H. Fred Skaggs southwestern modernist sterling silver clip-on earrings. Great earrings with no damage or significant wear. Fantastic design and execution, strong springs on clips. Weight and measurements in the pictures. H. Fred Skaggs was a prominent metalsmith who worked in the American Southwest beginning in the mid-1950s. He is also known for inspiring and training other artisans with his knowledge of silversmithing. Some of his pieces display traditional Southwestern designs and elements, while others are purely Modernist in nature. H. Fred Skaggs began his jewelry-making career in 1956. He was part of the community of artists who set up shop in the Lloyd Kiva Craft Center in Scottsdale, Arizona. Kiva‘s vision offered them a place to learn from one another as artisans while plying their respective crafts. Several Native American silversmiths, notably Hopi artisan Charles Loloma, were influenced by Skaggs‘ work. A potter by trade, Loloma was encouraged by and apprenticed to Skaggs, who taught him the art of silversmithing. While most of his jewelry was crafted of silver, Skaggs did work in karat gold occasionally. Given the style of the gold pieces collectors run across, they were likely commissioned by his clientele. Many of his silver jewelry designs were embellished with semi-precious gemstones. Skaggs was active as a jewelry craftsman until he died in 1983.

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Vintage c1970 Southwestern Modernist sterling silver turquoise freeform pendant. 26" necklace, other measurements in pictures. No damage or issues, unmarked other than unknown artists hallmark and tested solid sterling silver.

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Large William Spratling sterling ribbon pin with Chrysocolla 50.5 grams, other measurements in pics.Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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60‘s-70‘s LeRoy Benally Navajo Modernist Sterling silver turquoise bolo tie. Solid sterling silver slide (tested), slide and tips. Weight and measurements in pictures. Great bolo with no issues. 40" long. Signed by the Artist. Super high grade turquoise, great design, very nice handmade tips. This artist is represented in the Smithsonian‘s National Museum of the American Indian.

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c1960 c-31 Alberto Contreras Modernist silver/onyx bolo tie w/fancy tips. Solid sterling, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Clip on back is not sterling, tips and slide are sterling. Alberto Contreras (1949-1994) was taught silversmithing, by Frank Patania Sr., prior to 1949. In 1949 Alberto Contreras started his silversmithing shop, which would be one of three main, custom silversmithing shops, in Tucson, during that era: 1. Thunderbird Shop - Patania 2. Alberto Contreras 3. Carlos Diaz

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Margot De Taxco Sterling silver enamel bracelet. No issues, no damage to enamel.<br><br>Margot Van Voorhies was born in 1896 in San Francisco, California. By the time<br>she left her native country for good, she had survived the death of her father<br>in 1903, the San Francisco Earthquake in 1906, the loss of her mother at the<br>hands of a er in 1931 and the end of her first marriage in 1936.<br><br>Fortunately, a Mexican vacation changed the life of Margot Van Voorhies in ways<br>she could never have imagined. In 1937, forty-one-year-old divorcée Margot Van<br>Voorhies left San Francisco on a trip to Mexico City. Fate threw her into the<br>path of Don Antonio Castillo, who took her to Taxco, a Mexican hotbed for the<br>design, crafting, and production of silver objects, in particular jewelry and<br>housewares.<br><br>Soon, Castillo would become Margot’s second husband. At the time, Castillo was<br>working for William Spratling, a pioneer in Mexican silversmithing. He brought<br>Margot into the business as a designer, helping her to transform her paper<br>creations into three-dimensional forms in silver. In 1939, the pair, along with<br>other members of Castillo’s family, opened shop as Los Castillo Taller [Taller<br>is Spanish for “Workshop”], with Margot as the top designer.<br><br>After ten years, the marriage between Castillo and Van Voorhies dissolved, as<br>did their professional association. Margot went on to open her own shop in 1948,<br>taking the name Margot de Taxco, by which she is best known today. Seven years<br>later, enamel was added to many of her pieces, and this is where Margot found<br>her legacy.<br><br>At the peak of her career, Margot, who designed each piece herself, had two<br>dozen silversmiths and a dozen enamellists in her employ to execute her vision.<br>The men performed the duties as silversmiths; the women did the enamel work,<br>using tiny brushes to bring the watercolor drawings to life. To ensure the<br>accurate rendering of her jewelry designs, she compiled a book of instructions<br>and drawings, detailing the construction and finishing of each. Margot attracted<br>talented craftsmen who later went on to cement their own reputations, such as<br>Sigi Pineda, Miguel Melendez, and Melecio Rodriguez.<br><br>Many contemporary Hollywood celebrities were clients of Margot, including John<br>Wayne and Lana Turner, who visited her shop every year.<br><br>Tragedy struck in the form of a fire in 1960. Forced to move her studio, she<br>never again regained her prior success, and the business folded in 1974. Margot<br>granted several of the silversmiths in her employ permission to use her molds to<br>create pieces on their own, in return for debt forgiveness. As a result, many of<br>Margot’s pieces were re-created by silversmiths such as Jaimie Quiroz and<br>Geronimo Fuentes, bearing their hallmark rather than hers.<br><br>Margot passed away in 1985. But her talent as a designer and her influence as an<br>artist have continued to gain recognition since the time of her death.<br><br>Margot’s shop produced some repousse silver (a technique where a raised or<br>relief design is hammered in from the reverse side of the piece). But she is<br>best known for her champlevé enamel work. Champlevé is created by carving,<br>etching, striking, or casting troughs or cells into the surface of a piece and<br>filling it with vitreous enamel. In Margot’s jewelry, the designs were<br>die-struck, a process that was detailed and critical to the final product.<br><br>Margot produced many suites that included necklaces, brooches, bracelets, and<br>earrings, as well as convertible jewelry. Margot de Taxco jewelry is recognized<br>for its elegance, femininity, and variety.<br><br>There were many areas of influence that can be found in Margot’s work. Her fish<br>and wave motifs celebrated her love of Japanese art. The ornate swirls and<br>floral motifs were reminiscent of the Art Nouveau style. Mischievous<br>pre-Columbian figures were a recurring theme. Art Deco style ballerinas struck<br>graceful poses. Margot was also taken with Egyptian motifs and Mexican crafts.<br><br>Margot de Taxco pieces are distinguished by the stamp that includes her name,<br>Eagle 16 (or Eagle 1, for her earlier works), along with a production number.<br>Issued by the government, the eagle stamp was a way to identify the<br>manufacturer.

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Everett MacDonald (1924-1991) Laa Beach, CA Modernist Sterling silver Abstract<br>cufflinks. No issues.<br><br><br>Everett Macdonald, whose Beach shop opened in 1947. Macdonald created open<br>sculptural silver and gold jewelry, often utilizing nylon monofilament within<br>the negative spaces of his pendants and earrings, reminiscent of sculpture by<br>Henry Moors and Naum Gabo.<br><br><br>anderas

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sz5.75 Ed Wiener (1918-1991) New York Modernist sterling and amethyst ring<br><br>"His jewelry of the period has unusual clarity in contrast to the baroque exuberance and surrealistic fantasy of some of his contemporaries," Dr. Milton W. Brown, an art historian, wrote later.<br><br>Among his clients were Louise Nevelson, the sculptor, and Martha Graham, the dancer.<br><br>Mr. Wiener worked largely in silver until the late 1950's when he branched out into new settings in gold and precious jewels, moving, as one critic put it, from craft into art. Over the years he had studios on 53d Street and on Fifth Avenue and continued to work at his Fifth Avenue gallery, by appointment, until his death.<br><br>A native New Yorker, he was largely self-taught and learned to make jewelry with plumbers' and carpenters' tools. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 5 Ring.

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Retro Danish Arne Johansen Modernist sterling 7" Bracelet and 15" necklace set. Buying the set shown, clean with no issues, necklace is 15", so more of a choker.anderas

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Mid Century Los Ballesteros Secret compartment Chrysocolla and sterling pendant<br>3" tall x 2 1/8" wide with no issues. Really cool, the secret door snaps shut<br>very tightly to the point of possibly being waterproof. 38.4 grams.

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1" Antonio Pineda (1919-2009) Taxco Sterling belt buckle 57.7 grams, very sturdy, other measurements in pics. This is an extremely high quality and good looking buckle. Due to reflections it's difficult to present items of this type in the light the deserve in the time available to me.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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1940's Matl Sterling Repousse earrings/brooch. Selling the set shown, earrings were originally screw back and later converted to pierced. All three pieces guaranteed 900 silver or higher content. Brooch 1 5/8" wide, earrings .75" wide, 24.5 grams total weight.MAT-MATILDE POULAT & RICARDO SALAS JEWELRY Matl is the mark that appears on some of the most beautiful and unique jewelry in Mexico. Matilde Eugenia Poulat introduced MATL in 1934 and, since her death in 1960, her designs and techniques have been carried on by her nephew, Ricardo Salas. For sr. Salas, who can recite poetry in the language of the Aztecs, the mark matl, has greater meaning in its reference to the Nahuatl or Aztec word for water, atl.As a young woman, Matilde Poulat studied painting at the prestigious San Carlos academy of fine arts in Mexico city, she went on to teach painting classes at an art school until her interest turned exclusively to silver. Matilde Poulat´s designs for jewelry and figures were part of the new cultural vision among Mexico’s intellectuals after the revolution in 1920s, artists were searching for Mexican aesthetic, rejection European subjects in favor of the art of the pre-conquest Indians and of the Mexican pueblos. Sra. Poulat found inspiration in the mextec gold jewelry discovered in 1932 at Monte Alban. Her choice of motifs the dove, flowers, and tiny bells are reminiscent of the whimsical subjects of contemporary Mexican folk art.Matilde Poulat received international recognition for her jewelry when she was asked in 1941 to participate in an exhibit of Latin American silver at the pan American union in Washington, D.C. as a result of increasing demand for matl silver during world war ii , the number of silversmiths in the taller increased to thirty-three. In 1950, Srta. Poulat and her nephew opened a showroom on the first floor of her home, where she also had the workshop. Ricardo Salas recalls that they made three thousand types of silver jewelry and one hundred different pieces.Ricardo Salas worked closely with his aunt from the time he was eleven years of age. He says she recognized his artistic talent when she saw him do a play with puppets he had made himself. Sr. Salas was sent to the San Carlos academy, where he received the premio Diego Rivera. As a youth, he learned the techniques of the silversmith and perfected the carving of "Off White", coral, turquoise, and other stones used in the jewelry and figurines. From sr. Salas perspective, he and his aunt collaborated so closely as designers, that there really cannot be a comparison of their work.In 1955, William Spratling wrote of Matilde Poulat: “she has continued to produce some of the most charming native jewelry in Mexico, intensely her own. Her jewelry has the same charm and delightful surface and colorful quality of the old lacquer work of Uruapan. Spratling`s admiration for matl silver reflects his recognition of their shared appreciation for Mexican native art. This mutual inspiration led each of the two artists in different directions within the same medium. The exuberance of matl silver resembles the interiors of the churches in Puebla, like the chapel of Santa Maria Tonantzintla, where Indians covered the interior of the dome with polychromed and gilded angels. In matl silver, the introduction of color is accomplished with bits of coral, turquoise, and amethyst quartz. The surfaces are decorated with applied wire and elaborated with embossing and repousse of astounding complexity (pl.XXIII-1, XXIII-10). Matilde Poulat and Ricardo Salas have been successful in incorporating the artistic language of the Mixtecs into jewelry and silver figures with imagination, drama, and with a style that is completely personal.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.8" Vintage Michel Plumail southwestern modernist sterling silver cuff bracelet. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Overall expected wear circa last quarter of the 20th century. No issues.

