Peint Main Limoges Incrustation Trinket Box Hand Painted. Tight hinge, stays snapped shut, no loss to decoration or gold, no cracks, chips, or restorations. 1 5/8" wide x 1.25" tall TW141

讀 更多的 較少的

Peint Main Limoges Chair Trinket Box Hand Painted. Tight hinge, stays snapped<br>shut, no loss to decoration or gold, no cracks, chips, or restorations.<br>2.25"tall x 1.75" wide<br>TW141

讀 更多的 較少的

Rochard Peint Main Limoges Vegetable basket Trinket Box Hand Painted. Tight hinge, stays snapped shut, no loss to decoration or gold, no cracks, chips, or restorations. 2.75" wide x 3" tall with handle. TW141

讀 更多的 較少的

Peint Main Limoges Trinket Box Hand Painted. Tight hinge, stays snapped shut, no<br>loss to decoration or gold, no cracks, chips, or restorations.<br>3" wide x 1 5/8" deep.<br>TW141

讀 更多的 較少的

c1900 Ernst Bohne German Porcelain Figures of Monks Pair. 6.5" tall an interesting pair of figures. There is minor loss to the tip of one cross. No other cracks, chips, or restorations. tw138

讀 更多的 較少的

1960's Hawaiian Dreams Sunbathing Woman Ashtray Bathing Beauty Lot of Two. Selling both from the mid 20th century. No cracks, chips, or restorations, they both have some crazing. Largest is 8.5" x 6.25" tall. tw145

讀 更多的 較少的

c1920 British Boxed Fish set with Celluloid handles. 12 pieces in good condition with box wood box. tw138

讀 更多的 較少的

c1880 Ferdinand Barbedienne, French, 1810-1892 Bronze Plaque Mother and Child. Nice antique bronze plaque guaranteed late 19th century. 14" wide, 8 pounds. Ferdinand Barbedienne (Jan 10, 1810 – Mar 21,1892) was a French metalworker and manufacturer, he was well known as a bronze founder. Born the son of a small farmer from Calvados, Barbedienne started his career as a dealer in wallpaper in Paris. In 1838 he went into partnership with Achille Collas (1795-1859), who had just invented a machine to create miniature bronze replicas of statues. Together they started a business selling miniature antique statues from museums all over Europe, thus democratising art and making it more accessible to households. From 1843 they extended their scope by reproducing the work of living artists and also diversified by making enamelled household objects. The F. Barbedienne foundry was started in Paris in 1838 by Ferdinand Barbedienne and his partner, Achille Collas, who was the inventor of a machine that would mechanically reduce statues. At first they produced bronze reductions of antique sculptures of Greek and Roman origin. Their first contract to produce bronzes modeled by a living artist was made in 1843 when they arranged to produce the works of Francois Rude. They barely survived the revolution and financial collapse of 1848 which caused many artists and foundries to declare bankruptcy. Barbedienne actively pursued contracts with the many sculptors of Paris contracting with David D'Angers, Jean-Baptiste Clesinger, and even producing some casts for Antoine Louis Barye, as well as others. Achille Collas died in 1859 leaving Ferdinand Barbedienne as the sole owner of the foundry which by that time had grown to employ over 300 workers at their workshop in Paris. Barbedienne became President of the Reunion of Bronze Makers in 1865,a post he held until 1885. The outbreak of the Franco-Prussian war in 1870 and the shortage of raw metals caused him to have to stop making sculptures but he did receive a contract from the French government for the production of cannons which kept his foundry open. After the war he resumed his casting of sculptures and put even more effort into signing contracts with various sculptors. Barbedienne purchased 125 casting models from the late Antoine Louis Barye's sale in 1876. He set about casting and selling editions of these sculptures which was very successful, devoting an entire catalogue to these works. Ferdinand Barbedienne died on March 21, 1891 and was mourned by many in the world of sculpture. It was said that he strove to the highest quality in his castings Albert Susse said of him that he was the "pride of the nation" and that that he "carried the splendor of our industry so loftily to all international competitions". The running of the foundry was taken over by Gustave Leblanc, a nephew, and continued the high standards set by Barbedienne. The foundry set up agencies in Germany, Britain, and the United States to market their production. Leblanc actively purchased models and production rights form sculptors including Auguste Rodin and the estates of sculptures including Emmanuel Fremiet. The foundry continued under the stewardship of M. Leblanc until 1952. tw138

讀 更多的 較少的

1950's Harker Pottery Mallow Ceramic Rolling pin Pie Server and Salad Fork and Spoon. Rolling pin is 15", other pieces are 8.5" to 9" long. No cracks, chips, restorations, some crazing throughout on all pieces except for salad fork. B39

讀 更多的 較少的

Schafer and Vater Googleye Unexpected Opening Match Holder Faint mark from a<br>large collection of Schafer and Vater, 4" tall with no cracks, chips, or<br>restorations.<br>b37

讀 更多的 較少的

Schafer and Vater Scratch my back Dog Match Holder. Marked on base. 4.75" tall<br>with no cracks, chips, or restorations.<br>b37

讀 更多的 較少的

c1910 Schafer and Vater Germany Googly Eyed doll Figural perfume bottle Owl,<br>Elephant, Camel Collection of 4. Selling the 4 all guaranteed German pre 1930<br>early 20th century, I'm not 100% sure if they are Schafer and Vater. Tallest is<br>2" tall with no cracks, chips, or restorations on any. No stoppers which were<br>just simple corks with metal crowns in them.<br>tw52

讀 更多的 較少的

Peint Main Limoges Gentleman Pig Trinket Box Hand Painted 4.25" tall with no<br>damage whatsoever tight hinge and nice snap on clasp. I will be adding a nice<br>little collection of them to my store at a fraction of what they cost 25 years<br>ago and they are all in mint condition have been stored in a china cabinet for<br>25 years.<br>TW52

讀 更多的 較少的

1990's Studio USA Pig Trinket Box Hand Painted 3 5/8" long x 2.5" tall with no<br>damage whatsoever. Nice tight fitting lid with nice tight hinge.<br>This piece was made by Studio USA - a company that made quality porcelain boxes<br>in the USA. They were of the same quality and prices as the Limoges Boxes from<br>France. They made very high quality boxes circa 1990's. I will be adding a nice<br>little collection of them to my store at a fraction of what they cost 25 years<br>ago and they are all in mint condition have been stored in a china cabinet for<br>25 years.<br>TW52

讀 更多的 較少的

Marque Peint Main Menu Board Pig Trinket Box Hand Painted 3.25" tall with no damage whatsoever. I will be adding a nice little collection to my store at a fraction of what they cost 25 years ago and they are all in mint condition have been stored in a china cabinet for 25 years. TW52

