商品

1960's JoAnn Dalsheim Huge Starfish Brooch 3.5" wide with no damage or<br>significant wear. I believe it's silverplated, to me it looks great just like<br>this with it's natural patina.

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1960's Kosta Boda Zoo Animals Glass Lion, elephant, and dog. Elephant is 6.5" long x 5.5", Dog is 7" long x 5.25" tall, Lion is 4" tall x 5.5" long no cracks, chips, or dings. Selling all three shown. Tw235

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1960's Los Angeles International Airport Marina Hotel Ash Tray4.25" no cracks,<br>chips, or wear to advertising

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1960's Matchbox 2 Muir-Hill Dumper with box. Very clean box, mint car with no paint loss, front and back are perfect the photographer forgot to picture them on a ton of cars and I don't have time to take more pics.

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1960's Matchbox 69 Nestles van in box. Some wear to box as shown, a few tiny specs of worn paint as shown. Front and back that aren't shown in pics are perfect.

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1960's Matchbox King Size K-1 8-Wheel Tipper Truck in box. One loose flap on 4.5" long box. One tiny corner with paint ding on front top of lift bed, another pin sized paint loss to the right piece that sticks out furthest in the back, minor loss to lettering, and the glue from the wheels is old so need a dab of silicon or something to hold them in place. no significant issues, no other issues.

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1960's Matchbox King Size K-14 Taylor Jumbo Crane in Box. 5.25" wide box, minor spots of paint wear in a few places and slight loss to decal on back as shown, writing on one flap of box and discoloration on one side of box.

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1960's Matchbox King Size K-4 International Tractor. Some wear to box, no wear to tractor, no touch ups, the glue that held the wheels on no longer works which is common, a dab of silicon will keep them on if necessary.

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1960's Matchbox King Size K-7 Curtiss Wright Rear Dumper. 6" long box 5.75" long toy. Toy is mint with no wear or issues, no evidence of being outside of the box. Box has minor wear and writing on one end. isshelf

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1960's Matchbox King Size K-7 Refuse Truck. 4.5" long truck is near mint with no detectable wear. Box is rough as shown.

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1960's Matchbox Major Pack M-6 Racing Car Transporter. Large car 5.5" long box. Never played with some wear to box, glue from wheels has disintegrated and they are coming off, one sides plastic hubs look discolored, decal slightly worn on one side, no other issues. No touchups, no paint wear.

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1960's Matchbox Mobile Canteen Food Truck 74. Near mint with no touchups or detectable wear.

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1960's Matchbox Models of Yesteryear Y-14 1911 Maxwell Roadster in box. No touch ups, clean box, tiny dings on each of the pieces that stick out in the back, I guess they'd be steps, apparently missing license plate.

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1960's Matchbox Models of Yesteryear Y-2 London Bus. Never played with near mint to mint with some wear to box, no touch ups.

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1960's Matchbox Models of Yesteryear y-5 1929 4.5 Litre (5) Bentley, strong clean box with tiny tear by flap. One tiny pinhead sized nick to paint on rear passenger side fender. No other paint wear or touchups.

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1960's Matchbox Models of Yesteryear Y-6 1913 Cadillac. Clean box, mint car with no wear or touchups.

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1960's Matchbox Models of Yesteryear Y-6 1926 Type 35 Bugatti. Tear on reverse side of box, no wear or touchups to car.

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1960's Matchbox Models of Yesteryear Y-8 1914 Stutz Sealed on card. Mint sealed on card with some wear to box.

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1960's Matchbox Y-12 Models of Yesteryear Horse Bus Lipton's Tea. Clean box with mint toy with no wear or touchups. One spot on top rear of toy where they got an extra bit of white paint on it, I've removed these spots before but I won't mess with it as I don't have time for more photos, but that's what it is.