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Frank Patania Sr RES southwestern modernist sterling silver belt buckle. Tested and guaranteed solid sterling silver, weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa mid 20th century.. Fits up to a 1" belt

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Carmelo Patania #8 turquoise modernist sterling silver clip on earrings. Great earrings, tested and guaranteed solid sterling silver with weight, and measurements will be shown in the pictures. Circa third quarter of the 20th century. Clip on earrings as shown. Strong springs on clips. Frank Patania Sr. and brother Carmelo "Pat" Patania opened up their Thunderbird Shop in Tucson, AZ in 1937. They combined old world jewelry-making with the influence of the Southwest jewelry. Many Native American jewelers apprenticed with the Patania family.

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sz11 Vintage Native American Modernist sterling silver turquoise/coral ring Tested and guaranteed solid sterling silver. Nice ring from the third quarter of the 20th century. Some expected wear, weight and measurements in pictures. Unmarked.

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Heavy vintage sterling silver Mexican modernist bar choker/bangle bracelet. Weight and measurements in pictures, solid sterling silver. Fully functional, with no issues. 6.5" bracelet, 16" necklace.

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c1960 c-31 Modernist silver bolo tie with turquoise. Solid sterling silver slide and tips. Weight and measurements in pics. 43" long. Definitely has a Frank Patania feel to it and would be of the right period.

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26" Helen Beckerhoff modernist sterling necklace with 1900 US silver dollar pendant. Nice solid sterling period mid century US made necklace just signed Beckerhoff, tested sterling. The pendant is removable.Helen Beckerhoff by Stowe Speaks Interviewed by Amanda Kuhnert on April 2010. Helen was a long-time resident of Stowe. From the late 1940’s to the late 1960’s she owned and operated a ski lodge, The Lantern, in the heart of Stowe Village. In the rear of the lodge Helen had a jewelry store, The Silver Shop, where she designed and made handcrafted silver jewelry. However, the shop was best known for the place where local, state, National and world events and issues were debated. Helen was always community minded. She served on the Stowe Select Board, the Stowe Planning Commission, and was secretary to the Stowe Area Association. When most people settled into retirement, Helen earned her Master’s degree and then taught English as a second language in China. She never lost her passion for travel.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.25" Johnny Mike Begay Navajo rails modernist sterling silver cuff bracelet. Tested and guaranteed solid sterling silver with weight and measurements in pictures. No damage or significant wear, circa third quarter of the 20th century. Kenneth Begay was a noted Navajo jeweler who worked at the White Hogan Gallery at Scottsdale. He brought in his brother, Johnny Mike, to work with him. Kenneth is credited with inventing rail bracelets of all types, but it was Johnny Mike who expanded this style. Johnny Mike passed away in 1976, since then others have copied his style.

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Alvin Tso Navajo Mediterranean Coral Modernist sterling silver bracelet, fits up<br>to a 6.75" wrist.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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sz5 William Spratling silver ring with aztec pattern. 10.1 grams . Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 5 Ring.

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Mid Century Gem Silica sterling modernist cufflinks. Very attractive and rare stones. One swivels freely with no spring to catch it, one with back pointing in weird direction but appears to be made like that. Both solid sterling, unmarked

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Gerald M. Stinn (1937 - 2019) California Modernist sterling necklace - turquoise. The collar necklace is marked Stinn on one side and Sterling on the other. The mark can be seen in the last pic when it's on a scale. No issues, measurements in pics.Gerald M. Stinn (1937 - 2019) Gerald Stinn studied jewelry, crafts, and design at Drake University in Iowa, and taught at public schools and the Des Moines Art Center. In 1965 he moved to California, where he continued teaching for five years. Stinn spent the rest of his life in CA devoting himself fully to designing and making jewelry. There are examples of Stinn's work in the Smithsonian and other museums.All precious metals are tested and guaranteed,

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Henry Steig (1906-1973) 現代主義純銀自由形狀螺旋耳環 (3) 一對。 出售所示 3 雙，最大的 1 雙。25 英吋長，19。總共7克。 Jules Brenner 和 Henry Steig 是紐約中世紀工作室珠寶商中的一員，他們手工製作可佩戴的藝術品，頌揚前衛，拒絕傳統珠寶形式，並吸引知識分子和時尚人士。自由派中產階級。 朱爾斯·布倫納出生於布朗克斯，在華盛頓高地長大，師從斯特拉·阿德勒學習表演，並在格林威治村學習繪畫和雕塑。 亨利·斯泰格（Henry Steig，又名亨利·安東）曾就讀於城市學院和國家設計學院，並開始了他作為紐約市爵士音樂家、作家、小說家、漫畫家和畫家的職業生涯。 1950 年代，布倫納和斯泰格在曼哈頓和馬薩諸塞州普羅溫斯敦（當時是著名藝術家的飛地）經營商店和工作室，在那裡出售手工製作的銀和金設計，這些設計通常強調生物形態、超現實主義、立體主義和幾何形式。大家都知道電影《七年之癢》中的著名畫面，瑪麗蓮夢露站在紐約人行道上，她的裙子被下面地鐵格柵的上升氣流吹起。 然而，並不是所有人都知道，此時她正站在列剋星敦大道 590 號亨利·斯泰格 (Henry Steig) 的珠寶店前。亨利‧史泰格 (Henry Steig) 是一位多才多藝的人。 在成為珠寶商之前，他是一位爵士音樂家、畫家、雕塑家、商業藝術家、漫畫家、攝影師、短篇小說作家和小說家。「亨利是一位文藝復興時期的人，」《紐約客》漫畫家米莎·里克特(Mischa Richter) 說道，他是施泰格的好朋友，也是普羅溫斯敦的鄰居。Henry Anion Steig 於 1906 年 2 月 19 日出生於紐約市。 他的父母約瑟夫和勞拉在世紀之交從利沃夫（德語稱為倫貝格）來到美國，當時利沃夫位於奧匈帝國的波蘭港口。 約瑟夫是一名房屋油漆工，勞拉是一名裁縫師。他們有四個兒子：歐文、亨利、威廉和亞瑟，他們多才多藝、才華橫溢、富有藝術天賦。 威廉史泰格（William Steig）是著名的《紐約客》漫畫家和兒童讀物作家兼插畫家。 歐文是《紐約客》的短篇小說作家。 亞瑟是一位畫家和詩人，他的詩作發表在《新共和》和《詩歌》雜誌。William Steig 回憶道：「我的父親和母親在兒子長大後都開始指點並成為展覽藝術家。1945 年 5 月 14 日，《新聞周刊》雜誌發表了一篇關於在新藝術圈畫廊舉辦的展覽的文章，「可能是藝術街（第 57 街）的第一場家庭展覽」。 它被稱為“八位表演史泰格，藝術家全部。”其中包括約瑟夫和勞拉·斯泰格的畫作；威廉的繪畫和雕塑以及他的妻子麗莎的畫作；亞瑟和他的妻子奧羅拉的畫作；以及亨利的照片和他的妻子咪咪的畫作。 唯一沒有包括在內的兄弟是歐文，“唯一不墨守成規的施泰格”，當時他在康涅狄格州一家肥皂製造商擔任廣告經理。在文章中，「兄弟倆將家族中眾多優秀藝術家歸因於我們都喜歡彼此的作品…對此感到興奮。 每當有人開始時，他們都會得到很多鼓勵。 約瑟夫‧斯泰格補充說：「繪畫是一種具有感染力的東西。 如果您生活在我們的環境中，您可能會指出。'"Henry Steig 在這種非凡的環境中長大。 這家人住在布朗克斯。 高中畢業後，Henry Steig 進入城市學院 (CCNY)。 三年後，他前往國家設計學院學習繪畫和雕塑。 他也是一位多才多藝的音樂家，演奏薩克斯風、小提琴和古典吉他，在大學期間，他開始擔任爵士音樂家。 大約從 1922 年（當時年僅 16 歲）開始，直到 1932 年，他與當地舞蹈樂隊一起演奏簧片樂器。在國家學院學習四年後，Steig 成為商業藝術家和漫畫家。 他在自己的漫畫上署名“亨利·安東”，因為他的兄弟威廉同時也是一名漫畫家，為許多相同的雜誌工作。 大約從1932年到1936年，亨利·安東的漫畫出現在《生活》、《法官》、《紐約客》等雜誌上。Steig 於 1935 年開始寫作生涯，一直持續到 1947 年左右。 他作為短篇小說作家非常成功且廣為人知，他的故事定期出現在《週六晚郵報》、《紐約客》、《時尚先生》、《高力報》等雜誌上。 它們通常是關於爵士樂和爵士樂音樂家的幽默故事，他們在蓬勃發展的二十年代音樂世界中佔據一席之地。 其他故事是關於他在布朗克斯的童年。 他也撰寫非小說類雜誌文章，包括《紐約客》對班尼古德蒙的簡介和爵士樂評論。 他的幾篇非小說類文章由威廉史泰格 (William Steig) 繪製插圖。1941 年，阿爾弗雷德 A. 克諾夫出版了亨利‧史泰格的小說《送我下來》。 這個故事以絕對現實主義的方式講述，講述了兩兄弟在二十多歲時成為爵士音樂家的故事。 史泰格在書封皮上寫道：「《送我下來》的大部分材料都是在我作為爵士音樂家與當地爵士樂隊、歌舞雜耍和舞廳巡演活動中的巡迴團體一起演奏時收集的。 雖然我作為一個音樂家只是二流，但我從內部了解我的主題，我相信我是第一個根據個人實際經歷寫爵士樂故事的人。「他的兒子麥可回憶說，當時有人有興趣將這本書拍成電影。 「我父親告訴我約翰·加菲爾德想扮演主角。「Steig 確實於 1941 年前往好萊塢，簽訂了編劇合約。 他將與詞曲作者約翰尼·默瑟合作。 12月7日珍珠港事件後，他返回紐約。 「無論如何，他無疑會回來，」邁克爾·施泰格說。 「他對經紀人為他談判的合約並不滿意。」 米莎·里克特 (Mischa Richter) 表示，「亨利對好萊塢非常不以為然。」

