c1790 Hepplewhite/Chippendale Inlaid Knife Box. Guaranteed late 18th to early<br>19th century piece, I'm not 100% sure if it is American or British. 14.25" tall<br>x 9" wide x 10.5" deep. Some minor loss to marquetry, a few old stable splits,<br>and one piece missing from base. Stable, strong, and very presentable piece.<br>There is a hallmark on the silver hardware that could possibly give clues to<br>it's origin to someone with more time than me.

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c1790 Leeds creamware openwork hexagonal vase 6 5/8" tall x 4" diagonal at rim. One extremely tight hairline at rim that is almost debatable on whether it actually is one. A few spots of glaze wear on footrim. No actual chips or cracks, no restorations. isshelf

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c1790 Pewter Coffee Urn with First Prize at Los Angeles County Fair Ribbon. Great piece from the 18th to every early 19th century. Small fractures towards top rim on right side, a few expected dents. I could find no identifying marks. Making this particularly important is this ribbon that was fixed to the top of the lid where it won first prize at the Los Angeles county fair in probably the 1920's-50's. I could find no date on the ribbon it's obviously very old and from a much simpler time than we live in today. Selling the pot and the ribbon it won. Pot is 16" tall.This piece and ribbon it won really takes me back to such a pleasant time in my mind. A time of different societal values. isshelf

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c1790 Qianlong Chinese export blue and white porcelain bowls, Selling the two bowls shown one perfect with no damage or restorations. The other with no cracks, restorations, but some very shallow tiny chips on the rim. I tried my best to show the "worst" ones in the closeup pic and really couldn‘t as they cannot be seen in real life without close inspection. Each 6.25" x 1 3/8" chinadrawer

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c1790-1800 Antique Sterling Filigree Thimble/Tape/Scent Bottle, English. Very<br>rare and desirable item over 200 years old with no significant issues. Cotton is<br>in the bottle intended to be filled with a small amount of perfume to saturate<br>the cotton and keep things smelling good. Little knob turns on the top to reel<br>in the silk tape.<br><br>perfumedrawer

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c1799 Richard Crossley Georgian Sterling silver Berry Spoon. Fancy hand<br>engraved/chased, somewhat worn armorial crest on top. 9" long x 1 7/8" wide bowl<br>73.3 grams.

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c1800 2 Antique Delft Lidded Jugs. Selling the two jugs 18th-19th century. The larger is 10" to top of thumbrest x 5 7/8" wide smaller is 7" to thumbrest x 3.25" wide. Smaller jug has some small chips on footrim and one inside lid, no restorations or cracks. Larger has crazing but no chips or cracks. B38

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c1800 Antique Chinese Imari Barber's Bowl. 11" wide x 2 5/8" tall. A Barber’s<br>Bowl is a shaving dish which is usually made in ceramic, it was used by barbers<br>in the 17th, 18th and 19th centuries. By the 19th century, barbers were commonly<br>using this semi-circular bowl to not only cut hair, but also beards. Thus the<br>barber became very popular as well as servicing a new need, and a new profession<br>was created.<br><br>A wonderful 18th century Chinese Imari Barber’s Bowl with a vibrant Imari<br>design. This name is used for both a pattern and colors which were for a<br>specific type of Chinese porcelain. The Chinese got their inspiration from the<br>earlier colors and designs of Japanese Imari porcelain. Chinese Imari is<br>typically characterized by a combination of dry iron red enamel highlighted with<br>gilt which is then applied as the underglaze on blue and white porcelain. In<br>general, the Chinese Imari pieces have a brighter white and more purple-toned<br>blue than the Japanese pieces. The red over-glaze is also thinner and closer to<br>orange than in Japanese pieces.<br><br>This Barber’s Bowl is in pristine condition and has two holes at the top of the<br>piece. This was done in order to put cords through the holes so that it could be<br>hung on a wall. This 18th century Chinese Imari Barber’s Bowl is an exquisite<br>piece, has wonderful vibrant tones and is in lovely condition.

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c1800 Cobalt Blown Bristol Glass Decanter set with faceted stoppers. Selling the<br>extremely rare and gorgeous set shown, blown glass bottles with ground pontils,<br>faceted stoppers, hand painted gilt decoration on each. All three bases are<br>perfect with no damage, Rum stopper has one tiny chigger bite on facet, Brandy<br>stopper is broken and reglued at the skinny part where faceted top meets the<br>ground part that fits in the bottle, Hollands has a chip as shown. No other<br>issues, amazing set. 8 5/8" tall.<br>tw272

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c1800 Chinese Export for American Market Patriotic plate with Great seal and<br>Chinese/American flags. Rare plate from the late 18th-mid 19th century. 10 5/8"<br>one tiny nick on back side shown in last pic. No other damage or restorations.

