Vintage-Armreif aus Sterlingsilber mit Navajo-Prägung, 10,4 Gramm, ohne Probleme. Alle Edelmetalle werden geprüft und garantiert. Jeder als Silber oder Sterling bezeichnete Schmuck der amerikanischen Ureinwohner besteht garantiert zu mindestens 90 % (Münz-)Silber und möglicherweise zu einem höheren Gehalt. Alles, was markiert ist, ist garantiert das, was markiert ist. Die meisten Armbänder werden an einem 6-Zoll-Handgelenk (nicht behaart) fotografiert, Ringe, wenn möglich, an einem Finger der entsprechenden Größe. Bei Armbändern wird der Innenumfang angezeigt, wenn das Maß nicht in der Beschreibung angegeben ist wo das Metall auf die Zahl auf dem Maßband trifft.

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7.75" James Avery Retired Angels and Hearts Eternity Bracelet, buying the bracelet shown with no issues. anderasAvery founded his company in 1954, initially crafting jewelry in a two-car<br>garage in Kerrville, Texas, with just $250 and a desire to create lasting value<br>for others. Mr. Avery believed that meaning is what makes life more beautiful<br>and this concept continues to drive how we design jewelry to this day. In 2007,<br>53 years after he first founded the company, James Avery officially stepped down<br>as CEO and passed the reins on to his sons, Chris and Paul.Mr. Avery’s mission<br>was simple: to create jewelry with meaning—both for himself and others. With a<br>focus on creating straightforward designs and a core belief of integrity in all<br>things, his jewelry became more than precious metals and gemstones. Guests came<br>to him with their stories—their special moments—so he could craft them into<br>pieces they would wear with pride for a lifetime. From writing letters to<br>greeting Customers, Mr. Avery prioritized developing lasting relationships with<br>each person who connected with his designs.

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7" antikes türkisches Silber-Armband mit filigranen mediterranen Korallen, Türkisen und Lapislazuli. Keine Erkennungszeichen, die ich sehen konnte, Tests bestehen aus mindestens 80 % Silber. Wirklich schönes, gut gemachtes Armband. 1,25" breit. 77 Gramm

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Modernistisches Taxco-Klapparmband aus der Mitte des Jahrhunderts. Sehr cooles Armband ohne Probleme oder Beschädigungen. Markiertes und geprüftes Sterlingsilber. Passt an ein Handgelenk mit einem Umfang von bis zu 6 3/8 Zoll. Breite an der breitesten Stelle 13/16 Zoll. 55 Gramm

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Charles Johnson Navajo Sterling Gold Filled Blautopas-Armband Keine Probleme. Charles wurde im Alter von etwa 15 Jahren von seinen Eltern im Silberschmieden unterrichtet und lernte im Sommer selbstständig weiter. Seine Eltern sind lebenslang Silberschmied, die Familie seiner Mutter besteht aus 5 Generationen und die Familie seines Vaters aus 2 Generationen. Charles arbeitet seit seinem 20. Lebensjahr hauptberuflich als Silberschmied. Im Alter von 13 Jahren begann er einige Jahre lang mit der Intarsienarbeit und lernte dabei beides. Charles begann mit traditionellem Navajo-Schmuck, wechselte dann zu zeitgenössischem Navajo-Schmuck und dann zum Western Stil mit Ausschnitten im Wirbeldesign. Der Großteil seines Schmucks besteht aus ausgeschnittenen Überzügen auf Armbändern und Schnallen mit Petroglyphen-Motiven (Anasazi-Zeichnungen). Er mag auch Armbandüberzüge im Western-Stil und Wirbeldesign. Charles' Clans sind Ashii (Salt People) und Todich'ii'nii (Bitter Water Clan).

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6.5" Vintage Los Ballesteros Sterling and gemstone bracelet. Stones untested, likely synthetic.

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6.5" Vintage Sterling Siam 8 Precious things bracelet<br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn't answered in this listing that we put so much effort into already :)<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.<br><br>anderas

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6 7/8" William Spratling Sterling Snake Scale link bracelet. Measurements in pics, no significant issues. I believe this version with the open back is less common, not that the other version is common. I have one of each at the time of listing and I'm going to price this one considerably less because it weighs about half as much, not that that's a bad thing for some.Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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6.5" Asch Grossbardt 18k/Sterling Multi-stone inlay rubber band bracelet.The heritage of two of the most storied families in American jewelry design<br>brings you the finest inlaid gold and silver jewelry. Eric Grossbardt founded<br>Asch/Grossbardt in 1986 around basic principles: Exquisite Craftsmanship, Well<br>Thought-Out Function and Design, Attention to Detail and Precise Execution. Asch<br>Grossbardt sources natural, exotic, rare gems from around the world for the<br>Asch/Grossbardt collections. Skilled artisans hand cut these gems into seamless<br>shapes, adventurous patterns and striking color combinations � a joyous<br>celebration of the craft of inlay and sophistication with just a bit of<br>rebellion.

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6.5" 1950's Carmen Beckmann Modernist sterling Frog carved amethyst bracelet. No damage or apparent issues.Carmen Beckmann (???? – ????) Carmen Beckmann sold jewelry from a shop she owned and operated out of her home in San Miguel de Allende, Mexico from the 1950’s through the 1970’s. Experts believe her jewelry was produced by multiple silversmiths and her hallmark affixed to the jewelry.Her work often draws on pre-Columbian designs presented in modernist contexts. She is known for necklaces, rings, pins, brooches, and earrings that employ silver and copper decorated with jade and other semi-precious stones.It is not entirely clear what role she played in the design of work she sold, but her mark on sterling silver jewelry indicates a collectible piece.

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6.25" Russel Retro Multi-stone gold filled scarab bracelet Weight and measurements in pics. High quality bracelet with no issues.

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6.5" TM Sterling Sugilite, charoite, lapis, and turquoise channel inlay bracelet. Weight and measurements in pics. Extremely high quality bracelet, make TM and SS for sterling silver. I‘m unsure of the artist due to time limitations.

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Butterscotch Bernstein Sterling Jugendstil Armreif. Punzen auf der Unterseite des Armbands (siehe letztes Bild). Markiertes und getestetes Sterling. Sehr hochwertiges Armband aus Naturbernstein ohne Probleme. 7" Innendurchmesser, 1 1/8" breit in der Mitte. 28,3 Gramm.

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7,75" Vintage French Art Modeschmuck-Armband aus Glasperlen. Super cooles schweres Armband, das ich nicht getestet habe, aber glaube, dass es versilbert ist, da die Schlaufen und Abdeckungen für die Glaskugeln darunter eine Kupferlegierung aufweisen. Kein Schaden, 99,3 Gramm.

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8" Navajo Sterling Bear Claw Shadowbox Lapis-Armband. 15,9 Gramm ohne Beschädigung.

