商品

Sadie Calvin Navajo Sterling turquoise necklace 22" necklace, 2.5" x 2" bottom<br>pendant. No issues. 61.5 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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Sadie Sam Navajo Overlay Sterling pendant/necklace. Pendant and necklace solid<br>sterling in overlay style with turquoise cab. 16" necklace, 1.5" pendant 28.8<br>grams.

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Sage and Brass Sterling Southwestern Cuff Bracelet. Not marked sterling but tested, Sage and Brass was a high end southwestern jewelry maker that I believe went out of business. 23 grams 6.5" including the 1" gap 3/8" wide.

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Sajen Sterling multi-stone pendant/pin 1 7/8" with no issues. anderas

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Sally Yazzie Navajo Sterling turquoise, and coral pendant/oversized charm with no issues. Measurements in pics.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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No damage or other issues.<br><br>Artist: Salvador Dali (after), Spanish (1904 - 1989)<br>Title: Soft Telephone<br>Year: 1968<br>Medium: Etching, signed in the plate<br>Image Size: 7 x 4.75 inches<br>Size: 9" x 7" inside matting<br>Frame Size: 16.75 x 14.75 inches

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Sam and Esther Guardian Zuni inlay Bolo tie and belt buckle.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist, rings photographed<br>on the appropriate sized finger when possible. With bracelets if the measurement<br>is not given in the description then inside circumference is shown where the<br>metal meets the number on the the cloth tape measure.

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Sampson Werito Navajo Sterling 3/4" ranger belt buckle set. New old stock, never<br>worn, still on the sample belt.<br><br>Navajo Sampson Werito resides on the Navajo reservation in the town of Thoreau,<br>NM,which is close to Gallup & is a 'veteran silversmith who's been at it for<br>decades.He specializes in making these great ranger sets.<br><br>Ranger sets are a great way to go when you don't want the buckle to be 'wearing<br>you',but you 'wearing it'.Many times the buckles are so large that that's all<br>you notice..These have statement,but on a smaller scale..And they're SUPER<br>classy!! They generally say more with less & can be worn by man or woman..Both<br>genders love them for their smaller size.

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Nice piece measuring 4" tall x 2.75" wide. Some minor loss too heavy white enamel. No cracks, chips, or restorations.

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Great early Inkwell with no cracks, chips, restorations. It has clean gold, very tight hinge, nice patina on the bronze mounts. B8

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Great early Inkwell with no cracks, chips, restorations. It has clean gold, very tight hinge, nice patina on the bronze mounts. B8

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Samuel Benham 18k/Sterling mabe pearl jewelry set. Size 8 ring, No apparent brand name on necklace or pendant. All appears to match, from the same estate. All metals tested and guaranteed. Necklace 3mm 18" long. Pendant 2.25" with bail x 1 7/8" anderas

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Samuel Benham BJC Sterling silver cuff bracelet. Vintage estate cuff in like new<br>apparently unworn condition. High quality, heavy but flexible braided sterling<br>silver. 71.4 grams. 1" wide x 7.75" inside diameter including the 1 1/8"<br>adjustable gap. Very springy cool cuff.

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Samuel Benham Sterling/18k Citrine Double necklace 18.5" long with no damage or detectable wear, this is much larger and heavier than most Benham necklaces. Limited production retired design. 129 grams.

