莫里斯羅賓遜(1900-1987) 霍皮銀盒，綠松石3 1/8" x 2.25" x 1" 高。120.8 克。顯示了一些預期的磨損和划痕。 莫里斯羅賓遜(1900-1987) 是其中之一最精湛的金匠和銀匠製作人之一，來自霍皮族和第三台地，出生於蛇族。他的標誌性標誌是字母H 和一條代表他的人民和氏族的蛇。 1920 年代羅賓遜的裝飾設計在世紀之交成為開創性的珠寶，為他在同齡人中脫穎而出鋪平了道路。他成為當時最有影響力的藝術家，包括影響了臭名昭著的查爾斯·洛洛馬和肯尼思·貝蓋。 二十世紀上半葉，霍皮族銀器與鄰近的納瓦霍族的銀器相似。霍皮族銀匠莫里斯·羅賓遜在其職業生涯的早期就以這種風格工作，為沃恩的印第安商店（後來成為弗雷德·威爾遜的商店）生產珠寶和盒子。鳳凰城的貿易站。這個帶蓋章的盒子是羅賓遜製造的，是威爾遜銷售的類型。羅賓遜後來成為一位公認的疊加技術藝術家。 所有貴金屬都經過測試和保證，任何被稱為銀或純銀的美洲原住民珠寶都保證至少含有 90%（硬幣）銀，並且可能含量更高。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

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Mottahedeh Greater Bird of Paradise Coimbra Portuga Shell Shaped Dish. 9.5" at widest point x 4" tall with No cracks, chips, restorations, crazing, or gold wear. TW4

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Mottahedeh Nelson Rockefeller Collection Vista Alegre 湯蓋盤配拼盤。出售這款帶蓋和盤子/底板的大湯碗。拼盤尺寸為 16.5 英寸 x 12 5/8 英寸，蓋碗尺寸為 13 英寸 x 8.25 英寸 x 10.5 英寸高。無裂紋、缺口或修復，近乎完美的金色。

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Underplate measures 16 1/8" x 11 5/8", Tureen measures 12.5" x 8.5" x 9.5" tall. No cracks, chips, crazing, paint or gold wear. Very clean vintage condition, discontinued in 1991.

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MS Hopi Sterling and turquoise overlay belt buckle. Measurements in pics, likely one of the M Sockyma's. Very well made high quality workmanship and high quality natural turquoise.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist, rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Murano/Limoges Trinket box lot. Selling the 4 trinket boxes shown from the late 20th century. 2 limoges very good quality with strong snaps and hinges, great hand painting. Murano art glass box, and shell box. All with no issues tallest limoges is 2", shell is 2 3/8" wide. Selling all 4 for one price. TW109

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Myrtle Lillian Stedman (1908-2007) 1931 Houston Texas Watercolor of Southern woman of color Feeding chickens. This is a really great watercolor from 1931 when she was living in Houston Texas and attending the Houston Museum of Fine Arts School. I personally find it extremely refreshing to find a picture from this era depicting a woman of color just "doing her thing" in a non derogatory fashion. 9.25" x 11.5" sight in a 15.5" x 18" frame. No issues with painting or frame. It's behind museum glass. It came with a note that I seem to have lost but it was just a pre-internet explanation of the importance of the artist with notes of when it was reframed behind museum glass. Myrle is more famous for her New Mexico landscapes, I personally find this one very interesting and refreshing. Myrtle Stedman was known as an “Artist in Adobe,” designing, building, and remodeling adobe homes under a contractor’s license. She was also a well-know artist whose academic training started in 1927 when she was a student in the Houston Museum of Fine Arts school. Myrtle Stedman - Santa Fe Living Treasures http://sflivingtreasures.org/index.php/treasures/131-stedman-myrtle-.html Myrtle Stedman A painter, a poet, and a writer, Myrtle Stedman is best known for the work in adobe restoration and design she began shortly after arriving in Tesuque in 1934, with her artist husband, Wilfred Stedman. Myrtle Lillian Stedman Myrtle Lillian Stedman, American artist. Recipient Visual and Literature Arts award New Mexico Arts Commission, Mayor's award City of Santa Fe, 1994, Old Santa Fe Association award, 1993, Watercolor awards Houston Fine Arts Museum, 1933, New Mexico Governor's award for Excellence in the Arts Art/Architecture, 1997; named Living Treasure Santa Fe Networks, 1985. Background Stedman, Myrtle Lillian was born on February 5, 1908 in Charleston, Illinois, United States. Daughter of Edward Bullard and Myrtie (Harrell) Kelly. Education Student, Museum Fine Arts, Houston, 1934. Student, Art Student's League, New York City, 1980. Career Fine artist, illustrator Stedman Studio, Houston, 1927—1934. Designer, builder Tesuque Home Builder, 1952-1987. Achievements Myrtle Lillian Stedman has been listed as a notable artist by Marquis Who's Who.

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Nakai Native American Made Mediterranean Coral sterling ring with fancy bezel. Great looking ring with no issues, high quality coral. Size 6, 10 grams. Native American made, retailed by the Nakai Shop of Santa Fe, NM. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Most cuff bracelets are shown photographed on a 6" woman's wrist and will include a photo showing the inside circumference where the metal tip meets the number on the tape measure.

