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Franz Kriwanek (American, 1920-1994) Mid Century Modern Texas Studio Pottery<br>large vase. 9.75" tall x 7" with with no damage or restorations. Fresh from a<br>local Austin TX estate, most likely made when he was teaching in TX before<br>moving to Silverton.<br><br>Franz Kriwanek (American, 1920-1994). artist, potter, professor and author<br>renown for blending clays and glazes from soils and minerals of the San Juan<br>Mountains near Silverton Colorado. Pottery made from these mixtures is very<br>durable with a distinctive allure. When Germany conquered Czechoslovakia,<br>Kriwanek was forcibly drafted into the German Army. He was then sent to North<br>Africa desert, but one morning when he and the other forced draftees awoke, they<br>were alone. Kriwanek was sent to the Prisoner of War Camp in Clarinda, where he,<br>an artist by trade, began painting again, specifically illustrations of the<br>camp. Once the war was over, he was released and returned to Europe, where he<br>lived in the Netherlands for four years. In fact, Winegardner said a family in<br>Shenandoah sent Kriwanek to the University of Iowa where he could obtain his<br>teaching degree. He then taught in Shenandoah for one year, followed by Mount<br>Pleasant, Iowa.<br><br>In 1948, Franz Kriwanek settled in Sweden to study Sino-Swedish stoneware under<br>the masters Wilhelm Koge and Stig Lindberg. While in Sweden he had 7 one man<br>exhibits.In 1963, He arrived in Texas, taking a position on the art faculty at<br>Texas Tech University. For months after he arrived in West Texas, he sought a<br>clay suitable to stand 2,400 degrees. He found it in a quarry in Snyder, Texas.<br>He believed in using local materials and developed a series of glazes which have<br>cotton gin ashes as they main component. These glazes follow the same traditions<br>of Chinese ash glazes.<br><br>“Franz Kriwanek was born on May 1, 1920 in Worschach, Austria.<br>Winegardner said when Germany conquered Czechoslovakia, Kriwanek was forcibly<br>drafted into the German Army. He was then sent to North Africa desert, but one<br>morning when he and the other forced draftees awoke, they were alone.<br>“The Germans were gone. They had left them in the desert,” said Winegardner.<br>“The first thing they did was surrender.”<br>Kriwanek was sent to the Prisoner of War Camp in Clarinda, where he, an artist<br>by trade, began painting again, specifically illustrations of the camp. Once the<br>war was over, he was released and returned to Europe, where he lived in the<br>Netherlands for four years.<br>“Someone he knew in Clarinda sponsored him and his family to move back to<br>Clarinda,” Winegardner said. “He then moved to Shenandoah and started Kriwanek<br>Pottery and Art School. He was really promoted and supported by people in<br>Shenandoah.”<br>In fact, Winegardner said a family in Shenandoah sent Kriwanek to the University<br>of Iowa where he could obtain his teaching degree. He then taught in Shenandoah<br>for one year, followed by Mount Pleasant, Iowa.<br>“He ended his teaching career as chair of ceramics at the University of Texas at<br>Lubbock,” said Winegardner. “He ended up in Silverton, Colorado with Silverton<br>Mountain Pottery. He passed away in 1994, but his pieces have recently become<br>overly popular.”