讀 更多的 較少的

1990's Studio USA Valentines Pig Trinket Box Hand Painted 2.55" tall with no<br>damage whatsoever. Nice tight fitting lid with nice tight hinge.<br>This piece was made by Studio USA - a company that made quality porcelain boxes<br>in the USA. They were of the same quality and prices as the Limoges Boxes from<br>France. They made very high quality boxes circa 1990's. I will be adding a nice<br>little collection of them to my store at a fraction of what they cost 25 years<br>ago and they are all in mint condition have been stored in a china cabinet for<br>25 years.<br>TW52

讀 更多的 較少的

c1890 Schafer and Vater Super cool Porcelain figural match holder. Unmarked but guaranteed lat 19th century i'm 100% sure not 99%, I believe it's Schafer and Vater. 4.5" wide x 3" tall. B37

讀 更多的 較少的

1897 Pennsylvania Tramp Art American Folk Art Wall Box Upside down Heart. Very cool, signed and dated, original paint. 7.5" wide x 8.75" tall. Signed top left dated top right. Minor loss to stars. B51

讀 更多的 較少的

c1950 Kabar Large Folding Knife. Nice solid knife from the mid 20th century. 5.25" long closed with 3 7/8" and 4 1/16" blades. Very clean, sharp untouched by me estate fresh condition. knifedrawer

讀 更多的 較少的

American Redware Folk Art Hen on Nest Bank. Very rare and unusual 18th to mid<br>19th century. Some very old chips on beak, top of head and opening, no cracks.<br>8" long x 6.5" wide.<br>b51

讀 更多的 較少的

Vintage Spaulding/Wilson/Hong Kong Football/Tennis Referee whistle Lot. Selling<br>the three sports whistles from the first half of the 20th century all in working<br>condition.<br>tw7

讀 更多的 較少的

c1910 Bronze Boy Figure Marble Trinket dish Change tray. Guaranteed antique bronze over 100 years old unsigned but obviously a good artist and fine casting. 5.75" tall x 5.75" long tray.

讀 更多的 較少的

1950's Mobo Steel Pedal Ride On Horse Toy made in England. Nice durable working<br>toy from the mid 20th century in good condition. When the pedals are pushed the<br>legs go out and it moves forward. It works and the paint is in good condition as<br>shown.<br>26.5" long x 29" tall x 21" tall at tail. Shipping is included in the price and<br>it's going to cost me hundreds of dollars in time, material, and actual cost.

讀 更多的 較少的

1967 Hawaiian Black Coral Bust by Frank Schirman. 4" tall x 4" deep with no detectable wear. B50

讀 更多的 較少的

1920's Czechoslovakian Amethyst Iridescent Hand Enameled Candlestick. 8.75" tall, over the top with iridescence and enameling from the first half of the 20th century with no cracks, chips, or restorations. B32

讀 更多的 較少的

c1890 Nut Pick set in leather covered wood bad derby silver company silverplate. Box measures 5.5" x 3.5". The hinge on the box is broken, loose threads. The pecan or nut picks appear unused. No wear to plating. tw136

讀 更多的 較少的

c1900 Austrian bronze Figural Toothpick/Match holder Boy carrying bag. Guaranteed late 19th to every early 20th century. 2 5/8" long x 1 7/8" tall. Not sure if it was originally a match holder or toothpick holder but I'm sure it's great. tw135

讀 更多的 較少的

c1880 French Bronze Champleve & Agate Pill Trinket Box. Rare and fantastic item. 2" x 1 5/8" x 13/16" tall. Very clean, well over 100 years old with minimal wear. TW74

讀 更多的 較少的

Julius Heinrich HAHNEL (1823-1909) Bronze Playful Cat 6.75" wide x 3 5/8" tall. Nice antique bronze c1900 with incredible patina and no issues. This artist tends to do well at auction and I can see why. b29

讀 更多的 較少的

Antique Viennese Bronze Don Quixote on a Horse High Detail Miniature. Very nice 19th century bronze with incredible detail. The only identifying mark I could find on the base is a Stamped F, I'm not sure if Bergman marked any pieces like that. The quality is comparable to Bergman IMO. 8" tall to top of staff x 5" wide. No detectable issues. B29

讀 更多的 較少的

Carl Kauba Bronze Bust Pair of beautiful young ladies standing 8" tall on a marble base. Their hair in a fashionable updo of the period and elegantly dressed for an evening out. Properly signed C Kauba on side and marked by J Kalmar Foundry in Austria as well Guaranteed genuine Reddish marble base with dark veining. No damage to bronzes, minor chipping to Marble bases. This price is for both, obviously a matching reverse pair that has been together for over 100 years. Carl Kauba (1865-1922) The Austrian sculptor Carl Kauba attended the Viennese Academy of Fine Arts, where he was taught by Laufenberg, Waschmann and Schwartz. He later continued his education in Paris. Kauba's polychrome, very detailed and realistic sculptures make him one of the leading 'Viennese bronze' artists. b29

讀 更多的 較少的

c1880 Samson French Armorial Plate Set . Selling the four, late 19th century. The first one has the tiniest flake on the left side just below the center, last one shown has a large crowsfoot in the back. No damage to the other two, some minor wear as shown. 9" wide. B46

讀 更多的 較少的

Antique Bronze Dutch Girl Bust. Nice Bronze from the last half of the 19th century. 5.75" tall x 5.5" wide with a great patina and no issues. TW134

讀 更多的 較少的

c.1820 British Porcelain Pattern 346 Shallow Bowl 8.5" or deep plate. No cracks, chips, restorations, or crazing. Very minimal signs of use. Unsure of manufacturer, but guaranteed British and approximately 180-210 years old. b43

讀 更多的 較少的

c1920's Herend Persil Art Deco Hand Painted Soup Tureen. Extremely rare and in perfect condition. No cracks, chips, restorations, or other issues. 14" wide x 9" deep x 12" tall. B44

讀 更多的 較少的

1880's Figural Napkin Ring Tennis racket and ball. There's a scratch in the interior, it's not a crack, doesn't penetrate. Upon close examination the tip of the handle of the racket is broken off, worn plating, rare napkin ring. TW134

讀 更多的 較少的

c1880's Meridian Bee With Fans with Birds Chinoisiere Victorian Silverplate Napkin Ring. Some worn plating, but no dents or bends 3.25" tall. TW134

讀 更多的 較少的

Antique Persian Copper Coffee Pot. This is a really early piece, hundreds of<br>years old I think. It was laquered on the exterior and put on display about 60<br>years ago and was an antique then. There's caked up limescale all in the<br>interior and a really nice patina that is more evident on the base and inside<br>the lid. There is a dent in the front of the base that causes it to sit a little<br>lopsided. I didn't realize until after I took the pics but a small piece of felt<br>or something on the front of the base would hold it straight. This is for sure<br>an old one. 15" tall x 2" handle to spout.<br>TW133

