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Cecil Ashley Navajo sterling, turquoise and coral belt buckle. Measurements in pics.Cecil Ashley is a respected Navajo Master silversmith who signs his pieces “CA sterling”. Cecil is well known for his quality of material and meticulous workmanship in his one-of-a-kind collectible designs. He is best known for his extraordinary lapidary skills, whose signature style is creating some of the best mosaic inlay work today.Cecil worked for the Brown family, Brown’s Trading Company in Safford, Arizona in the mid-80's and had access to top grade Morenci turquoise, which he used to create many beautiful jewelry pieces. There he honed his craft before venturing out on his own and establishing his own studio. Most of Cecil’s pieces have a variety of colorful, inlaid materials including spiny oyster, onyx, lapis, opal and the rare Dragon Skin or Brown Spider Web turquoise. These stones are most often inlaid in asymmetrical settings. His other silverwork is classic Navajo stamp work with classically set stones.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Cecilia Tono Piedra Negra Mid Century Modernist sterling mixed metals pendant/pin. Measurments in pics. 31.5 grams..

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Cel Vintage Matl Style Sterling Turquoise Amethyst and coral necklace/<br>bracelet/earrings set. Selling the set shown with no issues, Necklace 18.5"<br>long, bracelet 7.75" long, earrings 1.5" long. Nice old vintage set from the<br>70's or 80's. with no apparent damage. 85.8 grams total weight.

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Cenedese Murano Centerpiece with applied fruit handles. Great piece in perfect condition from the last half of the 20th century. 11" handle to handle x 8" tall, signed on base as shown. B38

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Central American Chancay Figure Very Early. Very old piece came from a collection of relics and Pre-columbian artifacts from Central America. I believe it's original circa 1000 A.D. and will back that up with no questions asked return if you aren't happy. 6.75" tall , doesn't stand well by itself, a few small flakes, no restorations. TW82

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Cesar Aquino Peruvian Gourd Art. Really cool and nice with no damage or wear. 10" tall x 4.75" wide. B54

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Chalmers Day Hopi silver Overlay Micro inlay belt buckle. Fits up to a 1.75" belt, 73.2 grams with no issues. Finest inlay work with Sugilite and other high grade materials. Silver buckles don't get much better than this. CHALMERS DAY (Hopi b. 1956 – present)Chalmerswas born October 24, 1956 in Keams Canyon, Arizona. Chalmers was given the Hopi name Dap-Hong-Va, and was born to the Corn and Water Clans. He is the grandson of Robert Satala, Sr., one of the Hopi’s earliest silversmiths and a merchant on the First Mesa in Arizona.Chalmers Daylearned his art from the Hopi master,Preston Monongye. As Dr. Gregory Schaaf in his book,American Indian Jewelry Artist Biographiesstates: “Chalmers specializes in very detailed and sophisticated designs in the overlay technique. The quality of his artistry is exceptional. His compositions combine village scenes, cornfields, kachinas and more in a single piece…. His jewelry takes one on a journey into the Hopi world. His designs portray the life of the Hopi, their migrations, ceremonies and spiritual figures. He is recognized as one of the greatest overlay jewelers in history.” In 1976, Chalmers participated in one of Preston’s jewelry classes. Preston continued to advise Chalmers in his jewelry craft. Like the Navajo Nation, the Hopi Indians were the benefactors of the Spaniards’ silversmith tradition. While the two nations’ influences are evident in the art of the other, Hopi jewelry artists sought to distinguish themselves from other Southwestern Indian jewelry artists.Beginning just before WWII, Hopi Indian jewelry artists have developed a characteristic style, one that uses few stones but intricate overlay design work. Today Chalmers Day is the most well-known Hopi jewelry artists. Day has been creating jewelry since 1972. The sterling silver overlay characteristic of Hopi jewelry requires two pieces of silver. Designs are cut into one piece, which is overlaid and soldered to another solid piece. This gives Hopi Indian jewelry depth, which is sometimes accentuated by the use of an oxidized or textured silver base. The brushed or polished overlay stands in brighter contrast to the darker background.Hopi Indian jewelry relies heavily upon traditional symbols and designs, including: cornstalks, bear claws, rain, clouds, man in the maze, sunfaces, kokopellis, and village scenes. The intricacy of the overlay patterns in the small space such as earrings and pendants, in particular, is truly amazing and speaks to the talent of the Hopi Indian jewelry artists. AWARDS:…Indian Market, Santa Fe, New Mexico (annually since 1983)…Jewels of the Southwest, Museum of Indian Arts & Culture, Santa Fe, New Mexico PUBLICATIONS:…American Indian Jewelry: 1200 Artist biographies Gregory Schaaf …Southwest Art MagazineMarked or unmarked as shown in pics, weight and other measurements in pics. Older Native American jewelry is typically unmarked. If I call it Silver or Ingot I'm guaranteeing it to be 90% or more silver. This isn't something I get confused about. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration.