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Franz Kriwanek (American, 1920-1994) 1965 Mid Century Modern Texas Studio<br>Pottery Framed Plaque 9.25" x 16" total 13.25" x 7" plaque, absolutely no damage<br>or wear.<br><br>Franz Kriwanek (American, 1920-1994) artist, potter, professor and author renown<br>for blending clays and glazes from soils and minerals of the San Juan Mountains<br>near Silverton Colorado. Pottery made from these mixtures is very durable with a<br>distinctive allure. When Germany conquered Czechoslovakia, Kriwanek was forcibly<br>drafted into the German Army. He was then sent to North Africa desert, but one<br>morning when he and the other forced draftees awoke, they were alone. Kriwanek<br>was sent to the Prisoner of War Camp in Clarinda, where he, an artist by trade,<br>began painting again, specifically illustrations of the camp. Once the war was<br>over, he was released and returned to Europe, where he lived in the Netherlands<br>for four years. In fact, Winegardner said a family in Shenandoah sent Kriwanek<br>to the University of Iowa where he could obtain his teaching degree. He then<br>taught in Shenandoah for one year, followed by Mount Pleasant, Iowa.<br><br>In 1948, Franz Kriwanek settled in Sweden to study Sino-Swedish stoneware under<br>the masters Wilhelm Koge and Stig Lindberg. While in Sweden he had 7 one man<br>exhibits.In 1963, He arrived in Texas, taking a position on the art faculty at<br>Texas Tech University. For months after he arrived in West Texas, he sought a<br>clay suitable to stand 2,400 degrees. He found it in a quarry in Snyder, Texas.<br>He believed in using local materials and developed a series of glazes which have<br>cotton gin ashes as they main component. These glazes follow the same traditions<br>of Chinese ash glazes.<br><br>“Franz Kriwanek was born on May 1, 1920 in Worschach, Austria.<br>Winegardner said when Germany conquered Czechoslovakia, Kriwanek was forcibly<br>drafted into the German Army. He was then sent to North Africa desert, but one<br>morning when he and the other forced draftees awoke, they were alone.<br>“The Germans were gone. They had left them in the desert,” said Winegardner.<br>“The first thing they did was surrender.”<br>Kriwanek was sent to the Prisoner of War Camp in Clarinda, where he, an artist<br>by trade, began painting again, specifically illustrations of the camp. Once the<br>war was over, he was released and returned to Europe, where he lived in the<br>Netherlands for four years.<br>“Someone he knew in Clarinda sponsored him and his family to move back to<br>Clarinda,” Winegardner said. “He then moved to Shenandoah and started Kriwanek<br>Pottery and Art School. He was really promoted and supported by people in<br>Shenandoah.”<br>In fact, Winegardner said a family in Shenandoah sent Kriwanek to the University<br>of Iowa where he could obtain his teaching degree. He then taught in Shenandoah<br>for one year, followed by Mount Pleasant, Iowa.<br>“He ended his teaching career as chair of ceramics at the University of Texas at<br>Lubbock,” said Winegardner. “He ended up in Silverton, Colorado with Silverton<br>Mountain Pottery. He passed away in 1994, but his pieces have recently become<br>overly popular.”

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Fred & Elsie Lonconsello Reversible spinner pendant turquoise and coral sterling, throwing in free 24" Italian sterling necklace. No issues.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Fred and Lolita Natachu Zuni c1970's Sterling inlay bolo tie 40" long, everything else in pics.Fred and Lolita Natachu<br><br>Legendary Zuni artists Fred and Lolita Natachu are known for their stunning<br>mosaic and channel inlay. Rainbow God and Knifewing are two of their favorite<br>subjects. They have been creating jewelry since the 1970’s.<br><br>Lolita is the daughter of Zuni silversmith Jacob Haloo. Her sisters, Dolly<br>Banteah, Nancy Lacnsello, and Rolanda Haloo are also recognized Zuni inlay<br>silversmiths.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Fred and Lolita Natachu Zuni sterling multi-stone inlay knifewing pendant 1.5"<br>wide x 1 7/8" tall with bail, clean.<br><br>Fred and Lolita Natachu<br><br>Legendary Zuni artists Fred and Lolita Natachu are known for their stunning<br>mosaic and channel inlay. Rainbow God and Knifewing are two of their favorite<br>subjects. They have been creating jewelry since the 1970’s.<br><br>Lolita is the daughter of Zuni silversmith Jacob Haloo. Her sisters, Dolly<br>Banteah, Nancy Lacnsello, and Rolanda Haloo are also recognized Zuni inlay<br>silversmiths.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Fred Davis (1880-1961) large sterling and amethyst tulip flower pin 39.8 grams, other measurements in pics.Frederick W. Davis is known among collectors for his work as a jewelry<br>designer and silversmith based in Mexico City, Mexico. He began designing and<br>crafting jewelry and decorative objects in the 1920s. The wares he produced<br>often reflected his affinity for pre-Columbian artifacts. He occasionally<br>collaborated with Valentín Vidaurreta, another respected Mexican silver<br>craftsman with roots in Mexico City. Davis is credited as an avid promoter of<br>other silver artists, including William Spratling, who worked in Mexico from the<br>1920s through the 1950s. Frederick Davis Jewelry - HistoryDavis moved from the<br>United States to Mexico in 1910. Working as an assistant manager for the Sonora<br>News Company, he toured the country on buying trips to stock railway station<br>shops with native folk art for his employer. He established relationships with<br>many artisans during his travels, and his knowledge of Mexican crafts grew<br>extensively. His ardent work resulted in a promotion to manager of Sonora’s arts<br>and crafts showroom in Mexico City. René d’Harnoncourt, who later served as the<br>director of the Museum of Modern Art in New York, was employed by Davis in 1927<br>as an assistant. Their work together led to the company’s distribution and<br>exhibition of works by Mexican painters who are now well known, such as Diego<br>Rivera, among many others. During this era, Davis and d’Harnoncourt left an<br>indelible footprint on the trade of Mexican handcrafts, including silver<br>jewelry, from that point on. Davis took a position managing antiques and fine<br>crafts for Sanborn’s department store in 1933 after d’Harnoncourt moved to the<br>United States. He remained with the store for 20 years, where he continued to<br>promote Mexican art and artisans while designing and producing silver wares.<br>Davis died in 1961.