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Samuel LaFountain - Diné, Turtle Mountain Chippewa Modernist silver cuff braceletSamuel Greatwalker LaFountain was born in 1986 in Santa Fe, New Mexico. He has been making jewelry for over 22 years. He infuses contemporary concepts with his traditional background, creating beautiful pieces of art. Hallmarked with his G and 2 dragonflies. Award winning artist.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Samuel LaFountain - Diné, Turtle Mountain Chippewa Tufa Cast silver moss agate pendant 2 5/8" x 1 1/8" 17.1 grams. Inside bail 9-10mm Samuel Greatwalker LaFountain was born in 1986 in Santa Fe, New Mexico. He has been making jewelry for over 22 years. He infuses contemporary concepts with his traditional background, creating beautiful pieces of art. Hallmarked with his G and 2 dragonflies. Award winning artist.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Samuel LaFountain - Diné, Turtle Mountain Chippewa Tufa Cast silver turquoise pendant/bolo. Could be worn as a pendant sideways on a beaded necklace or a bolo. Just selling the slide shown. The loops are 12-13mm wide. 56.3 grams. Samuel Greatwalker LaFountain was born in 1986 in Santa Fe, New Mexico. He has been making jewelry for over 22 years. He infuses contemporary concepts with his traditional background, creating beautiful pieces of art. Hallmarked with his G and 2 dragonflies. Award winning artist.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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San angelo tx hollands sterling gold overlay spur tie bar Boy Scout Jamboree, 14k gold horse overlaid on Sterling spur. No issues. Production of Holland’s western jewelry began in 1936 with the introduction of the “spur clip” tie clip. Chase Holland had established a jewelry business in San Angelo, Texas in 1918. After the depression, he wanted a gift to express his appreciation to his friends who had helped him make it through the difficult years. A miniature silver spur was fashioned as a tie clip. This spur was given as a token of appreciation to friends who had “won their spurs” in the western tradition. Some of the first spur clips produced were given by Mr. Houston Harte, founder of Harte Hanks Communications, Inc. to President Franklin Roosevelt, Vice President John Nance Garner and Speaker of the House Sam Rayburn. The “spur clip” was then patented and the creative craftsmen of Holland’s workshop developed a unique line of western spur jewelry that is still produced today. The success of the spur jewelry led to the creation of the famous Holland’s buckles and other western accessories. From 1936 to 1940 numerous styles of buckle sets and trophy buckles were designed. Many of the legendary Texas Rangers wore these buckle sets as well as the spur tie clips. This is why today the buckles are often called “Ranger” sets. Chase Holland employed tool and die makers as well as hand engravers to produce the steel die sets necessary to make the buckles and spur jewelry. All of the Holland’s buckles are die struck in Sterling Silver or solid 14 or 18 karat gold. Die struck metals are more dense and heavier than pieces that are casted. Production costs are higher for die struck buckles, but they are stronger and harder. This also allows the hand engraving to create a very bright cut in the dense metal. Over the years, Holland’s buckles and spurs have been worn by many well known ranchers, wildcatters, politicians and celebrities. Holland’s buckles have become cherished family keepsakes that are treasured as much as Grandfather’s gold watch.

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聖荷西使命陶器瓷磚。 6.25 英吋見方。沒有裂縫、缺口或修復。沒有問題，非常好的例子。San Jose Mission Potteries 是指由Ethel Wilson Harris 在德克薩斯州聖安東尼奧地區創立的一組瓷磚和陶器工坊始於 1930 年代。tw119歷史Ethel Harris 是墨西哥傳統藝術的狂熱愛好者，三個陶器 – Mexican Arts & Crafts、San Jose Potteries 和 Mission Crafts – 提供了墨西哥工匠生產本土風格陶瓷設計的出口。她的第一家陶器公司：Mexican Arts & Crafts (MAC)，成立於1931 年。陶器在聖何塞使命的穀倉開業。陶器附屬的一家小商店出售商品向當地遊客推廣受墨西哥影響的設計。哈里斯聘請了首席設計師費爾南多·拉莫斯（Fernando Ramos），當時他還是一名高中生。拉莫斯負責集體陶藝的墨西哥生活、當地的著名場景文化和舞者。1934 年，他離開家鄉，開始全職跳舞，並在墨西哥學習西班牙、墨西哥和吉普賽舞蹈。一路上，他遇到了另一位舞者卡拉·蒙特爾並與他結婚。這對組合在 20 世紀 40 年代成為一支受歡迎的舞蹈組合，出現在夜總會和電影中。弗拉門戈舞蹈主題在MAC陶器中很常見。 1930 年代末，哈里斯獲得了拉莫斯設計的版權，並在他離開後的許多年裡繼續在她的三個陶藝工作室中使用這些設計。她的工作室通過參加1933 年芝加哥世界博覽會而獲得了更多曝光。到 1934 年，哈里斯的成功導致聖荷西陶器廠 (San Jose Pottery) 的擴張，最初是作為較小的 MAC 車間的生產設施，該車間無法支持瓷磚製造所需的窯爐。聖荷西陶器廠也生產一系列被稱為「泛美陶瓷」的餐具、藝術品和瓷磚製品。這些作品以殖民地、西部、印度和墨西哥場景為特色。哈里斯因與公司總裁兼部分所有者 Cecil Beck 意見分歧而於 1937 年離開聖何塞陶器廠。作為分割的一部分，她保留了公司生產的所有設計的權利。 San Jose Pottery 聞名的馬蹄蓮餐具系列是在哈里斯離開公司後生產的。 1941 年，貝克將公司賣給了紐約的一家公司。1944 年，陶器被燒毀。由於無法恢復運營，公司停業，建築物於 1947 年被夷為平地。與她工作的同時在San Jose Pottery，工作室開始為1936 年德州百年博覽會生產瓷磚壁畫和鍛鐵瓷磚桌。 MAC/聖荷西陶器公司也為 1939 年紐約世界博覽會生產陶器。哈里斯繼續在 MAC 工作。 1939 年，哈里斯加入工作項目管理局 (WPA) 的工藝美術部門，擔任技術主管。在此期間，她帶了60名WPA工匠進入工作室。這段時期生產的物品包括公共場所的瓷磚、貧困家庭的餐具和其他公共工程。 1941 年，她離開 WPA，去管理聖荷西宣教州立公園，並搬進了宣教區的居住區。她的第三個工作室 Mission Crafts 於 1941 年推出。這個更大的工作室擁有更多的空間和更大的窯爐。他們與當地的鐵藝工匠合作，在鍛鐵框架和桌子上製作瓷磚。哈里斯最終於 1963 年退休，她的兒子接管了公司。由於生產成本增加，Mission Crafts 於 1977 年關閉。