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Measures 3 5/8" wide x 2" deep. No cracks, chips, or restorations.

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Chamilia Cham Sterling Silver Charm Bracelet with 17 Charms. Vintage sterling<br>bracelet every one marked Cham 925 and so is the bracelet, guaranteed authentic<br>most likely retired. 67.5 Grams sterling 7" long. I know I saw at least one or<br>two disney's.

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Chan Luu Peach Quartz beaded necklace. Very substantial 30" high quality necklace with graduated up to 20mm faceted natural peach quartz stones, hand tied with no issues.

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Charles Garnier Sterling Vermeil necklace 29" long 5/8" x 1.25" stations. Appears unworn with no issues. 16.6 grams. By 1901 Charles Garnier had established his reputation in Paris as a masterful designer of jewelry. Working in the time of Cartier and Vuitton, his creations soon became respected and admired for their exceptional quality and elegance. More than a century later, Charles Garnier Paris continues this tradition with the same dedication to excellence and workmanship that our namesake so proudly crafted into every piece. Our factory combines cutting edge technology with old world craftsmanship and hand finishing to create pieces that are sought after and sold throughout the world.

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Charles Johnson Navajo Sterling Gold Filled Blue topaz bracelet No issues.Charles was taught silversmithing from his parents at about the age of 15, and continued to learn on his own during the summers. His parents are lifetime silversmith’s with his mother’s family having 5 generations, and his father’s family with 2 generations. Charles has worked full-time as a silversmith since the age of 20. He first started inlaying at the age of 13 for a few years while learning both.Starting with traditional Navajo jewelry, Charles then went into Navajo contemporary jewelry, then onto the Western style with swirl design cutouts. The majority of his jewelry are cutout overlay on bracelets, and buckles with Petroglyph designs (Anasazi drawings). He also enjoys bracelet overlay with Western style and swirl design. Charles’ clans are Ashii (Salt People) and Todich’ii’nii (Bitter Water Clan).

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Charles Johnson Navajo Sterling/turquoise pendant 2.5" tall x .75" wide x 23 grams with no damage or wear.Charles was taught silversmithing from his parents at about the age of 15, and continued to learn on his own during the summers. His parents are lifetime silversmith’s with his mother’s family having 5 generations, and his father’s family with 2 generations. Charles has worked full-time as a silversmith since the age of 20. He first started inlaying at the age of 13 for a few years while learning both.Starting with traditional Navajo jewelry, Charles then went into Navajo contemporary jewelry, then onto the Western style with swirl design cutouts. The majority of his jewelry are cutout overlay on bracelets, and buckles with Petroglyph designs (Anasazi drawings). He also enjoys bracelet overlay with Western style and swirl design. Charles’ clans are Ashii (Salt People) and Todich’ii’nii (Bitter Water Clan).