讀 更多的 較少的

1910's Antique Arcade Cast Iron Lion Bank with good gold paint 4.75" long x 3<br>7/8" tall.<br>b41

讀 更多的 較少的

Unusual c1800 Tin Samovar with brass trim. Great piece guaranteed 200+ years<br>old. I've never seen such a bold and fancy piece of tin. It fit in perfectly at<br>the 9 million dollar house I removed it from. It's functional, unusual, and<br>fantastic. It has an old coat of clear lacquer on the exterior I believe which<br>won't affect it's functionality or beauty. 18.5" tall x 11.25" wide, a few small<br>dents to give it character.<br>Tw128

讀 更多的 較少的

Peint Main Limoges Trinket Box Hand Painted. Tight hinge, stays snapped shut, no<br>loss to decoration or gold, no cracks, chips, or restorations.<br>3" wide x 1 5/8" deep.<br>TW141

讀 更多的 較少的

2 Antique German Porcelain pipe bowls. 5" long hand painted a few scratches as<br>shown but no chips or cracks. Selling both.<br>tw138

讀 更多的 較少的

c1910 33cm Hand Painted Royal Vienna Style Art Nouveau Period and style portrait<br>vase with heavy gilding. I like to think I'm an expert in quality and this is a<br>premium quality period art nouveau vase from the early 20th century. The<br>porcelain is heavy and factory ground on the base, the entire piece is hand<br>decorated including the portrait and the gold. I'm unsure of the manufacturer.<br>I'm guaranteeing it to be European, likely Germany (Austria or Dresden) from the<br>first quarter of the 20th century and hand painted with no cracks, chips,<br>restorations, or significant loss. It's 13" tall x 5.5" wide. It came from a<br>muti-million dollar art glass collection, they had the best of the best from the<br>late 19th and early 20th centuries. This was one of just a few pieces of<br>porcelain they had to compliment the glass.<br>B26

讀 更多的 較少的

c1880 Antique Pietra Dura Bronze Mounted Double Locket Picture frame on Easel.<br>13.5" tall x 6 5/8" high total with Easel, The sight area inside the picture<br>frames is 5 3/8' x 3 3/8" The pietra dura plaque without the easel is 8" x 5"<br>counting the bronze ormula on top. This is a really special and over the top<br>piece that required immense skill to make. The bronze frame is heavy so when it<br>is opened it will tip easily when the back leg is fully extended so it will need<br>to be on a not so slick surface if you intent to display it open with the photos<br>showing rather than with the incredible Pietra Dura plaque showing. No<br>detectable issues, some expected wear to the gold gilding on the bronze.<br>TW126<br><br><br>Pietra dura (Italian: [ˈpjɛːtra ˈduːra]) or pietre dure [ˈpjɛːtre ˈduːre] (see<br>below), called parchin kari or parchinkari (Persian: پرچین کاری‎) in the Indian<br>Subcontinent, is a term for the inlay technique of using cut and fitted, highly<br>polished colored stones to create images. It is considered a decorative art. The<br>stonework, after the work is assembled loosely, is glued stone-by-stone to a<br>substrate after having previously been "sliced and cut in different shape<br>sections; and then assembled together so precisely that the contact between each<br>section was practically invisible". Stability was achieved by grooving the<br>undersides of the stones so that they interlocked, rather like a jigsaw puzzle,<br>with everything held tautly in place by an encircling 'frame'. Many different<br>colored stones, particularly marbles, were used, along with semiprecious, and<br>even precious stones. It first appeared in Rome in the 16th century, reaching<br>its full maturity in Florence. Pietra dura items are generally crafted on green,<br>white or black marble base stones. Typically, the resulting panel is completely<br>flat, but some examples where the image is in low relief were made, taking the<br>work more into the area of hardstone carving.

讀 更多的 較少的

Schafer and Vater Bathing Beauty Figure. 5.5" long x 2.25" tall with no cracks, chips, or restorations. Firing flaw on knee. b37

讀 更多的 較少的

1906 Rochester Fair Schafer & Vater Egyptian Revival Jeweled Hair Receiver marked on base 4" long x 2 1/8" tall with no cracks, chips, or restorations. b37

讀 更多的 較少的

1990's Studio USA Pig in a bathtub Trinket Box Hand Painted 2 7/8" tall with no<br>damage whatsoever. Nice tight fitting lid with nice tight hinge.<br>This piece was made by Studio USA - a company that made quality porcelain boxes<br>in the USA. They were of the same quality and prices as the Limoges Boxes from<br>France. They made very high quality boxes circa 1990's. I will be adding a nice<br>little collection of them to my store at a fraction of what they cost 25 years<br>ago and they are all in mint condition have been stored in a china cabinet for<br>25 years.<br>TW52

讀 更多的 較少的

Halcyon Days 1998 Mother's Day Enamel Box - Loving Wishes on Mother's DayThis<br>beautiful trinket box is in excellent condition. It has a basket shape perfect<br>snap when the lid opens and closes tightly, no scratches or damage. It was<br>always displayed inside a showcase. It measures approx. 1.9" at the top, 1.2" at<br>the bottom, 1.1" height.<br>b37

讀 更多的 較少的

Vintage French Red and White Enamel Kitchen Canisters Cafe, Sucre, Chicoree circa mid 20th century Graniteware. Cool vintage set, they were marked on the base but it appears someone scratched off the marks. I've seen this with a lot of things over the years. I've found unmarked Steuben glass signed Tiffany and vice versa, can't always explain it. Regardless, they are cute and have some age on them. Nice practical use every day sizes with the largest being 6" tall x 4.25" wide. B36

讀 更多的 較少的

c1900 German Porcelain Figures Antique Dealers Peasant Couple 8.5" tall very interesting couple of figures that are hauling a lot of junk on foot. They are early 20th century. Both marked with a crown mark. No cracks, chips, or restorations on either piece. Very slight glaze loss on two of mans fingers and tiny spots near mark on woman. Near mint and about 100 years old.