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砂鑄純銀和綠松石美洲原住民餐桌盒。 20 世紀上半葉的香菸盒，帶有非常輕質的木質內襯，後來由一位非常熟練的很可能是美國原住民藝術家在 20 世紀第三季度重新加工。稍微彎曲蓋子。有趣的同類物品，您找不到其他的。盒子是德國 835 Silver Bruckmann & Sohne。我沒有發現這位美國本土藝術家留下的任何識別標記，但它已經過英鎊測試。 5.25" x 3.5" x 1.75" 深，附浮雕。256 克。tw217

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Sandersen 西南現代主義晶片鑲嵌純銀皮帶扣。 3 5/8" x 2 3/8"，適合 1.5" 皮帶，88.6 克。保證至少含 90%（硬幣）銀，含量可能更高。任何標記的東西都保證是根據其標記，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示金屬與布捲尺上數字相符的內週長。

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Sandy Sangster Navajo Native American Sterling and turquoise Cuff Bracelet. Marked with the two feathers hallmark, tests sterling with no damage.

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Sarah Reid McLaughlin (1872-1939) for Weller Hudson line vase. 8" tall x 5" wide with no cracks, chips, or restorations, overall crazing. tw122 isshelf

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Sarah Timberlake for Weller Hudson line vase. 8" tall x 5" wide with no cracks, chips, or restorations, overall crazing. tw119

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Sarreguemines Courses Digoin Plates with Horse Racing Track Scenes (8). 7.75"<br>They all have some crazing which is expected with antique earthenware. 3 have<br>light stains as shown, no cracks, chips, or restorations.

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Saul Alcaraz Studio Art Glass Vase 10.5" tall, signed and dated 2009, no damage<br>or wear. An amazing piece of glass with rich blues and purples that I couldn't<br>capture with the time/resources available.<br><br>Saul Alcaraz's fine art glass has been featured in galleries and museums<br>throughout the world. His visionary designs have literally pushed the art of<br>glassmaking to the edge of creative expression. His passion for his work is<br>inspired by the amazing works of Lois Comfort Tiffany, Steuben and Duran.<br><br>Saul's symbiotic relationship with fire has been a tenuous partnership over the<br>years. With the quest for a translucent form of perfection, Saul feels he has<br>captured the power of the sun and he brings this to tangible objects of pure<br>light and beauty. His style is reminiscent of the art nouveau glass being<br>produced in France by Galle and in Ausrria by Loetz. Saul has had but one ideal<br>- to make the finest glass the world has ever known, with strict adherence to<br>distinctive design.