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Charles M. Russell, Trigg Solid Sterling Silver Monkey Sculpture Limited Edition<br>#35/100. Inscribed, "© TRIGG RUSSELL FOUNDATION 35/100. Most likely cast by<br>Avent-Shaw Foundry NYC under authorization by the Trigg-C. M. Russell Foundation<br>Inc. These were actually original castings of Russell's. The sculpture features<br>a wild Turkey. The base is solid marble.<br><br>Charles Marion Russell (1864-1926) was one of America’s greatest artists. He<br>lived the life he captured on canvas, creating a breathtaking historical record<br>of Western cultures, landscapes, and wildlife. Charles Marion Russell (1864 –<br>1926) also known as C. M. Russell, Charlie Russell, and "Kid" Russell, was an<br>American artist of the American Old West He created more than 2,000 paintings of<br>cowboys, Native Americans, and landscapes set in the western United States and<br>in Alberta, Canada, in addition to bronze sculptures. He is known as "the cowboy<br>artist" and and was also a storyteller and author. He became an advocate for<br>Native Americans in the west, supporting the bid by landless Chippewa to have a<br>reservation established for them in Montana. In 1916, Congress passed<br>legislation to create the Rocky Boy Reservation. The figure weighs 1136 grams<br>inclusive of all material. The sculpture is in overall very good condition, rich<br>patinas throughout, measures 5" tall with a 3.75" x 2.75" base.<br><br>The COA pictured is included with this Sculpture. The Last pic is a page from an<br>original 1973 Catalog I have on these figures. It will not be included unless<br>several of these figures are purchased and it's priorly discussed. If you<br>purchase three or more I guess we don't have to discuss, I'll throw in the<br>catalog, if the catalog is no longer available you won't be reading this<br>paragraph.<br><br><br><br>anderascoll

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Charles M. Russell, Trigg Solid Sterling Silver Mountain Sheep Sculpture Limited<br>Edition #35/100. Inscribed, "© TRIGG RUSSELL FOUNDATION 35/100. Most likely cast<br>by Avent-Shaw Foundry NYC under authorization by the Trigg-C. M. Russell<br>Foundation Inc. These were actually original castings of Russell's. The base is<br>solid marble.<br><br>Charles Marion Russell (1864-1926) was one of America’s greatest artists. He<br>lived the life he captured on canvas, creating a breathtaking historical record<br>of Western cultures, landscapes, and wildlife. Charles Marion Russell (1864 –<br>1926) also known as C. M. Russell, Charlie Russell, and "Kid" Russell, was an<br>American artist of the American Old West He created more than 2,000 paintings of<br>cowboys, Native Americans, and landscapes set in the western United States and<br>in Alberta, Canada, in addition to bronze sculptures. He is known as "the cowboy<br>artist" and and was also a storyteller and author. He became an advocate for<br>Native Americans in the west, supporting the bid by landless Chippewa to have a<br>reservation established for them in Montana. In 1916, Congress passed<br>legislation to create the Rocky Boy Reservation. The figure weighs 576 grams<br>inclusive of all material. The sculpture is in overall very good condition with<br>no damage, rich patinas throughout, measures 4 5/8" tall with a 2.75" x 3" base.<br><br>The COA pictured is included with this Sculpture. The Last pic is a page from an<br>original 1973 Catalog I have on these figures. It will not be included unless<br>several of these figures are purchased and it's priorly discussed. If you<br>purchase three or more I guess we don't have to discuss, I'll throw in the<br>catalog, if the catalog is no longer available you won't be reading this<br>paragraph.<br><br><br>anderascoll

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Charles M. Russell, Trigg Solid Sterling Silver Native American "Indian"<br>Sculpture Limited Edition #35/100. Inscribed, "© TRIGG RUSSELL FOUNDATION<br>35/100. Most likely cast by Avent-Shaw Foundry NYC under authorization by the<br>Trigg-C. M. Russell Foundation Inc. These were actually original castings of<br>Russell's. The base is solid marble.<br><br>Charles Marion Russell (1864-1926) was one of America’s greatest artists. He<br>lived the life he captured on canvas, creating a breathtaking historical record<br>of Western cultures, landscapes, and wildlife. Charles Marion Russell (1864 –<br>1926) also known as C. M. Russell, Charlie Russell, and "Kid" Russell, was an<br>American artist of the American Old West He created more than 2,000 paintings of<br>cowboys, Native Americans, and landscapes set in the western United States and<br>in Alberta, Canada, in addition to bronze sculptures. He is known as "the cowboy<br>artist" and and was also a storyteller and author. He became an advocate for<br>Native Americans in the west, supporting the bid by landless Chippewa to have a<br>reservation established for them in Montana. In 1916, Congress passed<br>legislation to create the Rocky Boy Reservation. The figure weighs 766 grams<br>inclusive of all material. The sculpture is in overall very good condition with<br>no damage, rich patinas throughout, measures 4 5/8" tall with a 2.75" x 3.25"<br>base.<br><br>The COA pictured is included with this Sculpture. The Last pic is a page from an<br>original 1973 Catalog I have on these figures. It will not be included unless<br>several of these figures are purchased and it's priorly discussed. If you<br>purchase three or more I guess we don't have to discuss, I'll throw in the<br>catalog, if the catalog is no longer available you won't be reading this<br>paragraph.<br><br><br>anderascoll