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C1800 Colonial American Foot Warmer Punched Tin Hearts, Mortised Columns. 7.5" x 8 5/8" x 5.5" tall. Original liner to hold coals. Replaced handle on front and old damage to each top corner. Strong and stable, looks great. B52

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c1800 Crown Derby Cup and saucer cobalt and gold hand painted. Saucer is 5 3/8" saucer is 3 1/8" wide without handle x 2 5/8" tall. No cracks, chips, or restorations, some wear to gilding. TW179

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c1800 Hand Forged colonial betty lamp. Great lamp from the 18th to first half of 19th century, functional with no damage. 10.5" tall with hook extended, 4.75" x 4 1/8" wide. Nice no brainer patina. This early betty lamp burned grease for lighting in the 19th century. It is called a 'betty lamp' which comes from the word 'besser' in German (meaning better). Far superior to the rushlight or splint lamp, it evolved from the crusie lamp with the addition of a cover and a wick support which ensured that any oil/grease drippings from the wick flowed back into the reservoir. The betty lamp was probably the most widely used means of lighting among people of middle or lower income until refined whale oil became common. It burned any fat or oil that was available virtually without smell or smoke, using a twisted cotton wick. B70

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Nice Heavy forged iron betty lamp. Very minor loss to tip of door, no other issues, no holes. 3 3/8" x 4.25" , 10.5" tall with hanger extended. This early betty lamp burned grease for lighting in the 19th century. It is called a 'betty lamp' which comes from the word 'besser' in German (meaning better). Far superior to the rushlight or splint lamp, it evolved from the crusie lamp with the addition of a cover and a wick support which ensured that any oil/grease drippings from the wick flowed back into the reservoir. The betty lamp was probably the most widely used means of lighting among people of middle or lower income until refined whale oil became common. It burned any fat or oil that was available virtually without smell or smoke, using a twisted cotton wick. B70

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Nice Heavy forged iron betty lamp. 3 1/8" x 4.25" x 10.25" to tip of hanger fully extended. Some expected pitting but all here with no holes. This early betty lamp burned grease for lighting in the 19th century. It is called a 'betty lamp' which comes from the word 'besser' in German (meaning better). Far superior to the rushlight or splint lamp, it evolved from the crusie lamp with the addition of a cover and a wick support which ensured that any oil/grease drippings from the wick flowed back into the reservoir. The betty lamp was probably the most widely used means of lighting among people of middle or lower income until refined whale oil became common. It burned any fat or oil that was available virtually without smell or smoke, using a twisted cotton wick. B70

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c1800 Irish Georgian sterling Brite Cut stuffing/serving spoon. No issues, measurements in pics 104 grams.

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c1800 Portrait Miniature of Prussian Officer in Original frame. 4" tall x 3.5"<br>wide 1.5" x 1.25" miniature painting. No significant issues, from the first half<br>of the 19th century.<br>TW211

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c1800 Portrait Miniature of Swiss/Prussian Soldier in Gilt silver filigree<br>frame. Die Zurch Errinnerung translates to "The Zurich Memory" 4.5" tall x 3<br>1/8" wide 1.5" x 1.25" miniature painting. No significant issues, from the first<br>half of the 19th century.<br>TW211

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c1810 Coalport Kakiemon style Banded Hedge Chinoiserie Hand painted dinner<br>plate. British, really wonderful and over 200 years old with no cracks, chips,<br>or restorations. 9 5/8" wide, some expected wear to gilding and enamel as shown.<br>tw148

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C1810 Davenport Miniature Black Ground Resist Peony Famille Noire Teapot 3.5"<br>handle to spout x 2" tall. 1 what I believe to be shallow glazed over factory<br>chip on spout and another smaller one after that. No other chips, cracks, or<br>restorations, slight wear to decoration in very few spots. Likely belonged to a<br>child 200 years ago, extremely rare piece.<br>kitshelf

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c1810 French Tortoise Shell Snuff Box. Late 18th to early 19th century with no issues. 2.75" x 1 7/8" x 1 1/8".

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c1810 French Tortoise Shell Snuff Box. Late 18th to early 19th century with no issues. 2.75" x 1 7/8" x 1 1/8".

