-plate and fine<br>metal alloys. Their products are distinguished by a sophisticated blend of<br>innovative design and unparalleled workmanship. At the foundation of their<br>philosophy is the steadfast tradition of handcrafting every single item in their<br>production line, combined with the high sense of style the world has come to<br>expect from Italian design.<br>b22

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Rosenthal Versace Covered Vegetable Jardin de Versace Pink and blue with Heavy<br>Gold MINT. This piece is in mint unused condition with absolutely no damage or<br>wear. Buying the exact piece shown with nothing else included, new without box<br>it was displayed but not used. Measures 6.5" tall x 13.5" wide and holds 1.6<br>liters.<br>b21

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I can't make out the signature and am not really familiar with Mexican artists<br>anyways but it's incredible. No damage to painting or frame, estate fresh with<br>illegible to me signature. Measures 29" x 24" framed and 16" x 20" canvas.

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Roger Rishab Tibon (b.1960)Philippines Acrylic on Canvas. Great looking tribal<br>ethnic painting. Original Art guaranteed. Measures 28" x 35" framed with an 18"<br>x 24" sight. No issues with art, slight wear on edge of frame.<br><br>Roger "Rishab" Tibon is a self-taught, interdisciplinary artist. He is primarily<br>a painter but also does installation art, performance art, writes poetry,<br>practices Filipino martial arts and occasionally dabbles in film-making. Before<br>embracing a fulltime career in visual arts in the early 90's, he worked as a<br>freelance graphic designer/artist, and later ended up in some advertising<br>agencies as art director.<br><br>Rishab, as commonly known in the art circle, is also the name he signs on his<br>paintings. He was born in Aklan, the Philippines on June, 1960, but grew up and<br>spent most of his time in Manila, and in the 90's he moved up to Baguio City<br>where he is currently based and maintain a working studio.<br><br>Roger "Rishab" Tibon already had ten solo exhibitions and numerous group shows<br>locally and internationally. In 2011, he had a one-man show in Korea and in the<br>early 2012, he was the only Filipino artist invited to participate in the 2012<br>Art Revolution Taipei of which his works were warmly welcomed by the Taiwan art<br>market and art enthusiasts.<br><br>Rishab is also a recipient of many awards from painting competitions, selected<br>and invited to several art biennales, residency programs and international art<br>fairs. Rishab is a member of the Art Association of the Philippines, Baguio<br>Writers Group and currently an international coordinator for the Yatoo - Korean<br>Nature Art Group.<br><br>International Exhibitions:<br>2013 –Taichung Art Fair, Taiwan<br>-Gangwon Art Fair, South Korea<br>- Taebaek ArtvExhibition, South Korea<br>- Gangneung Art Residency, South Korea<br>- 2013 Art Revolution Taipei, Taipei, Taiwan<br>- Affordable Art Fair Hongkong<br><br>2012 – Affordable Art Fair Singapore<br>– Together Arts Exhibition –Taipei Taiwan<br>- An Binh Gallery, Ho Chi Minh City, Vietnam<br>– 6th Guandu International Outdoor Sculpture Festival – Taipei<br>- Affordable Art fair New York<br>– Baguio-Taebaek Art Exchange Exhibition – Taebaek, Korea<br>– Gangwon Art Fair – Gangwon, S. Korea<br>- Melbourne Affordable Artfair – Melbourne, Australia<br>- Pith Paper Revival Exhibition – Hsinchu City, Taiwan<br>– Art Revolution Taipei, Taipei, Taiwan<br><br>2011– Yatoo Art Residency – Yeonmisan, Gongju, S. Korea<br>- 5th Guandu International Outdoor Sculpture Festival, Taipei<br>-Scribblings – a one-man exhibition – Yatoo Nature Artspace, Wongol, South Korea<br>-AXIS ART Project (Philippine International Arts Festival) Baguio City,<br>Philippines<br><br>2010 - Pingling Nature Art – Pingling Farm, Shuanfxi, Taipei, Taiwan<br>2010 - 4th Geumgang Nature Art Biennale, Kongju, South Korea<br>- Dorasan Peace Park Installation Art, DMZ, Panmunjeom, Korea<br>- Taebaek Art Exhibition, Taebaek, South Korea<br><br>2009 – 2nd Spraygraphics and Hoodlums Vinyl Art Exhibition – Tempe, Arizona, USA<br>- 3rd World Delphic Games, Jeju, South Korea<br>- Nature and Peace – an International travelling exhibition,<br>- Nature Art Center, Kongju, and Sohnamoo Galleries, Seoul, South Korea<br><br>2008 – Guandu International Outdoor Sculpture Festival - Taipei, Taiwan<br><br>2007 – Nature Scopes and Nature in Mind (a traveling exhibition)<br>- Kongju National Museum, Kongju, Chungnam, South Korea<br>- Incheon Gallery Space Beam, South Korea<br>- Gallery Space C, Cheju Island, South Korea<br>- Philippine Contemporary Art – Philippine Embassy, Singapore<br><br>2006 – Holiday Fiesta - Utterly Art Gallery, South Bridge Road, Singapore<br>- 2nd Geumgang Nature Art Biennale – Yeonmi-san, Kongju, S. Korea<br>- Asian Contemporary Art Exhibition – Suntec, Singapore<br><br>2005 – Convergence – Fine Arts Museum, Ho Chi Minh City, Vietnam<br>- Blue Space Contemporary Art Center, Ho Chi Minh City, Vietnam<br>- World Exposition 2005 – Aichi Prefecture, Japan<br>- Asian Art Exhibition – Inza Art Plaza, Seoul, South Korea<br><br>2004 – 22nd Korea International Art Festival – Seoul, South Korea<br><br>2003 – Geumgang International Nature Art Exhibition – Sanseong Park, Kongju,<br>Chungnam, South Korea<br><br>2002 – 17th Asian International Art Exhibition – Daejeon Municipal Museum of<br>Art, Daejeon, South Korea<br>- Kawing-Gawa – 24 HR Art Gallery, NT Darwin, Australia<br><br><br>Selected Group Exhibitions (Philippines):<br><br>2013 – Rennaisance, Art Center, Megamall, Mandaluyong City<br><br>2012 - Re-View, Bancab Museum, Baguio City<br><br>- Kapuwa 3 – Bencab Museum, Baguio City<br><br>- Kristo – Art Center, Megamall, Mandaluyong City<br><br>2011 – Re-View II– group exhibition, Bencab Museum, Baguio City<br><br>–Mother and Child – Art Center, Megamall, Mandaluyong City<br><br>– ChildPlay – Café By The Ruins, Baguio City<br>2010 – Re-View I - Bencab Museum, Baguio City<br>AAP Painting Competition, GSIS Building, CCP Complex, Pasay City<br>– GSIS Painting Competition, GSIS Museum, CCP Complex, Pasay City<br>-ECCA/AAP Painting Competition, ECCA Building, Pasig City<br>2009 - Art For Youth Sake - House of Representatives , Quezon City<br>- INA/ANI (Tribute to women and mothers) The Podium, Mandaluyong City<br>- New Figuration Bencab Museum, Tuba, Benguet<br>- Artasia Gallery – Artwalk SM Megamall, Mandaluyong City<br>- Centennial Spirit (Nature Installation Art), Centennial and Botanical Park,<br>Baguio City<br>-New Figuration, Bencab Museum, Baguio City<br>- Wow Philippines Centennial Exhibition- Baguio Convention Center, Baguio City<br>-UGMA – a fund-raising exhibit for breast cancer patients, Tha Manor, Camp John<br>Hay, Baguio City<br><br>2008 - Florante at Laura - Vargas Museum, UP Diliman, Quezon City<br>- Florante at Laura - 1/OF Gallery, Serendra, Fort Bonifacio, Taguig City<br>- Love Stories (Art for Basilan Children) Philamlife, Manila City<br>- ArtWorks - Cordillera Coffee , SM Mall, Baguio City<br><br>2007 - Cordillera Suite - Yuchengco Museum, Ayala, Makati City<br>- 3rd Junior Delphic International Festival, Baguio City<br>- 4th Sunrise Festival Baguio City<br>- Tribute to Green Thumbs – GSIS Museo ng Sining, Manila City<br>- Kalikha-san - Philippine Heart Center, Quezon City<br>- Punla - Quezon City Hall Lobby, Quezon City<br>- Play of Colors - Lumiere Gallery, Ayala, Makati City<br>- Cordillera - Manor Hotel, Camp John Hay, Baguio City<br>- Pallette Art - Cultural Center of the Philippines, Manila City<br>Vargas Museum, UP, Diliman, Quezon City<br>University of Santo Tomas Museum, Manila<br>De La Salle University Museum, Mandaluyong City<br>- Retro Exhibition - Café by the Ruins, Baguio City<br>- Samu’t-Sari - Maryknoll Sanctuary Gallery, Campo Sioco, Baguio City<br>- Panagsasabat - Baguio Convention Center, Baguio City<br><br>2006 - Group Exhibition - Artasia, Artwalk, SM Megamall, Mandaluyong City<br>- Two-Man Show - Saturday Group Gallery, Ali Mall, Cubao, Quezon City<br>- Delphic Art Festival - Baguio Convention Center, Baguio City<br>- ‘Di Lang Isa - (VOCAS) Victor Oteysa Community Art Space, Baguio City<br><br>2005 – 20th Asian International Art Exhibition - Ayala Museum, Makati City<br>- 58th Annual AAP Painting Competition GSIS Museo Ng Sining, Manila City<br>- Philip Morris Philippine Art Award - National Museum, Manila City<br>- Images of the Cordillera - Galerie Andrea, Intramuros, Manila City<br>- Antipolo Maytime Festival - Pinto Art Gallery, Antipolo City<br><br>2004- Dose - Teresita’s Gallery, Baguio City<br>-Tam-awan Village Artists - Le Souffle, The Fort, Taguig MM<br>-BigWorks - Village Gallery, Tam-awan, Baguio City<br>-TVA - Rennaisance Gallery, SM Megamall<br>- SariSari - Tam-awan Village, Baguio City<br>- Year of the Monkey - Tam-awan Village, Baguio City<br><br>2003- Earth Day (Installation Art) - Malcolm Square, Baguio City<br>-Philippine Paintings - Ayala Museum, Makati City<br>-6th Baguio Art Festival (Installation Art) Botanical Garden, Baguio City<br>-SmallWorks - Tam-awan Village, Baguio City<br>- Detalyado - Tam-awan Village, Baguio City<br>- Asian Bonsai and Sueseki Exhibition SM Megamall, Mandaluyong City<br><br>2002- Centennial Art Exhibition - BGH, Baguio City<br>-Installation Art Festival - Tam-awan Village, Baguio City<br>-Earth Day - SBMA, Olongapo City<br>-Dinagyang Festival - Museo Iloilo, Iloilo City<br>-Rabong Bamboo Art Festival - Tam-awan Village, Baguio City<br><br>2001 – Philip Morris Art Award - Metropolitan Museum, Manila<br>-Works on Handmade Paper - Km 6, Tuba, Benguet<br>-Watercolors - Tam-awan Village, Baguio City<br>-Ensembles I and II - Maryknoll Gallery, Baguio City<br>-Pagdidiwata Festival, Kamarikutan, Puerto Princesa, Palawan<br>-Hibla (Paper for Peace) - Tam-awan Village, Baguio City<br>-Year of the Snake - Tam-awan Village, Baguio City<br><br>2000 - Green Cordillera Art Exhibition - SLU Museum, Baguio City<br>-Printmaking Exhibition - Tam-awan Village, Baguio City<br>-Walong Artista - Boston Gallery, Quezon City<br>-TVA - Metropolitan Gallery, SM Megamall<br>-Book Art I, II, III - Luz Gallery, Makati City<br>- Year of the Dragon - Tam-awan Village, Baguio City<br>- IIC3 Art Exhibition - Green Valley Country Club,Baguio City<br>-ITAG - Metropolitan Gallery, Shang-rila Plaza<br><br>1999 – 5th Baguio International Art Festival Convention Center, Baguio City<br>-Cordillera Images - Boston Gallery, Quezon City<br>-Panagtitipon - Green House Effect Gallery, BaguioCity<br>-Contemporary Ethnic - Tam-awan Village, Baguio City<br>-M3O3 Art Exhibition - Session Road, Baguio City<br>-SmallWorks - Christine’s Gallery, Baguio City<br>- Group Show - Café San Luis, Baguio City<br><br>1998 – Sinait Art Exhibition - Sinait, Ilocos Norte<br>-2-man Exhibition - Caribana Café, Malate, Manila<br>-Contemporary Ethnic - Supreme Hotel, La Trinidad, Benguet<br><br>1997 – Watercolor on Handmade Paper - Christine’s Gallery, Baguio City<br>- Watercolor Show - MoonFlower Hotel, Baguio City<br>1995 – 4th Baguio International Art Festival UB Square, Baguio City<br>1994 – Art for Peace (Installation Art) Lucnab, Baguio City<br>1992 - Filipino Values - Cebu City Museum, Jones Ave. Cebu City<br>1990 – Cebu Artists Exhibition - Montebello Hotel, Cebu City<br><br>Awards and Merits:<br>2013 – Gangneung Art Residency, Gangwon, South Korea<br><br>2012 - Huayuan Pith Paper Revival Installation Art<br>– 6th Guandu International Outdoor Sculpture Festival, Taipei<br>– Gangwon Art Residency, Gangwon, Korea<br>– Art Revolution Taipei, Taipei, Taiwan<br><br>2011- Yatoo Artist-in Residence Program, S. Korea<br>- 5th Guandu International Outdoor Sculpture Festival, Taipei, Taiwan<br><br>2010 – PingLing Farm International Environmental Art Project – Shuanfxi Town,<br>Taipei County, Taiwan<br>- 4th Geumgang Nature Art Biennale – Kongju, South Korea<br>- AAP Painting Competition – Honorable Mention<br><br>2009 – Lyra Award for Shadowplay Competition - 3rd World Delphic<br>Games - Jeju, South Korea<br>- AAP Painting Contest – Honorable Mention<br>- First Prize – Baguio Painting Contest<br><br>2008 – 2nd Guandu International Sculpture Festival, Taipei<br>2006 – 2nd Geumgang Nature Art Biennale, Korea<br><br>2005 – Finalist – Philip Morris’ Philippine Art Award<br>- Honorable Mention – 58th AAP Annual Art Competition<br>- Best Production Design - Gawad Urian Award -“Ebolusyon Ng Isang Pamilyang<br>Pilipino”<br><br>2003 – Yatoo Nature Art Exhibition – S. Korea<br>2001 – Finalist –Philip Morris Philippine Art Award<br>2000 – Grand Prize – Green Cordillera Painting Competition