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Charles M. Russell, Trigg Solid Sterling Silver Sow Pig Sculpture Limited<br>Edition #35/100. Inscribed, "© TRIGG RUSSELL FOUNDATION 35/100. Most likely cast<br>by Avent-Shaw Foundry NYC under authorization by the Trigg-C. M. Russell<br>Foundation Inc. These were actually original castings of Russell's. The base is<br>solid marble.<br><br>Charles Marion Russell (1864-1926) was one of America’s greatest artists. He<br>lived the life he captured on canvas, creating a breathtaking historical record<br>of Western cultures, landscapes, and wildlife. Charles Marion Russell (1864 –<br>1926) also known as C. M. Russell, Charlie Russell, and "Kid" Russell, was an<br>American artist of the American Old West He created more than 2,000 paintings of<br>cowboys, Native Americans, and landscapes set in the western United States and<br>in Alberta, Canada, in addition to bronze sculptures. He is known as "the cowboy<br>artist" and and was also a storyteller and author. He became an advocate for<br>Native Americans in the west, supporting the bid by landless Chippewa to have a<br>reservation established for them in Montana. In 1916, Congress passed<br>legislation to create the Rocky Boy Reservation. The figure weighs 955 grams<br>inclusive of all material. The sculpture is in overall very good condition with<br>one small chip on one corner of the base, rich patinas throughout, measures 3<br>7/8" tall with a 4" x 3" base.<br><br>The COA pictured is included with this Sculpture. The Last pic is a page from an<br>original 1973 Catalog I have on these figures. It will not be included unless<br>several of these figures are purchased and it's priorly discussed. If you<br>purchase three or more I guess we don't have to discuss, I'll throw in the<br>catalog, if the catalog is no longer available you won't be reading this<br>paragraph.<br><br><br>anderascoll

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Charles M. Russell, Trigg Solid Sterling Silver Three Grizzly Bears Sculpture<br>Limited Edition #35/100. Inscribed, "© TRIGG RUSSELL FOUNDATION 35/100. Most<br>likely cast by Avent-Shaw Foundry NYC under authorization by the Trigg-C. M.<br>Russell Foundation Inc. These were actually original castings of Russell's. The<br>sculpture features Three Bears. The base is solid marble.<br><br>Charles Marion Russell (1864-1926) was one of America’s greatest artists. He<br>lived the life he captured on canvas, creating a breathtaking historical record<br>of Western cultures, landscapes, and wildlife. Charles Marion Russell (1864 –<br>1926) also known as C. M. Russell, Charlie Russell, and "Kid" Russell, was an<br>American artist of the American Old West He created more than 2,000 paintings of<br>cowboys, Native Americans, and landscapes set in the western United States and<br>in Alberta, Canada, in addition to bronze sculptures. He is known as "the cowboy<br>artist" and and was also a storyteller and author. He became an advocate for<br>Native Americans in the west, supporting the bid by landless Chippewa to have a<br>reservation established for them in Montana. In 1916, Congress passed<br>legislation to create the Rocky Boy Reservation. The figure weighs 772 grams<br>inclusive of all material. The sculpture is in overall very good condition, rich<br>patinas throughout, measures 2.5" tall with a 4 7/8" x 2.75" base.<br><br><br>The COA pictured is included with this Sculpture. The Last pic is a page from an<br>original 1973 Catalog I have on these figures. It will not be included unless<br>several of these figures are purchased and it's priorly discussed. If you<br>purchase three or more I guess we don't have to discuss, I'll throw in the<br>catalog, if the catalog is no longer available you won't be reading this<br>paragraph.<br><br><br>anderascoll