讀 更多的 較少的

3 Early Boy Scout whistles. Selling all three from the first half of the 20th<br>century. All three work with no significant issues. longest is 3".<br>tw1

讀 更多的 較少的

1940's Shawnee Pottery Wall Sconce Lamps. These are very difficult to find, especially in a pair. Marked USA but they are 75 or so year old Shawnee. No cracks, chips, restorations, or crazing, they work. 7" tall and they will stick out 6" from the wall. tw137

讀 更多的 較少的

c1900 Roberts, Johnson & Rand Brown Leather High Top Lace-up Boots. Missing 5<br>buttons but still incredible. 9.25" heel to toe x 10" tall. They look great but<br>are over 100 year old leather so obviously not perfect. I think these are about<br>a size 5.5 as my wife wears 6 and they are too small for her, they are really<br>narrow as most shoes where back then.<br>isshelf

讀 更多的 較少的

1890's T&V Limoges Porcelain Plaque Hand Painted Depicting Jesus with a crown of Thorns in incredible frame Tressemann and Vogt . Incredible piece rare to one of a kind. 14.25" diagonal framed with a 5.25" plaque. No significant issues to frame, no issues with plaque. 30 years or so ago someone did a funny job of securing the plaque in the frame. I'm leaving it this way because the plaque is obviously not damaged and I uncovered just enough to reveal the mark, there is likely an artist signature somewhere but I don't think it matters because it is obviously an accomplished artist. B32

讀 更多的 較少的

Vintage Shiva Nataraja Bronze Statue 9.25" x 7.5". From the first half of the<br>20th century, nice solid bronze figure with excellent patina and no issues.<br>B32

讀 更多的 較少的

1940's James Kent 4002 Chintz Lot of Trinkets and Sugar and Creamer. Selling the whole lot. Creamer is 4.5" wide, Little dishes are 3.5" wide. No cracks, chips, or restorations, expected crazing on earthenware. B32

讀 更多的 較少的

1950's Vintage Matchbooks Marlboro Phillip Morris 66 Cafe Chex Gum and More. Selling the 17 matchbooks shown from the 1940's and 50's. Some have been used some haven't, they are in the condition shown they are regular sized matchbooks. B12

讀 更多的 較少的

1950's Coca-Cola Dr Pepper 7 up RC Chewing Gum Matchbooks. Selling the 10 matchbooks shown from the 1940's and 50's. Some have been used some haven't, they are in the condition shown they are regular sized matchbooks. B12

讀 更多的 較少的

Antique Austrian Bronze Miniature Gnome figure. Guaranteed late 19th to early 20th century, minor oxidation that I didn't try to clean. 2" tall and unmarked heavy solid bronze. tw135

讀 更多的 較少的

1919 American Tramp Art Sewing Box with Pincushion Top Dated WW1 Era 8.25" x<br>6.5" x 5.25" tall. Very minimal wear as shown, not a distraction, no significant<br>issues. Made from cigar boxes as shown from the exposed section on the base.<br>From a San Antonio, Texas estate.<br>The first picture is actually the back of the box with the initials on the front<br>and the date on the back.<br><br>Tramp art<br>Tramp art is a style of woodworking which emerged in America the latter half of<br>the nineteenth century. Some of tramp art's defining characteristics include<br>chip or notch carving, the reclaimation of cheap or available wood such as that<br>from cigar boxes and shipping crates, the use of simple tools such as penknives,<br>and the layering of materials into geometric shapes through glue or nails. One<br>technique used in tramp art is Crown of Thorns joinery.<br><br>History<br>Although widespread use of wooden cigar boxes in the 1850s sparked involvement<br>in tramp art, it was most prevalent during the Great Depression. Tramp art was<br>made around the world but it prospered in the United States. Examples can be<br>found in every state. The most common forms were the box and the frame and<br>although there were no rules or patterns to lend commonality in the artists’<br>work there were objects made in every conceivable shape and size including full<br>sized furniture and objects of whimsy.<br><br>Tramp art was a democratic art form made wherever the raw materials used in its<br>construction were found. It appealed to men who might have made an important<br>body of work such as ‘Sunflower’ artist John Martin Zubersky (active c. 1912 –<br>1920) or the wonderfully expressive wall pockets by John Zadzora (active circa<br>1910) but also to men who might have made one piece in their lifetime. It was<br>easy to make and appealed to anyone who had a desire to take a pocketknife to<br>wood.<br><br>There were countless men, some women, and even children who historically<br>constructed tramp art.<br><br>Origins of the Term<br>A 1959 article by Frances Lichten in Pennsylvania Folklife used the term "tramp<br>work" to describe crafts constructed from waste materials such as discarded<br>cigar boxes and assembled with a penknife. Contemporary scholars and art dealers<br>such as Clifford A. Wallach have noted that while this art form may have been<br>practiced among America's itinerant population, it was by no means unique to<br>them and was practiced by factory workers, farmers, and laborers in other<br>occupations.<br><br>In 1975 Helaine Fendelman published the first book on tramp art, Tramp Art an<br>Itinerant's Folk Art. The book acted as a catalog to the first museum show on<br>the art form sponsored by the American Museum of Folk Art.<br>b30

讀 更多的 較少的

Brother and Sister Carved Wood Bust Statue by Florentino Hensen Guagua Pampanga<br>Phillipino Artist Mid 20th century. 21.5" high x 9.5" high. Wood carving doesn't<br>get any better than this, this guy was great. Sounds like he did some great work<br>in the the Phillipines with 23 feet statues and such. Very heavy with no issues.

讀 更多的 較少的

Antique Hand Painted Limoges Lamp Mothers and Daughters and Children in the Snow<br>Scenes. I didn't take it apart but I'm 100% sure it's either Limoges or Bavarian<br>porcelain from the late 19th to very early 20th century. It's a very special<br>piece, likely originally an oil lamp base. All the hardware is from the last<br>20-30 years, works perfectly and no damage to porcelain. 13.5" tall to brass<br>collar before stem goes up, 25" tall to the top where the shade goes, the lamp<br>is 5.25" wide.<br>TW133

讀 更多的 較少的

Early Celadon Stoneware Bowl with incised Decoration From a collection of mostly<br>Ming chinese porcelain but some other asian ceramics mostly from the same era.<br>Possibly Korean, I'll try to find time to research further later, but now I have<br>a lot to list. 6.5" wide x 2.75" deep with no cracks, chips, or restorations.<br>TW132

讀 更多的 較少的

c1979 Perthshire Millefiori Perfume bottle Paperweight. 6" Tall x 2.75" wide<br>with no cracks, chips, scratches, or internal stains. Perthshire was a small<br>company in Crieff, Scotland devoted to the creation of quality glass<br>paperweights. They were founded in 1968 and stopped production in January 2002<br>after more than 30 years of production. There are three books on Perthshire<br>Paperweights. If you collect Perthshire paperweights, you should have them in<br>your library. There was some dust inside for pics that I didn't notice until<br>later and easily cleaned.<br>tw130

讀 更多的 較少的

Early Celadon Stoneware Water Dropper in Teapot Form 3" tall x 3.5" handle to spout. Even with UV light I'm not 100% sure, but I think there may be a very old, very good restorations to the handle. From a collection that was mostly Ming period Chinese but also had some Thai, Korean, and other Asian Ceramics from the same timespan. TW130

讀 更多的 較少的

c1910 German Beaded Handbag with Roses. Nice antique over 100 year old beaded handbag in good stable condition. It's not falling apart and only has a few spots of missing beads shown in pics. 11" long with tassels and without chain and 6.5" wide at the frame. TW126