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Schafer and Vater Bathing Beauty Figure. 5.5" long x 2.25" tall with no cracks, chips, or restorations. Firing flaw on knee. b37

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Schafer and Vater Googleye Unexpected Opening Match Holder Faint mark from a<br>large collection of Schafer and Vater, 4" tall with no cracks, chips, or<br>restorations.<br>b37

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Schafer and Vater Scratch my back Dog Match Holder. Marked on base. 4.75" tall<br>with no cracks, chips, or restorations.<br>b37

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I couldn't find a signature on this piece, but I guarantee it to be early 20th<br>century art glass, most likely French. Most likely Degue or Schneider. The<br>holder measures 17.5" wide x 9.5"tall. The bowl is 9 7/8" wide x 2 5/8" deep.<br>There are three very small flakes on the bowl rim, not noticeable on such a<br>stand out piece. Looks to be cased with Vaseline in interior and mottled<br>exterior.

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Schumann Empress Soup Tureen with lid 12.25" handle to handle x 7" tall with no cracks, chips, or restorations. Perfect gold other than the tiniest spot on the very tip of the lid finial. isshelf

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Scott Kay 18k/Sterling hoop earrings 13/16", 5mm wide, no issues. Come with box shown.Scott Kay Scott Kay has been acclaimed year after year as the authority in fashion jewelry. Scott Kay created the most distinctive and artistically designed collection that established him as a coveted brand for men’s fashion accessories. Scott Kay has been credited for spearheading the resurgence of platinum in America. The brand has received several awards for using the metal, including the prestigious Platinum Innovation Award several years in a row. Today, Scott Kay’s legacy continues by a small team of artisans who have the same fiery passion that Scott did. Expect the most exceptional quality and craftsmanship with a Scott Kay piece.

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Sebesta Cameo Glass Vase with Dolphins. 10.5" tall x 6.25" wide at rim. Great piece of late 20th century art glass with no cracks, chips, or scratches, expected shelf wear on base as it's a heavy piece. The pics don't do it justice. TW207

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Set of 4 vintage Navajo Curio Sterling Napkin rings with turquoise. Selling the 4, mid 20th century likely from Bell Trading Post or similar, each marked STER in reverse center of concho.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Set of Antique Chinese Swatow Ware Blue Decorated Sauce Dishes for Southeast<br>Asian Market. Interesting set 18th-19th century collected in the early 20th<br>century likely in Southeast Asia. They average 2.75" x 2.25", they are<br>irregular. Two are damaged One with chip, both with old hairlines, 7 have no<br>damage.<br>B36

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Seth Vandable Bronze Conquering Spirit Sampson with Lion. 16" tall cold painted solid bronze Artists Proof 12/350. Very heavy solid bronze with marble base. It has a ball bearing plate on the base so it can be seen from all sides without moving it. This retailed for $4800 and has no issues or damage. It will be exremely securely packed with lots of foam in multiple double walled boxes.

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Sharon Cisco Navajo Sterling storyteller bracelet, fits up to a 6 3/8" wrist, no issues. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Sheila Tso Navajo Spiny Oyster/opal channel inlay earrings. 1.5" tall x 3/8" wide x 5.9 grams with no issues. Navajo artisan "Sheila Tso" is a traditional Navajo artist that instinctively knows how to create earrings that cater solely to women.. Known for her fabulous lookin cluster jewelry, she carefully selects each stone, that she then lays out in some of the most attractive designs that are in todays market!

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Sheila Tso Navajo Sterling and spiny oyster earrings. 3.25" tall x 3/8" wide x<br>18.5 grams with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Sheila Tso Navajo Sterling and turquoise earrings 2" tall x 1 3/16" wide x 15.9<br>grams with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Sheils Tso Navajo heavy stamped silver and turquoise pin 2.5" x 1 3/8" x 27.6 grams. <br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Shelley Creamer and Sugar Collection (12 pcs) all with with no cracks, chips,<br>restorations, crazing, gold wear, scratches, or stains. Smallest 1 5/8" tall,<br>tallest 2 7/8"

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Shelley Harebell Oleander Shape Creamer 3" tall x 4" handle to spout with no<br>cracks, chips, restorations, or stains.