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c1810 Napoleonic era French silver compote "Duc de Cadore" Union Imperiale. Hallmarked as shown in the pics, I believe it was mad in 1809, 4.5" tall with handles, 8" handle to handle. I don‘t have a large scale handy, but approximately 300 grams. A few small dings in interior, some expected wear, overall good condition. Not lopsided.

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c1810 Unusual Handled Flax Hackle Comb called a Hackle, it is several very sharp square nails upon which they beat the flax plant, pulled and repeatedly refined the fibers in the making of Swedish linen. Measures 10.5" long with 5.75" long nails. Sturdy and very presentable, most likely 200+ years old. TW83?

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C1818 Sterling Solomon Royes & James East Dix. Ornate British silver Berry<br>serving spoons pair. Selling the two spoons shown 136.6 grams total 9.25" long.<br>silverdrawer

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c1820 Antique Chinese Blue underglaze decorated Fitzhugh porcelain large oval<br>serving dish. Nice old piece from the first quarter of the 19th century, perhaps a bit older, Chinese. 14 7/8" x 11.25" x 2.25" with no cracks, or large chips...some glaze wear on both the outer and inside rims with a few small spots of associated inpainting.

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Antique Chinese Blue underglaze decorated Fitzhugh porcelain platter. Nice old<br>platter from the first quarter of the 19th century, perhaps a bit older,<br>Chinese. 15 5/8" x 12.75" with no cracks, chips, or restorations.

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c1820 Blue and White Chinese Tankard. 4 chips to rim that look to have been previously restored. No cracks, no restorations. 4.5" tall x 5.25" wide with handle. isshelf

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c1820 Chinese Blue Underglaze Canton Porcelain Mug. Great mug from first half of 19th century. 4" tall x 3.75" wide rim without handle. NO cracks, chips, or restorations. A few small glaze flakes on handle. TW248

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c1820 Chinese Blue Underglaze decorated mini Jug with gold decoration.4.5" tall x 4.5" handle to spout. The inside of the rim is unglazed so possibly had a lid at one point. Displays wonderfully, no cracks, chips, or restoraitons. Guaranteed late 18th to early 19th century. TW248

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c1820 Chinese Export porcelain for American Market Patriotic covered bowl 11.75" x 9.5" x 4.5" Deep. On 2" long glaze flake (very shallow chip) on end shown in last pic. Some slight expected wear to gold/enamel. No cracks, chips, or restorations.

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c1820 Chinese Export porcelain for American Market Patriotic covered bowl 9.5" X 7.5" X 3" Deep. On glaze ding on end shown in last pic. Some slight expected wear to gold/enamel. No cracks, chips, or restorations.

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c1820 Chinese Export porcelain for American Market Patriotic covered bowl 10.75" x 7.75" x 2.25" Deep. On glaze ding on end shown in last pic along with a firing flaw next to it. Some slight expected wear to gold/enamel. No cracks, chips, or restorations.

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c1820 Chinese Export porcelain US American Market Patriotic Eagle serving covered vegetable. Some slight expected wear to gold/enamel. No damage or restorations but the lid does not fit perfectly, I believe it‘s original to this piece and always been like this. Honestly it wouldn‘t be difficult to take a dremel or grinder and just take a bit off in maybe two places and it would fit perfectly, as of now it does not completely rest in it‘s place.

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c1820 Chinese Export porcelain US American Market Patriotic Eagle serving pieces. Both pieces with some damage. Some slight expected wear to gold/enamel. Smaller bowl 8 5/8" x 6 5/8" with old restorations of several small chips around the rim/associated overpainting just on rim. Larger footed bowl 11.25" x 8 3/8" x 2" deep with very tight/difficult to see 2" long hairline top left. I have my finger pointing to it in one pic as it was very difficult to show as it is to see in person. Selling both pieces.