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1960's Matchbox Y-14 Models of Yesteryear Duke Of Connaught Locomotive. Clean box, very few tiny pinhead sized paint nicks which I believe happened from years of shuffling around in box. NO touchups.

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1960's Matchbox Y-15 Models of Yesteryear 1929 Bentley. This is in the wrong box as shown, box is rough, a few pinpoint sized paint nicks to car, no touchups.

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1960's Matchbox Y-8 Models of Yesteryear 1914 Sunbeam Motor Cycle in Box. Mint toy with no wear or touchups, near mint box.

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1960's Mazzega Murano Lamp Dichroic Paperweight Base. Great piece, it needs<br>wiring but since I do a high percentage of international shipping and the future<br>owner may want to put a different fixture on it I am not messing with it. It's<br>easy, one trip to the hardware store and 10 minutes and the possibilities are<br>endless...almost. No cracks, chips, dings, or restorations, a few scratches only<br>visible upon very close examination. 8.5" tall, 3.5" tall without fixture 6 3/8"<br>wide with handle. very heavy.<br>TW141

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1960's MCM Frankoma Aqua Orbit Gracetone collection. Selling the rare and<br>desirable collection shown, six pieces total counting the lid to the candy dish.<br>12 oz v8 can shown for scale. Tallest is the brandy snifter formed vase at 9"<br>tall x 5 7/8" wide. No cracks, chips, crazing, or restorations to any pieces,<br>One factory glaze pop shown in the interior of the deep compote to the right,<br>it's shown in the fifth pic. The lid to candy dish has some worn gold paint,<br>it's not covering a restorations I'm sure, I can remove the rest before shipping<br>upon request.<br><br>Gracetone Pottery was produced from 1959 to 1967. John Frank purchased a<br>Muskogee, Oklahoma company named Synar Ceramics in September, 1957, eventually<br>naming it Gracetone in December. He designed a new line of dinnerware named<br>Orbit, the name based on a circular motif. Many of the original Synar pieces<br>continued production. Unfortunately the company did not meet expectations, so<br>Frank closed it in May, 1962.<br><br>Frank's associate J.C. Taylor purchased the company, along with its assets, to<br>continue production with a reduced number of items. He eventually decided to<br>stop production entirely in February, 1967.

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1960's Murano JFK Paperweight John F Kennedy President. Nice large and uncommon<br>paperweight. 3.25" tall x 3.75" wide with no cracks, chips, dings, or scratches.<br>Minimal expected shelf wear on base.<br>pwdrawer

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1960 年Orb 世紀中葉現代胸針奧托·羅伯特·巴德3 英寸寬，無彎曲或凹痕。奧托·R.巴德自學成才的銀匠，其根源源於內布拉斯加州的一個農場。奧托，曾訪問過1940年，他的祖父參觀世界博覽會，意識到自己不想再追求農民的生活，於是，1941年，他前往紐約尋找自己的未來，他只回答了一則招聘廣告，就參加了面試。弗蘭克(Francisco) Rebajes 解釋說，他正在尋找人來拿走他工作室的藝術品並提高生產能力。他對奧托說“看看你能做什麼” ，並將他最喜歡的一件作品“Ubangi Face”交給了奧托。一天結束時，弗蘭克感到很驚訝。奧托創造了一些夾具和批量生產弗蘭克藝術的流程。奧托僅用一天時間就製作了一百個完美的烏班吉臉雕刻別針。弗蘭克當時就知道，他的夢想是為人們提供可穿戴藝術弗蘭克·雷巴耶斯(Frank Rebajes) 被認為是銅首飾和工藝品藝術的第一位大師，而奧托(Otto) 則是確保設計巧妙、精湛製作的工頭。更重要的是，Frank 和Otto 建立了終生的友誼。Rebajes Wearable Art 是20 世紀40 年代和50 年代的頂級珠寶生產商之一，在全國數百家頂級商店銷售該系列產品。擁有數十年銀匠技藝的奧托 (Otto) 離開了公司，並於 1958 年創辦了自己的企業“Orb Originals”，並取得了巨大成功。 1960 年，弗蘭克將Rebajes 的名稱和業務賣給了奧托，並搬到了西班牙，在那裡他回到了小工作室工作和“莫比烏斯”的科學研究。隨著奧託業務的成長，他增加了車間、機械，以及 Rebajes 的目錄設計。生意一直持續成長，進展順利，直到 1981 年，奧托被劫持並遭到手槍猛烈鞭打，生命垂危。經過長時間的傷勢恢復後，Otto 和他的妻子 Dae 搬到了賓夕法尼亞州紐霍普。Orb Silvermiths 至今仍是賓夕法尼亞州紐霍普社區的重要組成部分。奧托現在已經九十多歲了，他仍然在確保 Rebajes 標誌繼承傳統和工藝方面發揮了重要作用，這些傳統和工藝使 Rebajes 的名字如此著名並在八十多年來受到追捧。