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Napier Sterling Mid Century Modernist Link bracelet. Great looking bracelet with<br>no damage or significant wear 27.4 grams.<br><br>The Napier Company got its start in North Attleboro, Massachusetts 1878, under<br>the name of The E. A. Bliss Co., manufacturing gilt men's watch chains. In 1882,<br>the company became incorporated as The E. A. Bliss Company with the word "The"<br>as part of its legal name. The company relocated to Meriden, Connecticut in<br>1890, after the company sustained rapid growth in the previous decade. During<br>World War I (and again in World War II), they ceased production of jewelry, and<br>instead focused on producing war-related items, such as medallions and medals.<br>James H. Napier became president of the company in 1920, and the company was<br>renamed, The Napier-Bliss Co. In 1922, the company again changed its name to The<br>Napier Co.<br><br>Timeline<br>The company was known for its ability to be on the forefront of fashion and<br>design and had a history of sending its designers to Europe. In 1925, James<br>Napier attended the World's Fair Exposition Internationale des Artes Decoratifs<br>et Industriels Modernes in Paris, and brought back with him business ideas,<br>including designs influenced by Parisian and European fashion. Mr. Napier<br>himself, did not design jewelry. James Napier work for the company from 1914 to<br>his death in 1960. From 1920 to 1960 he served as president. In 1999, the<br>company was bought by Victoria & Company. The plant in Meriden, Connecticut was<br>closed by Victoria & Company on October 15, 1999. However, under the umbrella of<br>Jones Apparel Group, Napier jewelry is still being manufactured and distributed.<br><br>Jewelry designs<br>In the 1920s and 1930s, Napier designed necklaces, bracelets and earrings in a<br>range of styles including, designs featuring Egyptian motifs, such as cobras,<br>Victorian Revival designs and Deco-style motifs. The company produced very<br>little jewelry during the 1930s, focusing on its giftware lines. In the 1940s,<br>most of the jewelry produced was sterling silver tailored pieces. In the 1950s,<br>it produced jewelry in a wide range of styles. Napier jewelry is notable for its<br>simple, modern, geometric and floral designs. However, the company also produce<br>boutique and high-end jewelry. Some of the metalwork bears resemblance to<br>Mexican and Scandinavian designs. The fan jewelry collection was introduced as a<br>10-year fundraising commitment in 1955. In the 1950s, the Napier Company<br>presented First Lady Mamie Eisenhower with a bracelet bearing an elephant<br>design, which was reputedly one of her favorite pieces of jewelry, and which she<br>wore often, and the Napier Company gifted the contestants of the 1955 Miss<br>America Pageant with fashion jewelry.<br><br>Historical silver designs<br>Napier silver designs from the first half of the 20th century are in museum<br>collections including the Brooklyn Museum, Newark Museum and a substantial<br>collection at the Dallas Museum of Art. Over the years, Napier silver has been<br>featured in museum exhibitions, including Modernism in American Silver: 20th<br>Century Design at the Smithsonian in Washington, the Dallas Museum of Art, the<br>Wolfsonian in Miami Beach, the Nevada Museum of Art in Reno, and the Dixon<br>Gallery and Gardens in Memphis, TN (2005–07). Napier designs have also been<br>included in two shows at the Brooklyn Museum, entitled 19th century Modern<br>(2011–12; 2013–15). In November 2016-November 2017, the iconic Napier penguin<br>cocktail shaker is the lead design of a Dallas Museum of Art exhibition Shaken,<br>stirred, styled: The art of the cocktail.

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Natewa Zuni sterling Mediterranean coral cluster pendant/pin. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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美洲原住民 14k 金蜘蛛網綠松石/通道鑲嵌旋轉吊墜 50 毫米高 x 25 毫米寬 x 11.8 克。經過標記和測試的實心14k 金。所有貴金屬都經過測試和保證，任何被稱為銀或純銀的美洲原住民珠寶都保證至少含有90%（硬幣）銀，甚至可能更高的含量。

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Native American Cobblestone Spiny Oyster and Turquoise and sterling cuff bracelet 6.75" counting the 1.25" gap. .5" face width 33 grams. Running bear shop hallmark with artists mark.

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Native American high grade turquoise, leather and beaded pin. No issues, measurements in pics.

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Native American Marie Tsosie Multi-stone Channel inlay sterling cuff bracelet,<br>fits up to a 6.5" wrist. Good condition with minimal wear, no cracked stones.

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Native American Pottery Micaceous Clay Jar with Lid. Very high quality hand<br>coiled jar with hand stamped decoration. 5" tall x 5.5" wide with no cracks,<br>chips, restorations, or scratches. Marked on base, I'd be grateful if you<br>recognized it and told me who made it.<br>b22

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Native American Santo Domingo Pueblo Shell and turquoise necklace. Vintage necklace with sterling fittings and natural stones/shells. Clasp marked 925 possibly a replacement.

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Native American Shadowbox Sterling silver turquoise cuff bracelet No damage or significant wear. Fits up to a 6" wrist, it's shown on a 6" wrist but tight as shown.

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Native American Shadowbox sterling/turquoise necklace 21" necklace length, bottom pendant 2.5" long, no damage or isssues. 17.4 grams.

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Native American silver pin with 1964 90% silver quarters. Measurements in pics. The pin kind of seems older than the quarters.

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Native American Spiderweb Turquoise, Coral, and Mother of pearl sterling pendant/pin 1" x 1.5" | Signed: WJH 7.2 grams

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Native American Stamped sterling and turquoise earrings 3" long x 1 3/8" wide both with no issues. 15.4 grams.

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Native american Sterling and Coral Cuff by D Skeets. 6.75" including the 1.25" gap, 15.1 grams, no damage or issues, 1" wide in center.

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Native American Sterling and raw turquoise necklace 24" long, 77.7 grams with no<br>issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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Native American sterling chrysocolla Butterfly pendant Running Bear shop. No issues, weight and measurements in pics. RUNNING BEAR SHOP A trader shop in business since the mid-1970‘s who run a manufacturing shop, directly commission piece work, and buy direct from "name" artists for resale. Running Bear is a wholesale source to stores and dealers. Items in this collection were made specifically by or for Running Bear and (usually) have their logo. Items bearing this logo do not represent a specific artist. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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美洲原住民純霍皮覆蓋式手鐲內徑 7 英寸，包括 1.5 英寸可調式間隙。 1 英寸寬，31.3 克。乾淨、復古，可能從未穿過。

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Native American Sterling Multi-stone channel inlay hoop earrings. Estate earrings likely 20-30 years old, possibly never worn, on card as shown. Unmarked and tested sterling. 7/8" tall x 9/16" wide x 4.5 grams with no issues.

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Native American Sterling Multi-Stone Channel inlay pendant. Nice work with no damage, all natural stones. Appears to be signed E L. 2.5" long x .8" wide x 11.9 grams.

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Native American Sterling Multi-Stone Channel inlay pendant. Nice work with no damage, all natural stones. 2.75" tall x 1 1/16" wide 8.5 grams.

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Native American Sterling Multi-Stone Channel inlay pendant. Nice work with no damage, all natural stones. 1.5" tall x 5/8" wide x 5.4 grams. Marked with the Native American shop mark, forget which shop that is. No issues.

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Native American Sterling Secatero Cuff bracelet. Great cuff with no damage or significant wear.

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Native American Sterling silver 3/4" Ranger belt buckle set, Marked S Sterling.. Clean with no issues. Throwing in a sz 36 Vogt belt that it is on for free, can easily be transferred to another belt.

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Native American Sterling/Malachite cuff bracelet.. Tests sterling, signed by the Artisan on the back. No issues.

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Native American Sterling/turquoise Bear claw shadowbox cuff bracelet. Nice little cuff from the third quarter of the 20th century. Unmarked, tested sterling, no damage.

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Native American Sterling/Turquoise bolo tie. 2" x 2.5" bolo. Both the bolo and tips are tested sterling, bolo marked. 43 grams total weight. Fully functional with no issues.

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Native American Sterling/turquoise Chip channel inlay cuff bracelet. Nice little cuff from the third quarter of the 20th century. Unmarked, tested sterling, no damage.

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Native American Sterling/turquoise Chip channel inlay cuff bracelet. Nice little cuff from the third quarter of the 20th century. Unmarked, tested sterling, no damage.