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 1/8" 1980's J Wright Southwestern modernist sterling onyx/red jasper cuff braceletAll precious metals are tested and guaranteed,

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.75" Lori Carved Turquoise Southwestern modernist sterling cuff bracelet. High quality, handmade, one of a kind, sturdy, carved turquoise. This isn't Lori Bonn, not sure who Lori is or was but she did good work. Hand carved stone like Zuni work.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is<br>stored in a secure location and cannot be accessed for more pictures, videos, or<br>measurements until sold. If you look at pictures/description your question<br>should be answered. Thank you so much for your time and consideration

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Vintage Matl/Salas Sterling Turquoise Amethyst pin. Designed by Matilde Poulat (AKA "Matl" (Aztec for "Water") who is & always will be one of my personal favorites that made her fame during the "Mexican Silver Renaissance Days" & later..She was a painter & designer 1st & was born in the Yucatan & later on went to study at the San Carlos Academy in Mexico City at the same time the famous muralist & husband to Frida Kahlo,Diego Rivera was studying there..One of her 1st teachers was a "P.OCHOA",a man whose works you rarely come across & you will find Matl's earliest works,emulating Ochoa's,which was nothing like the style she ended up owning.She opened shop in 1934 & ended up having her own 'signature look",which to this day people still pay homage to her designs.She produced some of the most ornate jewelry that was being produced in Mexico back in the day..The inspirations she fell back on were inspired from the Mixtec people of Monte Alban, Oaxaca area. Each designer during the Mexican Silver Renaissance days had their own unique style,but it was Matilde,who brought the beautiful motifs of doves, flowers, and tiny bells that are reminiscent of the whimsical subjects of contemporary Mexican folk art...The beauty of her metal work,was so time consuming & was considered Baroque in style with a undeniably "Mexican"look..She was known for laying round turquoise or coral cabochons all in one bezel that was then crimped' to hold the stones in,rather than setting them individually & you will see the perfect example of this style in this pin,which gives her piece's a whole different look,because of this. Another one of her signature styles was her time consuming 'chasing' work in the metal,as well as using 'pyramidal' cuts of amethyst.Every piece made are works of art..She is highly collectible!! She taught her nephew Ricardo Salas the art of jewelry making & taught him her style that was signature to only her & worked side by side her till her death in 1960 & while continuing to stay true & keep her style alive till his death in 2007.

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Margot De Taxco 5740 Sterling Pendant/pin and earrings set. Pin has loops and a hook to fix onto a necklace if wanted. Measurements in pics. 23.4 grams. No issues.Margot Van Voorhies was born in 1896 in San Francisco, California. By the time<br>she left her native country for good, she had survived the death of her father<br>in 1903, the San Francisco Earthquake in 1906, the loss of her mother at the<br>hands of a er in 1931 and the end of her first marriage in 1936.<br><br>Fortunately, a Mexican vacation changed the life of Margot Van Voorhies in ways<br>she could never have imagined. In 1937, forty-one-year-old divorcée Margot Van<br>Voorhies left San Francisco on a trip to Mexico City. Fate threw her into the<br>path of Don Antonio Castillo, who took her to Taxco, a Mexican hotbed for the<br>design, crafting, and production of silver objects, in particular jewelry and<br>housewares.<br><br>Soon, Castillo would become Margot’s second husband. At the time, Castillo was<br>working for William Spratling, a pioneer in Mexican silversmithing. He brought<br>Margot into the business as a designer, helping her to transform her paper<br>creations into three-dimensional forms in silver. In 1939, the pair, along with<br>other members of Castillo’s family, opened shop as Los Castillo Taller [Taller<br>is Spanish for “Workshop”], with Margot as the top designer.<br><br>After ten years, the marriage between Castillo and Van Voorhies dissolved, as<br>did their professional association. Margot went on to open her own shop in 1948,<br>taking the name Margot de Taxco, by which she is best known today. Seven years<br>later, enamel was added to many of her pieces, and this is where Margot found<br>her legacy.<br><br>At the peak of her career, Margot, who designed each piece herself, had two<br>dozen silversmiths and a dozen enamellists in her employ to execute her vision.<br>The men performed the duties as silversmiths; the women did the enamel work,<br>using tiny brushes to bring the watercolor drawings to life. To ensure the<br>accurate rendering of her jewelry designs, she compiled a book of instructions<br>and drawings, detailing the construction and finishing of each. Margot attracted<br>talented craftsmen who later went on to cement their own reputations, such as<br>Sigi Pineda, Miguel Melendez, and Melecio Rodriguez.<br><br>Many contemporary Hollywood celebrities were clients of Margot, including John<br>Wayne and Lana Turner, who visited her shop every year.<br><br>Tragedy struck in the form of a fire in 1960. Forced to move her studio, she<br>never again regained her prior success, and the business folded in 1974. Margot<br>granted several of the silversmiths in her employ permission to use her molds to<br>create pieces on their own, in return for debt forgiveness. As a result, many of<br>Margot’s pieces were re-created by silversmiths such as Jaimie Quiroz and<br>Geronimo Fuentes, bearing their hallmark rather than hers.<br><br>Margot passed away in 1985. But her talent as a designer and her influence as an<br>artist have continued to gain recognition since the time of her death.<br><br>Margot’s shop produced some repousse silver (a technique where a raised or<br>relief design is hammered in from the reverse side of the piece). But she is<br>best known for her champlevé enamel work. Champlevé is created by carving,<br>etching, striking, or casting troughs or cells into the surface of a piece and<br>filling it with vitreous enamel. In Margot’s jewelry, the designs were<br>die-struck, a process that was detailed and critical to the final product.<br><br>Margot produced many suites that included necklaces, brooches, bracelets, and<br>earrings, as well as convertible jewelry. Margot de Taxco jewelry is recognized<br>for its elegance, femininity, and variety.<br><br>There were many areas of influence that can be found in Margot’s work. Her fish<br>and wave motifs celebrated her love of Japanese art. The ornate swirls and<br>floral motifs were reminiscent of the Art Nouveau style. Mischievous<br>pre-Columbian figures were a recurring theme. Art Deco style ballerinas struck<br>graceful poses. Margot was also taken with Egyptian motifs and Mexican crafts.<br><br>Margot de Taxco pieces are distinguished by the stamp that includes her name,<br>Eagle 16 (or Eagle 1, for her earlier works), along with a production number.<br>Issued by the government, the eagle stamp was a way to identify th

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4pr Ledesma/other Taxco Modernist sterling clip/screw back earrings with no issues, weight and measurements in pics. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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6 5/8" Vintage Los Castillo Sterling Multi-stone bracelet. No issues, clasp is plated brass, the rest is solid sterling.Los Castillo Jewelry - History Antonio Castillo and his brothers Jorge, Miguel, and Justo began Los Castillo in 1939. They had all apprenticed in William Spratling’s taller before starting their own business in Taxco, Mexico. Antonio Castillo rose to the level of master silversmith during his time working with Spratling.The Los Castillo workshop trained and employed many skilled silversmiths over its decades in the business, including the Castillo brothers’ cousin Salvador Teran, Sigi Pineda, Antonio Pineda, and Antonio Castillo’s wife, Margot van Voorhies Carr. All these artists went on to open their own successful workshops, including van Voorhies Carr who founded Margot de Taxco after she and Antonio Castillo divorced.Los Castillo is known for its quality silver wares as well as mixed metals that incorporated copper and/or brass with sterling silver. Other decorative home accessories can be found with silver plating and inlaid stone embellishments.Chato (Jorge) Castillo was one of the Castillo brothers who worked in the 1930s for William Spratling. He is known for his technical expertise and his design talent. He developed the techniques for married metals, feathers with silver, Aztec mosaic or stone inlay, concha or abalone inlay,...(Mexican Silver: Modern Hand-wrought Jewelry & Metalwork by Morrill and Berk (Schiffer: 2007, 4th Edition), p. 86.