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7,5-Zoll-Effy-Armband aus 18 Karat/Sterling. Keine Schäden oder nennenswerte Gebrauchsspuren, garantiert authentisch und frisch aus dem Nachlass. Aus einer 100.000-Schmuckkollektion, möglicherweise ungetragen. 697 $ im Einzelhandel. Fatollah „Effy“ Hematian (1943-2023) Effy Jewelry teilte am Montag in den sozialen Medien die Nachricht vom Tod seines Gründers mit. In einer Erklärung gegenüber National Jeweler sagte das Unternehmen: „Mit großer Trauer geben wir den Tod von Herrn Effy Hematian bekannt. Obwohl wir alle für immer um diesen schweren Verlust trauern werden, entscheiden wir uns, alles zu feiern, was Effy in unser Leben gebracht hat. „Effy war ein liebevoller Ehemann, Vater, Großvater, Visionär und Gemeindevorsteher. Seine Ehrlichkeit und Bescheidenheit verdeutlichen nur den branchenbestimmenden Wandel, den er in die Schmuckwelt gebracht hat. Durch seinen unerschütterlichen Glauben an Gott hat er gezeigt, dass wir ein Leben voller Leidenschaft und Zielstrebigkeit führen und die Welt besser hinterlassen können, als er sie vorgefunden hat.“ Hematian wurde am 10. Dezember 1943 geboren und emigrierte Ende der 1970er Jahre mitten in der Islamischen Revolution aus dem Iran. Obwohl er als Elektroingenieur ausgebildet und gearbeitet hatte, gründete Hematian eine Schmuckfirma, als er 1979 in New York City landete, und baute sein Geschäft aus dem Nichts auf, wie in einem auf dem YouTube-Kanal von Effy Jewelry veröffentlichten Video erzählt wird. „Ich bin wirklich stolz, dass ich Ihnen sagen kann, dass [ich] mit null in dieses Land gekommen bin und wir heute einer der größten [Schmuck-]Hersteller in den USA sind“, sagte er. Dem Video zufolge verbrachte Hematian den größten Teil seiner Vormittage damit, Schmuckdesigns zu skizzieren, wobei er manchmal bis zu 20 bis 30 Skizzen an einem einzigen Tag fertigstellte. Er sagte, sein Hintergrund als Elektroingenieur habe ihm geholfen, Dinge zu erkennen, die anderen Menschen vielleicht entgangen wären. Nachmittags spazierte er gerne durch die Fabrikhallen und beobachtete die Produktion seiner Entwürfe. Während seine Kreativität und Designinspirationen „endlos“ waren, beschreibt die Website von Effy Jewelry eine Kreatur – den Panther – als die „lebenslange Muse“ des Designers. Die Raubkatze wurde zum Eckpfeiler der „Signature Collection“ der Marke und zum Star bei der „Facets of Hope“-Veranstaltung von Jewelers for Children, die jährlich neben den Couture- und JCK-Shows in Las Vegas stattfindet. Hematian und Effy Jewelry waren langjährige Unterstützer von JFC und spendeten etwa fünf Jahre lang Plüschpanther, die sie bei der Gala verschenkten. JFC-Geschäftsführer David Rocha erinnerte sich an Hematian als einen „liebenswerten Mann“. „Effy war immer so nett und nahm sich die Zeit, seine neuesten Designs, seine Inspiration und seinen Prozess zu teilen. Er war eine echte Ikone unserer Branche. „Meine Gedanken sind bei (Hematians Sohn) Benny und seiner Familie“, sagte Rocha. Sarin Bachmann, Group Vice President des RX Jewelry Portfolio, sagte: „Wir waren so traurig, als wir vom Tod von Effy Hematian erfuhren. Effy war im Laufe der Jahre ein wunderbarer Partner von JCK und eine treibende Kraft in der Branche. „Wir schätzten seine tiefe Leidenschaft für die Herstellung von wunderschönem Schmuck, die auf seinen Wurzeln als Ingenieur beruht. Effys Vermächtnis wird mit seiner Familie, seinem gleichnamigen Unternehmen und den wunderbaren Schmuckkreationen, die er inspiriert, weiterleben.“ In den sozialen Medien reagierten Mitglieder der Branche – darunter viele Mitarbeiter von Effy Jewelry – und die Kunden der Marke mit ähnlichen Erinnerungen auf die Nachricht von Hematians Tod und erinnerten sich an einen Mann, der freundlich war und eine Leidenschaft und ein Talent für Design hatte. Jan Swartz, der Gruppenpräsident der Holland America Group, schrieb auf LinkedIn: „Mr. Effy Hematian war weit mehr als einer der brillantesten Schmuckdesigner und visionären Unternehmer der Welt. „Über seine beruflichen Erfolge hinaus hatte er einen freundlichen und großzügigen Geist. Ich bewunderte sein handwerkliches Können, seine Kreativität, seine Leidenschaft und seine Liebe zu seinen Kollegen, seiner Gemeinschaft und seiner Familie. An Herrn Effy wird sich jedes Leben, das er berührt hat, noch lange erinnern, und sein Vermächtnis wird weiterleben.“ Auf Facebook sagte ein langjähriger Kunde von Effy Jewelry: „RIP Effy … Ihre Kreationen machen mich seit Jahren glücklich und werden es auch in den kommenden Jahren tun.“

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6,75" John Hardy 18k auf Sterling Blue Topas mehrsträngiges Weizenkettenarmband, 6,75" lang x 1 9/16" breit x 114,8 Gramm. Massives Sterling mit 18k Verzierungen auf jeder Seite der Steine, jeder Seite des Verschlusses, und die beiden Enden des Armbands an der Schließe zeigen zu Ihren Händen und Ihrem Körper. Ein sehr ungewöhnliches Design im Ruhestand, das zu der Zeit im oberen Bereich dessen lag, was John Hardy zu bieten hatte und immer noch sein würde. Keine Probleme. Über John Hardy Inspiriert von Bali und seinen altehrwürdigen Schmuckherstellungstraditionen wurde John Hardys Kunsthandwerkerkollektiv 1975 mit einer Hingabe an handgefertigten Schmuck gegründet. Wir engagieren uns für nachhaltige Luxusgeschäftspraktiken, unsere Handwerker und den Erhalt Balis. Wir sind stolz auf den Wert der Authentizität; Es ist die Seele der Gemeinschaft, die jedes Stück zu einem echten Unikat macht. WIR SIND HANDWERKER Einer der größten Arbeitgeber auf der Insel Bali, der John Hardy Workshop & Kapal Bamboo Boutique, beschäftigt über 500 Handwerker aus mehreren Generationen, vom Aquarellkünstler bis zum Metallschmied. Die Hingabe an die Kunst des Kulturerbes prägt nicht nur das Vermächtnis von John Hardy, es bewahrt auch Handwerkerfamilien, die Schmuck durch meditatives, gemeinschaftliches Kettenweben, Handhämmern und Schnitzen herstellen. WIR SIND GEMEINSCHAFT Wir werden vom Geist der Zusammengehörigkeit angetrieben und widmen uns den Kunsthandwerkern, deren tiefe Verbindung zu Bali die Gründung unserer Werkstatt und Kapal Bamboo Boutique inspiriert. Wir bieten ein Ausbildungsprogramm an, Jobs For Life, das den Bürgern von Bali Berufsausbildung und finanzielle Unterstützung bietet. Jeder Teilnehmer hat die Möglichkeit, an dem Workshop teilzunehmen, bei dem wir mehreren hundert Arbeitern Familiengerichte aus der Region anbieten – ein Zusammenkunftsritual, das sowohl das Gemeinschaftsgefühl fördert als auch Besucher anzieht. WIR SIND NACHHALTIG Als zertifiziertes Mitglied des Responsible Jewellery Council und konform mit dem Kimberley-Prozess verpflichtet sich John Hardy zu Verhaltenskodizes, die sicherstellen, dass unsere Steine, Diamanten und Metalle bei jedem Schritt konfliktfrei und ethisch hergestellt werden. Das gleiche Verantwortungsbewusstsein gilt auch für unsere Verpackungen. Von unseren Schmuckschatullen bis hin zu unseren Einkaufstaschen sind alle Papiermaterialien jetzt vom Forest Stewardship Council zertifiziert, einer gemeinnützigen Organisation, die den ökologischen und wirtschaftlichen Nutzen von Bäumen verwaltet. Wir fertigen auch Schmuck, der etwas zurückgibt. Unsere Initiative „Wear Bamboo, Plant Bamboo“ setzt sich in Zusammenarbeit mit der gemeinnützigen Organisation 1.000 Bamboo Villages für die Pflege der natürlichen Schönheit Balis ein. Das bedeutet, dass wir jedes Mal, wenn Sie in unserer Bambuskollektion einkaufen, in Ihrem Namen Bambussetzlinge auf Bali pflanzen.

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7,5" Vintage-Armband aus Sterlingsilber und Koralle aus dem Südwesten, wahrscheinlich von den amerikanischen Ureinwohnern hergestellt, ungestempelt, getestetes Sterling. Alle Edelmetalle werden geprüft und garantiert. Jeder als Silber oder Sterling bezeichnete Schmuck der amerikanischen Ureinwohner besteht garantiert zu mindestens 90 % (Münz-)Silber und möglicherweise zu einem höheren Gehalt. Alles, was markiert ist, ist garantiert das, was markiert ist. Die meisten Armbänder werden an einem 6-Zoll-Handgelenk fotografiert, Ringe, wenn möglich, an einem Finger der entsprechenden Größe. Bei Armbändern, wenn das Maß nicht in der Beschreibung angegeben ist, wird der Innenumfang dort angezeigt, wo das Metall trifft die Zahl auf dem Stoffmaßband.

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6.75" Vintage Chinese gilt Silver enamel bracelet No apparent damage, from the first half of the 20th century. Measurements in pics.<br><br>Pictured on a 6" wrist. Marks or lack of, measurements, and weight shown in<br>pics. No other pictures, videos, or measurements can be provided. Thank you so<br>much for understanding!

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6 7/8" Vintage Taxco Sterling und geschnitztes Onyx-Armband 35 mm breit.

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Vintage Tommy Jackson Navajo Sterling Multistone Overlay Style Armband. 7" sehr hohe Qualität ohne Probleme 43,5 Gramm 0,5" markiertes und getestetes Sterling.

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40er-50er Jahre Navajo-geprägtes silbernes Waterweb-Türkis-Scharnierarmband. Außergewöhnliches Armband mit einer raffinierten, verstellbaren Schließe, die voll funktionsfähig ist. Einstellbar für Handgelenke mit einem Umfang von 7,25 bis 7 5/8 Zoll. und passt natürlich locker an ein viel kleineres Handgelenk. Alle Edelmetalle werden geprüft und garantiert. Jeder als Silber oder Sterling bezeichnete Schmuck der amerikanischen Ureinwohner besteht garantiert zu mindestens 90 % (Münz-)Silber und möglicherweise zu einem höheren Gehalt. Alles, was markiert ist, ist garantiert das, was markiert ist. Die meisten Armbänder werden an einem 6-Zoll-Handgelenk (nicht behaart) fotografiert, Ringe, wenn möglich, an einem Finger der entsprechenden Größe. Bei Armbändern wird der Innenumfang angezeigt, wenn das Maß nicht in der Beschreibung angegeben ist wo das Metall auf die Zahl auf dem Maßband trifft.

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6.5" c1900 Meiji Japanese Satsuma bracelet 17mm. Approximately 17mm wide, some wear shown, no damage.

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7.5" c1900 Meiji Japanese Satsuma bracelet 15mm. Approximately 15mm wide, some wear shown, no damage. The weight shown is in carats, there are 5cts in a gram.

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6 3/8" 1940‘s Mexican silver turquoise row cuff bracelet. No issues, solid sterling, weight and measurements in pictures.