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Native American Sterling/turquoise pendant. 2.25" tall x 1.25" wide with no issues 18 grams. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Native American Sterling/turquoise stud earrings 7/8" tall, 10 grams total.

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Native American Sterling/turquoise/Coral Chip inlay cuff bracelet nice cuff from the third quarter of the 20th century. Unmarked, tested sterling, no damage.

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Native American Tufa Cast sterling and turquoise concho belt, signed at the<br>buckle LEB, the pierced circular floral form buckle with a central turquoise<br>cabochon, the belt with 23 other conchos in circular floral and bow tie forms,<br>each with a centered turquoise cabochon, belt: approx 50"l (end to end), buckle:<br>approx 1.25" diam, circular conchos: approx 1 1/8" diam, bow tie conchos: approx<br>1 1/8"h, 0.75"w, 161 grams total weight.

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Native American Tufa Cast Sterling Silver Naja with turquoise and Beaded<br>Necklace. Signed DDA, New old stock from "Eight Point Ranch" in Elgin TX, they<br>had a small Native American jewelry store, now no longer with us.21" necklace, 3<br>3/8" x 2" naja, 2" long earrings. 70.9 grams Marked and tested sterling, entire<br>necklace is sterling so are earrings. Earrings and necklace are unmarked as<br>typical.

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Navajo #8 Turquoise Silver Bracelet by Ronnie Willie. Very heavy 184 grams, fits up to a 7" wrist 2.25" wide, no damage or detectable wear. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Most cuff bracelets are shown photographed on a 6" woman's wrist and will include a photo showing the inside circumference where the metal tip meets the number on the tape measure. Ronnie Willie, Navajo silversmith learned the art of silversmithing from his older brother, Lonnie. He is an accomplished Kachina carver, sculptor and artist. He also likes to draw. Ronnie makes his own tools and is known for his overlay silver crosses and silver beads (raindrops) embedded in silver and inlaid with gemstones. He works as a silversmith five days a week in Albuquerque, New Mexico. He enjoys creating new designs and practices his art is his free time. Someday, he would like to teach young people how to silversmith and sculpture. It is important to him to keep his culture's traditions alive through his silverwork.

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Navajo Calvin Martinez Sterling and carved turquoise pendant and 4 strand heishi<br>necklace Pendant 3 1/8" x 2 5/8" without bail, necklace approx 21" long, 105.2<br>grams total.<br><br>Calvin Martinez is a self-taught Navajo silversmith, who has been making jewelry<br>for over 20 years. Calvin Martinez - born 1960 -draws his creative inspiration<br>from his Navajo heritage. ”I look to the old silversmiths and my culture. There<br>would not be a Calvin Martinez silversmith without the Navajo tradition to guide<br>me“.<br><br>He comes from a well- known family of silversmiths; his brother Terry Martinez,<br>is also a well-known silversmith. Calvin’s jewelry is made with traditional old<br>techniques, he makes everything by hand, including hand cutting his bezels. He<br>only uses high quality natural stones in his work.<br><br>Calvin Martinez crates his jewelry in the pure style of the first Navajo<br>silversmiths. His clear, substantial pieces, featuring the best gemgrade<br>turquoise, speak eloquently of the very nature of the Navajo: unassuming people<br>with strong convictions about their place within the balance of nature. Calvin<br>brings this attitude of quiet strength to each of his creations.<br><br>With only heavy-gauge silver, skillful hands and an eye for balance, he infuses<br>each piece with the power of simplicity. His hand-cut bezels frame extraordinary<br>turquoise stones.

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Navajo Delbert Delgarito Sterling turquoise/spiny oyster dangle earrings. Nice estate fresh pair with no damage and little to no wear. One missing back in pic, if you purchase and a back is really important to you please let me know and I will find one as I have tons just din't have it available right now. 2 5/8" long x 5/8" wide x 17.6 grams.

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Navajo Golden Hills turquoise sterling cuff bracelet. No damage, appears unworn,<br>fits up to a 6.5" wrist, 1" gap, .75" wide, 50 grams.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Navajo Herman Smith 14k gold on Sterling Earrings 1" tall x .75" wide with no issues 13.3 grams. Born in 1964 Gallup, NM. Herman learned silversmithing from he`s mother. He is known for his detailed and unique stampwork, created by using very few stamps. He is known as a local artist and his jewelry is very popular in his home town.

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Navajo J.B. Platero Sterling Silver Turquoise Kokopelli Pin/Brooch. No issues 2 1/8" x 1 1/8"

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Navajo Larry Begay Modernist Sterling High Grade Spiderweb turquoise cuff<br>bracelet. Fits up to a 6.5" wrist, no issues, super clean piece in both design<br>and condition.

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Navajo Martin Perry Sterling/spiny oyster heishi necklace/pendant necklace 24"<br>length, 1.25" x 2.25" pendant, 70 grams total with no damage or significant<br>wear.