讀 更多的 較少的

c1880 Cranberry Enameled Oil Lamp Base. 11" tall x 5.5" wide with no cracks,<br>chips, or restorations. The hole in the base is an open pontil from<br>manufacturing it hasn't been drilled. The top part was blown separately and has<br>no hole, it will hold oil if you wish to put a burner on it and use it as an oil<br>lamp. I probably have a burner if that's an issue to help make the sale so feel<br>free to ask. When I got it the old burner was disentigrated and broken so I<br>discarded it.<br>TW124

讀 更多的 較少的

c1870's Saloon Back Bar Liquor Bottles with Etched Gilt Advertising San<br>Francisco Nestor Maryland Rye Gibson's Whiskey Pennsylvania<br>The Nestor Maryland Rye bottle was actually from a distillery named KOPPEL &<br>DWAN that operated in San Francisco, CA 1877-1878, it's extremely rare blown<br>bottle, it's not etched just gold gilding. They're both rare. Largest is 9 1/8",<br>other is 6.75". The Gibson's bottle is engraved with gilding in the engraving.<br>The facets are polished and it has a ground pontil. Originally, Gibson was a<br>producer of American, not Canadian, rye. John Gibson was a western Pennsylvania<br>distiller who started up in the 1830s, and by 1856, according to Canadian whisky<br>guru Davin de Kergommeaux, his operation spanned 40 acres alongside the<br>Monongahela. Once Prohibition rolled around, though, the distillery shut down<br>and was demolished. A New York company called Schenley Industries bought the<br>rights to the Gibson’s name and held onto them until 1972, when Schenley started<br>using it for Canadian whisky produced at a distillery it owned in Valleyfield,<br>Quebec.<br>No cracks or chips, or excessive wear to the bottles. They both have minor<br>mineral deposits in the bottom that I didn't attempt to clean.<br>I May split these up if you care to make a reasonable offer.<br>B22

讀 更多的 較少的

16" c1930 Pink Cut Depression Glass Lamp. Incredible lamp 6" wide at base with<br>no cracks, chips, or restorations. There are some very tiny chigger bites where<br>the hole was drilled for the cord which is to be expected as it's not a flat<br>surface, it likely had a grommet 85 years ago. The lamp and switch work<br>TW95

讀 更多的 較少的

Konstanty Mackiewicz (Polish, 1894–1985) Huge Mid Century Modern Forest<br>Landscape Oil on Canvas. Great oil painting with no damage or repair. Measures<br>47" x 35" framed x 39" x 27" canvas. There is minor damage to the frame. It's an<br>old mid 20th century painting.

讀 更多的 較少的

c1940 Meissen Art Deco Cordial Set Liqueur Shot Glass Hand Painted. Very high<br>quality uncommon set with no cracks, chips, or restorations. Very nice simple<br>design. Ground porcelain stopper decanter is 5" tall, shot glasses are 2 1/8"<br>and tray is 8 11/16"<br>B23

讀 更多的 較少的

Antique Hand Painted Limoges Lamp w/Neoclassical Woman Playing Lyre. Really nice<br>lamp with no damage in working condition. It's been rewired but the brass base<br>is early 20th century. By the Shape of the porcelain vase I think it may have<br>always been a lamp but have no way of knowing for sure. I did once see a very<br>similar shape in an oil lamp bring close to $2000 at auction, so maybe it was<br>once an oil lamp. I can't find a mark but the quality is unmistakably Limoges<br>French porcelain from the late 19th to early 20th century. Measures 19.5" to top<br>of socket where bulb goes, 27" to the top of the loop (not shown) where the<br>shade will rest, and 14" to the bottom of the brass stem that goes up for the<br>socket.

讀 更多的 較少的

1950's Vintage Matchbooks Sun Maid Raisins Nestle Marlin Ambulance Cowboy Bars<br>Budweiser and more. Selling the 18 matchbooks shown from the 1940's and 50's<br>mostly. Some have been used some haven't, they are in the condition shown they<br>are regular sized matchbooks.<br>B12

讀 更多的 較少的

1930's Yale Town Padlock From Mount Royal Hotel Baltimore MD with Room key and Tag. This is a cool set I'm certain it's been together since it's beginning. The lock works with the key inside it. This was likely Hotel property as. The Mount Royal Hotel and Apartments were designed in 1899 by the well-respected Baltimore architect, Edward H. Glidden. The Neo-Italian Renaissance style buildings were constructed in early 1900; the 103 East Mount Royal Avenue building served as an upscale hotel and the 101 East Mount Royal Avenue building contained all upscale apartments. Centered in the rich artistic and cultural life concentrated in the then city’s center, Mount Vernon, Baltimore, The Mount Royal Hotel and Apartments were a very desirable place to visit as a hotel guest, or to live in as a resident of the apartments. Once the Pennsylvania Train Station was completed in 1911, The Mount Royal’s appeal only increased, as the property’s location attracted daily commuters to and from Washington, DC. Even in 1911, the train ride from Penn Station to Union Station was just 40 minutes. b12

讀 更多的 較少的

Kosta Boda Sweden Hand Painted Mirrored Glass Sphere Artist Signed. 5" tall x 6"<br>wide. No cracks, chips, restorations, or wear to enamel. A few expected<br>scratches on the base that rests on the table.<br>Tw120

讀 更多的 較少的

18th Century Frankenthal Cup. Incredible intricate hand painted decoration, really crisp molding on top. No cracks, chips, or restorations, some small worn gilding spots on rim. 3 1/8" tall x 2 9/16" wide. b12