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c1925 Royal Doulton Chang over Sung decorated Flambe Signed by Charles Noke<br>(1858 - 1941); Harry Nixon (1886 - 1955). Large, rare, one of a kind and<br>important. 9.75" 24.5cm tall x 6" 15cm wide. No cracks, chips, restorations or<br>wear. Overall crackle glaze from production. This is likely the most fun and<br>interesting piece of pottery I've owned and I've appreciated art pottery the<br>majority of my life. This piece was entirely decorated with the prunus<br>chinoiserie "Sung" decoration (Iridescent branches and flowers) and flambe glaze<br>then they poured this crazy thick Chang glaze on it and just let it run. I feel<br>this is likely a piece from the very beginning of Chang production in 1925 or<br>even before when they were experimenting as it's a most unusual and extremely<br>labor intensive piece, even the bottom seems like a party. In addition to the<br>painted marks and signatures there is also an impressed Doulton and something<br>else that I just couldn't decide what it was. For international shipment it will<br>be sent Fedex so it will be there in less than a week unless you have an<br>objection.<br>B33

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Charles Supplee Hopi large modernist sterling multi-stone butterfly necklace 25" necklace, other measurements in pics. No issues. c1980'sSupplee, Charles (b. 1959) Biography Multiple award winning artist Charles Supplee is known for his elegant and innovative contemporary jewelry design and colorful stonework. He was born to a Hopi mother but grew up on the Navajo Reservation where his French father was a school teacher. The elder Supplee was an hobby jeweler and taught Charles the basics at home. After graduating from high school, he moved to Scottsdale to work as a silversmith at the Arizona Turquoise and Silver Company, and in the 1980s, he apprenticed for two years with the renowned French jeweler, Pierre Touraine. Touraine enlarged Supplee’s repertoire of techniques and also taught him three-dimensional design for which his in now well known. He also works in bronze sculpture, photography and painting.