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Navajo Phillip Guerro Heavy sterling cuff bracelet.<br><br>A master Navajo silversmith, all of Phillip Guerro’s jewelry is of the highest<br>quality craftsmanship, with natural Turquoise and other genuine gemstones, No<br>detail is missed, his work is authentic and beautiful, & because each piece is<br>unique, with one of a kind stones, there will never be another exactly the same.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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Navajo Ray Tracey Knifewing Modernistic Inlaid Earrings 1.25" wide square. Light scratches, no deep scratches, bends, or damage to stones. The Creative Process Fueled by Inspiration “God blesses everyone with a variety of gifts and talents.” The Creator blessed Ray with the spirit of Creativity. Inspiration is the basis for his creative spirit. Inspiration arrives in many forms and disguises when least expected. Hiking the canyons of the Southwest, where his ancestors did the same, gives Ray a feeling of reverence. Walking in peace with gratitude and thanksgiving opens up the senses to receive ideas. Petroglyphs carved on canyon walls turns into wearable art. Stories from an ancient past are re-lived on the faces of Yei pendants. The evening sky’s transformation of color inspired the Earth and Sky jewelry line. Once while golfing, a white butterfly landed on Ray’s golf bag and accompanied him down the fairway. This incident brought the Butterfly and Dragonfly design concept to reality. Having awareness of this special gift, he aspires to know the origin. Artist Ray Tracey has had a life-long love of jewelry. As a child growing up in Sawmill, AZ, Asa Tracey, his Grandfather, influenced him with his stories of working the goat bellows for his uncle. Asa would pump the goat bellows all day long to fuel the fire in the forge that would melt silver in a small cast iron crucible. This process was very labor intensive and his grandfather hated it. The molten silver would then be poured into a tufa stone mold to form an ingot. The jeweler would then execute his craft and a new piece of jewelry would be created. “I wanted to see finished jewelry and wanted to learn everything I could. Whenever we would go to Gallup, NM, I would visit curio stores to see creations in silver.” Ray spent time viewing jewelry designs at the Gallup Intertribal Indian Ceremonial and at the Navajo Nation Fair. Anywhere, there was jewelry on display; Ray could be seen viewing the works of art. Ray’s family moved to Ganado, AZ when he was six years old. One summer day when he was nine years old, he complained to his mother of how bored he was. The next day his mother enrolled him into summer school and changed his life forever. He went straight to art class and found a silver smithing table in the corner. He remembered his grandfather’s stories and the rest is history.  “In class I fabricated my first ring out of silver for my Mother. I found an unknown stone and made a cabochon. I tried to copy an old style ring design that I had seen at Hubbells Trading Post. One teardrop flanked the sides of the stone. It was a very simple design but it took me a week to finish. I kept melting the silver. I made my next silver and stone creation at the age of 21 and gave it to my mother. It was another ring, but this time it was a split shank with three ribs and three tear drops on the side of the stone.” I told my father, I want to make jewelry for the rest of my life.” Ray continued making jewelry while attending Brigham Young University. Studying chemistry and physics by day and making jewelry at night. “The designs were simple, my first love was Old Style Navajo jewelry. Weekends were spent traveling to Gallup, NM, to sell his work. While at BYU another opportunity arose to express his creativity—acting. “I wasn’t a very good student so Hollywood had an instant appeal. My gift of creativity carried over into acting. Acting was just another outlet of creative expression.” His adventurous nature allowed Ray to spend several years as an actor in feature films and television. This acting detour never made him lose interest in jewelry design. Eventually, Ray’s love of jewelry brought him back to New Mexico to permanently pursue this art form. “One time while traveling to Albuquerque from Gallup, I noticed the horizon over Laa Pueblo. I saw steps on a mesa. I incorporated this imagery of tiered steps into a bracelet design.” “Another time, while golfing at Hobble Creek Golf Course, I saw pebbles aligned in a  row on the river bottom. Those pebbles became my inspiration to place them on the sides of an inlaid bracelet.” “Sometimes my creativity comes to a screeching halt. When this happens I go to my roots; Old Style jewelry. That is the place of fascination. The Old Ones utilized rudimentary tools to create their simple, yet perfected, pieces of craftsmanship. From this point I am able to create from an inspiring idea. On the flip side, sometimes my mind becomes flooded with more designs than I can remember. Ideas come so quickly I can’t draw them fast enough.” “When I see someone wearing one of my designs, it takes me back to the time when the piece was created. Sometimes I can recall what I was eating or even the music I was listening to. I will remember the inspiration that helped create that design.” Ray has found his path or gift of self-expression that has blessed, enlightened, and influenced his life and others. Awareness of this special gift, fuels his energy and creativity. Inspiration helps to translate his creativity into artistic-visual expression. His creations stand as transitional figures from traditional to contemporary.  He creates something good as he is drawn toward untouched fields of yet-to-be-discovered imagery. Unknowingly he is creating a legacy from which generations can learn and grow. Ray has learned to appreciate and embrace the journey of life and its gifts.

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Harold Joe 設計的納瓦霍純銀和藍色寶石綠松石手鐲。高品質石材經過純正標記和測試。 7.25 英吋內徑，包括 1 3/8 英吋間隙。 64 克，手鍊寬 1.25 英寸，中心寶石寬 1 7/8 英寸。

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Navajo Sterling and Blue ridge turquoise pendant. Signed RB, marked and tested sterling 1.5" x 3", 26 grams.

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Navajo Sterling and Carico Lake Turquoise pendant by Lorenzo Juan. 1.5" x 2.5"<br>23.3 grams with no damage or issues, marked and tested sterling.

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Navajo Sterling and onyx cuff bracelet by Chimney Butte. Huge cuff 144.3 grams, a hair over 2.5" wide in the center, 7.5" counting the 1.5" gap. No issues, natural stone.

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Navajo sterling and turquoise bolo tie 38" long, 2" x 1.5" bolo slide, 31.7<br>grams with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist, rings photographed<br>on the appropriate sized finger when possible. With bracelets if the measurement<br>is not given in the description then inside circumference is shown where the<br>metal meets the number on the the cloth tape measure.

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純銀 27 英寸長 2 英寸 x 2 英寸 Naja 87.2 克。漂亮的女性南瓜花，簽名 B，標記和測試純銀。

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Navajo sterling Begay Large concho with turquoise earrings 13.8 grams 1 5/8" wide with no issues.

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Navajo Sterling Cuff Bracelet Hand Stamped with ropes 6.5" or 16cm inner diameter .75" thick with 1" adjustable opening. Tested and marked sterling circa 3rd quarter of 20th century. 32 grams.

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Navajo Sterling Cuff Bracelet Squash blossom Design. 1" at thickest point x 6.5" inner diameter with 1.25" adjustable opening. Just marked sterling. Circa third quarter of 20th century. 40 grams.

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Navajo Sterling Emma Lincoln Cuff Bracelet 6.75" including the 1 1/8" gap 78.3<br>gram, nice solid cuff bracelet with no issues. 1.25" wide.

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Navajo sterling Kachina earrings Gary Sanchez. Vintage earrings with no issues, solid sterling. Weight and measurements in pics.

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Navajo Sterling Kachina Head pendant for Golden Eagle Trading Company. No issues, measurements in pics.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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納瓦荷純金曼綠松石胸針，F Burnside 設計。約 20 世紀中葉的好老作品。 2.25 英吋 x 1.25 英吋 x 19 克，沒有任何問題。

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Navajo Sterling Onyx Pendant 19.5 grams 2.25" tall with no issues.

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Navajo Sterling Sleeping beauty Turquoise cowboy and Lasso Brooch. Mid 20th century 1.75" x 1.5" x 9.7 grams. No issues, unmarked tested sterling.

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Navajo Sterling Spiny oyster, Peridot, and pearl Cross Pendant by Chimney Butte. Marked and tested sterling 4 1/8" tall x 2 1/8" wide 49.8 grams

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Navajo sterling Tufa Cast High Grade Royston turquoise pendant. 3.25" tall x 1 5/8" wide 42.7 grams. No issues, very wonderful stone and amazing casting, unsure of artisan, possibly Kenneth Jones Sr.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Navajo Sterling Turquoise and Coral Wolf Necklace Pendant and Earrings set. Necklace is 18" long, There's a 1" ruler at the bottom of the pics. Marked and tested sterling, everything is solid sterling but the beads of course are hollow. No damage or issues. Earrings don't quite match but they are Navajo and sterling. Total weight 54.8 grams.

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Navajo Sterling Turquoise conchos leather bracelet. Selling the bracelet shown,<br>No holes in the leather so never worn, can easily make a hole or holes for the<br>perfect fit.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Navajo Sterling Turquoise Cross with Stamped Bead necklace with earrings. Necklace is 19" long, There's a 1" ruler at the bottom of the pics. Marked and tested sterling, everything is solid sterling but the beads of course are hollow. No damage or issues. I'll be listing several of these all different from an estate collection in which the previous owners had a Native American trading post in the last quarter of the 20th century. Total weight 66.7 grams.