讀 更多的 較少的

Ilias Lalaounis (1920-2013) !8k gold on Tigers Eye Easter Egg. Great piece<br>tested 18k gold on cats eye. Unmarked Custom made one of a kind piece created by<br>a master and being offered at a fraction of it's original cost. I also have<br>another listed. No issues.<br><br><br>Ilias Lalaounis<br>From Wikipedia, the free encyclopedia<br>Jump to navigationJump to search<br>Ilias Lalaounis<br>LH OMRI<br>Ilias Lalaounis in 1920.jpg<br>Ilias Lalaounis in 1990<br>Born 4 October 1920<br>Athens, Greece<br>Died 30 December 2013<br>Athens, Greece<br>Nationality Greek<br>Alma mater University of Athens<br>Occupation Jeweler<br>Spouse(s) Lila Altitzoglou<br>Children 4 daughters<br>Ilias Lalaounis (4 October 1920 − 30 December 2013) was a pioneer of Greek<br>jewelry and an internationally renowned goldsmith.[1] He is especially known for<br>his collections inspired by Greek history.[2] In 1990 he became the only jeweler<br>ever to be inducted into the Académie des Beaux-Arts.[3][4]<br><br><br>Contents<br>1 Early life<br>2 Career<br>2.1 1969-1970s<br>2.2 1980s–1990s<br>3 Museum<br>4 Personal life<br>5 Honors and awards<br>6 References<br>Early life<br>Ilias Lalaounis was born on October 4, 1920 in Athens, Greece.[3][4] He was a<br>fourth generation jeweler whose family originated from Delphi.[4] He graduated<br>from the University of Athens, where he studied Political Science and the<br>Law.[3][4]<br><br>Career<br><br>Ilias Lalaounis Jewelry Museum.<br>Lalaounis started his career working for the jewelry business of his uncle,<br>Xenophon Zolotas.[4] In 1940 he took over the administration of the firm, which<br>he managed and designed all jewelry for until 1968.[3] He founded the Greek<br>Jewelers' Association and exhibited his first collection, the Archaeological<br>Collection, at the Thessaloniki International Fair in 1957. It was inspired by<br>Classical, Hellenistic and Minoan Mycenaean art. In 1969 he started his own<br>firm, Greek Gold - Ilias Lalaounis S.A..[4]<br><br>1969-1970s<br>Lalaounis provoked a sensation with his collection Blow Up (1970), draping the<br>human body in gold jewelry inspired by Minoan civilization.[5] The following<br>year he organized an international exhibition of jewelry in Athens, joined by<br>Van Cleef, Bulgari, Rene Kern and Harry Winston. In 1976, he had one of his most<br>important commissions which would prove to be one of the most inspiring for his<br>portfolio. Empress Farah of Iran commissioned Lalaounis to create a collection<br>of jewelry and objects inspired by Persian art, which went on display at the<br>Imperial Palace in Tehran.[6]<br><br>Between 1970 and 1978 Ilias Lalaounis opened stores in most European countries.<br>He opened his first international store in Paris at 364 rue Saint-Honoré, near<br>Place Vendôme and produced a short film explaining the sources of inspiration<br>for the jewels on display. Since then, he regularly produced short films to<br>illustrate his collections, such as: Aube of Art, Byzantine Arcs in Gold,<br>Choreography, The Shield of Achilles, Ilion - The Treasure of Troy, Art and<br>Gold, The Common Roots of the Creator Man, Treasures of the Holy Land.[3] In<br>1979, Lalaounis opened a store in New York on the corner of Fifth Avenue and<br>57th Street. A year later, the Smithsonian Institution invited him to give a<br>lecture on his art and to exhibit his collection The Achilles Shield at the<br>National Museum of American History.<br><br>1980s–1990s<br>Ilias Lalaounis continued to create innovative collections and expand the brand<br>to international markets during the 1980s. On the inauguration of the Lalaounis<br>store in Tokyo, he created a jewelry collection inspired by Japanese art. The<br>same year, he opened a store in Hong Kong where he presented a collection of<br>jewels inspired by the drawings of the Greek geometric period, very similar to<br>the geometric designs of Chinese art. A second store was opened in Hong Kong in<br>1982.[3] Lalaounis exhibited his Helen of Troy collection at the Penn Museum in<br>Philadelphia as well as in Houston, Texas, where he was made an honorary citizen<br>by the mayor.<br><br>In 1984, he published Metamorphoses, a book in which he presented nineteen of<br>his collections by analyzing his philosophy on the nature and function of<br>jewelry. The jewel, for Ilias Lalaounis, is not a simple decorative object,<br>rather it carries a message, is an expression of inner life, a link with the<br>distant past, a symbol and a memory.[3] He received the Thorlet Award (Prix<br>Thorlet) for the book from the Académie des Beaux-Arts. Subsequently, a<br>retrospective exhibition of his creations was presented in the Sorbonne Chapel.<br>For his contribution to the arts, Lalaounis was made Knight of the Order of Arts<br>and Letters (Chevalier de l'ordre des Arts et Lettres) by the French government<br>and Commander of the Order of Academic Palms (Commandeur des Palmes<br>Académiques). He was also elected as a member of the Académie des Beaux-Arts of<br>the Institut de France, the only jeweler ever to be inducted.[3][7] The<br>Academicians' swords (épées d'Académiciens), given to members on their<br>induction, were originally designed by Salvador Dali, and when Dali became too<br>frail to continue, he named his close friend Ilias Lalaounis to continue his<br>work.<br><br>In November 1987, Lalaounis was invited by Teddy Kollek, Mayor of Jerusalem, to<br>present his collection Treasures of the Holy Land, in an exhibition specially<br>organized by the Israel Museum and subsequently shown in New York, London and<br>Paris. The following year he presented Arabesques, a collection of gold and<br>silver creations set with precious and semi-precious stones. The Minister of<br>Foreign Affairs of Turkey invited him to exhibit Arabesques, as well as another<br>complementary collection, Soleiman the Magnificent, at the Islamic Art Museum of<br>Istanbul.[8] He launched Ameridians in New York, a collection inspired by the<br>art of North American Indians and in 1991, opened his store on Madison Avenue in<br>New York, where he presented his collection inspired by Celtic art.<br><br>Museum<br>In 1994, he founded the Ilias Lalaounis Jewelry Museum, located under the<br>Acropolis, in the center of Athens. The permanent exhibition displays jewelry<br>and micro-sculptures from forty-five collections, designed by Lalaounis in the<br>period 1940-1992.[9] Some special commissions are also kept on permanent<br>display, such as the Olympic torch, designed by Ilias Lalaounis, used to start<br>the Olympic torch rally before every Olympic Games.

讀 更多的 較少的

c1920 Art deco Beaded Handbag with silk interior. Great piece with glass beads, handmade. Minor wear as shown, really fantastic. TW101