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Fred Davis (1880-1961) large sterling flower pin 14 grams, other measurements in pics.Frederick W. Davis is known among collectors for his work as a jewelry<br>designer and silversmith based in Mexico City, Mexico. He began designing and<br>crafting jewelry and decorative objects in the 1920s. The wares he produced<br>often reflected his affinity for pre-Columbian artifacts. He occasionally<br>collaborated with Valentín Vidaurreta, another respected Mexican silver<br>craftsman with roots in Mexico City. Davis is credited as an avid promoter of<br>other silver artists, including William Spratling, who worked in Mexico from the<br>1920s through the 1950s. Frederick Davis Jewelry - HistoryDavis moved from the<br>United States to Mexico in 1910. Working as an assistant manager for the Sonora<br>News Company, he toured the country on buying trips to stock railway station<br>shops with native folk art for his employer. He established relationships with<br>many artisans during his travels, and his knowledge of Mexican crafts grew<br>extensively. His ardent work resulted in a promotion to manager of Sonora’s arts<br>and crafts showroom in Mexico City. René d’Harnoncourt, who later served as the<br>director of the Museum of Modern Art in New York, was employed by Davis in 1927<br>as an assistant. Their work together led to the company’s distribution and<br>exhibition of works by Mexican painters who are now well known, such as Diego<br>Rivera, among many others. During this era, Davis and d’Harnoncourt left an<br>indelible footprint on the trade of Mexican handcrafts, including silver<br>jewelry, from that point on. Davis took a position managing antiques and fine<br>crafts for Sanborn’s department store in 1933 after d’Harnoncourt moved to the<br>United States. He remained with the store for 20 years, where he continued to<br>promote Mexican art and artisans while designing and producing silver wares.<br>Davis died in 1961.

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Fred Davis (1880-1961) large sterling pin 16 grams, other measurements in pics. Frederick W. Davis is known among collectors for his work as a jewelry<br>designer and silversmith based in Mexico City, Mexico. He began designing and crafting jewelry and decorative objects in the 1920s. The wares he produced<br>often reflected his affinity for pre-Columbian artifacts. He occasionally<br>collaborated with Valentín Vidaurreta, another respected Mexican silver<br>craftsman with roots in Mexico City. Davis is credited as an avid promoter of<br>other silver artists, including William Spratling, who worked in Mexico from the<br>1920s through the 1950s. Frederick Davis Jewelry - HistoryDavis moved from the<br>United States to Mexico in 1910. Working as an assistant manager for the Sonora<br>News Company, he toured the country on buying trips to stock railway station<br>shops with native folk art for his employer. He established relationships with<br>many artisans during his travels, and his knowledge of Mexican crafts grew<br>extensively. His ardent work resulted in a promotion to manager of Sonora’s arts<br>and crafts showroom in Mexico City. René d’Harnoncourt, who later served as the<br>director of the Museum of Modern Art in New York, was employed by Davis in 1927<br>as an assistant. Their work together led to the company’s distribution and<br>exhibition of works by Mexican painters who are now well known, such as Diego<br>Rivera, among many others. During this era, Davis and d’Harnoncourt left an<br>indelible footprint on the trade of Mexican handcrafts, including silver<br>jewelry, from that point on. Davis took a position managing antiques and fine<br>crafts for Sanborn’s department store in 1933 after d’Harnoncourt moved to the<br>United States. He remained with the store for 20 years, where he continued to<br>promote Mexican art and artisans while designing and producing silver wares.<br>Davis died in 1961.