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Antonio Pineda (1919-2009) Taxco Sterling belt buckle 59.7 grams, very sturdy, other measurements in pics. This is an extremely high quality and good looking buckle. Due to reflections it's difficult to present items of this type in the light the deserve in the time available to me.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 5/8" Vintage Los Castillo Sterling and Sodalite bracelet<br><br>Los Castillo Jewelry - History<br>Antonio Castillo and his brothers Jorge, Miguel, and Justo began Los Castillo in<br>1939. They had all apprenticed in William Spratling’s taller before starting<br>their own business in Taxco, Mexico. Antonio Castillo rose to the level of<br>master silversmith during his time working with Spratling.<br><br>The Los Castillo workshop trained and employed many skilled silversmiths over<br>its decades in the business, including the Castillo brothers’ cousin Salvador<br>Teran, Sigi Pineda, Antonio Pineda, and Antonio Castillo’s wife, Margot van<br>Voorhies Carr. All these artists went on to open their own successful workshops,<br>including van Voorhies Carr who founded Margot de Taxco after she and Antonio<br>Castillo divorced.<br><br>Los Castillo is known for its quality silver wares as well as mixed metals that<br>incorporated copper and/or brass with sterling silver. Other decorative home<br>accessories can be found with silver plating and inlaid stone embellishments.<br><br>Chato (Jorge) Castillo was one of the Castillo brothers who worked in the 1930s<br>for William Spratling. He is known for his technical expertise and his design<br>talent. He developed the techniques for married metals, feathers with silver,<br>Aztec mosaic or stone inlay, concha or abalone inlay,...(Mexican Silver: Modern<br>Hand-wrought Jewelry & Metalwork by Morrill and Berk (Schiffer: 2007, 4th<br>Edition), p. 86.

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Frank Patania Sr Sierra Blanca Ski Club Ruidoso NM sterling gold filled pin. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, Circa mid 20th century, thick gold filled on sterling silver.

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Johnny Mike Begay Navajo modernist sterling silver belt buckle. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa third quarter of the 20th century. Fits a .75" belt. No apparent damage. Kenneth Begay was a noted Navajo jeweler who worked at the White Hogan Gallery at Scottsdale. He brought in his brother, Johnny Mike, to work with him. Kenneth is credited with inventing rail bracelets of all types, but it was Johnny Mike who expanded this style. Johnny Mike passed away in 1976, since then others have copied his style

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.25" 3 Vintage Heavy Southwestern sterling silver chiseled cuff bracelets. Tested and guaranteed solid sterling silver with minimal wear, no damage. Weight and measurements in pictures. Circa third quarter of the 20th century. Selling all three.

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Vintage Abstract Southwestern Modernist sterling silver bolo tie. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. Great bolo, 38" long with no issues. Tray is tared out, so weight shown is just the bolo of course. Unknown maker, apparently unmarked.

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c1960 c-31 Southwest Modernist sterling silver coral cluster turquoise bolo tie. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. Great bolo, 39" long with no issues. No detectable markings, likely Native American made. Tray is tared out, so weight shown is just the bolo of course.

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sz8 Benny Armijo Navajo Modernist silver Sugilite, Coral, turquoise ring. Has the artists CM hallmark, somehow the photographer missed it, I‘ll try to follow up with a pic of the mark. No issues, weight and measurements in pics Benny Armijo (1937-2022).   Benny was a renowned master Navajo silversmith who specialized in this complex inlay and "corn row" type cobblestone inlay using high quality stones.  His jewelry was featured on the Oprah Winfrey show and was collected by many high-profile artists from James Taylor, Charlie Daniels, to Hank Williams Jr. His pieces can be seen on many album covers of top music groups and are highly collectable today. His incredible sense of humor was as well-known as his jewelry. He was simply the most generous man that one could ever imagine, always helping complete strangers he encountered along the way. He was active from the early 70's until the late 20th century..   His older mark from the 1970's looks like a tadpole and has been misattributed to "Edward Zuni", but I'm 100% sure this is Benny Armijo's work and hallmark, it's been confirmed by his living relatives.   Benny was born in Santa Fe, New Mexico Benito M Armijo Jr  The older stamp he first used was to represent the letter C and letter M which stood for Chief Marcos. Many years later maybe around 1989 he stamped his jewelry with Benny Armijo. He lived in California for many years and returned to New Mexico and passed away January 2022. He was known for his stone inlay on what he called a Hopi wedding band in which all the stones were inlaid inside the ring or bracelet. Giving the thought that the beauty between the couple is in the eye of the beholder and the couple would choose the different color of stones and their meanings to be inlaid on their wedding bands.  Women's Size 8 Ring.

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David Andersen 830 Silver Ringebu 6pc Knife set. 8" long each. Selling the set shown all solid 830 silver mid century modern pattern with stainless steel blades. All by David Andersen and signed. No issues, all very clean. Measurements in pictures, no other measurements are available. 1

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Ray Scott Navajo textured overlay modernist sterling silver cuff bracelet. Weight and measurements in pictures, solid sterling silver. Ray Scott is an accomplished Native American Navajo silversmith. His art is his own. It is innovative and original... it explores our senses. His jewelry is often a journey into the 3rd dimension... depth. It is twisted, layered, textured and colored all to produce feelings of movement. Ray‘s jewelry is art. Lyrical, musical in a way that stirs your emotions. Beautiful compositions in turquoise and silver. It should also be noted that Ray‘s choice of gemstones never fails to add to the piece. Nothing in Ray Scott jewelry happens by accident. His jewelry is always well thought out with the express purpose of moving his designs forward. "I take great pride in my work", Ray says and he means every word. Ray (Raynard) Scott jewelry is made entirely by him. Nothing is bought from jewelry supply stores... nor do any other silversmiths participate in its making.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Large Los Ballesteros Modernist Sterling Cuff Bracelet. Great cuff with no damage or significant wear.Los Ballesteros Jewelry - History This business was established in 1937 by Jalil Majul Ballesteros in Iguala, Mexico. He had been apprenticed in the art of silversmithing by his grandfather and father, and early on, he made jewelry with a filigree look. In 1941 he moved his workshop to Taxco and adopted styles that were more in line with the tourist pieces produced there.During the 1950s, piecework was farmed out to smaller family workshops in the Taxco area, and the pieces were marked Talleres de los Ballesteros. These pieces were sold in shops throughout the country, including Mexico City and Acapulco. The company also began exporting jewelry in 1952.A modernized corporate version of Los Ballesteros continues to sell its products, both jewelry, and decorative giftware, through stores in Mexico as well as through other vendors worldwide. The company’s commitment to quality in honor of their heritage is strong, and they are still using the traditional Talleres de los Ballesteros stylized B logo in their branding.

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Antonio Pineda (1919-2009) Mid Century Modern sterling belt buckle 2.5" x 1 3/8", fits up to a 1 1/8" belt. 42.9 grams. <br><br>Pineda is one of two living members of the Taxco School and is recognized as a<br>world-class designer and a Mexican national treasure. <br> Pineda’s jewelry is especially known for its elegant acknowledgment of the<br>human form. It is often said that a Pineda fits the body perfectly, that it<br>feels right when it is worn. So, for example, a thick geometric necklace that<br>might at first glance seem too weighty or rigid to wear comfortably is, in fact,<br>faceted, hinged, or hollowed in such a way that it gracefully encircles the neck<br>or drapes down the décolletage.  In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with as much ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master.

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Antonio Pineda (1919-2009) Los Castillo Modernist space age sterling cufflinks 1 5/16" x .75" face, 24.7 grams.Pineda is one of two living members of the Taxco School and is recognized as a world-class designer and a Mexican national treasure.   Pineda’s jewelry is especially known for its elegant acknowledgment of the human form. It is often said that a Pineda fits the body perfectly, that it feels right when it is worn. So, for example, a thick geometric necklace that might at first glance seem too weighty or rigid to wear comfortably is, in fact, faceted, hinged, or hollowed in such a way that it gracefully encircles the neck or drapes down the décolletage.  In addition, no other taxqueño jeweler used as many costly semiprecious stones or set them with as much ingenuity, skill, and variety as did Pineda. Only the most talented of silversmiths could master.

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Set Gorham Modernist sterling silver colored enamel footed shot glass set. Good condition with no damage or significant wear. In original box as shown. Weight and measurements in photos, possibly unused.

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Vintage Navajo/southwest modernist sterling silver turquoise/coral earring lot. Great earrings with no issues, tested and guaranteed solid sterling silver, any marks detected, weight, and measurements will be shown in the pictures. Circa last quarter of the 20th century.

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Antonio Pineda (1919-2009) Taxco Modernist Sterling Pre-columbian style cufflinks.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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6.5" Vintage Los Ballesteros Sterling and gemstone bracelet. Stones untested, likely synthetic.

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c1950‘s Modernist silver malachite bolo tie. Solid sterling, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). Some natural fissures in stone only superficial and not noticeable in real life when worn, fully functional with overall attractive appearance. Sterling tips and bolo slide. 37" total length, unmarked slide but tips marked sterling.

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Georg Jensen Acorn sterling Nutracker with stainless steel cracker. Sterling handle with stainless "cracker" part.. No damage or significant wear, vintage set. Measurements shown in one of the pictures. No monograms or monogram removals. Designed in 1915 by Johan Rohde, the Acorn sterling silver cutlery pattern represents the early foundation of Georg Jensens organic and timeless design language. In contrast to the Art Nouveau style of the early 1900s, Acorns design captures a classic, understated style where decoration is used to emphasise the form and shape. Regarded as both a sumptuous and noble pattern, Acorn at one time had 220 individual pieces. Todays range totals approximately 75 pieces and remains one of Georg Jensens most exclusive silver cutlery patterns. silverdrawer

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William Spratling sterling Aztec style pin 1/7/8" wide with no issues. c1940'sSpratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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Large William Spratling sterling bow pin with amethyst 42.2 grams, other measurements in pics.Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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Modernist sterling nephrite Jade belt buckle Solid sterling silver with weight and measurements in pics. Fully functional, with appropriate wear as shown in the pictures.