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Chief Wolf Robe Hunt (1905-1977) Acoma Ingot silver and turquoise Thunderbird pendant. Measurements in pics. 20" necklace from the 20's-30's but not Native American made.Wayne Wolf Robe Hunt, a full-blood Acoma Indian (1905-1977). Born on the Acoma Reservation, Wolf Robe was the son of Chief Day Break (Edward Proctor Hunt), Chief of the Delight Makers -- a man instrumental in the improvement of relations between the Acomas and whites. His mother, Morning Star, whose own father was Governor of Acoma seven times, was a potter and weaver. Wolf Robe learned silver-smithing from his older brother on the reservation. Wolf Robe achieved recovnition and fame for his jewelry and art work, winning the prestigious Philbrook Art Center's Grand Award in 1967. In addition, he was a businessman, with his own arts and crafts store in Tulsa, a lecturer, international traveller, author, and translator for the Bureau of American Ethnology. He assited L. A. White in his extensive studies of the Acoma Indians and made recordings for the National Anthropological Archives. Wolf Robe was particularly interested in the preservation of tribal customs, language and culture, and devoted his own time to this and the encouragement of others in similar efforts. Of his work at BAE he said, "My work there as an interpreter is the highlight of my efforts in trying to preseve all of the rich and wholesome lore of my people."* Not only was the preservation of the 'old ways' important to Wolf Robe, but also the representation and dissemination of his culture to whites, in an effort to promote their understanding and appreciation. He travelled all over Europe and to Australia for the Departments of Agriculture and Commerce, representing the American Indian to an appreciative audience.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Chief Wolf Robe Hunt (1905-1977) Acoma silver Bolo tie with turquoise/Jasper heart, 40" long with no issues.Wayne Wolf Robe Hunt, a full-blood Acoma Indian (1905-1977). Born on the Acoma Reservation, Wolf Robe was the son of Chief Day Break (Edward Proctor Hunt), Chief of the Delight Makers -- a man instrumental in the improvement of relations between the Acomas and whites. His mother, Morning Star, whose own father was Governor of Acoma seven times, was a potter and weaver. Wolf Robe learned silver-smithing from his older brother on the reservation. Wolf Robe achieved recovnition and fame for his jewelry and art work, winning the prestigious Philbrook Art Center's Grand Award in 1967. In addition, he was a businessman, with his own arts and crafts store in Tulsa, a lecturer, international traveller, author, and translator for the Bureau of American Ethnology. He assited L. A. White in his extensive studies of the Acoma Indians and made recordings for the National Anthropological Archives. Wolf Robe was particularly interested in the preservation of tribal customs, language and culture, and devoted his own time to this and the encouragement of others in similar efforts. Of his work at BAE he said, "My work there as an interpreter is the highlight of my efforts in trying to preseve all of the rich and wholesome lore of my people."* Not only was the preservation of the 'old ways' important to Wolf Robe, but also the representation and dissemination of his culture to whites, in an effort to promote their understanding and appreciation. He travelled all over Europe and to Australia for the Departments of Agriculture and Commerce, representing the American Indian to an appreciative audience.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Chief Wolf Robe Hunt Acoma (1905-1977) silver necklace with pendant. Very well made as expected 20" necklace with other measurements in pics.Wayne Wolf Robe Hunt, a full-blood Acoma Indian (1905-1977). Born on the Acoma Reservation, Wolf Robe was the son of Chief Day Break (Edward Proctor Hunt), Chief of the Delight Makers -- a man instrumental in the improvement of relations between the Acomas and whites. His mother, Morning Star, whose own father was Governor of Acoma seven times, was a potter and weaver. Wolf Robe learned silver-smithing from his older brother on the reservation. Wolf Robe achieved recovnition and fame for his jewelry and art work, winning the prestigious Philbrook Art Center's Grand Award in 1967. In addition, he was a businessman, with his own arts and crafts store in Tulsa, a lecturer, international traveller, author, and translator for the Bureau of American Ethnology. He assited L. A. White in his extensive studies of the Acoma Indians and made recordings for the National Anthropological Archives. Wolf Robe was particularly interested in the preservation of tribal customs, language and culture, and devoted his own time to this and the encouragement of others in similar efforts. Of his work at BAE he said, "My work there as an interpreter is the highlight of my efforts in trying to preseve all of the rich and wholesome lore of my people."* Not only was the preservation of the 'old ways' important to Wolf Robe, but also the representation and dissemination of his culture to whites, in an effort to promote their understanding and appreciation. He travelled all over Europe and to Australia for the Departments of Agriculture and Commerce, representing the American Indian to an appreciative audience.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Childs Navajo Sterling turquoise bear claw shadowbox cuff bracelet. 3 grams, no issues.

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Chinese Antique Carved Wood Buddhist Scroll Box on stand. Great piece from the<br>19th century with great carving. The base that the carved part sits on has two<br>chips off the bottom, no other apparent issues. 11" x 4.5" x 7" tall.TW178

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Chinese Art Glass Peach Paperweight. Signed and numbered with no damage<br>whatsoever. 4.5" wide x 3" tall.<br>pwdrawer

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Chinese Carved Jadeite brush washer. Carved natural jadeite 3.75" x 2.75" x 1", 210 grams, unsure of age.

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Chinese Ceramics Lot Qing to Republic Period 4 pieces Hand Decorated. Selling the 4 pieces 19th to early 20th century. Blue underglaze plate is 6.25" with one tight hairline shown at top reverse, no other damage. The 7.25" famille rose shallow bowl has no damage, The 4 3/8" wide x 2.25" tall blue underglaze decorated planter has no damage, 3 7/8" tall and wide peach form famille rose planter has one glazed over chip on top and hard water stains in interior. Selling the lot. b14

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Guaranteed circa late 19th century, Late Qing Dynasty. 17.25" tall x 5.25" wide<br>at base.<br><br>There is a firing flaw in the back and a tight and stable very old restoration<br>of a crack that starts there and goes up along the neck on the opposite side of<br>the boy he's holding and stops right before his beard. No other damage or<br>restorations. I acquired these as a set of three but I'm listing separate so I<br>can give them the photographic attention they deserve. Also the Shou Figure is<br>heavier, so it may be a married set. Weighs 2.5 pounds.