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Fred Davis (1880-1961) Sterling and amethyst large pin 25.7 grams, other measurements in pics.Frederick W. Davis is known among collectors for his work as a jewelry<br>designer and silversmith based in Mexico City, Mexico. He began designing and<br>crafting jewelry and decorative objects in the 1920s. The wares he produced<br>often reflected his affinity for pre-Columbian artifacts. He occasionally<br>collaborated with Valentín Vidaurreta, another respected Mexican silver<br>craftsman with roots in Mexico City. Davis is credited as an avid promoter of<br>other silver artists, including William Spratling, who worked in Mexico from the<br>1920s through the 1950s. Frederick Davis Jewelry - HistoryDavis moved from the<br>United States to Mexico in 1910. Working as an assistant manager for the Sonora<br>News Company, he toured the country on buying trips to stock railway station<br>shops with native folk art for his employer. He established relationships with<br>many artisans during his travels, and his knowledge of Mexican crafts grew<br>extensively. His ardent work resulted in a promotion to manager of Sonora’s arts<br>and crafts showroom in Mexico City. René d’Harnoncourt, who later served as the<br>director of the Museum of Modern Art in New York, was employed by Davis in 1927<br>as an assistant. Their work together led to the company’s distribution and<br>exhibition of works by Mexican painters who are now well known, such as Diego<br>Rivera, among many others. During this era, Davis and d’Harnoncourt left an<br>indelible footprint on the trade of Mexican handcrafts, including silver<br>jewelry, from that point on. Davis took a position managing antiques and fine<br>crafts for Sanborn’s department store in 1933 after d’Harnoncourt moved to the<br>United States. He remained with the store for 20 years, where he continued to<br>promote Mexican art and artisans while designing and producing silver wares.<br>Davis died in 1961.

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Fred Davis (1880-1961) sterling flower pin 11.2 grams, other measurements in pics.Frederick W. Davis is known among collectors for his work as a jewelry<br>designer and silversmith based in Mexico City, Mexico. He began designing and<br>crafting jewelry and decorative objects in the 1920s. The wares he produced<br>often reflected his affinity for pre-Columbian artifacts. He occasionally<br>collaborated with Valentín Vidaurreta, another respected Mexican silver<br>craftsman with roots in Mexico City. Davis is credited as an avid promoter of<br>other silver artists, including William Spratling, who worked in Mexico from the<br>1920s through the 1950s. Frederick Davis Jewelry - HistoryDavis moved from the<br>United States to Mexico in 1910. Working as an assistant manager for the Sonora<br>News Company, he toured the country on buying trips to stock railway station<br>shops with native folk art for his employer. He established relationships with<br>many artisans during his travels, and his knowledge of Mexican crafts grew<br>extensively. His ardent work resulted in a promotion to manager of Sonora’s arts<br>and crafts showroom in Mexico City. René d’Harnoncourt, who later served as the<br>director of the Museum of Modern Art in New York, was employed by Davis in 1927<br>as an assistant. Their work together led to the company’s distribution and<br>exhibition of works by Mexican painters who are now well known, such as Diego<br>Rivera, among many others. During this era, Davis and d’Harnoncourt left an<br>indelible footprint on the trade of Mexican handcrafts, including silver<br>jewelry, from that point on. Davis took a position managing antiques and fine<br>crafts for Sanborn’s department store in 1933 after d’Harnoncourt moved to the<br>United States. He remained with the store for 20 years, where he continued to<br>promote Mexican art and artisans while designing and producing silver wares.<br>Davis died in 1961.

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Fred Davis (1880-1961) Taxco 現代主義純銀袖扣30 毫米x 11 毫米x 20.9 克。Frederick W. Davis 因其在墨西哥墨西哥城擔任珠寶設計師和銀匠而在收藏家中廣為人知。他於 1920 年代開始設計和製作珠寶和裝飾品。他製作的製品常常反映出他對前哥倫布時代文物的熱愛。他偶爾與瓦倫丁·維達烏雷塔 (Valentín Vidaurreta) 合作，瓦倫丁·維達烏雷塔 (Valentín Vidaurreta) 是另一位紮根於墨西哥城的受人尊敬的墨西哥銀器工匠。戴維斯被認為是其他銀器藝術家的熱情推動者，其中包括 1920 年代至 1950 年代在墨西哥工作的威廉·斯普拉特林 (William Spradling)。 弗雷德里克·戴維斯(Frederick Davis) 珠寶- 歷史戴維斯於1910 年從美國搬到墨西哥。作為索諾拉新聞公司的助理經理，他週遊全國，到火車站商店購買當地的商品為他的雇主提供民間藝術。在旅行期間，他與許多工匠建立了聯繫，他對墨西哥工藝品的了解也廣泛增長。他的熱情工作使他晉升為墨西哥城索諾拉藝術和工藝品陳列室的經理。 後來擔任紐約現代藝術博物館館長的勒內·達農庫特 (René d’Harnoncourt) 於 1927 年受僱於戴維斯擔任助理。他們的共同努力導致該公司發行和展覽了現在眾所周知的墨西哥畫家的作品，例如迭戈·裡維拉（Diego Rivera）等。在這個時代，戴維斯和達農庫特從此在包括銀首飾在內的墨西哥手工藝品貿易中留下了不可磨滅的足跡。 1933 年 d’Harnoncourt 移居美國後，戴維斯在桑伯恩百貨公司擔任古董和精美工藝品管理職務。他在這家商店工作了 20 年，在設計和生產銀器的同時，繼續推廣墨西哥藝術和工匠。戴維斯於 1961 年去世。

