Dan Simplicio Zuni sterling silver snake belt buckle turquoise/branch coral

Description

Dan Simplicio Zuni sterling silver snake belt buckle turquoise/branch coral. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fits up to a 1" belt, circa third quarter of the 20th century. Unmarked, attributed. Dan Simplicio (1917-1969) is best known for innovative turquoise and coral settings as well as his impeccable silver work. Dan worked at C.G. Wallace’s trading post and ultimately Wallace became one of the biggest Simplicio collectors. He used branch coral it its natural form, which was unheard of during this time period. He innovated the natural coral and turquoise style of jewelry while simultaneously excelling with his silver work. He was also a master of inlay, which he did only in his formative years of which we have few examples of today. Simplicio worked with silver in a very interesting way, a way that his son credits to his time overseas in WWII. He was influenced by the French, German and Italian use of leaf patterns. It is this leaf work that sets Simplicio’s pieces apart from traditional Zuni work.
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Dan Simplicio Zuni sterling silver snake belt buckle turquoise/branch coral. Tested and guaranteed solid sterling silver with weight and measurements... 閱讀更多

1 in stock

$895.00 Excl. VAT

    Description

    Dan Simplicio Zuni sterling silver snake belt buckle turquoise/branch coral. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fits up to a 1" belt, circa third quarter of the 20th century. Unmarked, attributed. Dan Simplicio (1917-1969) is best known for innovative turquoise and coral settings as well as his impeccable silver work. Dan worked at C.G. Wallace’s trading post and ultimately Wallace became one of the biggest Simplicio collectors. He used branch coral it its natural form, which was unheard of during this time period. He innovated the natural coral and turquoise style of jewelry while simultaneously excelling with his silver work. He was also a master of inlay, which he did only in his formative years of which we have few examples of today. Simplicio worked with silver in a very interesting way, a way that his son credits to his time overseas in WWII. He was influenced by the French, German and Italian use of leaf patterns. It is this leaf work that sets Simplicio’s pieces apart from traditional Zuni work.
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