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6.5" Retro Mexican sterling and onyx cuff bracelet, no issues.All precious metals are tested and guaranteed,

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6.25" Large Mexican sterling twisted silver wire cuff bracelet. Weight and measurements in pics. No issues.

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7.25" Miguel Meléndez Mid Century sterling black cat's eye modernist braceletMiguel Meléndez (???? – ????) For several years, it may have been the only game in town, but it remains astounding how many noted silversmiths refined their art in Taxco’s Los Castillo workshop. A photograph taken in 1942 depicts the silversmiths who were with Los Castillo in the early years.Elpidio Morales is in the back, next to him is Antonio Castillo; Leopoldo Betancourt is on the other side with a raised hammer; clockwise around the table are Jorge Castillo (front left,} Miguel Meléndez, Roberto Abilez, Enrique Urilee, Carlos Mejía (center back,) El Nito, Macedonio Martínez, Bertín Juárez, Enrique Betancourt, and Angel Rodríguez (front right.)Miguel Meléndez first apprenticed at William Spratling’s {The Father of Mexican Silver) Taller de las Delicias and, for about three years, was trained by Antonio Castillo who taught him the art of silversmithing. Then, in 1940, Meléndez joined Los Castillo upon its opening. He worked there for fifteen years. Among his contemporaries was the inimitable, Margot de Taxco.Meléndez was responsible for the development of enamelwork that Los Castillo introduced into their jewelry. He worked with Reveriano Castillo developing enamel on silver and both are is still considered, with Justo Castillo, masters of the art of silver repoussé.When Margot left Los Castillo to establish her own workshop, Meléndez followed and soon enameling on silver became the hallmark of Margot’s jewelry. He eventually managed her shop, but never opened a workshop of his own.He did, however, occasionally work on his own, finding inspiration for his silver jewelry designs in nature and in motifs taken from pre-Conquest clay seals. Meléndez’ mark is an M circled by a C. The word ‘Taxco’ also often appears.Miguel Meléndez produced silver jewelry for many well-known Taxco designers. His independent work appears from the 1950’s through the 1970’s. His earliest independent pieces were in traditional designs that were complemented with abalone and stone chip inlay. Later designs have a more modernist influence and feature facet cut amethyst and alexandrite gemstones.The workmanship on Meléndez pieces are often referred to by experts as amazing and fantastic.

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7.25" Miguel Meléndez Mid Century sterling and hardstone modernist braceletMiguel Meléndez (???? – ????) For several years, it may have been the only game in town, but it remains astounding how many noted silversmiths refined their art in Taxco’s Los Castillo workshop. A photograph taken in 1942 depicts the silversmiths who were with Los Castillo in the early years.Elpidio Morales is in the back, next to him is Antonio Castillo; Leopoldo Betancourt is on the other side with a raised hammer; clockwise around the table are Jorge Castillo (front left,} Miguel Meléndez, Roberto Abilez, Enrique Urilee, Carlos Mejía (center back,) El Nito, Macedonio Martínez, Bertín Juárez, Enrique Betancourt, and Angel Rodríguez (front right.)Miguel Meléndez first apprenticed at William Spratling’s {The Father of Mexican Silver) Taller de las Delicias and, for about three years, was trained by Antonio Castillo who taught him the art of silversmithing. Then, in 1940, Meléndez joined Los Castillo upon its opening. He worked there for fifteen years. Among his contemporaries was the inimitable, Margot de Taxco.Meléndez was responsible for the development of enamelwork that Los Castillo introduced into their jewelry. He worked with Reveriano Castillo developing enamel on silver and both are is still considered, with Justo Castillo, masters of the art of silver repoussé.When Margot left Los Castillo to establish her own workshop, Meléndez followed and soon enameling on silver became the hallmark of Margot’s jewelry. He eventually managed her shop, but never opened a workshop of his own.He did, however, occasionally work on his own, finding inspiration for his silver jewelry designs in nature and in motifs taken from pre-Conquest clay seals. Meléndez’ mark is an M circled by a C. The word ‘Taxco’ also often appears.Miguel Meléndez produced silver jewelry for many well-known Taxco designers. His independent work appears from the 1950’s through the 1970’s. His earliest independent pieces were in traditional designs that were complemented with abalone and stone chip inlay. Later designs have a more modernist influence and feature facet cut amethyst and alexandrite gemstones.The workmanship on Meléndez pieces are often referred to by experts as amazing and fantastic.

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6.25" Vintage Mexican sterling and jasper bracelet. Measurements in pics.

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Vintage mexikanisches Silber-Scharnierarmband mit Messingspitze. Großartig aussehendes, interessantes Design aus dem letzten Viertel des 20. Jahrhunderts. Die Bänder an jedem Ende halten es fest, eine Spitze ist wie abgebildet aus Messing. 26,6 Gramm 7" Innenumfang.

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7" Vintage mexikanisches modernistisches Sterling- und Jadearmband. Keine Probleme. Schönes großes, stabiles, gut gemachtes Armband.

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6 5/8" Vintage Los Castillo Sterling und Sodalith Armband Los Castillo Schmuck – Geschichte Antonio Castillo und seine Brüder Jorge, Miguel und Justo gründeten Los Castillo im Jahr 1939. Sie hatten alle eine Lehre bei William Spratling gemacht, bevor sie ihr eigenes Unternehmen in Taxco, Mexiko, gründeten. Antonio Castillo stieg während seiner Zeit bei Spratling zum Silberschmiedmeister auf. Die Werkstatt in Los Castillo bildete im Laufe ihrer jahrzehntelangen Tätigkeit viele qualifizierte Silberschmiede aus und beschäftigte sie, darunter den Cousin der Castillo-Brüder Salvador Teran, Sigi Pineda, Antonio Pineda und Antonio Castillos Frau Margot van Voorhies Carr. Alle diese Künstler eröffneten ihre eigenen erfolgreichen Werkstätten, darunter van Voorhies Carr, der Margot de Taxco gründete, nachdem sie und Antonio Castillo sich scheiden ließen. Los Castillo ist bekannt für seine hochwertigen Silberwaren sowie für gemischte Metalle, bei denen Kupfer und/oder Messing mit Sterlingsilber kombiniert werden. Weitere dekorative Wohnaccessoires finden Sie mit Versilberung und eingelegten Steinverzierungen. Chato (Jorge) Castillo war einer der Castillo-Brüder, die in den 1930er Jahren für William Spratling arbeiteten. Er ist bekannt für sein technisches Fachwissen und sein Designtalent. Er entwickelte die Techniken für verbundene Metalle, Federn mit Silber, aztekische Mosaik- oder Steineinlagen, Concha- oder Abalone-Einlagen, ... (Mexican Silver: Modern Hand-wrought Jewelry & Metalwork von Morrill und Berk (Schiffer: 2007, 4. Auflage), S. 86.

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6,5" südwestliches mexikanisches Armband aus Sterlingsilber mit gedrehtem Draht. Alle Edelmetalle werden geprüft und garantiert. Jeder als Silber oder Sterling bezeichnete Schmuck der amerikanischen Ureinwohner besteht garantiert zu mindestens 90 % (Münz-)Silber und möglicherweise zu einem höheren Gehalt. Alles, was markiert ist, ist garantiert das, was markiert ist. Die meisten Armbänder werden an einem 6-Zoll-Handgelenk (nicht behaart) fotografiert, Ringe, wenn möglich, an einem Finger der entsprechenden Größe. Bei Armbändern wird der Innenumfang angezeigt, wenn das Maß nicht in der Beschreibung angegeben ist wo das Metall auf die Zahl auf dem Maßband trifft.

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Vintage 6 3/8" Southwestern Sterling Sonoran Green Türkis-Manschettenarmband. Ich glaube, es stammt aus dem dritten Viertel des 20. Jahrhunderts. Ungestempelter (getesteter) Armreif der amerikanischen Ureinwohner mit mexikanischem Türkis.

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7" 1940's Mexican silver molded glass masks bracelet. Great bracelet with no issues.

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6 5/8" Vintage Los Castillo Sterling Multi-stone bracelet. No issues, clasp is plated brass, the rest is solid sterling.Los Castillo Jewelry - History Antonio Castillo and his brothers Jorge, Miguel, and Justo began Los Castillo in 1939. They had all apprenticed in William Spratling’s taller before starting their own business in Taxco, Mexico. Antonio Castillo rose to the level of master silversmith during his time working with Spratling.The Los Castillo workshop trained and employed many skilled silversmiths over its decades in the business, including the Castillo brothers’ cousin Salvador Teran, Sigi Pineda, Antonio Pineda, and Antonio Castillo’s wife, Margot van Voorhies Carr. All these artists went on to open their own successful workshops, including van Voorhies Carr who founded Margot de Taxco after she and Antonio Castillo divorced.Los Castillo is known for its quality silver wares as well as mixed metals that incorporated copper and/or brass with sterling silver. Other decorative home accessories can be found with silver plating and inlaid stone embellishments.Chato (Jorge) Castillo was one of the Castillo brothers who worked in the 1930s for William Spratling. He is known for his technical expertise and his design talent. He developed the techniques for married metals, feathers with silver, Aztec mosaic or stone inlay, concha or abalone inlay,...(Mexican Silver: Modern Hand-wrought Jewelry & Metalwork by Morrill and Berk (Schiffer: 2007, 4th Edition), p. 86.

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6.75" Retro Byzantine Sterling Lapis, Amethyst, and Mabe pearl bracelet. Buying<br>the bracelet shown with no issues. Weight and available measurements in pics.<br>Pictured on a 6" women's wrist.