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Fred Davis Abraham Paz Sterling Silver Angel Bird Brooch with Turquoise 3/4 x 1<br>1/8 inches in size. Marked on back "925 Echo en Mexico" and with artist's logo -<br>might be Abraham Paz who was a silversmith & designer for Fred Davis. Also has<br>the old eagle mark with number 22 inside. Pin can be worn sideways (as a bird)<br>or up/down (as an angel).Good conditio, with no significant issues.

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Fred Harvey Era Mexican Sterling Native American style cuff bracelet. Very small<br>interesting cuff, likely sold along Route 66 in the 50's. For a child or very<br>small wristed non child. 5.25" inside diameter including the 1.25" adjustable<br>gap. 7/8" wide in center. 6.8 grams.

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Fred Harvey Era Native American Sterling/Hubbel glass Heavy stamped cuff. Nice<br>large cuff 42.8 grams, marked and tested sterling with no other markings. 6.5"<br>including the 1.25" gap 1.5" wide in center.<br><br><br>Hubbell beads were glass beads imported from Italy, Bohemia and later<br>Czechoslovakia. Though there is not significant evidence the practice was be by<br>Lorenzo Hubbell, owner of Hubbell Trading Post, the beads have become associated<br>with his name. They were purchased as a less expensive way of producing jewelry.<br>Since the traders often supplied the Native artists with the materials for<br>jewelry sold at the trading posts, the traders looked for ways to lower the<br>costs of producing enough jewelry to meet the market demand. They found one way<br>through the cottage crafters in areas such as Czechoslovakia.<br><br>By the turn of the twentieth century, Czech bead makers were exporting large<br>quantities of glass beads to a worldwide market. They came in a wide array of<br>shapes, sizes and colors. Ones imported to the Southwest were shaped and colored<br>to resemble the turquoise and coral used in Native American jewelry. While their<br>use may have been only a substitute for the real gems that make up true handmade<br>jewelry from the Southwest, their import helped families in areas such as<br>Bohemia make a living during the tumultuous times in Europe.

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Fred Harvey Era Native American Sterling/Turquoise Cuff Bracelet. Very nice old cuff with no damage. Tested and guaranteed to be at least coin silver (90%)

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Fred Harvey Era Native American Sterling/turquoise Heavy stamped cuff.<br>Particularly large piece for this era with a beautiful piece of turquoise, no<br>damage 6.75" including the 1.25" gap, 15/16" wide in center 28 grams.

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Fred Harvey Era Native American Sterling/turquoise Heavy stamped cuff. Unmarked, tested sterling, no damage.

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Fred Harvey Era Native American Sterling/turquoise Spider cuff bracelet. Marked<br>and tested sterling 6 5/8" inside circumference including the 1 3/8" adjustable<br>gap 1" wide 21.2 grams.

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Fred Harvey Era Turquoise/sterling pin. Kind of a funny pin, really nice turquoise in machine stamped pin, vintage piece from the second quarter of the 20th century.

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Fred Harvey Era vintage navajo sterling/turquoise cuff bracelet. 21 grams,<br>unmarked, tested sterling. 9/16" wide in center 6.25" including 1.25" gap,<br>turquoise cracked but appears stable.

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Fred Peters Navajo Sterling Multi-stone channel inlay pendant. Including the<br>Italian Sterling necklace shown. Necklace 24", pendant 2.25" x 1 3/8" 43.9 grams<br>total.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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French 1782 1/5 Écu - Louis XVI Silver coin in sterling bezel pendant. Authentic coin with rare Perpignan mint mark. 917 silver coin in unmarked (tested) sterling bezel 43.4 grams total weight. 2" wide x 2 5/8" tall.