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Navajo Sterling Turquoise Nugget beaded necklace. Necklace is 20" long, There's<br>a 1" ruler at the bottom of the pics. Marked and tested sterling, everything is<br>solid sterling but the beads of course are hollow. No damage or issues. Earrings<br>don't quite match but they are Navajo and sterling. Total weight 61 grams.

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Navajo Sterling White buffalo turquoise and coral cuff bracelet. 6" including the 1" gap. 1.85" wide in center. Marked and tested sterling. 43 grams

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納瓦霍純銀/睡美人綠松石大號康喬耳環 26 克 3.5 英寸 x 1.5 英寸，沒有任何問題。

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Navajo Sterling/Malachite necklace and earrings set. Selling the vintage set<br>shown with no issues. Tested sterling with no purity markings. 1" tall earrings<br>Necklace has an extender so it can be worn at 22" or 28". 113 grams total

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Navajo Sterling/mother of pearl bib necklace 23.8 grams. Approx 18" long, tested<br>sterling.

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Navajo Sterling/turquoise dragonfly pin 7.6 grams, 2.25" x 1.75" with no issues All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Navajo Sterling/Turquoise necklace. Approximately 18" long, no damage or issues,<br>marked and tested sterling. 47.2 grams

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Navajo Tom Hawk Sterling Cuff bracelet. Tom Hawk is an award-winning Navajo silversmith whose signature style showcases highly dimensional polished ribs of sterling silver against deep blackened channels of oxidized silver. Known for his cuff bracelets, he also handcrafts unique earrings, rings, and pendants all in his signature style. Working exclusively with heavy gauge sterling silver anyone who owns a piece of Tom Hawk’s artwork knows that it will stand the test of time and become a go-to piece for any collection. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Most cuff bracelets are shown photographed on a 6" woman's wrist and will include a photo showing the inside circumference where the metal tip meets the number on the tape measure.

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Nel J Navajo sterling, turquoise, and coral bolo tie 39" long. Other measurements in pics. No issues.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Nellie Tso (1932-2011) Navajo Sterling and Turquoise Concho Belt signed N. Tso<br>(Nellie Tso, Navajo/ Dine, Arizona, 1932-2011), nine conchos and belt buckle,<br>spoked wheel design, each set with a turquoise cabochon, on a black leather<br>belt, only one hole punched in belt strap, belt: approx 40"l (flat, buckle to<br>single hole), buckle: approx 2"h, 2.5"w; 1.25lbs total 10 Conchos including the<br>buckle, I weighed one it was 46.5 grams, conchos test sterling, so it's about<br>470 grams of silver/turquoise with the small copper backs.<br>Tw208

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Nelson Garcia - Kewa Sterling and high grade turquosie pendant. No issues, weight and measurements in pics. Nelson Garcia is a very competent silversmith that uses the best materials and does extremely clean/high end work as is hopefully evident here. <br><br>Nelson Garcia was born October sixth, 1955 in the village of Santo Domingo Pueblo, New Mexico. He was raised in a large family made up of four brothers and four sisters. One of the eldest, he matured early and with a good heart, shared in the responsibilities of his youth. From working in the fields with his brothers or watching the trade of his father, the seeds of perfection were sown.<br><br>His father, Joe Jay Garcia, was a silversmith with talents in traditional designs and Heishi necklaces. From studying his fathers workmanship more than a talent was formed. Nelson learned that any job can be completed but if not done correctly, it is a pointless task. In his grade school years he created his first works. Buying silver from his uncle, he would make silver cones that are used as the ending tips to a Heishi necklace. Once completed, he would walk throughout the village selling his silver cones to the many artists. Who knew that these elements would lay foundations to greater achievements in the years to come.<br><br>After high school Nelson said farewell to the comforts of home and in 1974 moved to Phoenix, Arizona. In school and full of optimism, he would begin the next chapter to his life. He started working in a local jewelry store as a silversmith. Once again studying his surroundings, this experience would give him the momentum to go into business for himself. As time passed, like every man he would find his happiness. In 1975 he married his wife Helen, a Navajo from the Naakaii Dinee clan. A year later his first child was born, a daughter whom they would name Coreen. To any business the early years define character and will. In 1983 with a newborn son, AAron, he decided to go into business for himself. With his creations packed and loaded into his car he drove to Page, Arizona for his first Art show. That Saturday he would make his first sale as an independent artist. Sadly, that would be his only sale for that day. One ring, in which he had to debate the price, but was finally sold. With a fresh fourteen dollars in hand, one would think dread would set in. Showing resilience he drove the next day to the Coconino center in Flagstaff, Arizona. This bold step would define his business ethic. He would attend this next art show with high hopes and patient hands. Driving home later that night with four-hundred eighty dollars in his pocket, his American dream had become a reality.<br><br> As the years have passed, Nelson has won many distinguished awards at some of the nations largest art exhibits. From the Santa Fe Indian Market to Red Earth in Oklahoma city. His jewelry has traveled into the heart of Europe with shows in Germany, Austria and Switzerland. He has formed relationships of trust with his many customers in the western world. Assured perfection in his work is what should be expected. Only selecting the finest stones and designing the most careful expressions. He lives a life of success in Phoenix to this day with his wife and family. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Nelson Garcia Santo Domingo Silver bolo tie with high grade turquoise 43" long, 68.7 grams, 2.25" x 1.75" slide, 1 7/8" tall x 10mm wide custom handmade tips, very high grade leather cord all in excellent condition. Nelson Garcia is a very competent silversmith that uses the best materials and does extremely clean/high end work as is hopefully evident here. <br><br>Nelson Garcia was born October sixth, 1955 in the village of Santo Domingo Pueblo, New Mexico. He was raised in a large family made up of four brothers and four sisters. One of the eldest, he matured early and with a good heart, shared in the responsibilities of his youth. From working in the fields with his brothers or watching the trade of his father, the seeds of perfection were sown.<br><br>His father, Joe Jay Garcia, was a silversmith with talents in traditional designs and Heishi necklaces. From studying his fathers workmanship more than a talent was formed. Nelson learned that any job can be completed but if not done correctly, it is a pointless task. In his grade school years he created his first works. Buying silver from his uncle, he would make silver cones that are used as the ending tips to a Heishi necklace. Once completed, he would walk throughout the village selling his silver cones to the many artists. Who knew that these elements would lay foundations to greater achievements in the years to come.<br><br>After high school Nelson said farewell to the comforts of home and in 1974 moved to Phoenix, Arizona. In school and full of optimism, he would begin the next chapter to his life. He started working in a local jewelry store as a silversmith. Once again studying his surroundings, this experience would give him the momentum to go into business for himself. As time passed, like every man he would find his happiness. In 1975 he married his wife Helen, a Navajo from the Naakaii Dine’e clan. A year later his first child was born, a daughter whom they would name Coreen.<br><br> To any business the early years define character and will. In 1983 with a newborn son, AAron, he decided to go into business for himself. With his creations packed and loaded into his car he drove to Page, Arizona for his first Art show. That Saturday he would make his first sale as an independent artist. Sadly, that would be his only sale for that day. One ring, in which he had to debate the price, but was finally sold. With a fresh fourteen dollars in hand, one would think dread would set in. Showing resilience he drove the next day to the Coconino center in Flagstaff, Arizona. This bold step would define his business ethic. He would attend this next art show with high hopes and patient hands. Driving home later that night with four-hundred eighty dollars in his pocket, his American dream had become a reality.<br><br> As the year’s have passed, Nelson has won many distinguished awards at some of the nations largest art exhibits. From the Santa Fe Indian Market to Red Earth in Oklahoma city. His jewelry has traveled into the heart of Europe with shows in Germany, Austria and Switzerland. He has formed relationships of trust with his many customers in the western world. Assured perfection in his work is what should be expected. Only selecting the finest stones and designing the most careful expressions. He lives a life of success in Phoenix to this day with his wife and family.<br><br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Nelson Morgan Navajo sterling Needlepoint turquoise Kokopelli shadowbox pendant. Large with no issues, .5" wide inside bail, weight and measurements in pics. Nelson Morgan Pieces handmade by Navajo artist Nelson Morgan. Born in 1962, Navajo silversmith Nelson Morgan learned the art of silversmithing from his parents, David and Dorothy Morgan. He has been designing beautiful Navajo overlay jewelry for over 30 years. Nelson is a diverse Navajo silversmith specializing in stone setting and inlay jewelry. He is primarily known for his intricate Kachina designs: Sunface, Mud Head, Eagle, etc. Nelson is one of the most well-known kachina character jewelry artists in the southwest today.