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c1820 Chinese Famille Rose small coffee cups. Selling the three cups shown 2.75" tall x 2 5/8" wide at rim. The left cup has a crowsfoot on footrim that doesn't penetrate the interior of the cup. Center cup has a tight hairline that extends most of the way down. The orange flower cup has a professional restoration to the rim. I didn't see either of these things until I was photographing/describing for listing and looked them over well previous to that. So they are very attractive about 200 years old and display well, nice painting. Selling the three cups. tw248

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c1820 Chinese Polychrome Decorated Blue unerglaze hand painted butterfly plate 9<br>1/8" wide. Great Chinese plate from the late 18th to the first half of the 19th<br>century with no cracks, chips, or restorations. Really nice blue underglaze<br>decoration on this piece with famille rose accents, unusual plate.<br>TW106

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c1820 Dark Blue Historical Staffordshire Oval Serving Bowl WOOD 9.75" x 7.5"<br>some wear to outside and inside rim, small tight hairline, slight discoloration.<br>200 years old, no chips, real cracks, or restorations. This rare shape will be<br>featured in next month's Transferware recorder newsletter as it was an<br>unrecorded shape in this pattern until now. I gave the author Dick Henrywood<br>permission to use the image.

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C1820 Draisine Early Bicycle Battersea Box from Eleanor Roosevelt Estate. 2.25"<br>x 2 1/8" x 1" with some damage to the enamel on the base as shown, the top is<br>perfect. This is an extremely rare box and a rare early portrayal of one of the<br>first bicycles.<br><br>Battersea boxes developed in the mid 18th century as tiny decorative containers<br>covered with enamel or porcelain and decorated with pleasing designs. Originally<br>the boxes were made of copper covered with white enamel, decorated with<br>classical or scenes or portraits. They evolved over time to become more<br>sentimental.<br>The Battersea box got its name from a firm under the tutelage of Sir Stephen<br>Theodore Janssen, Once Lord Mayor of London at York House in Battersea. The<br>boxes were decorated by transfer printing, which took an impression from an<br>engraved plate painted with enamel and printed on to the box which was then hand<br>painted and fired. The firm existed only from 1753 to 1756 however other firms<br>producing similar boxes, especially those in the village of Bilston, took up<br>this technique. Battersea became the collective name for all such boxes.<br>With advancements in the pottery industry due to the Industrial Revolution,<br>Battersea boxes gradually fell from favour. Allowing small boxes to be produced<br>at less cost than the enameled competitors made Battersea boxes decline<br>significantly by the mid 19th century. They became popular again in the second<br>half of the 20th century with the development of commemorative boxes produced<br>for such well known firms as Tiffany & Co.

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c1820 French Sevres Style Gilt bronze mounted cabinet plate. The only identifying marks are an incised what I believe to be 24-C it is a large incision under the glaze taking up the entire area between the outer and inner footrims. Good early piece from the first half of the 19th century, entirely hand painted, the border has a matte finish, 9.75" wide. isshelf

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c1820 New England Painted Dome top box. Really great dovetailed box with<br>provenance if you can figure it out. M.D.R. initials on Top. M.D. Robinson in<br>pencil inside along with what I would assume childrens names and ages Bernie 7<br>Carolyn 12, Edui? 20, and another I can't figure out. Missing hardware and<br>handles on top and front. 12.5" wide x 5 5/8" tall x 6.25" deep. Lock intact<br>with no key<br>isshelf.

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c1820 Staffordshire Pearlware Figure Girl 6.5" tall with 2.5" square base Nice<br>piece with no restorations or major damage. 2 tiny nicks on base, one small chip<br>off her dress, no cracks, some paint wear.<br>TW133

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c1824 American Historical Staffordshire Utica New York Dark Blue plate 7.75" . No cracks, chips, or restorations. Marked as shown. One stain in back shown in pics. isshelf

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c1825 Ornate British sterling serving spoon. 9" long London hallmarks for 1825, ornate gold gilt repousse bowl, rocker engraved top. No issues. 59.7 grams. silverdrawer

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c1826 William Trayes Sterling Berry Spoon with Wood fitted case. Spoon 6.75"<br>long, case 8.25" long....really one of the fanciest things ever. Gold washed<br>bowl and accents all hand chased/engraved. Imagine showing up to a party with<br>this 197 years ago!?!

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c1830 Adams Dark Blue Staffordshire plate Villa/Cottage possibly historical 9" . No cracks, chips, or restorations. Very clean overall. Unsure of pattern name, part of a nice collection of mostly American Scenes Historical Staffordshire. isshelf

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c1840 Adams Villa Regent Park London Dark blue transferware Staffordshire 9" . No cracks, chips, or restorations, glaze wear in center front with slight stains, and minor wear to back rim. isshelf

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c1830 American Flint Glass Wheelcut Handled Bottle. At one point I had this piece identified but I can't remember now. It' american for sure early to mid 19th century, maybe Boston and Sandwich. 7" tall x 5" at widest point. No cracks, chips, or restorations, some mineral deposits at base.