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David Andersen Norway Sterling Enamel MCM Abstract pin 1 5/8" x 1.25" 17.2 grams with no damage to enamel.

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Henry Steig (1906-1973) 現代主義純銀自由形狀別針和螺絲背耳環套裝 2 5/8" x 2 1/8"，耳環 1"。 總重14克。 Jules Brenner 和 Henry Steig 是紐約中世紀工作室珠寶商中的一員，他們手工製作可佩戴的藝術品，頌揚前衛，拒絕傳統珠寶形式，並吸引知識分子和時尚人士。自由派中產階級。 朱爾斯·布倫納出生於布朗克斯，在華盛頓高地長大，師從斯特拉·阿德勒學習表演，並在格林威治村學習繪畫和雕塑。 亨利·斯泰格（Henry Steig，又名亨利·安東）曾就讀於城市學院和國家設計學院，並開始了他作為紐約市爵士音樂家、作家、小說家、漫畫家和畫家的職業生涯。 1950 年代，布倫納和斯泰格在曼哈頓和馬薩諸塞州普羅溫斯敦（當時是著名藝術家的飛地）經營商店和工作室，在那裡出售手工製作的銀和金設計，這些設計通常強調生物形態、超現實主義、立體主義和幾何形式。大家都知道電影《七年之癢》中的著名畫面，瑪麗蓮夢露站在紐約人行道上，她的裙子被下面地鐵格柵的上升氣流吹起。 然而，並不是所有人都知道，此時她正站在列剋星敦大道 590 號亨利·斯泰格 (Henry Steig) 的珠寶店前。亨利‧史泰格 (Henry Steig) 是一位多才多藝的人。 在成為珠寶商之前，他是一位爵士音樂家、畫家、雕塑家、商業藝術家、漫畫家、攝影師、短篇小說作家和小說家。「亨利是一位文藝復興時期的人，」《紐約客》漫畫家米莎·里克特(Mischa Richter) 說道，他是施泰格的好朋友，也是普羅溫斯敦的鄰居。Henry Anion Steig 於 1906 年 2 月 19 日出生於紐約市。 他的父母約瑟夫和勞拉在世紀之交從利沃夫（德語稱為倫貝格）來到美國，當時利沃夫位於奧匈帝國的波蘭港口。 約瑟夫是一名房屋油漆工，勞拉是一名裁縫師。他們有四個兒子：歐文、亨利、威廉和亞瑟，他們多才多藝、才華橫溢、富有藝術天賦。 威廉史泰格（William Steig）是著名的《紐約客》漫畫家和兒童讀物作家兼插畫家。 歐文是《紐約客》的短篇小說作家。 亞瑟是一位畫家和詩人，他的詩作發表在《新共和》和《詩歌》雜誌。William Steig 回憶道：「我的父親和母親在兒子長大後都開始指點並成為展覽藝術家。1945 年 5 月 14 日，《新聞周刊》雜誌發表了一篇關於在新藝術圈畫廊舉辦的展覽的文章，「可能是藝術街（第 57 街）的第一場家庭展覽」。 它被稱為“八位表演史泰格，藝術家全部。”其中包括約瑟夫和勞拉·斯泰格的畫作；威廉的繪畫和雕塑以及他的妻子麗莎的畫作；亞瑟和他的妻子奧羅拉的畫作；以及亨利的照片和他的妻子咪咪的畫作。 唯一沒有包括在內的兄弟是歐文，“唯一不墨守成規的施泰格”，當時他在康涅狄格州一家肥皂製造商擔任廣告經理。在文章中，「兄弟倆將家族中眾多優秀藝術家歸因於我們都喜歡彼此的作品…對此感到興奮。 每當有人開始時，他們都會得到很多鼓勵。 約瑟夫‧斯泰格補充說：「繪畫是一種具有感染力的東西。 如果您生活在我們的環境中，您可能會指出。'"Henry Steig 在這種非凡的環境中長大。 這家人住在布朗克斯。 高中畢業後，Henry Steig 進入城市學院 (CCNY)。 三年後，他前往國家設計學院學習繪畫和雕塑。 他也是一位多才多藝的音樂家，演奏薩克斯風、小提琴和古典吉他，在大學期間，他開始擔任爵士音樂家。 大約從 1922 年（當時年僅 16 歲）開始，直到 1932 年，他與當地舞蹈樂隊一起演奏簧片樂器。在國家學院學習四年後，Steig 成為商業藝術家和漫畫家。 他在自己的漫畫上署名“亨利·安東”，因為他的兄弟威廉同時也是一名漫畫家，為許多相同的雜誌工作。 大約從1932年到1936年，亨利·安東的漫畫出現在《生活》、《法官》、《紐約客》等雜誌上。Steig 於 1935 年開始寫作生涯，一直持續到 1947 年左右。 他作為短篇小說作家非常成功且廣為人知，他的故事定期出現在《週六晚郵報》、《紐約客》、《時尚先生》、《高力報》等雜誌上。 它們通常是關於爵士樂和爵士樂音樂家的幽默故事，他們在蓬勃發展的二十年代音樂世界中佔據一席之地。 其他故事是關於他在布朗克斯的童年。 他也撰寫非小說類雜誌文章，包括《紐約客》對班尼古德蒙的簡介和爵士樂評論。 他的幾篇非小說類文章由威廉史泰格 (William Steig) 繪製插圖。1941 年，阿爾弗雷德 A. 克諾夫出版了亨利‧史泰格的小說《送我下來》。 這個故事以絕對現實主義的方式講述，講述了兩兄弟在二十多歲時成為爵士音樂家的故事。 史泰格在書封皮上寫道：「《送我下來》的大部分材料都是在我作為爵士音樂家與當地爵士樂隊、歌舞雜耍和舞廳巡演活動中的巡迴團體一起演奏時收集的。 雖然我作為一個音樂家只是二流，但我從內部了解我的主題，我相信我是第一個根據個人實際經歷寫爵士樂故事的人。「他的兒子麥可回憶說，當時有人有興趣將這本書拍成電影。 「我父親告訴我約翰·加菲爾德想扮演主角。「Steig 確實於 1941 年前往好萊塢，簽訂了編劇合約。 他將與詞曲作者約翰尼·默瑟合作。 12月7日珍珠港事件後，他返回紐約。 「無論如何，他無疑會回來，」邁克爾·施泰格說。 「他對經紀人為他談判的合約並不滿意。」 米莎·里克特 (Mischa Richter) 表示，「亨利對好萊塢非常不以為然。」

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****All James Avery jewelry on the Estate Fresh Austin website is used/pre-owned authentic jewelry that was originally purchased directly from James Avery by the owners or family of the estates we liquidate. Each item will have some degree of wear which will be shown in the photos but will be in clean condition, no boxes or paperwork will be included unless shown in the photos. The item you are purchasing is the exact item photographed as we only have one.******* Retired James Avery Modernist sterling earrings 1 5/8" tall x 1.25" wide x 6<br>grams with no damage or significant wear.<br><br><br>James Avery founded his company in 1954, initially crafting jewelry in a two-car<br>garage in Kerrville, Texas, with just $250 and a desire to create lasting value<br>for others. Mr. Avery believed that meaning is what makes life more beautiful<br>and this concept continues to drive how we design jewelry to this day. In 2007,<br>53 years after he first founded the company, James Avery officially stepped down<br>as CEO and passed the reins on to his sons, Chris and Paul.<br><br>Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and<br>gemstones. Guests came to him with their stories—their special moments—so he<br>could craft them into pieces they would wear with pride for a lifetime. From<br>writing letters to greeting Customers, Mr. Avery prioritized developing lasting<br>relationships with each person who connected with his designs.

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William Spratling silver modernist sterling screw back earrings sphere 18 grams, measurements in pics, no issues. . Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Men's Size 10 Ring.

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William Spratling sterling Bird pin with amethyst 20.9 grams, other measurements in pics. Stone intact and structurally sound with what appears to be natural fissures.Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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Harald Christian Nielsen for Georg Jensen Silver and Hematite ring 46A Size 6, super clean with no damage or detectable wear. <br><br>Harald Nielsen (20 July 1892 – 22 December 1977) was a Danish designer of silver for Georg Jensen. The younger brother of Georg Jensen's third wife, he joined the company at 17 as a chaser's apprentice but later became one of the company's leading designers in the 1920s and 1930s and Jensen's closest colleague. One of his most well-known designs being the pyramid flatware pattern. In the early 1950s he headed the company's apprentice school and in 1958 became its artistic director.<br><br>Georg Jensen, (born August 31, 1866, Raadvad, Denmark—died October 2, 1935,<br>Copenhagen), Danish silversmith and designer who achieved international<br>prominence for his commercial application of modern metal design. The simple<br>elegance of his works and their emphasis on fine craftsmanship, hallmarks of<br>Jensen’s products, are recognized around the world.<br><br>Jensen was apprenticed to a goldsmith at age 14. His artistic talents were<br>briefly focused on sculpture, but he returned to metalwork, primarily jewelry<br>and silver pieces, produced in the workshop he opened in Copenhagen in 1904.<br>Jensen exhibited his works at several major foreign exhibitions (winning a gold<br>medal at the Brussels Exhibition of 1910) and quickly built a reputation as an<br>outstanding and highly original silversmith. He moved to a larger workshop in<br>1912 and acquired his first factory building in 1919.<br><br>Jensen’s silverware achieved immediate popularity and commercial success. He<br>was, in fact, the first silver maker to realize a profit from the manufacture of<br>modern silver. Until Jensen’s time virtually all successful silverware producers<br>had relied on a standard repertory of popular traditional designs. Jensen,<br>however, found that the market for his sleek, simple pieces was larger than<br>anyone had predicted. His firm grew rapidly, expanding throughout Europe and<br>opening branches in London and New York City. On both continents Jensen’s work<br>set trends for contemporary tableware. He was among the first designers to<br>fashion steel—formerly considered fit only for low-quality, inexpensive<br>flatware—into handsome, serviceable cutlery. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 6 Ring.