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Shelley Heather 杯子和碟子套裝（多件可選）蓋恩斯伯勒形狀，無裂紋、缺口、修復、裂紋、金色磨損或污漬。碟子尺寸為 5.5 英寸，杯子尺寸為 2 5/8 英寸高 x 邊緣寬 3 3/8 英寸，無手柄。

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雪萊旋律印花棉布杯和碟。無裂痕、缺口、修復、刮痕或污漬。無龜裂。它比 Demitasse 大，但比一些現代茶杯小。碟子尺寸為 4 13/16 英寸，杯子尺寸為 3 英寸高 x 邊緣寬 2 7/8 英寸。內部為淺綠色。

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Shelley miniature Cup and Saucer. 3" saucer 1 5/8" tall cup. Mint condition with no damage or wear. B32

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Shelley Nut Dish Collection (7) all with with no cracks, chips, restorations,<br>crazing, gold wear, scratches, or stains. They measure from 4.5" to 5.5"

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Shelley Oleander Primrose Chintz Teacup and Saucer. No cracks, chips, restorations, detectable wear or flaws 5.75" wide saucer. isshelf

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Shelley Oleander Rock Garden Teacup and Saucer. No cracks, chips, restorations, or detectable wear. A few pinpoint sized dark spots outside of cup. 5.75" wide saucer. isshelf

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Shelley Rock Garden Chintz Cup and Saucer Pair. No cracks, chips, restorations, scratches, or stains. No crazing except for bottom of one cup. These are larger than Demitasse, but smaller than some modern tea cups. Saucers are 4 13/16", cups are 2.25" tall x 3" wide at rim. They have a light green interior.

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Shep Chadhorn was a Blackfoot American Indian who had formal training at the Art Institute in New York. Chadhorn is known for several magazine and publication type art. Most of his works have been exclusively sold out of the Country Store Gallery and other galleries in the Southwest. 19" x 23" Framed, 12" x 16" sight. No damage to painting, clean frame, Authentic original oil circa 1980's from a very accomplished and well listed artist.

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Shofu China/Nippon Japanese Cups and Saucers Hand Painted Heavy Raised Gold,<br>Jeweled. Selling the Two demitasse/ Coffe cups and saucers. 5 and 5 1/8" wide<br>saucers, not tea cups and saucers. These are like espresso cups. No cracks,<br>chips, restorations, or detectable wear. Selling both above average cups and<br>saucers.<br>tw162

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Sidney Arawnaya Hopi Sterling pendant. 5.5 grams 1 5/8" tall with no damage and little wear.

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Sigi Pineda Taxco Modernist sterling bolo tie. 41" long, one of the tips is mishapen but looks kind of cool almost as if intentional. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Signed Art Glass Vase with controlled bubbles. No cracks, chips, dings, or scratches. I'm unsure of artist but the quality is incredible. 4.5" tall tw75