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Nelson Silvia 10K/Sterling Houston Texas hand engraved belt buckle. Great buckle with no issues. The monogram makes it one of a kind and rare, but it is in 10k gold, likely $100-$150 worth of gold just in the center so someone could likely get their name put in the center in trade for the gold. 4" x 2.75" fits up to 1 5/8" belt. 67.5 grams

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Nettie Rosenstein (1890-1980) Sterling Dress clip fan form. Gilt sterling in overall good condition. Weight and measurements in pics.

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NEW Reed and Barton Francis 1 Sterling Silverware 5 7/8" Teaspoon. I have a<br>small set of this in "New old Stock" condition. They have never been out of the<br>sleeve, never used, this pattern was discontinued in 2019 so they have been in a<br>drawer for awhile and will be some wear to plastic sleeves but the pieces inside<br>are absolutely new and unused, not machine polished with a worn down pattern<br>like some of the big replacement patterns offer but new and not available<br>anywhere at any price in this condition. I'm still pricing them at way less than<br>they cost new and about what the big companies charge for a refinished piece<br>that typically has lost the original crispness of the pattern.<br><br>Selling (1) 5 7/8" Sterling silver Francis the 1st by Reed and Barton Teaspoon<br>sealed in the pack, unused with more available. You can change the qty to<br>purchase more than one.<br><br>An American Classic, Francis 1st by Reed & Barton continues to be as popular<br>today as it was when it was introduced in 1907. The grandeur of this unique<br>sterling silver pattern, designed by Ernest Meyers, is enhanced by its fifteen<br>different fruit-and-flower clusters. Each handle bears one of these exquisitely<br>detailed vignettes. After 112 years this pattern was retired in 2019.

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NEW Reed and Barton Francis 1 Sterling Silverware 6 1/8" Individual Salad Fork.<br>I have a small set of this in "New old Stock" condition. They have never been<br>out of the sleeve, never used, this pattern was discontinued in 2019 so they<br>have been in a drawer for awhile and will be some wear to plastic sleeves but<br>the pieces inside are absolutely new and unused, not machine polished with a<br>worn down pattern like some of the big replacement patterns offer but new and<br>not available anywhere at any price in this condition. I'm still pricing them at<br>way less than they cost new and about what the big companies charge for a<br>refinished piece that typically has lost the original crispness of the pattern.<br><br>Selling (1) 6 1/8" Sterling silver Francis the 1st by Reed and Barton 6 1/8"<br>individual salad fork sealed in the pack, unused with more available. You can<br>change the qty to purchase more than one.<br><br>An American Classic, Francis 1st by Reed & Barton continues to be as popular<br>today as it was when it was introduced in 1907. The grandeur of this unique<br>sterling silver pattern, designed by Ernest Meyers, is enhanced by its fifteen<br>different fruit-and-flower clusters. Each handle bears one of these exquisitely<br>detailed vignettes. After 112 years this pattern was retired in 2019.

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NEW Reed and Barton Francis 1 Sterling Silverware 6 3/8" Modern Hollow Butter Spreader with sterling handle and (Stainless blade). I have a small set of this in "New old Stock" condition. They have never been out of the sleeve, never used, this pattern was discontinued in 2019 so they have been in a drawer for awhile and will be some wear to plastic sleeves but the pieces inside are absolutely new and unused, not machine polished with a worn down pattern like some of the big replacement patterns offer but new and not available anywhere at any price in this condition. I'm still pricing them at way less than they cost new and about what the big companies charge for a refinished piece that typically has lost the original crispness of the pattern. Selling (1) 6 3/8" Modern Hollow Butter Spreader (Stainless blade) sealed in the pack, unused with more available. You can change the qty to purchase more than one. An American Classic, Francis 1st by Reed & Barton continues to be as popular today as it was when it was introduced in 1907. The grandeur of this unique sterling silver pattern, designed by Ernest Meyers, is enhanced by its fifteen different fruit-and-flower clusters. Each handle bears one of these exquisitely detailed vignettes. After 112 years this pattern was retired in 2019.

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NEW Reed and Barton Francis 1 Sterling Silverware 6" Round Bowl Soup Spoon<br>(Cream Soup). I have a small set of this in "New old Stock" condition. They have<br>never been out of the sleeve, never used, this pattern was discontinued in 2019<br>so they have been in a drawer for awhile and will be some wear to plastic<br>sleeves but the pieces inside are absolutely new and unused, not machine<br>polished with a worn down pattern like some of the big replacement patterns<br>offer but new and not available anywhere at any price in this condition. I'm<br>still pricing them at way less than they cost new and about what the big<br>companies charge for a refinished piece that typically has lost the original<br>crispness of the pattern.<br><br>Selling 1 6" long with 1 7/8" wide bowl cream soup spoon with more available by<br>changing the qty.<br><br>An American Classic, Francis 1st by Reed & Barton continues to be as popular<br>today as it was when it was introduced in 1907. The grandeur of this unique<br>sterling silver pattern, designed by Ernest Meyers, is enhanced by its fifteen<br>different fruit-and-flower clusters. Each handle bears one of these exquisitely<br>detailed vignettes. After 112 years this pattern was retired in 2019.