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6.5" 1950's Carmen Beckmann Modernist sterling and amethyst braceletCarmen Beckmann (???? – ????) Carmen Beckmann sold jewelry from a shop she owned and operated out of her home in San Miguel de Allende, Mexico from the 1950’s through the 1970’s. Experts believe her jewelry was produced by multiple silversmiths and her hallmark affixed to the jewelry.Her work often draws on pre-Columbian designs presented in modernist contexts. She is known for necklaces, rings, pins, brooches, and earrings that employ silver and copper decorated with jade and other semi-precious stones.It is not entirely clear what role she played in the design of work she sold, but her mark on sterling silver jewelry indicates a collectible piece.

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6 1/8" Retro Helen Chantler Sterling/18k Celtic knot woven link bracelet. No issues. Marked as shown, circa last quarter of the 20th century. Helen on a recent trip to Nicaragua, getting a fresh perspective. From an early age, traveling the world, I saw how art, craft and creativity brought beauty into everyday life. Beauty, for me, is a blessing that reminds us there is something greater than ourselves. Jewelry, as adornment, has been an expression of art and culture, as far back as 70,000 years. I like how jewelry can range from the legendary to the personal and intimate. The relationship to a particular piece can sometimes span generations because jewelry marks occasions, holds memories and anchors commitments. Sometimes, jewelry is just about pure fun.. I especially like using gems, a truly incredible gift from Mother Natureeach one with its own personality that can add so much to the designing process. When I moved in 1986 to Santa Fe, New Mexico, I saw how indigenous roots are important. Remembering the ancient Celtic stories and legends I grew up with in the UK brought me back to my tribal ancestry. Celtic design comes out of reverence for the earth and generations of tribal tradition. From this place, I have tried to bring contemporary style to motifs that are ancient and meaningful. I view my business as a community that must benefit human communities without harming ecosystems. In context to our sourcing and manufacturing, having high standards for human rights and the environment has been a priority, which is why I am pleased we work with 100% recycled metals and, when ever possible, ethically sourced gemstones. Any design stamped with ‘H‘ was made by Helen.

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8" 2 Vintage Navajo sterling bangle bracelets. No issues, solid sterling, weight and measurements in pictures. Marked sterling with no other markings.

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8" Retired James Avery Sterling Exotic Cats bangle bracelet (older). Weight and measurements is in the pictures. Selling the exact piece shown in great condition with no damage or significant wear. At the time of listing I have two of these rare bangles, listing separately. They vary in cat placement and level of oxidation of the background. This one has an older mark. anderas -consignment James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

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8" Retired James Avery Sterling Exotic Cats bangle bracelet. Weight and measurements is in the pictures. Selling the exact piece shown in great condition with no damage or significant wear. anderas -consignment James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

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8" David Andersen Norway Sterling Modernist cuff bracelet 16mm wide in center. I believe it‘s meant to be worn more like a bangle loosely. Sturdy but flexible enough to adjust the gap to suit your purpose.

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7" retro Mexican Sterling stone clamper bangle bracelet. Solid sterling silver with weights and measurements in pics.

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6.75" c1940‘s Mexican sterling green calcite link bracelet. Fits up to a 6.75" wrist, no issues, functional clasp. Weight and measurements in pics.

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Olivia Whitethorne Navajo Sterling cobblestone link bracelet. Weight and measurements in pics. No damage or significant wear, solid sterling. Marked as shown in pics. Clasp functional. Jet, Fossil, Coral, Turquoise. I think there are three different types of fossilized bone/etc used in making this one of a kind bracelet. Navajo artist Olivia Whitethorne makes fascinating pieces of wearable art. She is the wife of Hank Whitethorne and the two artists have a very similar style of art.

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7" Harvey Mace Navajo thick sterling/coral link bracelet. Clean with no damage or significant wear, weight and measurements in pics. Great bracelet from the 4th quarter of the 20th century. Solid sterling silver, unmarked other than Artists stamp.

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7" Lagos Caviar 18k/Sterling clamper cuff bracelet. Guaranteed authentic, top quality Lagos Caviar, solid 18k gold bars towards end and tip.

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Adjustable c1950‘s Sterling and turquoise watch band bracelet. Adjusts from 6.5" to 7.75", no issues. Watch needs a battery, or band needs a new watch. Band is solid sterling weight and measurements in pics. All precious metals are tested and guaranteed,

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Art Deco Sterling Danecraft floral bracelet. Weight and measurements in pics. No issues. In the early 1900s, as Italy was continuing to become the world leader in<br>fashion, the Primavera family worked as jewelry artisans in the beautiful area<br>of Pescara, Italy. In 1918, the family founded Primavera Designs and by 1921 it<br>had become the largest jewelry company in the Abruzzo region. It was there that the family became well known throughout the region for their<br>ability to design and make jewelry for royalty and wealthy families. Often one<br>of the Primavera jewelry artisans would go directly into the home of a patron to<br>design and reproduce a cherished object of art into jewelry. This continued in Italy until 1934, when Mr. Victor Primavera, Sr. immigrated to<br>the United States and incorporated his company in Rhode Island; the jewelry<br>capital of the United States. Primavera Designs now had a United States<br>division, known as Danecraft, with a small factory and Mr. Victor Primavera, Sr.<br>heading up the design and model making teams. His forte in designing product was always timeliness. He often said that it was<br>easy to design a piece to be shown in a museum, but it took research and talent<br>to design product that would be worn by a woman with fashion sense. Although the candlelight has been replaced by fluorescent light and some of the painstaking handwork has been supplemented by modern machinery, the rich and<br>beautiful handcrafted look of distinction continues.<br><br>Since 1934, Danecraft has been privately owned and operated by the Primavera<br>family.

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8.5" Zuni sterling mother of pearl channel inlay bangle. Marked with a hallmark I don‘t recognize but I believe it‘s Zuni made. Weight and measurements in pics. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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Vintage Sterling Bowguard bracelet with huge turquoise silver mercury dimes. Weight and measurements in pics. No apparent marks, solid sterling plaque with turquoise, solid 90% silver mercury dimes. I‘m not sure how this fastens. It‘s very soft doeskin, I assume maybe you would have some type of bungies or rubber bands to go from one coin to the other one on the other side. I‘m not really sure, it‘s not functional as a bracelet as shown.