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c1830 American Historical Staffordshire Upper Ferry Bridge over River Schuylkill 9" . Philadelphia, PA. No cracks, one restored chip on back side shown in two of the pics, no other restorations. Marked as shown. One stain in back shown in pics. isshelf

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c1830 American Historical Staffordshire US American Independent Plymoth MA plate 10 1/8" . No cracks, chips, or restorations. Clean overall, stain that looks like "Crowsfoot" on reverse side doesn‘t go through. Impressed Enoch Wood. isshelf

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c1830 American Historical Staffordshire US Plymoth Rock Landing MA plate 10 1/8" . No cracks, chips, or restorations. Very clean overall, marked as shown Enoch Wood. isshelf

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c1830 British Star shaped dish. Nice hand painted gold decoration. There is a<br>chance this is German or French but the paste seems British to me. I guarantee<br>it first half of 19th century. 8" wide two of the tiniest flakes on footrim, no<br>other cracks, chips, or restorations.<br>tw260

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c1830 Chinese Blue and White Porcelain Canton Helmet creamer and Sugar bowl. Both pieces from first half of 19th century, likely grouped together at one point as one could easily be 20-30 years older than the other. Sugar is very clean with slightest glaze wear on handles, no cracks, chips, or restorations, creamer has a professional restoration to the handle and some tiny flakes on the top rim, no other chips, cracks, or restorations. I'm pricing this for what I've seen this sugar bring by itself and basically giving you the wonderful creamer. TW248

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c1840 Clews American Historical Staffordshire Landing of Gen Lafayette Soup 10" . No cracks, chips, or restorations. Marked as shown. Some expected glaze wear to footrim. isshelf

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c1830 Davenport Blue Transferware Large Serving Bowl with Cattle Cows Farmhouse. No cracks, chips, crazing, restorations, or significant wear. Amazing piece. I have more pieces in this pattern I'm listing separately. All early 19th century. Measures 12.5" x 9 5/8" x 2.5" deep. tw10

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c1830 Doric Villa Regents Park London Historical Staffordshire dark blue plate" . 7.75", glaze flake on top rim, two small pencil lead sized glaze pops, some wear, stains on back. No cracks, real chips, or restorations. isshelf

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c1830 French Empire Period Old Paris Porcelain Hand Painted Green Milk Pitcher. Great piece of French porcelain from the first half of the 19th century with no cracks, chips, or restorations minimal loss to gilding as shown0. 6 5/8" tall x 6.25" handle to spout. I have a few matching pieces I'll be offering separately mostly because these were difficult to photograph with the dark green without blowing out the gold. TW245

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c1830 Harvard College American Historical Staffordshire US dark blue plate 10.25" . No cracks, chips, or restorations. Clean overall, with little wear. isshelf

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c1830 Historical Staffordshire US States Clews plate dark blue 10.5" . No cracks, chips, or restorations. minor glaze wear on rim, one glaze skip towards left. isshelf

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13.25"wide x 7.5" tall. No cracks, chips, or restorations. Incredible piece with<br>hand painted Gilding and decoration. Guaranteed circa 1830's.<br>Decoration possibly by Joseph Bancroft. In 1808 the brothers John and William<br>Ridgway jointed their father Job's factory at Cauldon Place, Hanley in<br>Staffordshire and in the same year the production of bone china was added to<br>that of earthenwares. The early Ridgway porcelains were in Spode style, with<br>quality, scenic bat-prints and some colourful designs in "London"- shape<br>tea-wares. In 1830 the two brothers separated. William Ridgway concentrated on<br>the production of earthenwares. John continued the Cauldon Place Works and was<br>later appointed Potter of Queen Victoria, making some magnificently decorated<br>porcelains. Around 1833 five hundred people were employed at the pottery, and<br>many talented artists were engaged in production of fine painted pieces, some of<br>which are believed to be the work of George Speight and Daniel Lucas, known for<br>their landscape and figure painting. Thomas Brentnall, George Hancock, and<br>Joseph Bancroft have also been employed, specializing in flower painting. John<br>Ridgway exhibited at the Great Exhibition of 1851 and their catalogue shows the<br>great variety and quality of the porcelain produced by the factory at this time.<br>In 1856 John Ridgway & Co. gave way to Ridgway, Bates & Co., to be followed on<br>John's retirement in 1858 by Bates, Brown-Westhead, Moore & Co and than from<br>December 1861 by Brown-Westhead, More & Co., a firm that continued until 1904.

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