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NEW Reed and Barton Francis 1 Sterling Silverware 7.25" Fork. I have a small set<br>of this in "New old Stock" condition. They have never been out of the sleeve,<br>never used, this pattern was discontinued in 2019 so they have been in a drawer<br>for awhile and will be some wear to plastic sleeves but the pieces inside are<br>absolutely new and unused, not machine polished with a worn down pattern like<br>some of the big replacement patterns offer but new and not available anywhere at<br>any price in this condition. I'm still pricing them at way less than they cost<br>new and about what the big companies charge for a refinished piece that<br>typically has lost the original crispness of the pattern.<br><br>Selling (1) NEW Reed and Barton Francis 1 Sterling Silverware 7.25" Fork sealed<br>in the pack, unused with more available. You can change the qty to purchase more<br>than one.<br><br>An American Classic, Francis 1st by Reed & Barton continues to be as popular<br>today as it was when it was introduced in 1907. The grandeur of this unique<br>sterling silver pattern, designed by Ernest Meyers, is enhanced by its fifteen<br>different fruit-and-flower clusters. Each handle bears one of these exquisitely<br>detailed vignettes. After 112 years this pattern was retired in 2019.

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NEW Reed and Barton Francis 1 Sterling Silverware 8 7/8" Modern Hollow Knife<br>(Stainless blade) with sterling handle, 4 7/8" long blade. I have a small set of<br>this in "New old Stock" condition. They have never been out of the sleeve, never<br>used, this pattern was discontinued in 2019 so they have been in a drawer for<br>awhile and will be some wear to plastic sleeves but the pieces inside are<br>absolutely new and unused, not machine polished with a worn down pattern like<br>some of the big replacement patterns offer but new and not available anywhere at<br>any price in this condition. I'm still pricing them at way less than they cost<br>new and about what the big companies charge for a refinished piece that<br>typically has lost the original crispness of the pattern.<br><br>Selling (1) NEW Reed and Barton Francis 1 Sterling Silverware 8 7/8" Modern<br>Hollow Knife (Stainless blade) sealed in the pack, unused with more available.<br>You can change the qty to purchase more than one.<br><br>An American Classic, Francis 1st by Reed & Barton continues to be as popular<br>today as it was when it was introduced in 1907. The grandeur of this unique<br>sterling silver pattern, designed by Ernest Meyers, is enhanced by its fifteen<br>different fruit-and-flower clusters. Each handle bears one of these exquisitely<br>detailed vignettes. After 112 years this pattern was retired in 2019.

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Great estate fresh piece. Frame measures 15.75" x 12 5/8". Inside of matting is<br>8" x 5.75". The paper is a little dark and there's a small damaged spot on the<br>very right center. Replacing the matting with slightly smaller would easily fix<br>that issue. Here's a link for this print at Rago's.<br><br>https://www.ragoarts.com/auctions/2015/02/14/early-20th-c/246<br>B3

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Nez Navajo hand stamped sterling large earrings. Weight and measurements in pics. Solid sterling. Strong springs on clips Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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Nice 40‘s-50‘s Navajo silver concho pin with turquoise. No issues, weight and measurements in pics. Solid sterling with no markings. Mid 20th century.

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Nice Antique Duck Decoy. Great duck decoy 19th century to first quarter of 20th century. 13.25" long x 5.25" wide, glass eyes, well carved and painted, some loss to paint shown. No identifying marks that I could find.

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Great looking painting in a shadowbox frame with no issues. I can't make out the<br>signature, but it's a good quality painting that's very well presented. 9" x 13"<br>sight in a 16.5" x 20.5" Shadowbox frame behind glass.

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Nice old Hopi Native American pottery bowl. Nice old piece I believe from the<br>second quarter of the 20th century with no damage and little wear. 6.25" wide x<br>3" tall.<br>isshelf

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Nice Vintage Native American Silver/turquoise sandcast cuff bracelet. Thick heavy cuff circa mid 20th century, well made beautiful stones. unmarked. Tested 90% or more silver.

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Nice Vintage Native American Silver/turquoise sandcast cuff bracelet. Thick<br>heavy cuff circa mid 20th century, well made beautiful stones. unmarked. Tested<br>90% or more silver.

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Nice Vintage Navajo Hand stamped silver concho pin. Weight and measurements in pics. Hallmarked with an S, likely 50's-60's.

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Nice Vintage Sterling/turquoise cuff bracelet. Great cuff from the second quarter of the 20th century with no issues.

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Nice Vintage Zuni sterling turquoise cluster cross pendant/necklace. Very high quality, markings as shown. Pendant and necklace solid sterling silver, circa mid 20th century. High quality Natural turquoise, weight and measurements in pics. No issues, 24.8 grams total weight.

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Nicholas J. Lutz(1835-1906) Attributed Unusual Victorian Art Glass Enameled<br>Latticino Vase. 7.75" tall, extremely special piece of glass. Latticino like the<br>best Italian glass with Enameling equivalent to the best French/American art<br>glass of the period. This piece is definately well over 100 years old I'm<br>certain and guaranteeing it to be. Ground pontil, natural wear on base, best<br>quality imaginable with no damage or flaws other than minor wear to gilding.<br>Really if this is what I think it is it belongs in a museum as it's a top<br>example of someone's work, if you have any better ideas base on<br>reality/experience I'd also be grateful for that.<br><br>Nicholas J. Lutz (21 February 1835 St. Louis-lès-Bitche, France - 31 March 1906<br>Somerville, Massachusetts) was a French glassmaker who received his training at<br>the Cristalleries de St. Louis, and later emigrated to the United States where<br>he settled in White Mills in Pennsylvania, later working at the Boston and<br>Sandwich Glass Company<br>isshelf

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Niels Erik From Sterling Denmark MCM Atomoic bracelet/pin set. 7" long bracelet, weight and measurements in pics. No issues. Danish jeweller and silversmith Niels Erik From ( N.E. From) was born in 1908 and opened his first workshop in 1931 when he was still only twenty-three . Over the next forty years Niels Erik went on to become one one of the greats of Danish design, and created many works including floral-inspired designs often set with semi-precious gemstones. These pieces took inspiration from the Skønvirke style. This was a Scandinavian development that formed part of Denmarks Art Nouveau and Arts and Crafts movement . This movement ususally took inspiration from nature with designs incorporating flowers and floral motifs as well as featuring natural creatures such as fish. N.E. FROM JEWELLRY STYLES - EARLY FLORAL DESIGNS AND LATER ABSTRACT MODERNIST PIECES N.E. Froms output generally displays one of two distinct styles. In the early years of production he produced wiry, thin, foliage and floral pieces .However, beginning in the 1950‘s the work produced by From (which were often the designs of other designers) had a very different look. No longer does the jewellery feature romantic, detailed designs from nature. The later pieces have modernist, clean lines with geometric and abstract shapes. Occasionally the modern designs show nature as inspiration with abstract blossom and leaf and blossom shapes. In generally though, they follow the trend of the 1950s of , spare, minimalist design.production .