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Retro Robert Farrell Sterling sodalite post modernist bracelet 7" long bracelet, weight and measurements in pics. I believe these danglies were added by the last owner, it tooks great with them on but could be easily removed as the jump rings aren‘t soldered. I don‘t think the actual danglies are solid sterling. I don‘t believe the artist that made this bracelet would have used unsoldered jump rings as all of his work I have seen including this bracelet without the danglies is absolute perfection. One of the danglies is missing.I believe Robert made jewelry in the last quarter of the 20th century, I believe now his focus is Architectural sculptures which are fantastic. The quality of workmanship here is way above most studio jewelry in my opinion, I have a feeling it took him quite some time to creat each piece and that‘s why he went on to apply his skills in more lucrative forms.Awards and Honors (*Award)*First Place, Exhibitors Choice Award, Smithsonian Craft Show, 2024.*Best of Metal, Philadelphia Craft Show, 2023.*Award of Excellence, Ann Arbor Street Art Fair, 2023.*Second Place, Exhibitors Choice Award, Smithsonian Craft Show, 2023.*First Place, Exhibitors Choice Award, Smithsonian Craft Show, 2022. *Award of Excellence, Ann Arbor Street Art Fair, 2022.*First Place, St. Louis Art Fair, 2021.*Award of Excellence, Ann Arbor Street Art Fair, 2019.*Award of Distinction, Winter Park Sidewalk Art Festival, Winter Park, FL, 2019.*Director‘s Choice Award, American Craft Exposition, Chicago, 2018.*Award of Excellence, Ann Arbor Street Art Fair, 2018.*Award of Excellence, Winter Park Sidewalk Art Festival, Winter Park, FL, 2018.*Award of Excellence, Ann Arbor Street Art Fair, 2017.*Best of Show, Smithsonian Craft Show, 2017.*Award of Excellence, Winter Park Sidewalk Art Festival, Winter Park, FL, 2017.*Best of Show, Plaza Art Fair, Kansas City, 2016.*First Place, St. Louis Art Fair, 2016.*Best of 3-D Mixed Media, Uptown Art Fair, Minneapolis, 2016.*Award of Excellence, Ann Arbor Street Art FairThe Original, 2016.*Exhibitor‘s Choice Award, Smithsonian Craft Show, 2016.*Award of Excellence, Winter Park Sidewalk Art Festival, Winter Park, FL, 2016.*Best of Metal, The Philadelphia Craft Show, 2015.*Award of Excellence, Plaza Art Fair, Kansas City, 2015.*First Place, St. Louis Art Fair, 2015.*Best of 3-D Mixed Media, Uptown Art Fair, Minneapolis, 2015.*Award of Excellence, Ann Arbor Street Art FairThe Original, 2015.*Best of Fine Craft, Art on the Square, Belleville, IL, 2015.*Best of Show, Artisphere, Greenville, SC, 2015*Morse Museum Award, Winter Park Sidewalk Art Festival, Winter Park, FL, 2015.*Award of Excellence, Plaza Art Fair, Kansas City, 2014.*First Place, St. Louis Art Fair, 2014.*Best of Show, The Domes Art Festival, Milwaukee, 2014*Award of Excellence, Ann Arbor Street Art FairThe Original, 2014.*Best of Fine Craft, Art on the Square, Belleville, IL, 2014.*Award of Excellence, Winter Park Sidewalk Art Festival, Winter Park, FL, 2014.*Best of 3-D Mixed Media, Uptown Art Fair, Minneapolis, 2013.*Award of Merit, Cherry Creek Art Festival, Denver, 2013.*Best of Fine Craft, Art on the Square, Belleville, IL, 2013.*Second Place, Winter Park Sidewalk Art Festival, Winter Park, FL, 2013.*Best of Show, Uptown Art Fair, Minneapolis, 2012.*Best of Fine Craft, Art on the Square, Belleville, IL, 2012.*Best of Show, Craft Art, St. Petersburg, 2011.*Second Place, St. Louis Art Fair, 2011.*Best of Show, Oconomowoc Arts Festival, Oconomowoc, WI, 2011.*Best of Show, Barrington Art Festival, North Chicago, 2011.*Best of Fine Craft, Art on the Square, Belleville, IL, 2011.*‘Excellence and Originality‘ (One of 10 equal awards), Ann Arbor Street Art Fair--The Original, 2010.*Best of Show, Palm Beach Fine Craft Show, 2009.*Award of Excellence, American Craft Council Show, Atlanta, 2009.*Purchase Award of Excellence, Coconut Grove Arts Festival, Miami, 2009.*Best Booth, American Craft Council Show, Sarasota, 2008.*Award of Excellence (One of 5 First Place awards), Craft Art, St. Petersburg, FL, 2008.*Best of Show, 3-D Exhibition, Venice Art Center, Venice, FL, 2008.*Museum Acquisition--Renwick Gallery, Smithsonian Institution, Awarded at the Smithsonian Craft Show, 2007.*First PlaceMetal, St. Louis Art Fair, 2006.*Best of Show, Washington Craft Show, 2004.*Jurors Award, Michael Monroe, St. Louis Art Fair, 2004.*Best of Metal, Philadelphia Craft Show, 2002.*First PlaceMetal, St. Louis Art Fair, 2002.*First PlaceMetal, Plaza Art Fair, Kansas City, 2002.*“Excellence and Originality (One of ten, equal awards), Ann Arbor Street Art FairThe Original, 2001.*Best of Metal, Philadelphia Craft Show, 2000.*Best Presentation, St. Louis Art Fair, 1999.*Piece purchased for the collection of the St. Louis Art Fair, 1999.*First PlaceMetal, Sausalito Art Festival, 1999.*First PlaceMetal, Plaza Art Fair, 1999.*Excellence and Originality, (One of ten, equal awards), Ann Arbor Street Art FairThe Original, 1999.*First Place--Metal, St. Louis Art Fair, 1998.*First PlaceMetal, Plaza Art Fair, 1998.*First PlaceMetal, Sausalito Art Festival, 1998.Museum Purchase, Mint Museum of Art and Design, Charlotte, NC., 1998.*First PlaceMetal, Winter Park Art Festival, Winter Park, FL, 1997.*Third PlaceMetal, St. Louis Art Fair, 1997.*Award of Excellence, Plaza Art Fair, 1997.*Second PlaceMetal, Cherry Creek Arts Festival, Denver, 1996.*First PlaceMetal, St. Louis Art Fair, 1995.*Second PlaceMetal, Cherry Creek Arts Festival, Denver, 1995.*Award of Excellence, Plaza Art Fair, 1995.*First PlaceMetal, St. Louis Art Fair, 1994.*Best of Metal, American Craft Exposition, Evanston, IL, 1994.*First PlaceMetal, Cherry Creek Arts Festival, Denver, 1994.*Award of Excellence, Lakefront Festival of Arts, Milwaukee, 1994.*Best of Metal, American Craft Exposition, Evanston, IL, 1993.*Best of Show, Midwest Salute to the Masters, Fairview Heights, IL, 1993.*Second PlaceMetal, Cherry Creek Arts Festival, Denver, 1993.*Wisconsin Art Board Grant, 1992.*Award of Excellence, Lakefront Festival of Arts, Milwaukee, 1992.*Second PlaceJewelry, Cherry Creek Arts Festival, Denver, 1992.*Award of Excellence, Midwest Salute to the Masters, Fairview Heights, IL, 1992.*Award of Merit, Coconut Grove Arts Festival, Miami, 1992.*First PlaceMetal, Cherry Creek Arts Festival, Denver, 1991.*First PlaceMetal, Midwest Salute to the Masters, Fairview Heights, IL, 1991.*Award of Excellence, Lakefront Festival of Arts, Milwaukee, 1991.*Award of Excellence, Crafts National 25, PA State University, 1991.*Award of Excellence, Lakefront Festival of Arts, Milwaukee, 1990.*Scholarship, Haystack Mountain School of Crafts, 1990.Design chosen for Fortunoff Silver Design Competition, New York, NY, 1990.Design chosen for Fortunoff Silver Design Competition, New York, NY, 1989.Fellowship, Craft Department, Tyler School of Art, 1988.*Representative of Tyler School of Art, Philadelphia Craft Show, 1988.*Award Designer, Lakefront Festival of Arts, Milwaukee, 1987.*Award of Excellence, Lakefront Festival of Arts, Milwaukee, 1987.*Award of Excellence, Lakefront Festival of Arts, Milwaukee, 1986.*First Place, Wisconsin Collegiate Showcase, 1986.Lectures, Public Speaking Engagements, Misc. Professional ActivitiesGuest Speaker/Visiting Artist, Cleveland Institute of Art, 2004.Guest Speaker/Visiting Artist, Cleveland Institute of Art, 1999.Juror, ACC Craft ShowsMetal, 1998.Guest Speaker, Tyler School of Art, 1997.Guest Speaker, Tyler School of Art, 1996.Demonstrator, Cherry Creek Arts Festival, 1996.Guest Speaker, Parker High School, Janesville, WI, 1996.Juror, 16th Annual Hoard Museum Art Show, Fort Atkinson, WI, 1996.Guest Speaker/Visiting Artist, Cleveland Institute of Art, 1995.Guest Speaker, Tyler School of Art, 1994.Gallery Task Force Member, University of Wisconsin-Whitewater, 1992.Guest Speaker, Tyler School of Art, 1991.Guest Speaker, Foster Gallery, University of Wisconsin-Eau Claire, 1991.Guest Speaker, University of Wisconsin-Madison, 1990.Guest Speaker/Visiting Artist, Cleveland Institute of Art, 1990.Guest Speaker, University of Wisconsin-Whitewater, 1990.Teaching Assistant, Haystack Mountain School of Crafts, 1990.Part-time Faculty, Tyler School of Art, 1989.Instructor, Saturday Metals Program, Tyler School of Art, 1988.Bibliography (*Reviews)Seymour Rabinovitch and Helen Clifford, Contemporary Silver: Commissioning, Designing, Collecting, Merrell Publishers Limited, 2000. pp. 20, 27, 56, 118-19.Paul J. Smith, General Editor, Objects for Use: Handmade by Design, Harry N. Abrams, Inc., Publishers, 2000. pp. 131, 148.*“The Commemorative Cup, American Craft, Ap/May 96, Vol. 56, No. 2, p. 53.*17th Annual Philadelphia Craft Show, Metalsmith, Spring 94, Vol. 14, No. 2, p. 47.“Portfolio, American Craft, Aug/Sep 92, Vol. 52, No. 4, p. 67.*SilverNew Forms and Expressions II, Metalsmith, Spring 91, Vol. 11, Nol. 2, p. 46.Alice Beamesderfer, Contemporary Philadelphia Artists: A Juried Exhibition catalog, Philadelphia Museum of Art, 1990. pp. 68, 141.*Honoring Something Ordinary, Metalsmith, Summer 89, Vol. 9, No. 3, p. 21.*All That Glitters, Metalsmith, Winter 87, Vol. 7, No. 1, p. 49.*Jewelry Show Sparkles at Art Museum, The Milwaukee Journal, July, 1986Juried Retail ShowsSmithsonian Craft Show, Washington, D.C. 1995, 99, 00, 02, 03, 04, 06, 07, 08, 10, 15, 16, 17, 18, 19, 22, 23, 24.Philadelphia Museum of Art Craft Show. 1989, 90, 91, 92, 93, 94, 95, 96, 97, 99, 00, 01, 02, 03, 05, 06. 07, 08, 09, 10, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24.Washington Craft Show, Washington, D.C. 1991, 94, 02, 03, 04, 05, 06, 07, 08, 09, 10, 12, 13, 14.Sausalito Art Festival. 1998, 99, 00.St. Louis Art Fair. 1994, 95, 96, 97, 98, 99, 00, 01, 02, 03, 04, 05, 06, 07, 09, 11, 12, 13. 14, 15, 16, 21.Ann Arbor Street Art FairThe Original. 1994, 95, 96, 97, 98, 99, 00, 01, 02, 03, 04, 05, 06. 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 21, 23, 24.Plaza Art Fair, Kansas City. 1995, 96, 97, 98, 99, 00, 01, 02, 03, 04, 05, 06, 10, 11, 12, 13, 14, 15, 16.Palm Beach Fine Craft Show. 2004, 05, 06, 08, 09, 10, 11, 12, 13, 14, 15, 16.Craft Art, St. Petersburg, FL. 2008, 09, 11.ACC Craft ShowBaltimore. 1993, 94, 95, 96, 97, 98, 99.Coconut Grove Art Festival, Miami. 1992, 93, 94, 95, 96, 97, 98, 02, 09, 10.American Craft Exposition, Evanston, IL. 1991, 92, 93, 94, 95, 96, 97, 98, 99, 00, 07, 08, 17, 18, 19, 20, 21.Cherry Creek Arts Festival, Denver. 1991, 92, 93, 94, 95, 96, 97, 98, 12, 13. 14, 16, 19.Lakefront Festival of Arts, Milwaukee. 1987, 90, 91, 92, 93, 94.ACC Craft ShowAtlanta. 1991, 94, 95, 97, 99, 09.ACC Craft ShowSarasota. 1993, 94, 05, 06, 08.Gasparilla Art Festival, Tampa. 1992, 05.EducationMaster of Fine ArtsMetal and Jewelry Emphasis. Temple University, Tyler School of Art, Philadelphia, 1989.Bachelor of ArtsStudio Art. University of WisconsinWhitewater, Summa Cum Laude. 1987.Bachelor of ArtsEnglish. University of WisconsinWhitewater, Summa Cum Laude. 1987.