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William Spradling（1900-1967）塔斯科現代主義純銀混合金屬袖扣。每邊 18 毫米 x 14 毫米，15.3 克。 威廉·斯普拉特林（1900-1967） 斯普拉特林是一位建築師和藝術家，曾在新奧爾良杜蘭大學任教，於20 年代末來到墨西哥並定居在塔斯科市。杜蘭大學的同事對中美洲考古學和文化產生了興趣，他在幾個夏天前往墨西哥進行演講和探索。他找到了格雷羅州的偏遠村莊，距離墨西哥城 110 英里，那裡的一些地方講納瓦特爾語（阿茲特克語）。斯普拉特林收集了文物和當代本土工藝品。斯普拉特林靠著製造和設計銀器賺了一大筆錢，但他一生的真正工作是保護、拯救和詮釋他的祖國的古代文化。他向北美觀眾解釋了墨西哥現代大師的畫作，並作為一位博學的早期前哥倫布藝術收藏家而贏得了聲譽。斯普拉特林和他的工作室逐漸成為源源不斷的著名美國遊客和他們想要參觀和體驗的國家之間的可見且具有文化吸引力的紐帶。斯普拉特林有幸見證了自己的聲譽——作為墨西哥最受尊敬的美國人之一——在去世前獲得了傳奇般的地位。威廉·斯普拉特林的《他的生活與藝術》生動地重建了這種豐富多樣的生活，其獨特的美學遺產只是其更大的文化成就的一部分，深刻地影響了美國人對不同於自己的文明的態度。

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William Spradling（1900-1967）Taxco 現代主義純銀袖扣，雙向 30 毫米，10.8 克。功能齊全，沒有任何問題威廉·斯普拉特林（1900-1967） 斯普拉特林是一位建築師和藝術家，曾在新奧爾良杜蘭大學任教，於20 年代末來到墨西哥並定居在塔斯科市。杜蘭大學的同事對中美洲考古學和文化產生了興趣，他在幾個夏天前往墨西哥進行演講和探索。他找到了格雷羅州的偏遠村莊，距離墨西哥城 110 英里，那裡的一些地方講納瓦特爾語（阿茲特克語）。斯普拉特林收集了文物和當代本土工藝品。斯普拉特林靠著製造和設計銀器賺了一大筆錢，但他一生的真正工作是保護、拯救和詮釋他的祖國的古代文化。他向北美觀眾解釋了墨西哥現代大師的畫作，並作為一位博學的早期前哥倫布藝術收藏家而贏得了聲譽。斯普拉特林和他的工作室逐漸成為源源不斷的著名美國遊客和他們想要參觀和體驗的國家之間的可見且具有文化吸引力的紐帶。斯普拉特林有幸見證了自己的聲譽——作為墨西哥最受尊敬的美國人之一——在去世前獲得了傳奇般的地位。威廉·斯普拉特林的《他的生活與藝術》生動地重建了這種豐富多樣的生活，其獨特的美學遺產只是其更大的文化成就的一部分，深刻地影響了美國人對不同於自己的文明的態度。

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William Spradling（1900-1967）Taxco 現代主義純拳袖扣，功能齊全，沒有任何問題。 22毫米見方，12.7克。 威廉·斯普拉特林（1900-1967） 斯普拉特林是一位建築師和藝術家，曾在新奧爾良杜蘭大學任教，於20 年代末來到墨西哥並定居在塔斯科市。杜蘭大學的同事對中美洲考古學和文化產生了興趣，他在幾個夏天前往墨西哥進行演講和探索。他找到了格雷羅州的偏遠村莊，距離墨西哥城 110 英里，那裡的一些地方講納瓦特爾語（阿茲特克語）。斯普拉特林收集了文物和當代本土工藝品。斯普拉特林靠著製造和設計銀器賺了一大筆錢，但他一生的真正工作是保護、拯救和詮釋他的祖國的古代文化。他向北美觀眾解釋了墨西哥現代大師的畫作，並作為一位博學的早期前哥倫布藝術收藏家而贏得了聲譽。斯普拉特林和他的工作室逐漸成為源源不斷的著名美國遊客和他們想要參觀和體驗的國家之間的可見且具有文化吸引力的紐帶。斯普拉特林有幸見證了自己的聲譽——作為墨西哥最受尊敬的美國人之一——在去世前獲得了傳奇般的地位。威廉·斯普拉特林的《他的生活與藝術》生動地重建了這種豐富多樣的生活，其獨特的美學遺產只是其更大的文化成就的一部分，深刻地影響了美國人對不同於自己的文明的態度。

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William Spradling（1900-1967）Taxco 現代主義純拳袖扣，功能齊全，沒有任何問題。 20毫米寬，14.7克威廉·斯普拉特林（1900-1967） 斯普拉特林是一位建築師和藝術家，曾在新奧爾良杜蘭大學任教，於1920年代末來到墨西哥並定居在塔斯科市。杜蘭大學的同事對中美洲考古學和文化產生了興趣，他在幾個夏天前往墨西哥進行演講和探索。他找到了格雷羅州的偏遠村莊，距離墨西哥城 110 英里，那裡的一些地方講納瓦特爾語（阿茲特克語）。斯普拉特林收集了文物和當代本土工藝品。斯普拉特林靠著製造和設計銀器賺了一大筆錢，但他一生的真正工作是保護、拯救和詮釋他的祖國的古代文化。他向北美觀眾解釋了墨西哥現代大師的畫作，並作為一位博學的早期前哥倫布藝術收藏家而贏得了聲譽。斯普拉特林和他的工作室逐漸成為源源不斷的著名美國遊客和他們想要參觀和體驗的國家之間的可見且具有文化吸引力的紐帶。斯普拉特林有幸見證了自己的聲譽——作為墨西哥最受尊敬的美國人之一——在去世前獲得了傳奇般的地位。威廉·斯普拉特林的《他的生活與藝術》生動地重建了這種豐富多樣的生活，其獨特的美學遺產只是其更大的文化成就的一部分，深刻地影響了美國人對不同於自己的文明的態度。

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Mid Century Modernist Los Ballesteros Sterling and Onyx bracelet. Very cool<br>bracelet from the third quarter of the 20th century with almost no issues or<br>detectable wear. One very small "chigger bite" on the outside rim of one of the<br>stones, not noticeable whatsoever.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible.

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Mid Century Modernist Los Ballesteros Sterling and Cat's Eye bracelet. Very cool<br>bracelet from the third quarter of the 20th century with no issues or detectable<br>wear.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible.

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Antonio Pineda (1919-2009) Taxco Hammered silver pin and earrings set. All pieces hand hammered and seem a perfect match. Earring don't have a Pineda hallmark but the Mexico and Sterling stamps look the same. Measurements and weight in pics.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6" JB Southwestern modernist sterling silver cast cuff bracelet Native American. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Circa last quarter of the 20th century. Fits up to a 6" wrist.

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1990‘s Santa Fe Artisan Modernist sterling silver earrings collection. High end, really nice with no issues. Selling all shown, one pair likely cost what I‘m asking for the lot originally. Weight and measurements in pics, all solid sterling. NO issues. Very high quality pieces from an extremely high quality collection put together in the 90‘s. I didn‘t have time to try to idenify much of it as there just is no time, but the pieces I did recognize were all from very high end mostly Santa Fe, New Mexico artists. It was all collected on trips to Santa Fe in the 90‘s. anderas anderas

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1990‘s Santa Fe Artisan gemset modernist sterling silver earrings collection. High end, really nice with no issues. Selling all shown, one pair likely cost what I‘m asking for the lot originally. Weight and measurements in pics, all solid sterling. NO issues. Very high quality pieces from an extremely high quality collection put together in the 90‘s. I didn‘t have time to try to idenify much of it as there just is no time, but the pieces I did recognize were all from very high end mostly Santa Fe, New Mexico artists. It was all collected on trips to Santa Fe in the 90‘s. anderas anderas

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c1970‘s M Native American modernist sterling necklace. No issues, weight and measurements in pics. Solid sterling silver. M hallmark on cast spirals, no other detectable markings. 22" long.

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Large Los Castillo Mixed Metals Chrysocolla inlay Aztec Shaman pendant necklace. Very high quality with no issues. Weight and measurements in pictures. This particular pendant is very uncommon. 24" long necklace.

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1950's William Spratling Sterling Screw back earrings. No damage, great vintage earrings. 16 grams total.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6" Emilia Castillo Modernist hammered sterling silver cuff bracelet w/amethyst. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Good condition, circa last quarter of the 20th century. Emilia Castillo is the daughter of Antonio Castillo,founder of Los Castillo & like her father & uncles (Chato for one), Emilia has jewelry designing in her blood & who better to learn & be inspired by, but this famous family that were one of Taxco‘s founding families during the Mexican Silver Renaissance days. Her brother is Wolmar Castillo. She started her business in ‘86 after studying with master craftsman in her father‘s studio.

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****All James Avery jewelry on the Estate Fresh Austin website is used/pre-owned authentic jewelry that was originally purchased directly from James Avery by the owners or family of the estates we liquidate. Each item will have some degree of wear which will be shown in the photos but will be in clean condition, no boxes or paperwork will be included unless shown in the photos. The item you are purchasing is the exact item photographed as we only have one.******* Retired James Avery Onyx 18k/sterling modernist pendant. Weight and measurements in pics. Selling the exact piece shown in great condition with no damage or significant wear. James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

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Unusual patinated Sterling modernist bracelet. Very cool designer signed, can't<br>make it out at the moment. Patent number on unique closure, some wear to patina,<br>overall very attractive bracelet.