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c1900 Michigan State University Morill Hall Wall Plaque Lead/Pewter Relief Bust<br>in Mission Oak Frame. I bought this piece a few years ago from a woman that told<br>me she purchased it from some sort of liquidation sale Michigan State<br>University. I'm still looking for the piece of paper where I had her write it<br>down but It might not turn up for years. I did find that Morill hall was<br>demolished in 2013 which was about 4 years before I bought this piece. I know<br>for a fact it was MSU and I know it was Morill Hall I just don't remember the<br>date she acquired it, not sure if I asked. It seems Morill hall was a women's<br>building in 1900. This piece is for sure that old. I would bet my life it's from<br>1900-1910. It's unsigned, I don't know who the artist or the woman is. I think<br>there's a good chance they're both someone famous. To me this looks to be a one<br>of a kind handmade piece and I don't think there could've been may artists at<br>that time or now capable of such a feat. It has minor wear as shown. It is very<br>heavy. It measures 16" wide x 20" tall. This piece represents quite a bit not<br>just for people interested in Michigan stuff but It's an important part of<br>Women's Educational History and the evolution of this country.<br><br>In December 2012, History said goodbye to Morrill Hall and moved to the Old<br>Horticulture Building.<br><br>Opened in 1900, Morrill Hall was first named the Women’s Building. Though women<br>were admitted to MSU in small numbers beginning in 1870, a women’s course was<br>not introduced until 1896. As the number of women rose, the university need a<br>dormitory—the Women’s Building. The Dean of women had a residence on the first<br>floor and home economics instructors lived on the upper floors. There was space<br>for 120 women students and a dining room, cooking and sewing laboratories, a<br>woodshop, music rooms, and a gym. According to a catalog from the day, women<br>residents were subject “to only such restraints as would be expected in a well<br>regulated Christian family.” By 1926, modifications allowed for the housing of<br>200 women in the building.<br><br>In the mid-1930s, increased enrollment in the Women’s course made necessary the<br>construction of new dormitories. As women students moved into new buildings,<br>Morrill Hall was converted in 1937 into classrooms and offices for the Liberal<br>Arts Division. That year the building was officially named Morrill Hall in honor<br>of Vermont Senator Justin Smith Morrill. He had been instrumental in forging the<br>federal Morrill Act, which established land-grant colleges. The act was critical<br>in the development of higher education in the United States.<br><br>As part of the Liberal Arts Division, History, along with six other departments,<br>established itself in Morrill in 1937. As the department grew, it came to occupy<br>all of the third and fourth floors and parts of the first floor and garden<br>level. English occupied the second floor and Religious Studies part of the<br>first.<br><br>About 100 years after its construction, Morrill’s age began to show. Inspections<br>revealed deterioration in the building’s wooden infrastructure and shallow<br>foundation. In 2010, the MSU Board of Regents decided that repairs were not<br>feasible and approved a plan for demolition.<br><br>Events then unfolded quickly. In summer 2012, English and Religious Studies were<br>moved from Morrill to Wells Hall. Romance<br><br>Old photo of Old Horticulture Building<br>Old Horticulture Building<br><br>Languages, which had been in Old Horticulture, was also moved to Wells. Crews<br>then did minor renovations on Old Hort. History was the last department to<br>vacate Morrill during a move which took several weeks.<br><br>Morrill Hall was demolished in summer 2013. In spring 2014, the Morrill plot was<br>transformed into a green space with benches and gardens arranged in manner so as<br>to emulate the long, wide halls that characterized the old structure.<br><br>Needless to say, the move to Old Hort was time consuming. Faculty packed their<br>own belongings, most of which consisted of books. Crate after crate was then<br>taken by university movers 100 yards across campus. Faculty then unpacked their<br>things and began the process of settling in.<br><br>Old Hort lacks some of the charm of Morrill. Gone are the high ceilings,<br>hardwood floors, large windows looking out at the green, and spacious offices.<br>But Old Hort has proven to have some advantages. The heating system works well,<br>there are no rats, bats or birds inside the building, and the offices, though<br>smaller, are comfortable and roomy enough for multiple bookcases.<br><br>MSU sponsored some updates of Old Hort. But there is still work to be done.<br>Alumni and friends of the department interested in sponsoring room updates and<br>in conference room, office and workspace naming rights are encouraged to contact<br>the department chair for conversations.<br><br>History has started a Morrill Fund to honor the old building and to advance<br>faculty research. For more information, please contact the department chair,<br>Walter Hawthorne.<br><br>*Some information for this piece was derived from History Professor Madison<br>Kuhn’s Michigan State The First One Hundred Years (East Lansing, Michigan State<br>University Press, 1955).