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1960's Rosenthal Netter Bitossi Candlesticks in yellow. Great pair of super cool<br>functional collectible ceramic art candlesticks. 6 3/8" tall with no cracks,<br>chips, or restorations, a few glaze flakes on top; rim.<br>isshelf

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1960's Scandinavian Flora Danica Brooch by Eggert. Very fine piece of sculptural jewelry. No damage or issues. 2.25" wide.

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1960's Schuco Micro Racer 1036/1 Mercer 35 J tin/steel windup toy with box. Extremely high quality toy near mint with clean box one ink spot on box. No key but it works, used a clock key to test it. Buying the exact car shown.

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1960's Sergio Zane Murano Hand Painted Raised gold art glass Cordial set.<br>Selling the set shown with no cracks, chips, restorations, gold wear, or loss to<br>decoration. Maybe possible roughness on end of ground stopper, or possibly made<br>that way. Tough call due to the handmade nature of this set. 12.75" tall<br>decanter 3 5/8" tall cordials. Selling the exact set shown.<br>isshelf

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Stangl Children's Bowl and cup Mealtime Train Pattern. No cracks, chips, dings, or crazing. Bowl is 10.5" x 6.25" Tw49

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1960's Sterling Charm bracelet Aubrey McDonald Fashion Two Twenty, Santa, Gemini, Etc. 7" wide, all charms and bracelet are sterling. 77 grams

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1960's Tribal India Coral and Hemp Beaded Multistrand Necklace with 1963 Coin<br>Clasp. Incredible piece with untold hours of work 27" long

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1960's Vintage Lucite/Art Glass Mosquito/Dragonfly Brooch. This piece is super cool and estate fresh circa mid 20th century guaranteed. I think it's a ual revolution things as the way it's shaped it really would have been impossible to pin on something that didn't extend from the rest of the body like a breast. 2.75" long x 2.5" wide x 1.5" tall. No damage or issues The body is Lucite and the wings, body, and head are glass. Very unusual item. While dragonfly brooches have been popular for 150 years or so I believe this is a mosquito because of it's legs. kitshelf

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1960's Vintage Sterling Hawaiian themed charm bracelet. A few Hawaii charms and a bunch more bracelet and all the charms are sterling 31 grams.

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1960's Zuni Sterling, turquoise, and shell inlay Ghan Dancer belt buckle. Fully functional with some expected wear, weight and measurements in pics.

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1960's-70's Southwestern Sterling Turquoise Rocky Mountain Goat bolo tie. Heavy solid sterling bolo with copper tips. Bolo measures 2.5" tall x 2 1/8" wide x 84 grams total weight.

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1961 Bob Click "The Flying Dutchman" Mid Century Lithograph 7/10 Frame is 14.75" x 17.75", sight is 8.5" x 10.25".  No issues to print, clean matting with very minor blemishes,a few nicks on frame.