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Heavy Retro Modernist Mexican Sterling Fish necklace and earrings. Selling the set shown with no issues. 17.5" long necklace, 1.75" long earrings. 89 grams total weight. anderas

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Large Taxco Modernist Sterling on Wood Crucifix. I've had/seen much smaller versions of this. This one is very large with no issues, just the sterling part is bigger than complete versions I've had/seen before. Total height 12.25" x 7.5" Thick sterling tube recessed into the cross with a thick modernist sterling Jesus with his crown of thorns on top of that. isshelf

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 5/8" Michael Kirl Isleta Pueblo modernist sterling cuff bracelet.Award-winning contemporary jewelry artist Isleta Pueblo/Navajo Creates cutting-edge jewelry with high quality gemstones Channel inlay, tufa casting, feather designs, hand-rolled beads Best of Division, Santa Fe Indian Market, 1993 1st Place, Gallup Inter-tribal Indian Ceremonial, 1987, 1981, 1992 Artist of the Year, Indian Arts and Crafts Association, 1997 “It is an enormous pleasure to be recognized for my art form by an establishment synonymous with quality and integrity.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 3/8" c1950's High grade turquoise southwestern modernist sterling cuff bracelet. Nice and sturdy, no issues. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Henning Koppel for Georg Jensen Modernist sterling pin x. Circa third quarter of the 20th century. No issues, weight and measurements in pics. Solid sterling, selling the exact piece shown. GEORG JENSEN (1866 - 1935) When the 37-year-old Georg Jensen, with both an apprenticeship as goldsmith and sculptor behind him, made silver his way of living by establishing his silver smithy in Copenhagen in 1904, it was with the fine craftsmans understanding and appreciation of the material combined with the accomplished artists sense of form. Through his childhood in the picturesque surroundings of Raadvad north of Copenhagen Georg Jensen was inspired to become an artist. He succeeded in becoming both sculptor and ceramist but it was by way of his talent as a silver smith that he achieved the most remarkable recognition. The Georg Jensen Silversmithy created some of the most original and epoch-defining jewelry, hollowware and cutlery patterns. At Georg Jensens death in 1935 the smithy was acknowledged as one of the most important silversmithies in the world. Georg Jensen was instrumental in defining the character of the twentieth century Scandinavian Design by drawing on Danish traditions and infusing them with a progressive design rationale. He rejected the popular taste of the time for romantic and historicist ornamentation and ostentation, instead embracing the avant-garde Art Nouveau style with its simple organic forms and craft-based approach to production. Georg Jensen was a sensitive artist endowed with a great talent which made it possible for him to turn his vision into reality.

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Niels Erik From Sterling Denmark MCM Atomoic bracelet/pin set. 7" long bracelet, weight and measurements in pics. No issues. Danish jeweller and silversmith Niels Erik From ( N.E. From) was born in 1908 and opened his first workshop in 1931 when he was still only twenty-three . Over the next forty years Niels Erik went on to become one one of the greats of Danish design, and created many works including floral-inspired designs often set with semi-precious gemstones. These pieces took inspiration from the Skønvirke style. This was a Scandinavian development that formed part of Denmarks Art Nouveau and Arts and Crafts movement . This movement ususally took inspiration from nature with designs incorporating flowers and floral motifs as well as featuring natural creatures such as fish. N.E. FROM JEWELLRY STYLES - EARLY FLORAL DESIGNS AND LATER ABSTRACT MODERNIST PIECES N.E. Froms output generally displays one of two distinct styles. In the early years of production he produced wiry, thin, foliage and floral pieces .However, beginning in the 1950‘s the work produced by From (which were often the designs of other designers) had a very different look. No longer does the jewellery feature romantic, detailed designs from nature. The later pieces have modernist, clean lines with geometric and abstract shapes. Occasionally the modern designs show nature as inspiration with abstract blossom and leaf and blossom shapes. In generally though, they follow the trend of the 1950s of , spare, minimalist design.production .

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Large 1950's Sterling Los Castillo Amethyst fly pinLos Castillo Jewelry - HistoryAntonio Ca stillo and his brothers Jorge, Miguel, and Justo began Los Castillo in 1939. They had all apprenticed in William Spratling’s taller before starting<br>their own business in Taxco, Mexico. Antonio Castillo rose to the level of<br>master silversmith during his time working with Spratling.<br><br>The Los Castillo workshop trained and employed many skilled silversmiths over<br>its decades in the business, including the Castillo brothers’ cousin Salvador Teran, Sigi Pineda, Antonio Pineda, and Antonio Castillo’s wife, Margot van<br>Voorhies Carr. All these artists went on to open their own successful workshops,<br>including van Voorhies Carr who founded Margot de Taxco after she and Antonio<br>Castillo divorced.<br><br>Los Castillo is known for its quality silver wares as well as mixed metals that<br>incorporated copper and/or brass with sterling silver. Other decorative home<br>accessories can be found with silver plating and inlaid stone embellishments. Chato (Jorge) Castillo was one of the Castillo brothers who worked in the 1930s for William Spratling. He is known for his technical expertise and his design<br>talent. He developed the techniques for married metals, feathers with silver,<br>Aztec mosaic or stone inlay, concha or abalone inlay,...(Mexican Silver: Modern<br>Hand-wrought Jewelry & Metalwork by Morrill and Berk (Schiffer: 2007, 4th<br>Edition), p. 86.

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William Spratling sterling Amethyst pre-columbian style pin 1 5/8" tall x 1 1/16" wide.Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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William Spratling sterling Feather fur clip with amethyst 22.5 grams, other measurements in pics.Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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Antonio Pineda (1919-2009) Taxco Modernist sterling clips. Selling the three, clip what you want to clip. Measurements in pics. Two likely tie clips, third maybe money clip or bookmark, not sure.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco 970 silver modernist botanical pin, measurements in pics.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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3/4" Antonio Pineda (1919-2009) Taxco Sterling belt buckle 31 grams, very sturdy, other measurements in pics. This is an extremely high quality and good looking buckle. Due to reflections it's difficult to present items of this type in the light the deserve in the time available to me.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco 現代主義純銀月光石袖扣，沒有任何問題，功能齊全。 20 毫米x 18 毫米表面，14.3 克。安東尼奧·皮內達(1919-2009)在墨西哥格雷羅州的塔斯科山鎮，大規模採礦可以追溯到十六世紀，銀是一種生活方式。在墨西哥革命（1910-20）之後的幾年裡，珠寶和其他銀製品在那裡以完全創新的方法製作，受到現代主義和新墨西哥民族身份的創建的啟發。如今，89 歲的 AntonioPineda 是塔斯科學院的兩名在世成員之一，被公認為世界級設計師和墨西哥國寶。近200 件皮內達廣受好評的銀飾作品將在《銀色誘惑：墨西哥現代主義者安東尼奧·皮內達的藝術》中展出，該巡迴展覽於2008 年8 月24 日在福勒博物館首次亮相。值得注意的是，鑑於皮內達取得了許多成就並享有國際聲譽，他認為自己主要是一位 Taxqueño（塔斯科）銀匠。從誕生之日起，Taxco 機芯就在技術成就和設計方面開闢了新天地。雖然出生於美國的塔斯科設計師WilliamSpradling 被譽為當代塔斯科銀器運動的先鋒，但正是一群才華橫溢的墨西哥設計師後來建立了獨立工作室並開發了 獨特的銀器。“塔斯科學校。”這些設計師融合了多種美學取向──前哥倫布時期的藝術；墨西哥殖民時期的銀製品、宗教圖像和其他藝術品；和當地流行藝術－將它們融入廣泛的現代主義之中。皮內達本人因其大膽的設計和對寶石的巧妙運用而受到讚譽。 《Silver Seduction》追溯了他從1930 年代至70 年代的作品演變，包括五十多件項鍊和手鐲，以及眾多美麗的戒指、耳環以及他的空心器皿和餐具的各種例子。所有作品都體現了皮內達難以實現的高度精緻的執行力和手工製作魅力的結合。皮內達的珠寶尤其以其對人體形態的優雅認可而聞名。人們常說 Pineda 完美貼合身體，穿著時感覺恰到好處。因此，例如，粗幾何項鍊乍一看似乎太重或太僵硬，無法舒適地佩戴，但事實上，是刻面、鉸接或鏤空的，可以優雅地環繞頸部或誘人地垂落在頸前部。此外，沒有任何其他Taxqueño 珠寶商像Pineda 一樣使用如此多昂貴的半寶石，或者以如此多的獨創性、技巧和多樣性來鑲嵌它們。只有最有才華的銀匠才能掌握