讀 更多的 較少的

Ilias Lalaounis (1920-2013) !8k gold on Tigers Eye Easter Egg. Great piece tested 18k gold on cats eye. Unmarked Custom made one of a kind piece created by a master and being offered at a fraction of it's original cost. I also have another listed. No issues. Ilias Lalaounis From Wikipedia, the free encyclopedia Jump to navigationJump to search Ilias Lalaounis LH OMRI Ilias Lalaounis in 1920.jpg Ilias Lalaounis in 1990 Born 4 October 1920 Athens, Greece Died 30 December 2013 Athens, Greece Nationality Greek Alma mater University of Athens Occupation Jeweler Spouse(s) Lila Altitzoglou Children 4 daughters Ilias Lalaounis (4 October 1920 − 30 December 2013) was a pioneer of Greek jewelry and an internationally renowned goldsmith.[1] He is especially known for his collections inspired by Greek history.[2] In 1990 he became the only jeweler ever to be inducted into the Académie des Beaux-Arts.[3][4] Contents 1 Early life 2 Career 2.1 1969-1970s 2.2 1980s–1990s 3 Museum 4 Personal life 5 Honors and awards 6 References Early life Ilias Lalaounis was born on October 4, 1920 in Athens, Greece.[3][4] He was a fourth generation jeweler whose family originated from Delphi.[4] He graduated from the University of Athens, where he studied Political Science and the Law.[3][4]CareerIlias Lalaounis Jewelry Museum. Lalaounis started his career working for the jewelry business of his uncle, Xenophon Zolotas.[4] In 1940 he took over the administration of the firm, which he managed and designed all jewelry for until 1968.[3] He founded the Greek Jewelers' Association and exhibited his first collection, the Archaeological Collection, at the Thessaloniki International Fair in 1957. It was inspired by Classical, Hellenistic and Minoan Mycenaean art. In 1969 he started his own firm, Greek Gold - Ilias Lalaounis S.A..[4]1969-1970s Lalaounis provoked a sensation with his collection Blow Up (1970), draping the human body in gold jewelry inspired by Minoan civilization.[5] The following year he organized an international exhibition of jewelry in Athens, joined by Van Cleef, Bulgari, Rene Kern and Harry Winston. In 1976, he had one of his most important commissions which would prove to be one of the most inspiring for his portfolio. Empress Farah of Iran commissioned Lalaounis to create a collection of jewelry and objects inspired by Persian art, which went on display at the Imperial Palace in Tehran.[6]Between 1970 and 1978 Ilias Lalaounis opened stores in most European countries. He opened his first international store in Paris at 364 rue Saint-Honoré, near Place Vendôme and produced a short film explaining the sources of inspiration for the jewels on display. Since then, he regularly produced short films to illustrate his collections, such as: Aube of Art, Byzantine Arcs in Gold, Choreography, The Shield of Achilles, Ilion - The Treasure of Troy, Art and Gold, The Common Roots of the Creator Man, Treasures of the Holy Land.[3] In 1979, Lalaounis opened a store in New York on the corner of Fifth Avenue and 57th Street. A year later, the Smithsonian Institution invited him to give a lecture on his art and to exhibit his collection The Achilles Shield at the National Museum of American History.1980s–1990s Ilias Lalaounis continued to create innovative collections and expand the brand to international markets during the 1980s. On the inauguration of the Lalaounis store in Tokyo, he created a jewelry collection inspired by Japanese art. The same year, he opened a store in Hong Kong where he presented a collection of jewels inspired by the drawings of the Greek geometric period, very similar to the geometric designs of Chinese art. A second store was opened in Hong Kong in 1982.[3] Lalaounis exhibited his Helen of Troy collection at the Penn Museum in Philadelphia as well as in Houston, Texas, where he was made an honorary citizen by the mayor.In 1984, he published Metamorphoses, a book in which he presented nineteen of his collections by analyzing his philosophy on the nature and function of jewelry. The jewel, for Ilias Lalaounis, is not a simple decorative object, rather it carries a message, is an expression of inner life, a link with the distant past, a symbol and a memory.[3] He received the Thorlet Award (Prix Thorlet) for the book from the Académie des Beaux-Arts. Subsequently, a retrospective exhibition of his creations was presented in the Sorbonne Chapel. For his contribution to the arts, Lalaounis was made Knight of the Order of Arts and Letters (Chevalier de l'ordre des Arts et Lettres) by the French government and Commander of the Order of Academic Palms (Commandeur des Palmes Académiques). He was also elected as a member of the Académie des Beaux-Arts of the Institut de France, the only jeweler ever to be inducted.[3][7] The Academicians' swords (épées d'Académiciens), given to members on their induction, were originally designed by Salvador Dali, and when Dali became too frail to continue, he named his close friend Ilias Lalaounis to continue his work.In November 1987, Lalaounis was invited by Teddy Kollek, Mayor of Jerusalem, to present his collection Treasures of the Holy Land, in an exhibition specially organized by the Israel Museum and subsequently shown in New York, London and Paris. The following year he presented Arabesques, a collection of gold and silver creations set with precious and semi-precious stones. The Minister of Foreign Affairs of Turkey invited him to exhibit Arabesques, as well as another complementary collection, Soleiman the Magnificent, at the Islamic Art Museum of Istanbul.[8] He launched Ameridians in New York, a collection inspired by the art of North American Indians and in 1991, opened his store on Madison Avenue in New York, where he presented his collection inspired by Celtic art.Museum In 1994, he founded the Ilias Lalaounis Jewelry Museum, located under the Acropolis, in the center of Athens. The permanent exhibition displays jewelry and micro-sculptures from forty-five collections, designed by Lalaounis in the period 1940-1992.[9] Some special commissions are also kept on permanent display, such as the Olympic torch, designed by Ilias Lalaounis, used to start the Olympic torch rally before every Olympic Games.

讀 更多的 較少的

1928 Presentation Cocktail Shaker American Legion "Revue" Cast to Dan G Folan. I'm not sure what the history is on this piece but it seems so dramatic I had to list it. It does have some dents a few on the body and on the footrim. I didn't try to fix them, still a cool one of a kind piece. tw101

讀 更多的 較少的

FIFA Coca Cola World Cup Used Soccer Referee Flags. Nice vintage pair of Referee flags from the Fifa youth world cup. I'm not sure which year, but you aren't likely to find another pair. Some stains and wear. They aren't as bright as the pics suggest. Case is 19" long tw100

讀 更多的 較少的

Rosenthal Versace Covered Vegetable Jardin de Versace Pink and blue with Heavy<br>Gold MINT. This piece is in mint unused condition with absolutely no damage or<br>wear. Buying the exact piece shown with nothing else included, new without box<br>it was displayed but not used. Measures 6.5" tall x 13.5" wide and holds 1.6<br>liters.<br>b21