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James Avery sterling Jack o Lantern Happy Birthday charm bracelet sterling. 6" bracelet, all clean with no issues.

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Retro Robert Farrell 18k/sterling post modernist bracelet 6.5" long bracelet, weight and measurements in pics. No issues.   I was fortunate enough to be contacted by the artist and he listed the materials for me.  Precise materials are: sterling silver, shibuichi (a Japanese alloy), 18k gold (wire), 24k gold (chunky, random shapes).Awards and Honors (*Award)*First Place, Exhibitors Choice Award, Smithsonian Craft Show, 2024.*Best of Metal, Philadelphia Craft Show, 2023.*Award of Excellence, Ann Arbor Street Art Fair, 2023.*Second Place, Exhibitors Choice Award, Smithsonian Craft Show, 2023.*First Place, Exhibitors Choice Award, Smithsonian Craft Show, 2022. *Award of Excellence, Ann Arbor Street Art Fair, 2022.*First Place, St. Louis Art Fair, 2021.*Award of Excellence, Ann Arbor Street Art Fair, 2019.*Award of Distinction, Winter Park Sidewalk Art Festival, Winter Park, FL, 2019.*Director‘s Choice Award, American Craft Exposition, Chicago, 2018.*Award of Excellence, Ann Arbor Street Art Fair, 2018.*Award of Excellence, Winter Park Sidewalk Art Festival, Winter Park, FL, 2018.*Award of Excellence, Ann Arbor Street Art Fair, 2017.*Best of Show, Smithsonian Craft Show, 2017.*Award of Excellence, Winter Park Sidewalk Art Festival, Winter Park, FL, 2017.*Best of Show, Plaza Art Fair, Kansas City, 2016.*First Place, St. Louis Art Fair, 2016.*Best of 3-D Mixed Media, Uptown Art Fair, Minneapolis, 2016.*Award of Excellence, Ann Arbor Street Art FairThe Original, 2016.*Exhibitor‘s Choice Award, Smithsonian Craft Show, 2016.*Award of Excellence, Winter Park Sidewalk Art Festival, Winter Park, FL, 2016.*Best of Metal, The Philadelphia Craft Show, 2015.*Award of Excellence, Plaza Art Fair, Kansas City, 2015.*First Place, St. Louis Art Fair, 2015.*Best of 3-D Mixed Media, Uptown Art Fair, Minneapolis, 2015.*Award of Excellence, Ann Arbor Street Art FairThe Original, 2015.*Best of Fine Craft, Art on the Square, Belleville, IL, 2015.*Best of Show, Artisphere, Greenville, SC, 2015*Morse Museum Award, Winter Park Sidewalk Art Festival, Winter Park, FL, 2015.*Award of Excellence, Plaza Art Fair, Kansas City, 2014.*First Place, St. Louis Art Fair, 2014.*Best of Show, The Domes Art Festival, Milwaukee, 2014*Award of Excellence, Ann Arbor Street Art FairThe Original, 2014.*Best of Fine Craft, Art on the Square, Belleville, IL, 2014.*Award of Excellence, Winter Park Sidewalk Art Festival, Winter Park, FL, 2014.*Best of 3-D Mixed Media, Uptown Art Fair, Minneapolis, 2013.*Award of Merit, Cherry Creek Art Festival, Denver, 2013.*Best of Fine Craft, Art on the Square, Belleville, IL, 2013.*Second Place, Winter Park Sidewalk Art Festival, Winter Park, FL, 2013.*Best of Show, Uptown Art Fair, Minneapolis, 2012.*Best of Fine Craft, Art on the Square, Belleville, IL, 2012.*Best of Show, Craft Art, St. Petersburg, 2011.*Second Place, St. Louis Art Fair, 2011.*Best of Show, Oconomowoc Arts Festival, Oconomowoc, WI, 2011.*Best of Show, Barrington Art Festival, North Chicago, 2011.*Best of Fine Craft, Art on the Square, Belleville, IL, 2011.*‘Excellence and Originality‘ (One of 10 equal awards), Ann Arbor Street Art Fair--The Original, 2010.*Best of Show, Palm Beach Fine Craft Show, 2009.*Award of Excellence, American Craft Council Show, Atlanta, 2009.*Purchase Award of Excellence, Coconut Grove Arts Festival, Miami, 2009.*Best Booth, American Craft Council Show, Sarasota, 2008.*Award of Excellence (One of 5 First Place awards), Craft Art, St. Petersburg, FL, 2008.*Best of Show, 3-D Exhibition, Venice Art Center, Venice, FL, 2008.*Museum Acquisition--Renwick Gallery, Smithsonian Institution, Awarded at the Smithsonian Craft Show, 2007.*First PlaceMetal, St. Louis Art Fair, 2006.*Best of Show, Washington Craft Show, 2004.*Jurors Award, Michael Monroe, St. Louis Art Fair, 2004.*Best of Metal, Philadelphia Craft Show, 2002.*First PlaceMetal, St. Louis Art Fair, 2002.*First PlaceMetal, Plaza Art Fair, Kansas City, 2002.*“Excellence and Originality (One of ten, equal awards), Ann Arbor Street Art FairThe Original, 2001.*Best of Metal, Philadelphia Craft Show, 2000.*Best Presentation, St. Louis Art Fair, 1999.*Piece purchased for the collection of the St. Louis Art Fair, 1999.*First PlaceMetal, Sausalito Art Festival, 1999.*First PlaceMetal, Plaza Art Fair, 1999.*Excellence and Originality, (One of ten, equal awards), Ann Arbor Street Art FairThe Original, 1999.*First Place--Metal, St. Louis Art Fair, 1998.*First PlaceMetal, Plaza Art Fair, 1998.*First PlaceMetal, Sausalito Art Festival, 1998.Museum Purchase, Mint Museum of Art and Design, Charlotte, NC., 1998.*First PlaceMetal, Winter Park Art Festival, Winter Park, FL, 1997.*Third PlaceMetal, St. Louis Art Fair, 1997.*Award of Excellence, Plaza Art Fair, 1997.*Second PlaceMetal, Cherry Creek Arts Festival, Denver, 1996.*First PlaceMetal, St. Louis Art Fair, 1995.*Second PlaceMetal, Cherry Creek Arts Festival, Denver, 1995.*Award of Excellence, Plaza Art Fair, 1995.*First PlaceMetal, St. Louis Art Fair, 1994.*Best of Metal, American Craft Exposition, Evanston, IL, 1994.*First PlaceMetal, Cherry Creek Arts Festival, Denver, 1994.*Award of Excellence, Lakefront Festival of Arts, Milwaukee, 1994.*Best of Metal, American Craft Exposition, Evanston, IL, 1993.*Best of Show, Midwest Salute to the Masters, Fairview Heights, IL, 1993.*Second PlaceMetal, Cherry Creek Arts Festival, Denver, 1993.*Wisconsin Art Board Grant, 1992.*Award of Excellence, Lakefront Festival of Arts, Milwaukee, 1992.*Second PlaceJewelry, Cherry Creek Arts Festival, Denver, 1992.*Award of Excellence, Midwest Salute to the Masters, Fairview Heights, IL, 1992.*Award of Merit, Coconut Grove Arts Festival, Miami, 1992.*First PlaceMetal, Cherry Creek Arts Festival, Denver, 1991.*First PlaceMetal, Midwest Salute to the Masters, Fairview Heights, IL, 1991.*Award of Excellence, Lakefront Festival of Arts, Milwaukee, 1991.*Award of Excellence, Crafts National 25, PA State University, 1991.*Award of Excellence, Lakefront Festival of Arts, Milwaukee, 1990.*Scholarship, Haystack Mountain School of Crafts, 1990.Design chosen for Fortunoff Silver Design Competition, New York, NY, 1990.Design chosen for Fortunoff Silver Design Competition, New York, NY, 1989.Fellowship, Craft Department, Tyler School of Art, 1988.*Representative of Tyler School of Art, Philadelphia Craft Show, 1988.*Award Designer, Lakefront Festival of Arts, Milwaukee, 1987.*Award of Excellence, Lakefront Festival of Arts, Milwaukee, 1987.*Award of Excellence, Lakefront Festival of Arts, Milwaukee, 1986.*First Place, Wisconsin Collegiate Showcase, 1986.Lectures, Public Speaking Engagements, Misc. Professional ActivitiesGuest Speaker/Visiting Artist, Cleveland Institute of Art, 2004.Guest Speaker/Visiting Artist, Cleveland Institute of Art, 1999.Juror, ACC Craft ShowsMetal, 1998.Guest Speaker, Tyler School of Art, 1997.Guest Speaker, Tyler School of Art, 1996.Demonstrator, Cherry Creek Arts Festival, 1996.Guest Speaker, Parker High School, Janesville, WI, 1996.Juror, 16th Annual Hoard Museum Art Show, Fort Atkinson, WI, 1996.Guest Speaker/Visiting Artist, Cleveland Institute of Art, 1995.Guest Speaker, Tyler School of Art, 1994.Gallery Task Force Member, University of Wisconsin-Whitewater, 1992.Guest Speaker, Tyler School of Art, 1991.Guest Speaker, Foster Gallery, University of Wisconsin-Eau Claire, 1991.Guest Speaker, University of Wisconsin-Madison, 1990.Guest Speaker/Visiting Artist, Cleveland Institute of Art, 1990.Guest Speaker, University of Wisconsin-Whitewater, 1990.Teaching Assistant, Haystack Mountain School of Crafts, 1990.Part-time Faculty, Tyler School of Art, 1989.Instructor, Saturday Metals Program, Tyler School of Art, 1988.Bibliography (*Reviews)Seymour Rabinovitch and Helen Clifford, Contemporary Silver: Commissioning, Designing, Collecting, Merrell Publishers Limited, 2000. pp. 20, 27, 56, 118-19.Paul J. Smith, General Editor, Objects for Use: Handmade by Design, Harry N. Abrams, Inc., Publishers, 2000. pp. 131, 148.*“The Commemorative Cup, American Craft, Ap/May 96, Vol. 56, No. 2, p. 53.*17th Annual Philadelphia Craft Show, Metalsmith, Spring 94, Vol. 14, No. 2, p. 47.“Portfolio, American Craft, Aug/Sep 92, Vol. 52, No. 4, p. 67.*SilverNew Forms and Expressions II, Metalsmith, Spring 91, Vol. 11, Nol. 2, p. 46.Alice Beamesderfer, Contemporary Philadelphia Artists: A Juried Exhibition catalog, Philadelphia Museum of Art, 1990. pp. 68, 141.*Honoring Something Ordinary, Metalsmith, Summer 89, Vol. 9, No. 3, p. 21.*All That Glitters, Metalsmith, Winter 87, Vol. 7, No. 1, p. 49.*Jewelry Show Sparkles at Art Museum, The Milwaukee Journal, July, 1986.Juried Retail ShowsSmithsonian Craft Show, Washington, D.C. 1995, 99, 00, 02, 03, 04, 06, 07, 08, 10, 15, 16, 17, 18, 19, 22, 23, 24.Philadelphia Museum of Art Craft Show. 1989, 90, 91, 92, 93, 94, 95, 96, 97, 99, 00, 01, 02, 03, 05, 06. 07, 08, 09, 10, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24.Washington Craft Show, Washington, D.C. 1991, 94, 02, 03, 04, 05, 06, 07, 08, 09, 10, 12, 13, 14.Sausalito Art Festival. 1998, 99, 00.St. Louis Art Fair. 1994, 95, 96, 97, 98, 99, 00, 01, 02, 03, 04, 05, 06, 07, 09, 11, 12, 13. 14, 15, 16, 21.Ann Arbor Street Art FairThe Original. 1994, 95, 96, 97, 98, 99, 00, 01, 02, 03, 04, 05, 06. 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 21, 23, 24.Plaza Art Fair, Kansas City. 1995, 96, 97, 98, 99, 00, 01, 02, 03, 04, 05, 06, 10, 11, 12, 13, 14, 15, 16.Palm Beach Fine Craft Show. 2004, 05, 06, 08, 09, 10, 11, 12, 13, 14, 15, 16.Craft Art, St. Petersburg, FL. 2008, 09, 11.ACC Craft ShowBaltimore. 1993, 94, 95, 96, 97, 98, 99.Coconut Grove Art Festival, Miami. 1992, 93, 94, 95, 96, 97, 98, 02, 09, 10.American Craft Exposition, Evanston, IL. 1991, 92, 93, 94, 95, 96, 97, 98, 99, 00, 07, 08, 17, 18, 19, 20, 21.Cherry Creek Arts Festival, Denver. 1991, 92, 93, 94, 95, 96, 97, 98, 12, 13. 14, 16, 19.Lakefront Festival of Arts, Milwaukee. 1987, 90, 91, 92, 93, 94.ACC Craft ShowAtlanta. 1991, 94, 95, 97, 99, 09.ACC Craft ShowSarasota. 1993, 94, 05, 06, 08.Gasparilla Art Festival, Tampa. 1992, 05.EducationMaster of Fine ArtsMetal and Jewelry Emphasis. Temple University, Tyler School of Art, Philadelphia, 1989.Bachelor of ArtsStudio Art. University of WisconsinWhitewater, Summa Cum Laude. 1987.Bachelor of ArtsEnglish. University of WisconsinWhitewater, Summa Cum Laude. 1987.