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Measures 12 1/8" x 8.75" with two very tiny flakes on the bottom right rim. No<br>other cracks, chips, or restorations. Guaranteed 19th century or earlier. All<br>hand decorated. Close-up of flakes shown in last pic, they're really nothing.

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Chinese Hand Painted Republic Period Wig Stand. Exceptional painting on this piece, some loss to enamel, no cracks, chips, or restorations. 11.5" tall. TW252

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Chinese Ming Dynasty Plate Blue Underglaze 7" One tight hairline less than 1", a<br>few flakes on the barbs and one small chip on footrim. No other chips, cracks,<br>or restorations.<br>TW132

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Chinese Ming Dynasty Plate Blue Underglaze 7.75" One tight hairline that extends<br>almost to the footrim. No other cracks, chips, or restorations.<br>TW132

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Chinese Ming Dynasty Plate Blue Underglaze 8.25" a few very tiny glaze frits on<br>the sharp points and one tight hairline that extends halfway to the footrim.<br>TW132

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Chinese Ming Dynasty Storage Jar Brownware 6.75" tall x 6" wide. Good early<br>piece of early chinese stoneware from an old collection. No cracks, chips, or<br>restorations, blemish on side where pots were too close when cooling.<br>TW132

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Chinese Ming Earthenware jar. 4.5" tall x 4.75" wide, small chips to rim, no cracks or restorations, one ding in upper body. Collected in the 60's or 70's in Asia. chinashelf

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Chinese Ming Swatow Bowl. Stable hairline in top, some crazing. No other cracks, chips, or restorations, was purchased from Neiman Marcus galleries in Houston in the Early Seventies, at the time they sold antiques and maybe still do. 10 7/8" wide. tw217

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Chinese Ming Swatow Bowl. 9" wide, No cracks, chips, or restorations.

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Chinese Proc Period Carved Boxwood Buddha figure. Nice piece from the third quarter of the 20th century, hand carved. 6" tall x 5" wide. tw260

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Chinese Proc period Porcelain Vases. Very high quality pair from the third<br>quarter of the 20th century, all hand painted. 8" tall x 5.5" wide. No cracks,<br>chips, or restorations.<br>TW152

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Chinese Qing Dynasty Blue Underglazed Hand Painted Jar. Nice antique piece guaranteed 19th century, all hand decorated. No cracks, chips, or restorations. 8.5" tall x 8" wide. Tw35

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Chinese Republic Period Blanc De Chine Fisherman Figure 9.75" tall. Circa mid 20th century late republic period. Minor loss to something sticking out from his hand at the top of the net. No other cracks, chips, or restorations. TW157

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Chinese Republic period carved turquoise figure 2.5" x 1.5" including fitted<br>stand. Very intricately hand carved natural turquoise from the first half of the<br>20th century. No damage or restorations, natural fissures/matrix.

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Chinese Republic period carved turquoise figure boy on water buffalo 3" tall x<br>2.25" wide including fitted stand. Very minor loss to bottom of reins in boys<br>hand after it hangs down, no other damage or restoration. Natural hand carved<br>turquoise.

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Chinese Republic Period Charger nice Painting Yongzheng mark. 13.25" with no cracks, chips, or restorations. Estate fresh never been to auction came with note on back saying it was purchased in Canada in 1953, there was another Chinese piece in the same house with a similar note so evidently these were presumed antiques from the 18th century. I believe it's early 20th century, I'm guaranteeing it from the first half of the 20th century and Chinese. Hand painted with hand painted four character mark on reverse side. TW233

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Chinese Republic Period cloisonne humidor with bronze foo lion handle. 7.5" tall<br>x 5 5/8" wide with no detectable damage.<br><br>tw147