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Signed Book The Sculpture and Drawing of Charles Umlauf (1911-1994). Estate fresh from a prominent Austin Texas Estate, guaranteed Authentic Signature I'm 100% positive. A little wear to dust jacket as shown, no issues with interior of book, lots of great photographs. Umlauf didn't hold book signings to the best of my knowledge, it's very rare to find a book signed by him. Charles Umlauf (July 17, 1911 – November 19, 1994) was an American sculptor and teacher who was born in South Haven, Michigan. His sculptures can be found in churches, numerous public institutions, outdoor locations, and museums, including the Houston Museum of Fine Arts, the Smithsonian Institution in Washington, D.C, and the Metropolitan Museum of Art in New York, as well as in many private collections. Umlauf received a number of accolades, including a Guggenheim Fellowship and a Ford Foundation Grant. In 1941 Umlauf accepted a position at the University of Texas School of Art in Austin, Texas, where he taught for 40 years. Artists teaching at UT included Loren Mozley, Everett Spruce, Kelly Fearing, Seymour Fogel, and William Lester. Umlauf retired as Professor Emeritus in 1981. In 1985, he and his wife Angeline Allen Umlauf gave their Austin home, Umlauf’s studio, and 168 sculptures to the City of Austin. Based on this gift and considerable community support, the UMLAUF Sculpture Garden and Museum was founded and opened its doors in 1991 as at 605 Azie Morton Road in Austin, Texas. The UMLAUF is a private–public partnership with the City of Austin. Contents 1 Early life 2 Work 3 Mentorship 4 Selected works 5 References 6 External links Early life Charles Umlauf was born in South Haven, Michigan, on a large farm where his family lived and worked. He was the sixth of eight children born to immigrant parents Christian Heinrich (Bavarian) and Charlotte Derouet (French-Alsatian). The Umlauf children were named Heinrich, Marie, Charlotte, Wilhelm, Edouard, Karl, Emelia, and Louis. The family moved frequently in search of work. The Umlauf family suffered from anti-German sentiment during the first World War. The family Americanized their names (Heinrich to Henry, Wilhelm to William, Karl to Charles) to avoid persecution in their Michigan town and schools. After enactment of the Espionage Act of 1917, Umlauf’s father was falsely accused of spying while working at an ammunition plant. Soon after, the windows were shattered in the family home. This treatment would influence the subjects and expression in Charles’ work. In 1918 the entire family relocated to Chicago in search of greater opportunities for work. Umlauf discovered sculpture early in his life, when he was a child, playing in the sand at Lake Michigan. He watched a sand artist on the beach, and subsequently sculpted a life-size sand sculpture of his own. Umlauf claimed that he knew at the age of ten that he was going to be a sculptor. At this age, he was living with his family in Chicago. In 1922, Christian Umlauf died, further impoverishing the family. Charlotte Umlauf died only 6 years later, leaving the children orphans and emotionally devastated. Charlotte had been a fervent supporter of artistic education for her children, spending a portion of their meager income on music lessons for Charles and his siblings. Work In 1918, when Charles was eight years old, the Umlauf family moved to Chicago. Charles and his brothers worked as caddies at Oak Park and Bryn Mawr Country Clubs. Charles was encouraged to pursue his artistic interests by his sister, Marie, who paid for her 11-year-old brother to attend weekend classes at the Art Institute of Chicago (AIC). He soon earned a scholarship for continued study. Umlauf was interested in carving and forming figures from an early age. Based on a small lion he molded in clay, Charles received his first commission of a full-sized lion in 1922, at age eleven. In 1929 Umlauf began three years of study with Albin Polasek at the AIC. He subsequently spent one year as an assistant to Lorado Taft at his Midway Studio before returning to the AIC where he remained until 1937. Those years saw a growth in Umlauf's interest in the more abstract sculptures being produced in Europe, and as a consequence, his own art became increasingly abstracted. From 1934 through 1941, Umlauf was employed by the WPA Federal Art Project, created during the Great Depression. He sculpted for several Federal projects, including two monumental sculptural heads for Merchandise Mart and sculptures for Cook County Hospital. His 1939 work War Mother caught the attention of Marion Koogler McNay and professors at the newly formed Art Department at the University of Texas at Austin. They offered him a position as Professor of Life Drawing and Sculpture and the Umlaufs permanently moved to Austin in 1943. Mentorship During his tenure at the University of Texas, Charles Umlauf taught many art students, including Farrah Fawcett. Fawcett, an art major, called Umlauf her "favorite professor" and they began a close mentoring relationship. Fawcett took classes and worked with Umlauf in his studio, as well as occasionally sitting for him as a muse. Her sculpture work is similar to Umlauf's in style. Work by Fawcett was exhibited at the UMLAUF in 2017 in the Mentoring a Muse exhibition.[1] Another of his pupils was Bob "Daddy-O" Wade, who studied at the University of Texas from 1961-65, and later became famous for his larger-than-life sized works inspired by Texan cowboy culture.

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Signed Citizen Soldier Book By Stephen Ambrose Author Sealed First Edition Leather Easton Press. Sealed for the past 22 years Mint condition.Ambrose, Stephen E. CITIZEN SOLDIERS Easton Press Norwalk, Connecticut 1997 1st Edition 1st Printing Hardcover 9.5" tall Fine, Leather Bound, Accented in 22kt gold. Printed on archival paper with gilded edges. The endsheets are of moire fabric with a silk ribbon page marker. Smyth sewing and concealed muslin joints. This book is in full leather with hubbed spines. A pristine volume. Signed limited Edition complete with a Certificate of Authenticity issued from the publisher.