讀 更多的 較少的

c1900 Michigan State University Morill Hall Wall Plaque Lead/Pewter Relief Bust<br>in Mission Oak Frame. I bought this piece a few years ago from a woman that told<br>me she purchased it from some sort of liquidation sale Michigan State<br>University. I'm still looking for the piece of paper where I had her write it<br>down but It might not turn up for years. I did find that Morill hall was<br>demolished in 2013 which was about 4 years before I bought this piece. I know<br>for a fact it was MSU and I know it was Morill Hall I just don't remember the<br>date she acquired it, not sure if I asked. It seems Morill hall was a women's<br>building in 1900. This piece is for sure that old. I would bet my life it's from<br>1900-1910. It's unsigned, I don't know who the artist or the woman is. I think<br>there's a good chance they're both someone famous. To me this looks to be a one<br>of a kind handmade piece and I don't think there could've been may artists at<br>that time or now capable of such a feat. It has minor wear as shown. It is very<br>heavy. It measures 16" wide x 20" tall. This piece represents quite a bit not<br>just for people interested in Michigan stuff but It's an important part of<br>Women's Educational History and the evolution of this country.<br><br>In December 2012, History said goodbye to Morrill Hall and moved to the Old<br>Horticulture Building.<br><br>Opened in 1900, Morrill Hall was first named the Women’s Building. Though women<br>were admitted to MSU in small numbers beginning in 1870, a women’s course was<br>not introduced until 1896. As the number of women rose, the university need a<br>dormitory—the Women’s Building. The Dean of women had a residence on the first<br>floor and home economics instructors lived on the upper floors. There was space<br>for 120 women students and a dining room, cooking and sewing laboratories, a<br>woodshop, music rooms, and a gym. According to a catalog from the day, women<br>residents were subject “to only such restraints as would be expected in a well<br>regulated Christian family.” By 1926, modifications allowed for the housing of<br>200 women in the building.<br><br>In the mid-1930s, increased enrollment in the Women’s course made necessary the<br>construction of new dormitories. As women students moved into new buildings,<br>Morrill Hall was converted in 1937 into classrooms and offices for the Liberal<br>Arts Division. That year the building was officially named Morrill Hall in honor<br>of Vermont Senator Justin Smith Morrill. He had been instrumental in forging the<br>federal Morrill Act, which established land-grant colleges. The act was critical<br>in the development of higher education in the United States.<br><br>As part of the Liberal Arts Division, History, along with six other departments,<br>established itself in Morrill in 1937. As the department grew, it came to occupy<br>all of the third and fourth floors and parts of the first floor and garden<br>level. English occupied the second floor and Religious Studies part of the<br>first.<br><br>About 100 years after its construction, Morrill’s age began to show. Inspections<br>revealed deterioration in the building’s wooden infrastructure and shallow<br>foundation. In 2010, the MSU Board of Regents decided that repairs were not<br>feasible and approved a plan for demolition.<br><br>Events then unfolded quickly. In summer 2012, English and Religious Studies were<br>moved from Morrill to Wells Hall. Romance<br><br>Old photo of Old Horticulture Building<br>Old Horticulture Building<br><br>Languages, which had been in Old Horticulture, was also moved to Wells. Crews<br>then did minor renovations on Old Hort. History was the last department to<br>vacate Morrill during a move which took several weeks.<br><br>Morrill Hall was demolished in summer 2013. In spring 2014, the Morrill plot was<br>transformed into a green space with benches and gardens arranged in manner so as<br>to emulate the long, wide halls that characterized the old structure.<br><br>Needless to say, the move to Old Hort was time consuming. Faculty packed their<br>own belongings, most of which consisted of books. Crate after crate was then<br>taken by university movers 100 yards across campus. Faculty then unpacked their<br>things and began the process of settling in.<br><br>Old Hort lacks some of the charm of Morrill. Gone are the high ceilings,<br>hardwood floors, large windows looking out at the green, and spacious offices.<br>But Old Hort has proven to have some advantages. The heating system works well,<br>there are no rats, bats or birds inside the building, and the offices, though<br>smaller, are comfortable and roomy enough for multiple bookcases.<br><br>MSU sponsored some updates of Old Hort. But there is still work to be done.<br>Alumni and friends of the department interested in sponsoring room updates and<br>in conference room, office and workspace naming rights are encouraged to contact<br>the department chair for conversations.<br><br>History has started a Morrill Fund to honor the old building and to advance<br>faculty research. For more information, please contact the department chair,<br>Walter Hawthorne.<br><br>*Some information for this piece was derived from History Professor Madison<br>Kuhn’s Michigan State The First One Hundred Years (East Lansing, Michigan State<br>University Press, 1955).

讀 更多的 較少的

18th century Pewter Reproduction Lot Antique. This is a lot of what after close examination believe to be reproduction 18th century pewter. It's a very old lot probably early to mid 19th century. I believe much time and effort was dedicated to making these pieces look authentic and old. They would look great in any colonial setting and I believe would fool or puzzle pretty much anyone even after close examination. Selling the whole lot. Largest tankard is 10.5" tall. tw94

讀 更多的 較少的

Vicky Industria Peruana Sterling Silver Overlay Copper Pre-Columbian Incan Style Plate. Nice piece with minor wear to patina. The whole thing could easily be polished to copper, but to me it looks good now. TW91

讀 更多的 較少的

Vivian Love(1908-1982) Floral Still Life Listed Texas Artist. No issues or damage. Vivian Rogers Love began exhibiting in San Antonio, Texas in the 1940s. She was a member of the San Antonio Art League, River Art Group, Coppini Academy of Fine Arts and the Highland Art Group. She had a lengthy exhibition career with numerous solo exhibitions that spanned four decades.

讀 更多的 較少的

1920's Whiting and davis Art Deco Mesh Handbag with gold Gilt Frame. Good looking purse with no significant issues, interior is worn as expected and shown. TW101

讀 更多的 較少的

1920's German Art Deco Mesh Handbag with enamel frame. Special vintage handbag with 2 small old repairs only visible in interior, shown in last pics. TW101

讀 更多的 較少的

1930's Nancy Carroll Autographed Picture Paramount Pictures 5.5" x 7". Some tack holes in corners and minor soiling, authentic. TW82

讀 更多的 較少的

c1880 French Pressed Glass Bowl With Rooster Fish Butterfly Ducks Birds Possibly Baccarat. I'm not totally sure of maker but I'm positive it's antique from the late 19th century and believe it's french. I couldn't find a marking. There are a few chips on the footrim but no other chips or cracks. 10.25" wide x 2 5/8" deep. TW81

讀 更多的 較少的

Cool old puppet with some expected wear as shown. Very old piece around 100 years old with fantastic patina.

讀 更多的 較少的

Webster Sterling Silver Overlay Trivet. Antique early 20th century item with no significant issues, no cracks, no deep scratches or loss. TW80

讀 更多的 較少的

c1920 Fish Decoys Sold Here Folk Art Advertising Sign Hand Carved Red Bear. Great old piece circa early 19th century. Estate fresh, part of a huge collection of Fish Decoys. Rare and Unusual piece of Americana and Fishing Memorabilia with a fantastic "no brainer" patina 20.5" long. TW97

讀 更多的 較少的

c1880 Glass Bottomed Pewter Tankard Half Pint by James Dixon. Exceptional patina, holds liquid. Some expected wear that has been naturally patinized over time. 4" tall. TW94

讀 更多的 較少的

c1850 Mayer "The Gem" Bue Transferware Dinner Plates 10.25" Pair. The pattern is "The Gem", and they were made by Thomas, John & Joseph Mayer between 1843 and 1855. Selling both with no cracks, chips, or restorations. Both have some expected crazing. TW76

讀 更多的 較少的

c1880 Dresden Figure Group Children with Lamb and Birdcage. 6.5" wide x 5" tall. One tiny flake off the green leaves to the flowers in his upper hand, pin head sized. No other chips, cracks, or restorations. TW75

讀 更多的 較少的