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1963 Signed First Edition History of Travis County and Austin Texas. Selling the<br>rare signed book. 6 3/8" x 9.25" 388 pages chock full of info, minor exterior<br>wear, clean interior. I would bet my life this signature is Authentic because of<br>where I got it from. This estate was full of books that were given by the<br>Authors to members of this family.<br><br>These books and many more I'll be listing shortly are from the estate of Homer<br>Garrison III, the son of Homer Garrison Jr.<br><br>GARRISON, HOMER, JR. (1901-1968). Homer Garrison, Jr., Texas Ranger chief and<br>director of the Texas Department of Public Safety, son of Homer and Mattie<br>(Milam) Garrison, was born in Kickapoo, Anderson County, Texas, on July 21,<br>1901, the eldest of nine children. After graduation from Lufkin High School he<br>went to work in the office of his father, who was district clerk in Angelina<br>County. Garrison received his first experience as a law officer at nineteen,<br>when was appointed a deputy sheriff of Angelina County. In 1929 he became a<br>state license and weight inspector for the Texas Highway Department, and he<br>joined the Texas Highway Patrol when it was organized in 1930.<br><br>When the Department of Public Safety was founded in August 1935 Garrison became<br>the first assistant director. Among his initial duties was the task of<br>developing a training program for DPS officers. At the request of the governor<br>of New Mexico, he was sent to that state to help organize the New Mexico State<br>Police. During World War II he was offered an appointment by Gen. Douglas<br>MacArthur to reorganize and supervise the Japanese national police system for<br>the War Department, but he declined in deference to his duties as director of<br>the DPS and chief of the Texas Rangers.<br><br>Among the many honors bestowed upon him during the nearly thirty years he served<br>as the head of the state law-enforcement agency was the presentation of the<br>sixth Paul Gray Hoffman Award, conferred annually by the Automotive Safety<br>Foundation for distinguished service in highway safety. In 1963 Governor John<br>Connally appointed Garrison director of civil defense and disaster relief for<br>the state of Texas and chairman of the State Defense Council. The same year the<br>governor also named him director of the Governor's Highway Safety Commission. In<br>May 1966 he was elected chairman of the resolutions committee and a member of<br>the steering committee of the Southern Region Highway Policy Committee of the<br>Council of State Governments; in January 1967 he was named a member of the<br>National Motor Vehicle Safety Advisory Council.<br><br>Colonel Garrison became director of the Department of Public Safety and chief of<br>the Texas Rangers in 1938. Under his leadership numerous major programs were<br>developed, and the organization grew to a total of some 3,400 employees. The<br>programs included crime control, police traffic supervision, driver licensing,<br>vehicle inspection, safety responsibility, accident records, safety education,<br>defense and disaster service, and police training.<br><br>Garrison married Mary Nell Kilgo on June 1, 1939, and they had one son. Garrison<br>died on May 7, 1968, and was buried in the State Cemetery, Austin. A Texas<br>Ranger museum at Fort Fisher was named for him.<br><br>BIBLIOGRAPHY: Ben Procter, "The Texas Rangers: An Overview," in The Texas<br>Heritage, ed. Ben Procter and Archie P. McDonald (St. Louis: Forum, 1980).<br>Vertical Files, Barker Texas History Center, University of Texas at Austin.<br>Bill Carter<br><br>"GARRISON, HOMER JR." The Handbook of Texas Online. [Accessed Wed Aug 7 11:36:57<br>US/Central 2002].