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Niels Erik From Sterling Denmark MCM Atomoic Brooch. 1 5/8" wide 6.5 grams, no issues.Danish jeweller and silversmith Niels Erik From ( N.E. From) was born in 1908 and opened his first workshop in 1931 when he was still only twenty-three .Over the next forty years Niels Erik went on to become one one of the greats of Danish design, and created many works including floral-inspired designs often set with semi-precious gemstones. These pieces took inspiration from the Skønvirke style. This was a Scandinavian development that formed part of Denmark’s Art Nouveau and Arts and Crafts movement . This movement ususally took inspiration from nature with designs incorporating flowers and floral motifs as well as featuring natural creatures such as fish.N.E. FROM JEWELLRY STYLES - EARLY FLORAL DESIGNS AND LATER ABSTRACT MODERNIST PIECES N.E. From’s output generally displays one of two distinct styles. In the early years of production he produced wiry, thin, foliage and floral pieces .However, beginning in the 1950's the work produced by From (which were often the designs of other designers) had a very different look. No longer does the jewellery feature romantic, detailed designs from nature. The later pieces have modernist, clean lines with geometric and abstract shapes. Occasionally the modern designs show nature as inspiration with abstract blossom and leaf and blossom shapes. In generally though, they follow the trend of the 1950s of , spare, minimalist design.production .

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Niels Erik From Sterling Denmark MCM Atomoic Brooch. 1 5/8" wide x 9/16" beautiful condition with no issues. Danish jeweller and silversmith Niels Erik From ( N.E. From) was born in 1908 and opened his first workshop in 1931 when he was still only twenty-three . Over the next forty years Niels Erik went on to become one one of the greats of Danish design, and created many works including floral-inspired designs often set with semi-precious gemstones. These pieces took inspiration from the Skønvirke style. This was a Scandinavian development that formed part of Denmark’s Art Nouveau and Arts and Crafts movement . This movement ususally took inspiration from nature with designs incorporating flowers and floral motifs as well as featuring natural creatures such as fish. N.E. FROM JEWELLRY STYLES - EARLY FLORAL DESIGNS AND LATER ABSTRACT MODERNIST PIECES N.E. From’s output generally displays one of two distinct styles. In the early years of production he produced wiry, thin, foliage and floral pieces .However, beginning in the 1950's the work produced by From (which were often the designs of other designers) had a very different look. No longer does the jewellery feature romantic, detailed designs from nature. The later pieces have modernist, clean lines with geometric and abstract shapes. Occasionally the modern designs show nature as inspiration with abstract blossom and leaf and blossom shapes. In generally though, they follow the trend of the 1950s of , spare, minimalist design.production .

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Niels Erik From Sterling Denmark MCM Atomoic Jewelry Set. Ring and bracelet sizes in pics. Hand and penny pics for scaleDanish jeweller and silversmith Niels Erik From ( N.E. From) was born in 1908 and opened his first workshop in 1931 when he was still only twenty-three .Over the next forty years Niels Erik went on to become one one of the greats of Danish design, and created many works including floral-inspired designs often set with semi-precious gemstones. These pieces took inspiration from the Skønvirke style. This was a Scandinavian development that formed part of Denmark’s Art Nouveau and Arts and Crafts movement . This movement ususally took inspiration from nature with designs incorporating flowers and floral motifs as well as featuring natural creatures such as fish.N.E. FROM JEWELLRY STYLES - EARLY FLORAL DESIGNS AND LATER ABSTRACT MODERNIST PIECES N.E. From’s output generally displays one of two distinct styles. In the early years of production he produced wiry, thin, foliage and floral pieces .However, beginning in the 1950's the work produced by From (which were often the designs of other designers) had a very different look. No longer does the jewellery feature romantic, detailed designs from nature. The later pieces have modernist, clean lines with geometric and abstract shapes. Occasionally the modern designs show nature as inspiration with abstract blossom and leaf and blossom shapes. In generally though, they follow the trend of the 1950s of , spare, minimalist design.production .

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These are really nice noritake coasters circa 1910's. Guaranteed authentic with no cracks or chips. There is some paint wear on the top rim. Selling all six.

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Unmarked c. 1880-1890. No cracks,chips, or restorations. Some wear to holding and apparent factory flaw of a slash going through her face. 10.75" wide.

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Noeline Harris (1923-2011) Austin Texas Hill Country Landscape Cowboy with Cattle in Snow. 12" x 16" canvas 19" x 23" framed. No issues or damage to painting, minor soiling and wear to 40+ year old frame. Austin, Texas artist Noeline was known for her kindred spirit and optimism. She was a well known artist and owner of Brushstrokes Art in Marble Falls, Texas. For many years, she worked as assistant to artist Doug Walton and spent much of her time painting at her second home in San Miguel de Allende.

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Noeline Harris (1923-2011) 德克薩斯州奧斯汀山鄉村景觀，帶有宅基地和馬車17.5" x 20.5" 帶框9" x 12" 畫布。 德克薩斯州奧斯汀藝術家Noeline 以其志同道合的精神和樂觀主義而聞名。她是一位著名的藝術家，也是德克薩斯州馬布爾福爾斯的筆畫藝術館的所有者。多年來，她一直擔任藝術家道格·沃爾頓(Doug Walton) 的助理，並將大部分時間花在她位於聖米格爾德阿連德的第二個家中作畫。狀況良好，沒有損壞。

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Nora Nelson Navajo Sterling and turquoise pendant necklace. 22" long necklace with no issues.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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9" tall x 6" wide. Really special with all hand painted decoration. Circa 1930's to 1940's. No cracks, chips, gold wear, or other damage.

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Noritake Nippon Moriage Wedgwood Style Lamps with Hand Painted Neoclassical Figures. 15.75" total height, the Porcelain inserts are 9" tall x 5.75" wide. A well done pair of lamps obviously assembled in the early 20th century. I didn't take them apart to see if the inserts were originally vases or made as lamps. I'm attributing them to Noritake as I've had other pieces in this wonderful and scarce pattern. No damage to porcelain, some expected oxidation to metal fittings, working condition. Selling the pair TW247

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7" Noritake Nippon Toki Kaisha Hand Painted Artist Signed Vase Really special with all hand painted decoration. Circa 1930's to 1940's. No cracks, chips, or other damage. tw58

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