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Retro Sterling quartz link bracelet. Weight and measurements in pics. High quality bracelet with no issues. Solid sterling.

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WW2 Era Sterling silver Pilots sweetheart bracelet. Selling the bracelet shown with no issues.

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8" Wilbur Tracy Navajo Sterling bangle bracelet, weight and measurements in pics. Last quarter of the 20th century with no issues. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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Retired James Avery link bracelet in sterling. Fits up to a 6.5" wrist as shown. Weight and measurements in pics, no issues. -anderas James Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul. Mr. Averys mission was simple: to create jewelry with meaning both for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and >gemstones. Guests came to him with their stories their special mementos he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs.

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James Avery sterling charm bracelet with Phone, RN, Boy, Heart, xx00 etc. Fits up to a 6" wrist as shown. Weight and measurements in pics, no issues. -anderas James Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul. Mr. Averys mission was simple: to create jewelry with meaning both for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and >gemstones. Guests came to him with their stories their special mementos he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs.

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Roberto Coin "The Fifth Season" Silver Vermeil bangle bracelet no issues. Guaranteed authentic, estate fresh, highest quality. Weight and measurements in pics. -Anderas

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7" Large Vintage Mexican sterling multi-stone bracelet other measurements shown, No issues.

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7.25" Federico Jimenez sterling and turquoise link bracelet. Weight and measurements in pics. Federico Jimenez Bio FEDERICO JIMENEZ was born in Oaxaca, Mexico in 1941 in a Mixtec Indian Community. He received a bachelors degree in science and art at the University of Benito Juarez in Oaxaca, Mexico. He came to the USA in 1967 to study and work. He studied jewelry making and design at the University Community School. In 1970 He and his Wife Ellen Belber Jimenez took a trip to the Southwest and fell in love with the American Indian Culture. He admired the Indian craftsmanship and technique so much that he was inspired to start a collection of Folk Art. He first opened a gallery on Main Street in Santa Monica, CA and then moved to Abbot Kinney Ave. in Venice, CA. His most important Gallery was opened on Montana Ave, in Santa Monica, CA where he specialized in Antiques and Collectibles, carrying Folk Art from Mexico, Latin America, and the Southwest. Important collectors and Museums were customers of his during the 25 years of his business. He and his wife amassed a big collection of Mexican jewelry: Pre Colombian, Colonial, and Contemporary, as well as Southwest art like baskets, kachinas, Pottery, Navajo, Zuni and Hopi rugs and jewelry. In 2008 He and his wife donated their Mexican collection and a building, to house it in to the city of Oaxaca, Mexico. It is called "Museo Belber - Jimenez".

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7" Southwestern sterling silver very high grade spiderweb turquoise bracelet choker necklace. Very unusual set as shown 15" choker, 7" bracelet.Weight and measurements in pics. Really nice turquoise on these with an incredible matrix.    Unmarked, tested solid sterling silver.

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7" Retro Sterling turquoise link bracelet. Solid sterling, weight and measurements in pics. All precious metals are tested and guaranteed,

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Joe Delgarito Navajo sterling/14k 6.75"-8" Adjustable link bracelet, weight and measurements in pics. Marked or unmarked as shown in pics, weight<br>and other measurements in pics. Sorry but my jewelry is stored in a secure<br>location and cannot be accessed for more pictures, videos, or measurements until<br>sold. If you look at pictures/description your question should be answered.<br>Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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6.5" Vintage Native American silver Kachina dancer link bracelet. Solid sterling, weight and measurements in pics, unmarked as typical of this era (third quarter of the 20th century) All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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6.25" Period Art Deco sterling link bracelet. No issues. Great bracelet with weight and measurements in pics. Not heavy but plenty sturdy, has already lasted close to 100 years.

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6.75" Enrique Ledesma Modernist Taxco sterling chrysocolla bracelet. No detectable loss or damage to enamel, fully functional clasp, no issues.