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Antonio Pineda (1919-2009) Taxco 現代主義純瑪瑙袖扣，沒有任何問題，功能齊全。 20 毫米見方，21.2 克安東尼奧·皮內達(1919-2009)在墨西哥格雷羅州的塔斯科山鎮，大規模採礦可以追溯到十六世紀，白銀是一種方式的生活。在墨西哥革命（1910-20）之後的幾年裡，珠寶和其他銀製品在那裡以完全創新的方法製作，受到現代主義和新墨西哥民族身份的創建的啟發。如今，89 歲的 AntonioPineda 是塔斯科學院的兩名在世成員之一，被公認為世界級設計師和墨西哥國寶。近200 件皮內達廣受好評的銀飾作品將在《銀色誘惑：墨西哥現代主義者安東尼奧·皮內達的藝術》中展出，該巡迴展覽於2008 年8 月24 日在福勒博物館首次亮相。值得注意的是，鑑於皮內達取得了許多成就並享有國際聲譽，他認為自己主要是一位 Taxqueño（塔斯科）銀匠。從誕生之日起，Taxco 機芯就在技術成就和設計方面開闢了新天地。雖然出生於美國的塔斯科設計師WilliamSpradling 被譽為當代塔斯科銀器運動的先鋒，但正是一群才華橫溢的墨西哥設計師後來建立了獨立工作室並開發了 獨特的銀器。“塔斯科學校。”這些設計師融合了多種美學取向──前哥倫布時期的藝術；墨西哥殖民時期的銀製品、宗教圖像和其他藝術品；和當地流行藝術－將它們融入廣泛的現代主義之中。皮內達本人因其大膽的設計和對寶石的巧妙運用而受到讚譽。 《Silver Seduction》追溯了他從1930 年代至70 年代的作品演變，包括五十多件項鍊和手鐲，以及眾多美麗的戒指、耳環以及他的空心器皿和餐具的各種例子。所有作品都體現了皮內達難以實現的高度精緻的執行力和手工製作魅力的結合。皮內達的珠寶尤其以其對人體形態的優雅認可而聞名。人們常說 Pineda 完美貼合身體，穿著時感覺恰到好處。因此，例如，粗幾何項鍊乍一看似乎太重或太僵硬，無法舒適地佩戴，但事實上，是刻面、鉸接或鏤空的，可以優雅地環繞頸部或誘人地垂落在頸前部。此外，沒有任何其他Taxqueño 珠寶商像Pineda 一樣使用如此多昂貴的半寶石，或者以如此多的獨創性、技巧和多樣性來鑲嵌它們。只有最有才華的銀匠才能掌握

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Antonio Pineda (1919-2009) Taxco 現代主義貓眼純銀袖扣，沒有任何問題，功能齊全。 28 毫米 x 20 毫米 x 25.1 克。 安東尼奧·皮內達 (1919-2009)在墨西哥格雷羅州的塔斯科山鎮，大規模採礦可以追溯到十六世紀，白銀是一種生活方式。在墨西哥革命（1910-20）之後的幾年裡，珠寶和其他銀製品在那裡以完全創新的方法製作，受到現代主義和新墨西哥民族身份的創建的啟發。如今，89 歲的 AntonioPineda 是塔斯科學院的兩名在世成員之一，被公認為世界級設計師和墨西哥國寶。近200 件皮內達廣受好評的銀飾作品將在《銀色誘惑：墨西哥現代主義者安東尼奧·皮內達的藝術》中展出，該巡迴展覽於2008 年8 月24 日在福勒博物館首次亮相。值得注意的是，鑑於皮內達取得了許多成就並享有國際聲譽，他認為自己主要是一位 Taxqueño（塔斯科）銀匠。從誕生之日起，Taxco 機芯就在技術成就和設計方面開闢了新天地。雖然出生於美國的塔斯科設計師WilliamSpradling 被譽為當代塔斯科銀器運動的先鋒，但正是一群才華橫溢的墨西哥設計師後來建立了獨立工作室並開發了 獨特的銀器。“塔斯科學校。”這些設計師融合了多種美學取向──前哥倫布時期的藝術；墨西哥殖民時期的銀製品、宗教圖像和其他藝術品；和當地流行藝術－將它們融入廣泛的現代主義之中。皮內達本人因其大膽的設計和對寶石的巧妙運用而受到讚譽。 《Silver Seduction》追溯了他從1930 年代至70 年代的作品演變，包括五十多件項鍊和手鐲，以及眾多美麗的戒指、耳環以及他的空心器皿和餐具的各種例子。所有作品都體現了皮內達難以實現的高度精緻的執行力和手工製作魅力的結合。皮內達的珠寶尤其以其對人體形態的優雅認可而聞名。人們常說 Pineda 完美貼合身體，穿著時感覺恰到好處。因此，例如，粗幾何項鍊乍一看似乎太重或太僵硬，無法舒適地佩戴，但事實上，是刻面、鉸接或鏤空的，可以優雅地環繞頸部或誘人地垂落在頸前部。此外，沒有任何其他Taxqueño 珠寶商像Pineda 一樣使用如此多昂貴的半寶石，或者以如此多的獨創性、技巧和多樣性來鑲嵌它們。只有最有才華的銀匠才能掌握

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Antonio Pineda (1919-2009) Taxco 現代主義純瑪瑙袖扣 18 毫米見方，19.9 克。 安東尼奧·皮內達 (1919-2009)在墨西哥格雷羅州的塔斯科山鎮，大規模採礦可以追溯到十六世紀，白銀是一種生活方式。在墨西哥革命（1910-20）之後的幾年裡，珠寶和其他銀製品在那裡以完全創新的方法製作，受到現代主義和新墨西哥民族身份的創建的啟發。如今，89 歲的 AntonioPineda 是塔斯科學院的兩名在世成員之一，被公認為世界級設計師和墨西哥國寶。近200 件皮內達廣受好評的銀飾作品將在《銀色誘惑：墨西哥現代主義者安東尼奧·皮內達的藝術》中展出，該巡迴展覽於2008 年8 月24 日在福勒博物館首次亮相。值得注意的是，鑑於皮內達取得了許多成就並享有國際聲譽，他認為自己主要是一位 Taxqueño（塔斯科）銀匠。從誕生之日起，Taxco 機芯就在技術成就和設計方面開闢了新天地。雖然出生於美國的塔斯科設計師WilliamSpradling 被譽為當代塔斯科銀器運動的先鋒，但正是一群才華橫溢的墨西哥設計師後來建立了獨立工作室並開發了 獨特的銀器。“塔斯科學校。”這些設計師融合了多種美學取向──前哥倫布時期的藝術；墨西哥殖民時期的銀製品、宗教圖像和其他藝術品；和當地流行藝術－將它們融入廣泛的現代主義之中。皮內達本人因其大膽的設計和對寶石的巧妙運用而受到讚譽。 《Silver Seduction》追溯了他從1930 年代至70 年代的作品演變，包括五十多件項鍊和手鐲，以及眾多美麗的戒指、耳環以及他的空心器皿和餐具的各種例子。所有作品都體現了皮內達難以實現的高度精緻的執行力和手工製作魅力的結合。皮內達的珠寶尤其以其對人體形態的優雅認可而聞名。人們常說 Pineda 完美貼合身體，穿著時感覺恰到好處。因此，例如，粗幾何項鍊乍一看似乎太重或太僵硬，無法舒適地佩戴，但事實上，是刻面、鉸接或鏤空的，可以優雅地環繞頸部或誘人地垂落在頸前部。此外，沒有任何其他Taxqueño 珠寶商像Pineda 一樣使用如此多昂貴的半寶石，或者以如此多的獨創性、技巧和多樣性來鑲嵌它們。只有最有才華的銀匠才能掌握

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Antonio Pineda (1919-2009) Taxco 現代主義貓眼純銀袖扣，沒有任何問題，功能齊全。 29 毫米 x 25 毫米表面，27 克。 安東尼奧·皮內達 (1919-2009)在墨西哥格雷羅州的塔斯科山鎮，大規模採礦可以追溯到十六世紀，白銀是一種生活方式。在墨西哥革命（1910-20）之後的幾年裡，珠寶和其他銀製品在那裡以完全創新的方法製作，受到現代主義和新墨西哥民族身份的創建的啟發。如今，89 歲的 AntonioPineda 是塔斯科學院的兩名在世成員之一，被公認為世界級設計師和墨西哥國寶。近200 件皮內達廣受好評的銀飾作品將在《銀色誘惑：墨西哥現代主義者安東尼奧·皮內達的藝術》中展出，該巡迴展覽於2008 年8 月24 日在福勒博物館首次亮相。值得注意的是，鑑於皮內達取得了許多成就並享有國際聲譽，他認為自己主要是一位 Taxqueño（塔斯科）銀匠。從誕生之日起，Taxco 機芯就在技術成就和設計方面開闢了新天地。雖然出生於美國的塔斯科設計師WilliamSpradling 被譽為當代塔斯科銀器運動的先鋒，但正是一群才華橫溢的墨西哥設計師後來建立了獨立工作室並開發了 獨特的銀器。“塔斯科學校。”這些設計師融合了多種美學取向──前哥倫布時期的藝術；墨西哥殖民時期的銀製品、宗教圖像和其他藝術品；和當地流行藝術－將它們融入廣泛的現代主義之中。皮內達本人因其大膽的設計和對寶石的巧妙運用而受到讚譽。 《Silver Seduction》追溯了他從1930 年代至70 年代的作品演變，包括五十多件項鍊和手鐲，以及眾多美麗的戒指、耳環以及他的空心器皿和餐具的各種例子。所有作品都體現了皮內達難以實現的高度精緻的執行力和手工製作魅力的結合。皮內達的珠寶尤其以其對人體形態的優雅認可而聞名。人們常說 Pineda 完美貼合身體，穿著時感覺恰到好處。因此，例如，粗幾何項鍊乍一看似乎太重或太僵硬，無法舒適地佩戴，但事實上，是刻面、鉸接或鏤空的，可以優雅地環繞頸部或誘人地垂落在頸前部。此外，沒有任何其他Taxqueño 珠寶商像Pineda 一樣使用如此多昂貴的半寶石，或者以如此多的獨創性、技巧和多樣性來鑲嵌它們。只有最有才華的銀匠才能掌握

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sz10.5 Georg Jensen sterling silver Celtic eagle ring 1982 for Franklin Mint. Tested and guaranteed solid sterling silver. Nice ring from the last quarter of the 20th century. Some expected wear, weight and measurements in pictures.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.1" Wrist Southwestern modernist sterling silver watch cuff bracelet turquoise. Weight and measurements in pictures, solid sterling silver band. Very good quality workmanship with no issues. Battery quartz watch needs a new battery.. Shown on a female 6" wrist, would be considered a women‘s watch by most.

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sz11 Paul Miller Modernist sterling silver Azurite ring. Weight and measurements in pictures. Tested and guaranteed solid sterling silver, partially worn hallmark. I believe it was Paul Miller judging by the style, quality, and the part of the hallmark shown. If you know otherwise please tell me. Very nice ring.

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