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法國 18-19 世紀銀質品酒杯，附 1658 枚硬幣。標記如圖所示，3 5/8" x 2 5/8" 寬 x 13/16" 深。高含量實心銀。

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French 1977 R.D. Marmande Hand Carved/painted 1:43 Scale Model Intaltera Ford V8<br>Coupe. Clean with no issues.<br><br>RD, that is Raymond Daffaure from the town of Marmande in South-West France, is<br>in a way probably one of the greatest model makers ever. All his models are made<br>entirely by hand from a piece of wood. Mr Daffaure sculpted about 40 models a<br>month, for 20 years from the 50's-70's, to make a living. For him. Lmited to X<br>pieces wasn‘t a marketing strategy, but pure necessity. Of his best selling<br>model, the Ferrari GTO, he made maybe 200 copies, others were made only in 2 or<br>3 copies. Raymond Daffaure probably sculpted more than 800 different cars.

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French Baccarat Angels Pair. Selling both the Baccarat Angels shown in original<br>boxes. Largest 4.5" long for the figure without the box. One with original<br>label, both signed in two places, no scratches, damage, or wear.<br>tw162

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Baccarat Harcourt Decanter 5.5" wide x 12.5" tall. No cracks, chips, scratches, dings, or hard water. Estate fresh in new condition, retailed for $1490. tw254

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French Baccarat Marcel Franck Escale Silver Overlay Atomizer perfume bottle. Extremely high quality bottle with a complex atomizer mechanism that appears functional. No tube, short stable crack in top of jar that stops before the shoulder of the jar. Still will hold liquid. Bottom Acid stamped Marcel Franck Made in France in circular logo. There is no Baccarat mark but it's obviously Baccarat. perfumedrawer.

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French Bayeux Tapestry Lustre Wall plaque/trinket dish 4.25" with no damage or issues. Great piece likely from the second quarter of the 20th century.

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French Lalique 1976 US Bicentennial patriotic trinket dish 4" wide and tall,<br>signed Lalique France center of base. No scratches, damage, or wear. No issues.<br>b1

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French Lalique crystal paperweight. 4.25" x 3" genuine Lalique crystal with no<br>scratches, chips, cracks, or other issues.<br>pwdrawer

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French Lalique Owl Paperweight. 3 5/8" tall with no damage, no scratches, no<br>issues.<br>TW57

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French Limoges hand painted snail trinket box. 3.5" wide x 2.75" tall. Nice large trinket box with tight hinge and catch that clicks when the box is shut and holds it shut when lifted by the top. No damage or detectable wear.

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French Limoges hand painted snail trinket box. 3.5" wide x 2.75" tall. Nice large trinket box with tight hinge and catch that clicks when the box is shut and holds it shut when lifted by the top. No damage or detectable wear.

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French Majolica Duck Pitcher 13" c.1920 St Clement. No cracks, chips,<br>restorations, or crazing.<br>tw85

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An amazing amount of work went into this piece. All of the decoration and gold<br>is 100% hand done guaranteed. It could be French, possibly Baccarat. No cracks<br>or chips guaranteed. There is some wear to the gold mainly on the base and on<br>the skinny neck back and front center. Very large piece 14 3/8"

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ST Dupont Fidelio Lignes Recoupees 3 pen set. Selling all three pens shown, fountain pen has a 14k nib and possibly dried out, the other two write very well. They are all three very clean with no dents or scratches, minimal wear. Guaranteed authentic, all with serial numbers on clips. trinketdrawer

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French Sabino Opalescent Fish paperweight 4" long x 3" tall, no damage or<br>restorations whatsoever. Signed under label .