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Betty Allison Texas Cowboy Oil on Canvas. Betty Allison was a San Antonio artist<br>who's originals rarely come up on the open market. At the time of this listing<br>there are three for sale online between $9,000 and $12,000 and none for less.<br>She mainly sold limited edition prints in the 1970's and 1980's in editions of<br>1000. I've seen plenty of her prints sell in the $250 range. This is an original<br>oil on canvas with no significant issues, it measures 26" x 22" framed x 14" x<br>18" canvas. Great painting, as realistic as they come for a realistic price.

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Ancient Artifact Prehistoric Mayan Pre-Columbian Pottery Carved Cylindrical<br>Vessel. This and a few more I'm listing are part of an estate collection, I<br>believe they had a small museum in the nineties or before. There was everything<br>from Native American to Pre columbian pottery, everything so far was real. I<br>purchased awhile back but am just now getting around to listing. Guaranteed<br>authentic, hassle free returns. Very old cracks and restorations throughout. 7"<br>tall x 5.5" wide. This is a very special, rare, and labor intensive museum<br>quality piece.<br>tw94

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18th century Pewter Reproduction Lot Antique. This is a lot of what after close examination believe to be reproduction 18th century pewter. It's a very old lot probably early to mid 19th century. I believe much time and effort was dedicated to making these pieces look authentic and old. They would look great in any colonial setting and I believe would fool or puzzle pretty much anyone even after close examination. Selling the whole lot. Largest tankard is 10.5" tall. tw94

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Van Briggle Pottery Dragonfly Bowl in Mulberry and Blue 8.5". Nice old piece of Van Briggle art pottery from the second quarter of the 20th century with no cracks, chips, or restorations. TW94

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Vicky Industria Peruana Sterling Silver Overlay Copper Pre-Columbian Incan Style Plate. Nice piece with minor wear to patina. The whole thing could easily be polished to copper, but to me it looks good now. TW91

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Hobe Vintage Costume Jewelry Clip on Earrings 4 pairs. Selling all four really well made and gorgeous with no significant issues. 2 pairs have minor oxidation on the back only, one earring appears to maybe have been repaired at one point, see solder on back only.