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Chinese Republic Period Cloisonne mounted Brass Humidor. Fantastic box, wood<br>lined so likely intended as a humidor but really just a great and unusual box<br>for any purpose obviously. No damage to enamel or hinges 6" x 4" x 2.25", would<br>polish up nicely if that's what you like.<br>chinesedrawer

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Chinese Republic Period Nephrite Jade Buddha on Fitted wood stand. Nice piece from the first half of the 20th century with no damage. Nice no brainer patina to fitted wood stand I left buddha dirty, while he's beautiful because he's an interpretation of Buddha I'm sure he'd look better clean. Nice hand carved natural jade. 3 7/8" tall with stand and 3" wide stand. b32

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Chinese Republic Period Peking Glass Mirrored Pair Bud Vases. Great pair of hand<br>cut Chinese Peking glass vases from the first quarter of the 20th century. 9<br>5/8" tall x 3 7/8" wide. One with very small flake to decoration shown in the<br>last pic. Not noticeable, the only way I found it was with my hand.<br>isshelf

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Chinese Republic period Quartz Foo lions 6" tall x 4" wide each. Solid hand<br>carved quartz with natural fizzures and detectable chips or cracks. Selling the<br>exact pair shown.<br>isshelf

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Chinese Republic Period Tea Jar with lid. Nice piece from the first half of the 20th century with no cracks, chips, or restorations. There was putty holding the lid on, I cleaned most of it off, it's not hiding any damage. 5" tall x 4.5" wide. tw194

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Chinese Song Celadon Tea Bowl. 4 7/8" wide x 2" tall one chip on outside rim, no<br>other cracks, chips, or retorations. Collected in the 60's or 70's in Asia.<br>chinashelf

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Chinese Wanli Ming Crane dish described in detail on 1984 appraisal which will be included and a pic of is included in the attached pictures. Jo Ann Adams was a very well respected, thorough, and knowledgeable appraiser that specialized in Asian antiques. And as you most likely know if you're reading this Chinese porcelain is one of the few areas of Antiques/Collectibles that have proven to be an excellent investment in the last 38 years since these appraisals were done.Very small chip on reverse rim, no other cracks, chips, or restorations.

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Chris Bales Elligators sterling, turquoise, Amethyst, and sea glass cross pendant. Since 1993, Chris Bales has captured the radiance of sterling silver artfully designed with colorful gems and organic treasures to create exquisite pieces, I believe she has recently retired.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Chris Billie Navajo Contemporary Tufa Cast Sterling turquoise ring. Part of a large estate collection of contemporary Native American jewelry, great condition with no issues appearing unworn.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Christian Dior Diorissimo Frosted Perfume Bottle. Good early bottle from the first half of the 20th century. 3" tall x 2.75" wide. No cracks or chips. A little dirty,I don't want to mess up the label trying to clean it. Tw97

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Christmas 1960 Japanese Sterling Jewelry box. Tarnished, appears unused other than monogram, very minor wear from 63 years of an easy life on a shelf. No dents, closes tightly. 7" x 4" x 1.75", lined with lightweight wood interior. 332 grams.

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Christofle Folio Ice Bucket Geometric Design 5.5" tall x 6" wide without handles. Good condition with minor scratches that aren't a distraction and would polish out.

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I'm not 100% sure this is a Dresser design as I could find no records on an<br>identical piece.<br><br>Measures 11" tall total, base is 5 1/8" wide. burner mechanism is functional.<br>Knob turns and wick goes up. There may have been a cap that covered the burner<br>when not in use. M monogram on Base. Rd no. 600494 stamped in center on base,<br>which dates it to 1912. Patent stamped on burner knob. Minor wear to Silverplate<br>underneath bear<br>Base and on burner/knob.<br><br>Hukin and Heath, a silver and Silverplate company was established by Jonathan<br>Wilson Hukin and Thomas Heath c.1855. A strong relationship was developed with<br>Dr Christopher dress as the head designer from 1877 until c.1881. Dressers'<br>designs were launched at the opening of the firm's showrooms on Charterhouse<br>street in August 1879. Some of Dresser's designs were manufactured until after<br>1900.<br>Tw10

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