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Fritson Toledo Navajo for Les Baker Shop Sterling and agate pin.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Fritson Toledo Navajo for Les Baker Shop Sterling and agate pin.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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弗里茲懷特（Fritz White，1930-2010）持有水牛青銅器的美洲原住民。 17 英寸高、8 英寸寬、6.75 英寸深、10.5 磅，弗里茨·懷特(Fritz White) 演員簽名（美國，1930-2010 年），編號22/ 225，C/A 美國牛仔藝術家郵票。弗里茨懷特(Fritz White)因其獨特的青銅雕塑風格而聞名於世，並且是將拉夫蘭轉變為當今著名雕塑界的關鍵人物。他於1930 年1 月14 日出生於俄亥俄州米爾福德到丹佛和日內瓦（哈特菲爾德）懷特。當他12 歲時，他的父親為他報名參加辛辛那提一所大學的成人藝術課程。「戰爭正在進行，那些小型大學需要他們能招募的所有學生，「所以他們同意收留我。我得到了老師們的特別關注。這太棒了，」他回憶道。1948 年從辛辛那提的Terrace Park 高中畢業後，弗里茨踢了半職業橄欖球。繼承這些教訓，他後來擔任初中橄欖球隊教練，並被人們親切地稱為懷蒂教練。弗里茨自豪地在美國海軍陸戰隊服役，從1948 年到1953 年，擔任步槍排中士，後來擔任槍手。退休後，弗里茨創辦了 Fancy Lettering，一家銷售出版物的設計工作室，隨後在 National Underwriter Company 任職。 1961年，他突發奇想，在自己的車上裝上了來自科羅拉多州馬布爾的大塊大理石，從此開始了他漫長的雕塑生涯。在好友約翰·J·麥格勞(John J. McGraw) 的支持下，弗里茨很快就開始從事粘土和青銅工作。十年後，1972 年春天，弗里茨被選為著名的美國牛仔藝術家，並成為被廣泛認為是本世紀最優秀的雕塑家之一。除了獲得多項 CAA 卓越獎（包括唯一榮獲柯爾特獎的雕塑家）外，他還擔任董事會成員、副總裁和總裁。他也是國家雕塑協會的會員。

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FT Sterling Native American belt buckle with turquoise. Measurements in pics.High quality belt buckle solid sterling with no issues.

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Fukagawa Seiji Arita Iris Japanese Porcelain Bell Late 20th Century. No cracks, chips, restorations, or scratches. 3.5" tall x 3.25" wide.

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This piece measures 7" tall x 4" wide. It has no cracks, chips, restorations,<br>scratches, or crazing. Incredibly executed simplistic design that is surely to<br>blend in with any environment while standing out to those with good taste. Nice<br>vintage piece circa mid 20th century.

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Fukagawa Seiji Arita Vase With Cobalt Imari Style Decoration c.1960. 8.5" tall with no cracks, chips, restorations or crazing. TW16

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Fukagawa Marine Corps Air Station vs Toyo Kogyo (Mazda) Golf Trophy Plate 1966<br>From Brigadier Generals estate. Plate is 10", frame is 14", no damage, minor<br>wear to frame., easily removed from frame. Possibly the only one of these in<br>existence. Equally interesting because the company that made it, the estate it<br>came from, and the nature of such a Tournament.<br><br>R.W. (Bob) Taylor, B/Gen USMC (Ret)<br><br>June 18, 1924 – July 21, 2021<br><br>A native of Quanah, Texas, Bob spent 33 years in the Marine Corps. He served in<br>World War II, Korea (1950-1951), and in Vietnam. His commands include CO Marine<br>Rifle Company, Marine Jet Fighter Squadron, Marine Air Group, Marine Air Wing,<br>and Marine Air bases Western Area. Other assignments include duty with the<br>Marine Air Reserves, Head of the Leadership curriculum at the U.S. Naval<br>Academy, Joint Chiefs of Staff (Pentagon), and Director of Marine Amphibious<br>Warfare School. His awards include The Silver Star, Legion of Merit, two<br>Meritorious Service medals, two Distinguished Flying Crosses, and thirteen air<br>medals.

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Fukurokuju Statue Japanese Celadon Satsuma Moriage figure Early 20th century<br>9.25" tall x 6" wide. No cracks, loss, chips, or restorations.<br><br>FUKUROKUJU originates from an old Chinese tale about a mythical Chinese hermit<br>(Sung Period) who was famous because he performed miracles and was said to<br>embody the celestial powers of the south polar star. Fuku means happiness, Roku<br>means riches and Ju means longevity. He is the Chinese of wisdom, happiness,<br>wealth and long life; Fukurokuju is 3 feet tall, has a big head half his height,<br>large eyes and a snowy, long white beard. He wears garments like those worn by<br>ancient Chinese scholars and likes to play chess. He sometimes also has cranes<br>and/or a tortoise near him. He is often associated with Jurojin since the two<br>are said to inhabit the same body. He is the of Chess players, watchmakers and<br>athletes<br>Tw61

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Fun Southwestern sterling/turquoise watch with charms. Charms added that aren't sterling, the metal original to the band is sterling and marked on the back of the hearts. Lapis turquoise and glass, watch needs battery..otherwise clean with no issues.