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7 5/8" Heavy vintage Navajo carinated silver bangle bracelet. No issues, weight and measurements in pics. Apparently unmarked Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or<br>measurements until sold. If you look at pictures/description your question<br>should be answered. Thank you so much for your time and consideration. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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7" 70‘s-80‘s C. Smith-Gilbert Ortega Native American silver turquoise watch cuff. No issues, weight and measurements in pics. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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c1940's Chinese silver enamel jade link bracelet, great bracelet from the second quarter of the 20th century with no detectable issues.

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6" Supersmith David Rosales Navajo Sugilite, turquoise, lapis, variscite sterling cuff.The Supersmith Collection, also known as David Rosales Designs, offers a selection of some of the highest quality Native American jewelry available in the Southwest. Nationally renowned designer and founder, David Rosales, is one of the finest contemporary southwest designers in the world today.Born and raised in Gallup, NM, David has been a part of the Native American community all of his life. He started working and learning this trade in 1984. After gaining knowledge of the business over the years, he decided to start his own endeavor. In 1997, David, along with his cousin John Delgado, partnered to become Supersmith Inc. In 2016 another family member joined the Supersmith team. David's daughter Sheree, moved back home with her family and began working at Supersmith. Growing up in the business during her childhood and teen years, it was a smooth transition. She is helping to create and design and getting Supersmith out there for everyone to see just how amazing our jewelry really is.Over the past 24 years they have taken the industry by storm with their gorgeous stone combinations and settings. Supersmith has brought the handcrafted jewelry industry to a new level.The designs and color combinations are constantly changing and evolving to meet the needs of this growing and popular industry. David is always looking for new ways to be different, exciting and new. He believes that the quality of work being done here is what truly sets him apart from the rest.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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7.75" c1940's Mexican 980 silver link bracelet. Great bracelet with no issues.

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Retro sterling wire/onyx collar and cuff bracelet set. Retro, estate fresh, appears unworn with no damage or detectable wear. Part of a large upper end Native American jewelry collection. Bracelet with what appears to be an eagle hallmark and T, Collar marked Sterling with MP hallmark. Bracelet measures 6 5/8" inside circumference including the gap, Necklace approx 16" including the gap. Both pieces are heavy and sturdy but springy/flexible in nature due to their construction.All precious metals are tested and guaranteed,

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Loren Phillips Hopi overlay watch tips with Bulova Accutron. Selling what is shown, all fairly clean with some expected wear. Watch is currently untested, I know Accutron's take a special battery. I had some but can't find them.Hopi artist Loren Phillips is not only a master jeweler, but a renowned carver of Hopi Katsinas. He began his career in the 1970's. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Carlos Eagle Ottawa/Kathryn P sterling and variscite link bracelet. Very high quality contemporary bracelet with no issues. Beautiful intarsia inlay work. Kathryn P is the silversmith, Carlos Eagle did the inlay work. This also bears the Gertrude Zachary (1937-2013) shop mark from New Mexico. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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6.75" FG Vintage Navajo silver link bracelet with turquoiseAll precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Vintage Native American silver Ketoh Bowguard bracelet. Heavy with thick solid silver plaque, adjustable, shown on a 6" wrist.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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6.5" Vintage Native American sterling multi-stone link bracelet, no issues.All precious metals are tested and guaranteed,

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7" Retro YAH Artisan sterling bracelet. Unusual bracelet, tested sterling, but unknown maker.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Ann King Sterling Silver & 18K Yellow Gold Accents Cross Crucifix Charm Bracelet. High quality authentic item with no issues. Very clean pre-owned condition.

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14mm-15mm Lagos Caviar 18k gold and Sterling bracelet. Guaranteed authentic, top quality Lagos Caviar, solid 18k gold beads and logo mounted a thick high quality sterling silver bracelet. 107 grams total weight. No issues, preowned with little wear.

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Federico Jimenez Bio FEDERICO JIMENEZ was born in Oaxaca, Mexico in 1941 in a Mixtec Indian Community.He received a bachelor’s degree in science and art at the University of Benito Juarez in Oaxaca, Mexico. He came to the USA in 1967 to study and work.He studied jewelry making and design at the University Community School. In 1970 He and his Wife Ellen Belber Jimenez took a trip to the Southwest and fell in love with the American Indian Culture.He admired the Indian craftsmanship and technique so much that he was inspired to start a collection of Folk Art. He first opened a gallery on Main Street in Santa Monica, CA and then moved to Abbot Kinney Ave. in Venice, CA. His most important Gallery was opened on Montana Ave, in Santa Monica, CA where he specialized in Antiques and Collectibles, carrying Folk Art from Mexico, Latin America, and the Southwest.Important collectors and Museums were customers of his during the 25 years of his business. He and his wife amassed a big collection of Mexican jewelry: Pre Colombian, Colonial, and Contemporary, as well as Southwest art like baskets, kachinas, Pottery, Navajo, Zuni and Hopi rugs and jewelry.In 2008 He and his wife donated their Mexican collection and a building, to house it in to the city of Oaxaca, Mexico. It is called "Museo Belber - Jimenez".

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8" Veronica Poblano Zuni Sterling Turquoise, Coral, and Lapis bracelet. No issues, measurements in pics.The daughter of Leo Poblano and Ida Vacit Poblano, Veronica Poblano has become recognized as a top contemporary jeweler. While she draws on Zuni silverworking and lapidary forms and techniques, her work is characterized by a high degree of innovation and individual creative license, making it a fertile hybrid of the contemporary and the traditional. Veronica has gained notoriety as a contemporary innovator, working with uncommon materials in wide-ranging styles.All precious metals are tested and guaranteed,

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8" Melanie Kirk Isleta Pueblo 14k gold Opal and Sugilite reversible bracelet,  showing little to no signs of wear.   The quality of workmanship is absolutely amazing. Recognized as the leading voices of today’s Contemporary Native Jewelry scene, Designers and Goldsmiths Melanie Kirk-Lente and Michael Lente (Isleta Pueblo) command a distinctive presence at the top of collectors’ lists world-wide. The Lentes continue to carry on their well-known family tradition in fine jewelry design, being taught by Melanie’s father, renowned artist Andy Lee Kirk.

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7" Vintage Tiffany 14k/sterling hook eye bangle bracelet. Selling the bracelet show, guaranteed authentic vintage Tiffany.anderas

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1950's Los Castillo Sterling chrysocolla inlay 14" choker and 7" bracelet, selling the set shown with no issues. Los Castillo Jewelry - HistoryAntonio Ca stillo and his brothers Jorge, Miguel, and Justo began Los Castillo in 1939. They had all apprenticed in William Spratling’s taller before starting<br>their own business in Taxco, Mexico. Antonio Castillo rose to the level of<br>master silversmith during his time working with Spratling.<br><br>The Los Castillo workshop trained and employed many skilled silversmiths over<br>its decades in the business, including the Castillo brothers’ cousin Salvador Teran, Sigi Pineda, Antonio Pineda, and Antonio Castillo’s wife, Margot van<br>Voorhies Carr. All these artists went on to open their own successful workshops,<br>including van Voorhies Carr who founded Margot de Taxco after she and Antonio<br>Castillo divorced.<br><br>Los Castillo is known for its quality silver wares as well as mixed metals that<br>incorporated copper and/or brass with sterling silver. Other decorative home<br>accessories can be found with silver plating and inlaid stone embellishments. Chato (Jorge) Castillo was one of the Castillo brothers who worked in the 1930s for William Spratling. He is known for his technical expertise and his design<br>talent. He developed the techniques for married metals, feathers with silver,<br>Aztec mosaic or stone inlay, concha or abalone inlay,...(Mexican Silver: Modern<br>Hand-wrought Jewelry & Metalwork by Morrill and Berk (Schiffer: 2007, 4th<br>Edition), p. 86.

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7.75" Retro Sterling byzantine gemset bracelet. Great bracelet with no issues. No damage or wear to stones which are untested.

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6.25" c1950's Navajo Curio Sterling link bracelet.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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5.25" 30's-40's CG Wallace Era Zuni silver link bracelet with turquoise. For a very small wrist as shown. No markings other than scratched YEA or VEA traders code on back, common with pieces from this era.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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6.5" c1950's Mexican Sterling link bracelet with turquoise. Illegible hallmark, eagle mark on other side of clasp.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Large Gigli Italian sterling mixed metals bronze accent link bracelet. 1.5" wide, No issues, weight and measurements in pics.anderas

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6.75" Retro Sterling and malachite bangle braceletMarked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is<br>stored in a secure location and cannot be accessed for more pictures, videos, or<br>measurements until sold. If you look at pictures/description your question<br>should be answered. Thank you so much for your time and consideration

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7" James Avery sterling Angel bangle bracelet, buying the bracelet shown with no issues. anderasAvery founded his company in 1954, initially crafting jewelry in a two-car<br>garage in Kerrville, Texas, with just $250 and a desire to create lasting value<br>for others. Mr. Avery believed that meaning is what makes life more beautiful<br>and this concept continues to drive how we design jewelry to this day. In 2007,<br>53 years after he first founded the company, James Avery officially stepped down<br>as CEO and passed the reins on to his sons, Chris and Paul.Mr. Avery’s mission<br>was simple: to create jewelry with meaning—both for himself and others. With a<br>focus on creating straightforward designs and a core belief of integrity in all<br>things, his jewelry became more than precious metals and gemstones. Guests came<br>to him with their stories—their special moments—so he could craft them into<br>pieces they would wear with pride for a lifetime. From writing letters to<br>greeting Customers, Mr. Avery prioritized developing lasting relationships with<br>each person who connected with his designs.

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