<br><br><br>Mary Starr Barkley<br><br>was a life-long resident of Austin whose penchant for local history led her to<br>write numerous colorful books, articles, and essays about her hometown and<br>Central Texas. Known to friends and colleagues as "Mamie", she liked to refer to<br>herself as a "housewife-historian".<br><br>Barkley's roots in Austin extended back four generations. She was born in 1907<br>to James Patrick Starr and Mary Ellen Dolan Starr (Nellie), devout Irish<br>Catholics who belonged to St. Mary's Parish in Austin. Mary attended St. Mary's<br>Cathedral School until her graduation in 1923. Her close ties to the Catholic<br>Church greatly influenced both her historical research and her charitable<br>activities throughout the rest of her life.<br><br>Mary attended the University of Texas for two years and then went to work for<br>Austin National Bank where she met her future husband, Fred C. Barkley. The two<br>were married in 1930. During World War II, when Fred was in service, Mary began<br>to write fiction and essays. One of her favorite personal anecdotes concerns the<br>time in 1946 that she sent out three articles and received a check for each one.<br>"After that", she said, "I could never quit writing." She regularly sold<br>stories, essays and articles to magazines such as The Cattleman, Farm and Ranch,<br>Catholic Digest, the Houston Chronicle Sunday Magazine, and the Atlanta Journal<br>Magazine .<br><br>Mary Starr Barkley wrote predominantly about Austin and the surrounding<br>communities. She liked to set out at about nine o'clock in the morning one day<br>each week and drive to communities within a fifty mile radius of Austin. She<br>conducted a substantial amount of her research through oral interviews and<br>enjoyed talking to "old timers" who could tell her all about the history of<br>their communities. Barkley's method of history writing was to weave human<br>interest stories into traditional date-oriented narratives; she called this<br>style her "trademark". Barkley also carried a camera with her during her travels<br>and took many of the pictures that accompanied her articles.<br><br>In addition to her work as an amateur historian, Barkley was involved in several<br>organizations, many of which were affiliated with the Catholic Church. In 1950,<br>she helped organize the Seton Hospital Auxiliary to which she ultimately gave<br>over 17,000 hours of her time during a 30-year period. In 1950, Barkley also<br>helped organize the Friends of the Adoration Convent, a group that served as<br>both the auxiliary and the fundraising arm of the Austin Adoration Convent. In<br>her later years, she served as the Chair of the Travis County Historical Survey<br>Committee, an organization dedicated to the preservation of the historical<br>buildings within Travis County.<br><br>Barkley was the author of several published works including: Fifty Years of the<br>Seton Hospital (1952), O ne Hundred Years: The History of St. Mary's Cathedral<br>(1952), The History of Travis County and Austin, 1839-1899 (1963), A History of<br>Central Texas (1970), St. Mary's Church (now a Cathedral) (1972), The History of<br>St. Mary's Cathedral, 1874-1974 (1974), and numerous essays and articles<br>published in local and national periodicals. She also wrote a book on the<br>history of the Austin National Bank, and tried her hand at fiction. In addition<br>to her activities as a writer, Barkley conducted extensive genealogical research<br>about her own family and composed an unpublished family history, "A Four Staff<br>Family".<br><br>Principle organizations Barkley belonged to include: Seton Hospital Auxiliary,<br>the Travis County Historical Survey Committee, the Adoration Convent, Austin<br>National Bank, and St. Mary's Cathedral Parish.<br><br>Mary Starr Barkley succumbed to cancer in 1981.