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Vintage Sterling Clip On Earring Lot Mid Century Navajo, Mexican, Siam, Roman coins. Selling the lot, 4 clip on and one screw back. The turquoise and Pink abalone are likely native american, turquoise unmarked pink Stamped S.J. Sterling. The siams were in the original 1960's or so box but I can't find it, I believe they've never been worn, One mexican, and then the unmarked but tested sterling extremely well cast Roman coin style earrings which I assume are top quality replicas from the mid 20th century. Largest is 1.25" wide. 59.8 grams total.

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Vintage Sterling Clip On Earring Lot Mid Century Modern (5). Selling the lot 78 grams all well made earrings from the mid to late 20th century. All marked sterling or 925, one stamped MD, one Thai, 3 Mexican. The largest is 1 1/8" square.

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Vivian Love(1908-1982) Floral Still Life Listed Texas Artist. No issues or damage. Vivian Rogers Love began exhibiting in San Antonio, Texas in the 1940s. She was a member of the San Antonio Art League, River Art Group, Coppini Academy of Fine Arts and the Highland Art Group. She had a lengthy exhibition career with numerous solo exhibitions that spanned four decades.

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1950s ADAC," Allgemeiner Deutscher Automobil- Club" Grill badge, German Automobile Club. Selling both badges with no significant issues. tw88

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Vintage Sterling Silver and Natural Baltic Amber Pinback Brooch. 1 3/8" tall x 1 7/8" wide. I couldn't find a mark but it tested sterling and authentic is amber.

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Vintage Sterling Silver and Natural Amber Pendant . 2.25" tall x 1.25" wide. Marked 925 and authentic amber.

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18th-19th Century Tibetan Bronze Buddhist Tara Sculpture Antique Buddha. Very early Authentic antique Buddhist Statue of Tara. It has a wonderful natural patina and nice casting. There is a small very old chip in the base on the right side facing it. It measures 13" tall x 7.5" wide. It is fresh from a fine estate collection of Chinese antiques that was purchased in the mid 1970's. 6.5 pounds. TW102

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Vintage Yunomi Studio Pottery . No cracks, chips, or restorations. I'm unsure of<br>maker. 3 5/8" tall x 4 1/8" wide.<br>TW83

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1920's Whiting and davis Art Deco Mesh Handbag with gold Gilt Frame. Good looking purse with no significant issues, interior is worn as expected and shown. TW101

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1920's German Art Deco Mesh Handbag with enamel frame. Special vintage handbag with 2 small old repairs only visible in interior, shown in last pics. TW101

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c1900 Beaded Handbag with intricate Architectural Landscape. Amazing condition, amazing piece of art. One tassle at bottom separated, otherwise incredible condition.

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1930's Nancy Carroll Autographed Picture Paramount Pictures 5.5" x 7". Some tack holes in corners and minor soiling, authentic. TW82

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Ancient Artifact Prehistoric Tool possibly Neolithic Celt Mississippian ax Authentic. This and a few more I'm listing are part of an estate collection, I believe they had a small museum in the nineties or before. There was everything from Native American to Pre columbian pottery, everything so far was real. I purchased awhile back but am just now getting around to listing. Guaranteed authentic, hassle free returns. 5.75" long. TW82

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18th century Porcelain Cherub with applied Florals Possibly Capodimonte. Very early piece guaranteed 200+ years old. I believe it's capodimonte, but it could be German. Some restorations to body, missing bouquet, some missing petals. 5.5" tall. tw82

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1950's Murano Hurricane Lamp Candlestick Gold flecks and Controlled Bubbles. Rare and unusual item from the mid 20th century. The pontil is open at the bottom for ease of making it into a lamp but there are no holes in the metal. It's a candlestick fashioned to look like an early oil lamp. No damage, extremely heavy. tw100

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Central American Chancay Figure Very Early. Very old piece came from a collection of relics and Pre-columbian artifacts from Central America. I believe it's original circa 1000 A.D. and will back that up with no questions asked return if you aren't happy. 6.75" tall , doesn't stand well by itself, a few small flakes, no restorations. TW82

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c1870 Meiji Period Japanese Plate Collection. Largest is 9.75", smallest 8.25" 2 are signed as shown, One has a small chip on the front at the bottom shown in pics. No other cracks, chips, or restorations. TW81

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c1880 French Pressed Glass Bowl With Rooster Fish Butterfly Ducks Birds Possibly Baccarat. I'm not totally sure of maker but I'm positive it's antique from the late 19th century and believe it's french. I couldn't find a marking. There are a few chips on the footrim but no other chips or cracks. 10.25" wide x 2 5/8" deep. TW81

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Vintage Mexican Pottery Centinela Tequila Shot Glasses From Tommy's Restaraunt<br>Santa Fe, NM. Selling the whole set of 8 with no cracks, chips, or restorations.<br>TW80

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Webster Sterling Silver Overlay Trivet. Antique early 20th century item with no significant issues, no cracks, no deep scratches or loss. TW80

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Large Native American Carved Alabaster Sculpture of Buffalo Robe by D Hales<br>1990. Large and heavy piece by an accomplished artist. 12" tall x 13" wide x 12"<br>deep abs it weighs 56 pounds.

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Antique Carved Wood Jesus Santos Doll 18th Century. Very early santos doll with much of the original paint and a fine patina. The front looks as though it has some weird wear but I'm certain it's antique, not sure what happened or why. Measures 11.75" tall, missing an arm. TW78

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Cool old puppet with some expected wear as shown. Very old piece around 100 years old with fantastic patina.