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Fun Vintage Sterling boots/Saddle bolo tie. 38" long, solid sterling slide and tips. Bolo mechanism is epoxied on, so possibly it was a pin or something in it's former life. It's a great bolo now.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Fun, Large, Vintage Mexican Silver Earrings. Both weigh 24.8 grams. 4.5" long marked and tested sterling.

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14 5/8" wide x 7 3/8" tall. No cracks, chips, or restorations. Some wear to<br>lustre on rim, overall crazing as expected. Impressed Furnival mark. Mid 19th<br>century.

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G.A.R. civil War Veteran GAR Annual Encampment Medals/Watch Fobs 1896, 1904, 1905, 1906, 1914, 1915 Ohio. The 1896 is missing the pin from the back, the rest are in good condition. These are all from the same civil war veteran. I believe the last name was Wayland. The Grand Army of the Republic (GAR) was a fraternal organization composed of veterans of the Union Army (United States Army), Union Navy (U.S. Navy), Marines and the U.S. Revenue Cutter Servicewho served in the American Civil War. Founded in 1866 in Springfield, Illinois, and growing to include hundreds of posts (local community units) across the nation (predominately in the North, but also a few in the South and West), it was dissolved in 1956 at the death of its last member, Albert Woolson (1850–1956) of Duluth, Minnesota. Linking men through their experience of the war, the G.A.R. became among the first organized advocacy groups in American politics, supporting voting rights for black veterans, promoting patriotic education, helping to make Memorial Day a national holiday, lobbying the United States Congress to establish regular veterans' pensions, and supporting Republican political candidates. Its peak membership, at more than 490,000, was in 1890, a high point of various Civil War commemorative and monument dedication ceremonies. It was succeeded by the Sons of Union Veterans of the Civil War (SUVCW), composed of male descendants of Union Army and Union Navyveterans.

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Garrison Boyd Navajo High Grade turquoise silver bolo tie, 40" long mixmatched tips, I didn't notice until now.<br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn't answered in this listing that we put so much effort into already :)<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Gary 和 Paulinus Vacit Zuni 彩虹舞者吊墜/別針 1 5/8 英吋 x 1 英吋 x 6.5 克。 所有貴金屬均經過測試和保證，任何被稱為銀或純銀的美洲原住民珠寶均保證至少含有 90%（硬幣）銀，甚至可能更高。任何標記的內容都保證與其標記的一致，大多數手鐲都是在6 英寸的手腕（無毛）上拍攝的，戒指則盡可能在適當尺寸的手指上拍攝。對於手鐲，如果描述中未給出尺寸，則顯示內週長金屬與布捲尺上的數字相符的地方。

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Gary G Navajo Sterling cross pendant/necklace with Santo Domingo inlay. Necklace approx 27" long, other measurements in pics, no issues.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Gemset Sterling Snake pendant. Very cool, 1 7/8" x 1" x 10.2 grams with no issues, no missing stones. Stones untested, likely lab stones. anderas

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Gene Pooyouma Hopi #8 Turquoise sterlng overlay bolo and belt buckle set. Measurments in pics, both pieces marked with the artists hallmark and sterling.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Gentile Glass Millefiori Paperweight. Nice large paperweight in mint condition with no scratches or dings. 3.25" tall x 3" wide. The original glass worker in the Gentile family was Peter Gentile, born in Naples, Italy in 1884. He worked in Naples(Italy), Rochester (Pennsylvania), and Morgantown (West Virginia) before building his own factory in Star City (West Virginia) in 1947. His sons, Frankie, John and Joe Gentile helped him make paperweights in the off hours at the Guild Factory in Morgantown. However, most paperweight production since WWII has been associated with Peter, John, or John's wife Gertrude Gentile. Few weights were signed prior to1963. It is believed that Gentile Glass remained in production until 2006. Most, if not all, paperweights produced from 1975 on were signed. For more information, you can read about the Gentiles in the book American Glass Paperweights and Their Makers by Jean Melvin (1967 and 1970). b34

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Geo & Henry Kahn San Francisco CA Antique Marine Thermograph Scientific Instrument. Made in France. 15" wide x 7" tall. Very cool decorative item, I have no idea how it works or of it's complete.

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Georg Jensen Acorn Demitasse/mocha spoons pair. Selling both in very clean condition. 3 7/8" long.

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Georg Jensen Sterling Cactus Pastry server. Less common item, small as shown. Came to me in the small bag shown as it will go to you. anderas

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