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1964 Harding Black Texas Studio Art pottery bowl 8.75" wide x 3" deep with no<br>damage or restorations. tw105<br><br>Harding Black San Antonio (1912 - 2004)<br><br>A ceramist, sculptor, painter, bricklayer, teacher, Black graduated from<br>Brackenridge High School and attended San Antonio Junior College (1929-30). In<br>1933, Black was taught by Rudolph Staffel to make wheel-thrown pottery and also<br>began to teach children's ceramic classes at the Witte. Black directed ceramic<br>installation in a San Antonio reconstruction project sponsored by the National<br>Youth Administration and the Works Progress Administration art program. In 1955<br>he retired from teaching and devoted his time to ceramics. Black became a<br>well-known ceramist from his research, innovations, and writings in the field.<br>Black's collection and archive is housed at Baylor University. Harding Black's<br>work with clay serves an an important bridge between early Texas and mid-century<br>pottery.

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1964 Santa Rosa Roundup and Livestock Exposition Ribbons in Shadowbox Frame<br>measures 20.5" x 22". No issues.

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1967 Hawaiian Black Coral Bust by Frank Schirman. 4" tall x 4" deep with no detectable wear. B50

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1967 Irvine & Jachens Sterling hand engraved belt buckle. Weight and measurements in pics, appears to have never been worn.

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1967 Stangl White Grape Pate sur Pate Star shaped Powder dish with Lid Candy Box. 5 1/8" wide with no cracks, chips, or restorations. Produced for only one year, less than a year in 1967. TW75

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1968 Sheet Metal Sculpture of Centaur Signed Neto. 16.5" talx 14.5" x 6.5" with base. Incredible piece of art, steel with wood base. I'd be interested in any possible info on the artist. Guaranteed 51 years old.

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1968 Diablo Sterling/10k CPHA Chapter 5 Trophy belt buckle. Fits up to a 1.5" belt.

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1969 Lubbock TX Wrestling medal. Buying the medal shown with a penny for scale.

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1969 Western Silversmiths Vista CA Sterling Paola Jaycee Rode Belt Buckle. No issues, weight and measurements in pics. Marked or unmarked as shown in pics, weight and other measurements in pics. Older Native American jewelry is typically unmarked. If I call it Silver or Ingot I‘m guaranteeing it to be 90% or more silver. This isn‘t something I get confused about. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration.

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1970 Salt Glazed Studio Pottery Vase. Unsure of artist but obviously a skilled potter. 5.25" tall with no damage or wear. tw206

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1970's Freeform sterling moss agate bolo tie 36" long with no issues.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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1970's 7.5" Sterling charm bracelet. No issues, bracelet and graduation cap are marked sterling, I didn't see a mark on the others. 37.3 grams

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1970's Austin Texas watercolor "the Preacher's car" By Robert William"Windy" Winn. 12" x 16" sight 19" x 23" framed. Windy Winn was one of the co-founders of the Waterloo Watercolor Group in 1977. Painting is clean with no issues. Some wear to frame. It was local personality Cactus Pryor who introduced Wings wife Babs to his high school buddy, Windy. Jake Pickle and Windy were partners in the 1950s, handling political and advertising campaigns. Babs and Windy had a lot of fun together. They were original "founding" members of Austin Civic Theater (now the Zachary Scott Theater). They acted, danced, sang, directed and wrote plays, promoted the Austin Civic Theatre and organized the Laa Gloria Art Fiesta. He attended Austin High School in Austin, TX. In 1942, he enlisted in the US Navy and attended San Diego State university where he was editor of the Navy Base newspaper before being shipped out. When he returned, he worked briefly as a graphic artist for the Austin American Statesman newspaper and teamed with former US Rep Jake Pickle and Ed Eyers to form the advertising agency Eyers, Pickle and Winn in 1947.

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1970‘s Benjamin Becenti Navajo Sterling multistone inlay storyteller concho belt 388 grams total weight. 47" total length, first hole at 34" but could fit any size waist up to about 44". Other measurements in pics. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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1970's Boxed Avon Collection Berry nice lip gloss, perfume pins, etc. Selling the collection shown, tallest box 2.5", the girl has some minor paint wear and marker on the back, the rest are like new, dent in strawberry box. TW120

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1970's Cheama Zuni sterling and turquoise bolo tie no issues 39" longAll precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Photo measures 20" x 16", frame is 21" x 25". Don K Langson famous Texas Western<br>photographer from that era.

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Ida Spence Oils on Board Listed Texas Artist Raccoons and Flowers. Both 5" x 7" panels. Larger frame is 11.75" x 9.75". No issues or damage Tw49

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1970's J Navajo Sterling bolo tie with turquoise and coral 36" long with no issues.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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