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c1920 Fish Decoys Sold Here Folk Art Advertising Sign Hand Carved Red Bear. Great old piece circa early 19th century. Estate fresh, part of a huge collection of Fish Decoys. Rare and Unusual piece of Americana and Fishing Memorabilia with a fantastic "no brainer" patina 20.5" long. TW97

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c1920 Art Deco Silverplate Mounted Cut Glass Pitcher 11" tall. I would be tempted to date this closer to 1900, but I feel the geometric design on the mounting dates it to the art deco period. It's a great big pitcher with no cracks and only some small expected flakes that are only detectable upon close examination. I could find no markings on the lid or the base. tw96

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c1850 Mayer "The Gem" Bue Transferware Dinner Plates 10.25" Pair. The pattern is "The Gem", and they were made by Thomas, John & Joseph Mayer between 1843 and 1855. Selling both with no cracks, chips, or restorations. Both have some expected crazing. TW76

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c1880 Glass Bottomed Pewter Tankard Half Pint by James Dixon. Exceptional patina, holds liquid. Some expected wear that has been naturally patinized over time. 4" tall. TW94

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Antique Chinese Export Silver and Jade Demitasse Spoon Set Hong Kong. 4.25" long. These were wrapped in very old cloth, estate fresh. I don't believe they've ever been used. They are from the first half of the 20th century. Marked and tested silver over 90%. tw94

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c1880 Dresden Figure Group Children with Lamb and Birdcage. 6.5" wide x 5" tall. One tiny flake off the green leaves to the flowers in his upper hand, pin head sized. No other chips, cracks, or restorations. TW75

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C1870 Louisville KY Belknap Sterling silver/Steel with Celluloid Handles Cutlery Set Fish Serving Set. Rare and unusual set by American Hardware store/tool/knife Maker Belknap. Most of the stuff they made was more utilitarian rather than fancy like this set. Also a strange combination of Sterling silver and The earliest form of Plastic. All are in good condition, tight in handles. The bands are marked sterling. The forks don't stick to a magnet, tested sterling, and show no wear to any possible plating so I believe they are solid silver other than the handles. The Knives are obviously Steel. Some of the marks are difficult to read on the knives. Knives are 9.75" long, forks are 7.75" long. TW94

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c1840 Whimsical British Peach Lustre Hand painted Polychrome Decoration over Transferware Tea Set. Selling the set, special and unusual, well over 150 years old. Very old stable, tight hairlines on base of teapot, creamer, and sugar, and one cup and saucer, also some tiny flakes on inside rim of sugar. No other cracks, chips, or restorations. This is a regular sized tea set not a childs or demitasse, the cups are about 8 oz. TW93

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Signed Art Glass Vase with controlled bubbles. No cracks, chips, dings, or scratches. I'm unsure of artist but the quality is incredible. 4.5" tall tw75

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1967 Stangl White Grape Pate sur Pate Star shaped Powder dish with Lid Candy Box. 5 1/8" wide with no cracks, chips, or restorations. Produced for only one year, less than a year in 1967. TW75

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Prehistoric Pottery Pots Fresh from an Estate Pair. Selling both Prehistoric pots. Tallest is 8.5" with some repairs and chips on top and 3 small holes in bottom. The ribbed one is 6" tall x 7" wide, some chips on top and a tight stable hairline. They're both in stable condition and likely over 1000 years old. Selling both. TW74

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c1870 Antique Chinese Famille Rose Opium Pillow. Nice 19th century antique chinese opium pillow. Some wear to the glaze and a few glaze flakes on the top rim as shown. No other chips, cracks, or restorations. tw72

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c1915 Chinese Bronze Vase with Bamboo Decoration. Extremely heavy for it's size. Lighter in color than a typical bronze patina but I feel like it's been polished before, some discoloration as shown. Came with the note shown inside it. TW74

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c1860 French Bois Derci inkwell with Cut Glass insert. Rare item made from Bois Derci a wood composite made in france in the mid 19th century. Marked Veritable Bois Derci in one Circle and Modele Despose in the other there's an AA in both circles center. There is one old chip on the top of the Bois Derci holder shown in pics. One tiniest flake ever on the fine crystal likely Baccarat Insert. No other damage 8.5" wide. TW73

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Huge Antique Deruta Umbrella Stand/Floor Vase with Unusual Incised Decoration.<br>One very small chip on footrim, nothing. No other chips, no cracks, no<br>restorations.

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c1850 Henry Folscroft Montrose Colorado Leather Whisky/Wine bottle Holder Old West. Antique tooled carrying box, floral pattern panel on front with central W.B.T. initials, edge tooled and line stamped around top. Original carrying strap and top strap. 13" tall, 8 ½" x 4 ¼", separated into two compartments for carrying whiskey or wine bottles. Makers-mark stamped in large letters on the bottom. Strap is damaged. TW73

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4 1970's Ruby Fostoria Coin Wine Goblets. No cracks, chips, restorations, or scratches. Selling all four. TW72

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c1900 Large French Cut Glass Perfume Bottle Etched Eau De Cologne. Great large sized bottle with original stopper. No chips, flakes, or cracks on base. A few small chigger bites on faceted stopper top and bottom. TW72

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Sterling Silver Salt Spoon Brooch Pair. 2 old salt spoons about 100 years old made into brooches in the mid 20th century. No issues, similar patterns.