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Signed Famous Texas Ranger Family Dedication East Texas Troubles The Allred<br>Rangers by Jody Edward Ginn. Appears spotless inside and out including dust<br>jacket. I would bet my life this signature is Authentic because of where I got<br>it from. This estate was full of books that were given by the Authors to members<br>of this family.<br><br>These books and many more I'll be listing shortly are from the estate of<br>multiple descendants of Homer Garrison Jr.<br><br>GARRISON, HOMER, JR. (1901-1968). Homer Garrison, Jr., Texas Ranger chief and<br>director of the Texas Department of Public Safety, son of Homer and Mattie<br>(Milam) Garrison, was born in Kickapoo, Anderson County, Texas, on July 21,<br>1901, the eldest of nine children. After graduation from Lufkin High School he<br>went to work in the office of his father, who was district clerk in Angelina<br>County. Garrison received his first experience as a law officer at nineteen,<br>when was appointed a deputy sheriff of Angelina County. In 1929 he became a<br>state license and weight inspector for the Texas Highway Department, and he<br>joined the Texas Highway Patrol when it was organized in 1930.<br><br>When the Department of Public Safety was founded in August 1935 Garrison became<br>the first assistant director. Among his initial duties was the task of<br>developing a training program for DPS officers. At the request of the governor<br>of New Mexico, he was sent to that state to help organize the New Mexico State<br>Police. During World War II he was offered an appointment by Gen. Douglas<br>MacArthur to reorganize and supervise the Japanese national police system for<br>the War Department, but he declined in deference to his duties as director of<br>the DPS and chief of the Texas Rangers.<br><br>Among the many honors bestowed upon him during the nearly thirty years he served<br>as the head of the state law-enforcement agency was the presentation of the<br>sixth Paul Gray Hoffman Award, conferred annually by the Automotive Safety<br>Foundation for distinguished service in highway safety. In 1963 Governor John<br>Connally appointed Garrison director of civil defense and disaster relief for<br>the state of Texas and chairman of the State Defense Council. The same year the<br>governor also named him director of the Governor's Highway Safety Commission. In<br>May 1966 he was elected chairman of the resolutions committee and a member of<br>the steering committee of the Southern Region Highway Policy Committee of the<br>Council of State Governments; in January 1967 he was named a member of the<br>National Motor Vehicle Safety Advisory Council.<br><br>Colonel Garrison became director of the Department of Public Safety and chief of<br>the Texas Rangers in 1938. Under his leadership numerous major programs were<br>developed, and the organization grew to a total of some 3,400 employees. The<br>programs included crime control, police traffic supervision, driver licensing,<br>vehicle inspection, safety responsibility, accident records, safety education,<br>defense and disaster service, and police training.<br><br>Garrison married Mary Nell Kilgo on June 1, 1939, and they had one son. Garrison<br>died on May 7, 1968, and was buried in the State Cemetery, Austin. A Texas<br>Ranger museum at Fort Fisher was named for him.<br><br>BIBLIOGRAPHY: Ben Procter, "The Texas Rangers: An Overview," in The Texas<br>Heritage, ed. Ben Procter and Archie P. McDonald (St. Louis: Forum, 1980).<br>Vertical Files, Barker Texas History Center, University of Texas at Austin.<br>Bill Carter<br><br>"GARRISON, HOMER JR." The Handbook of Texas Online. [Accessed Wed Aug 7 11:36:57<br>US/Central 2002].

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Signed Greater Tuna Posters Jaston Williams/Joe Sears. Two very cool original posters from Greater Tuna, likely before it went nationwide as it started in Austin. 14.25" x 22.25" each. Both originals with original signatures, estate fresh from a local estate that obviously had something to do with the production and/or were close friends. I actually purchased these a few years ago along with other Greater Tuna memorabilia the wife is pregnant so it's time to clear out stuff that I wanted to keep to make room for a baby. Selling both, framed behind anti glare glass.

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Signed Japanese 950 silver jumbo cigarette case and lighter. Amazing quality, all hand done, signed by the artist on the backs as shown. Lighter has nice snap and no wobble or play in top, strong spring. Lighter needs flint. Cigarette case with no significant dents or dings, snaps shut and stays shut.

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