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1950's Harker Pottery Fruit Pattern Ceramic Rolling pin . No cracks, chips, restorations, or crazing. Great item, guaranteed authentic. isshelf

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12.5" Mid Century Modern Toasting Glasses Green Air Twist Stem Huge Blenko? Two huge glasses guaranteed circa 1950's-1970's. One has a small burst bubble on the edge of the foot shown in the base pic, insignificant. No other cracks, chips, or restorations. TW72

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WW1 Era Trench Art Lamp 3 Lite. Cool trench art lamp that appears to have good<br>wiring just needs new lamp tops on it if you want it to be a lamp again. No<br>other issues.<br>TW87

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6 Antique Guilloche Silver Enamel Demitasse Spoons. Super spoon collection. All late 19th to early 20th century. The Versailles spoon has some hallmarks in the bowl, they're all 800 or sterling. All small demitasse spoons Longest 4 1/8" TW90

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Austin Aqua Festival 1963,1964, 1957 Regatta Trophy. Selling all three with<br>provenance. These two Aqua fest Trophies will be the highlight of any Austin<br>Aqua Fest Collection. They are rare, one of a kind, the type of holy grail<br>collectibles that you don't even consider the existence of until you encounter<br>it. I'm including the 1957 trophy because it provides interesting provenance to<br>the two aqua fest trophies. They are all from the same estate and were won by<br>the Same man. I'm including a screenshot of his obituary. He was 40 when he won<br>the 1957 trophy, 46 for the '63, and 47 for the '64. Provenance is not something<br>usually considered with these types of collectibles, but it is interesting in<br>this case. I'm selling the lot for one price. If you're in Austin which the<br>future owner most likely will be, I've met locally to sell earlier skipper pins<br>and other rare Austin Memorabilia.<br><br>The Austin Aqua Festival was created in 1962 to promote Austin and the Texas<br>Highland Lakes as a top vacation area and to boost the local economy in what was<br>normally a slow period. The first Aqua Fest occurred Aug. 3-12, 1962. Art<br>Linkletter was the headliner for the event.<br><br>The festival offered many water related events such as a<br>150-mile canoe race, fishing contests, a sailingregatta and an illuminated night<br>time parade on the lake. There were many land based events also including the<br>Miss Austin Aqua Beauty contest, a twilight land parade, a<br>daytime military parade,<br>a rodeo, golf tournament, concerts, dances and fireworks.<br><br>Patrons of the fest could purchase a book of discount tickets to get into the<br>various venues. The tickets were called Skipper Script. The next year, the<br>script gave way to the Skipper Pin, which was purchased and pinned on the goers<br>clothing, letting the workers know that the wearer was eligible for discounts on<br>tickets.<br><br>The central location for many of the events was "Festival Beach," a small park<br>on Town Lake between the city-owned power plant and a residential neighborhood.<br>The city had originally created Town Lake as a cooling pond for the power plant.<br><br>In 1964, the festival added one of its most popular and controversial<br>events, drag boat racing on Town Lake. It also added a water<br>skiing championship, kite flying championship and an Austin Grand Prix - sports<br>car racing on city streets.<br><br>The 1966 Aqua Fest started out with the world premiere of Batman, with Adam<br>West and other actors from the movie in attendance. 1966 also saw the start of<br>the "Battle of the Bands", in which unknown rock and roll bands were judged for<br>awards and recognition. Battle of the Bands would become the festival's top<br>draw. The United States Air Force air demonstration squadron,<br>the Thunderbirds first performed at the Fest the same year.<br><br>By 1968, an estimated crowd of 150,000 watched the night lighted water parade,<br>which had been renamed to Rio Noche parade in 1964. The crowds were starting to<br>overwhelm Festival Beach causing traffic congestion, parking problems and<br>security concerns for the residents plus the noise of the events, especially the<br>drag boats. However, the mostly Hispanic community had very little political<br>clout to get anything changed.<br><br>Theme nightsEdit<br><br>Theme nights began in 1969. Various nights of the festival would highlight<br>different cultures of Texas. This first year there was<br>Western, German, Czech and Jazz and Rhythm and Blues nights. Throughout the<br>years the theme nights varied as new ones were tried and unpopular ones not<br>repeated. These included Mexican, Black Heritage, Italian, American and<br>International nights. Toward the end of the festival's life, the theme nights<br>had settled to multiple nights with Western and Mexican themes.<br><br>Aero-FestEdit<br><br>Also in 1969, Bergstrom Air Force Base, on the southeast edge of Austin, began<br>an open house in conjunction with Aqua Fest and titled it Aero-Fest. In addition<br>to the Thunderbirds performing, the gathering showed off many<br>military airplanes and other hardware. A crowd favorite was a C-5 Galaxy, which<br>visitors would walk through to get to the main display area. Aero-Fest was an<br>instant success and in just two years it was drawing 80,000 people to the base.<br>Aero-Fest ceased when the base closed in 1993.<br><br>1970–1979Edit<br><br>The new decade saw Aqua Fest's continued growth with the addition of more new<br>events such as a photography contest and motocross in 1971 and the Pet Parade in<br>1972. But the growth of the event brought confrontation with the neighborhoods<br>surrounding Festival Beach. Complaints had gone unheeded and people finally took<br>to the streets in protest. The anti-Fest coalition was led by Paul Hernandez and<br>a group calling itself the "Brown Berets." Protesters were arrested and they in<br>turn sued the City of Austin and Aqua Fest. By the end of the decade, the drag<br>boat races were gone from Town Lake and pressure was on to find a new location<br>to hold other Aqua Fest events.<br><br>1980–1989Edit<br><br>Due to continued protest and growing crowds, Aqua Fest was moved from Festival<br>Beach to Auditorium Shores, a larger park along Town Lake about a mile to the<br>west of Festival Beach. This larger area meant the festival could now have<br>multiple stages for entertainment. The festival organizers signed up corporate<br>sponsors and local radio stations to co-sponsor the entertainment and began<br>booking national acts.<br><br>The City of Austin, which had subsidized Aqua Fest in its early years, now<br>believed the Fest was self-sufficient and withdrew its financial support. The<br>city began charging the festival for use of Auditorium Shores.<br><br>In 1985, attendance at Aqua Fest peaked at 252,000. More criticism came at the<br>festival for lack of parking, excessive noise and alcohol abuse issues. This<br>time the rebuke was from residents of the Bouldin Creek neighborhood just south<br>of Auditorium Shores. The opponents of the festival were able to force a<br>non-binding referendum to move Aqua Fest to Lake Walter E. Long in far east<br>Austin. The measure passed but promised corporate support to build a new<br>facility went away as Texas entered an oil bust in the middle of the decade.<br>Aqua Fest stayed at Auditorium Shores.<br><br>1990–1998Edit<br><br>With its multiple stages for entertainment, Aqua Fest changed from a civic event<br>to a live music event. The organizers began to book bigger and bigger acts, even<br>paying premiums to get popular acts such as Dolly Parton in 1992. This drove<br>ticket prices up and attendance down. By 1993, the festival only drew 44,000<br>people and as a result lost $722,000. The festival organization exhausted its<br>cash reserves and asked its largest creditor, the City of Austin, for permission<br>to pay off its debt in annual installments.<br><br>In 1994, Aqua Fest returned to its roots with more local acts and an all<br>volunteer staff and in 1995 brought back the popular theme nights. They also<br>tried drag boat races again, this time at Lake Walter E. Long, but the races<br>drew little interest. It was all too little, too late and the Austin Aqua<br>Festival folded in 1998.

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Waterford Doug Sanders Celebrity Classic 1986 Golf Trophy. I thought the tournament started in 1988 but it clearly says 1986. Top quality trophy vase. 8" tall cut crystal. A few small nicks on the base edge and two on the rim, very small only noticeable when looking for them and could be easily polished out.

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c1890 Cranberry Glass Muffineer Sugar Shaker with Cut paneled Sides. 5.5" tall<br>with no cracks, chips, or restorations. Slight roughness inside lip under lid<br>likely original to manufacture.<br>TW70

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c1900 Yale University Gorham Sterling Silver Enamel Spoon. Extremely rare and obviously desirable spoon. Very slight wear to enamel at top of bowl where it meets handle, won't find another one. 5 3/16" long.

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Vintage Sterling Rosary with Black Crystal beads, It measures 27" long x 6.5"<br>dangle after necklace, weighs 37 grams. Very good quality with no detectable<br>issues.

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1950's Kupittaan Kulta Elis Kauppi Modernist sterling silver pendant on 16.25"<br>modern designer necklace. No issues with either piece. The pendant measures 1<br>7/16" tall.<br><br>Elis Kauppi<br>One of the most important figures in<br>Finish jewelry design Elis Kauppi’s<br>vision of a new jewelry style<br>inspired a generation of designers and<br>launched Finland onto the international<br>jewelry design scene.<br><br>In 1945, in Turku, Finland at the age of 24 ,<br>Kauppi started his renowned jewelry workshop<br>named Kupittaan Kulta. He was part of a young<br>group of makers which would forever change the<br>face of jewelry design. Kauppi's drive to innovate<br>originated from the difficult circumstances of the war and a desire to break out<br>of the<br>usual standards of jewelry design of that time.<br><br>The War and the Innovation of the Kupittaan Kulta Workshop<br><br>Finnish jewelry ingenuity was greatly tested during the<br>second world war and it was reported that even when<br>glass beads and stones were hard to obtain during the war<br>that the Kupittan Kulta workshop melted down colored pin<br>heads to provide jewelry accents and Finish granite was upgraded<br>to a precious stone. Below : L to Right: Kupitaan Kulta jewellery including<br>silver and amethyst flower pendant, the "Mountain Stream" necklace and<br>a modernist Kupittan Kulta brooch<br><br>International Acclaim<br>Kauppi, representing Finland, started exhibiting<br>internationally in the 1950's winning prestigious awards. His "Mountain Stream"<br>necklace which featured cascading bubbles of spectrolite and rock crystals<br>was an example of his original craftsmanship. The anvil benchmark beside the<br>Turku town stamp are identifying marks for this designer and his company.<br><br>Modernist Forms<br>Attention to simplicity and form was at the heart of Kauppi's jewelry designs<br>.Kauppi’s designs emphasized abstraction, and being a true modernist he<br>he rejected the previously popular naturalistic forms of the forties which<br>focused on<br>flower and leaf type designs. With great emphasis on craftsmanship<br>his strong and bold jewelry designs remain strikingly relevant to this day.

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Vintage Sterling Clip On and Screw Back Earring Lot Begay Navajo. Largest is the<br>Begay pair measuring 1.5" wide. I really like the pair marked "original" The<br>other two are vintage Mexican. Selling all four pairs all mid to late 20th<br>century.

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c1920 Haviland Limoges hand painted cabinet plate. No cracks, chips, or<br>restorations.<br>TW82

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c1880 Fischer & Mieg Pirkenhammer Imari Style Plate Czechoslovakian Porcelain.<br>Really nice plate mid to late 19th century with no damage or restorations.<br>tw82

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