14" x 9" wide. No cracks,chips, or restorations. Firing flaws below foot are<br>interesting. Guaranteed mid 19th century.

Leggere Di più meno

Guaranteed 19th century or older. I believe it may even be 18th century. There<br>is no damage or restorations. The separations of the lace are from the firing.<br>Unsure of manufacturer. 4" tall.

Leggere Di più meno

I believe this figure to be antique. There is no under glaze mark and the mold number 35 is hand incised. I believe that dates it prior to 1860. There is no damage or restorations. Guaranteed Nymphemburg. Not a common figure. The four season figures are similar, but have a different base and figures.

Leggere Di più meno

.<br>Guaranteed 19th century or older Extremely heavy piece of hard porcelain for its<br>size. Very Good quality. I believe there's very old professional restoration to<br>the right hand. No other damage. 6" tall.

Leggere Di più meno

Hermann Sontag (1873-1944) Antique Porcelain Plaque hand painted woman. 10 3/8" x 8 3/8" framed x 6 3/8" x 4.25" plaque. No damage to plaque or frame.

Leggere Di più meno

14 5/8" wide x 7 3/8" tall. No cracks, chips, or restorations. Some wear to<br>lustre on rim, overall crazing as expected. Impressed Furnival mark. Mid 19th<br>century.

Leggere Di più meno

3 5/8" tall x 4"wide with no damage or restorations whatsoever. I could find no<br>definite losses to applied decoration.<br><br>circa 1860's.

Leggere Di più meno

11" tall x 10.25" handle to spout. Like new condition with no cracks, chips,<br>scratches, stains, crazing, or gold wear.

Leggere Di più meno

They measure 7 7/8" tall and the bases are 3 11/16" wide. I'm 100% certain these<br>are very early antique figures circa late 18th to early 19th century. They have<br>Joseph Gaspard Roberts' mark and I have no reason to believe they aren't that.<br>He operated a factory until 1793. The man has an extremely old restoration to<br>his arm and a small chip under the base with no other damage. The woman has a<br>few small chips off her bouquet with no other damage.

Leggere Di più meno

c1820 Staffordshire Pearlware Figure Girl 6.5" tall with 2.5" square base Nice<br>piece with no restorations or major damage. 2 tiny nicks on base, one small chip<br>off her dress, no cracks, some paint wear.<br>TW133

Leggere Di più meno

This particular bottle is Very Scarce. The lid has no damage. The base has been<br>broken and re-glued it also has a crack on her left side extending all the way<br>down. Measures 10.5"

Leggere Di più meno

Great piece with no issues. The paint is a bisque type rather than the more common shiny painting of the era. It was painted at the factory pre firing as it survived much cleaning on my part. I wouldn't pull out the steel wool, but the paint is strong. A graceful work of art that will blend in with most settings. The porcelain is perfect with no damage or wear.

Leggere Di più meno

Well here it is! What you've always wanted but couldn't justify doing<br>financially or with a clear conscience. Someone did it for you about 50 years<br>ago. They did a good job it appears. Though I guess they had to drill the<br>pitcher. The pitcher is perfect otherwise with no cracks, chips, or<br>restorations. The bowl has a very tight crowsfoot on the base that doesn't go<br>through to interior. Both pieces have the expected crazing from 120 year old<br>earthenware. A couple worn glaze spots on rim of bowl, no chips or cracks. The<br>bowl is 15.75" wide, pitcher is 11.5" tall without brass hardware. Lamp and<br>switch work.<br><br>I'll include the shade if you want, but my main concern will be the careful<br>packaging of the bowl/pitcher. They will for sure reach you in the condition<br>they're currently in.

Leggere Di più meno

The woman is 8 7/8" tall, the man is 8.5" tall. Tag on the base indicating they<br>were part of the "Burnap Collection" Chelsea, 1770. I believe they're from the<br>crossover period right around the time the firm changed hands in 1769. They have<br>the Patch marks on the base. I believe these are a fairly uncommon subject<br>matter. Guaranteed 18th century.<br><br>There is much damage to the applied Florals on both pieces. I believe there is a<br>very old professional restoration to his hat and her arm.<br><br>The pair is very heavy, 3.25 pounds.<br><br>The Chelsea porcelain manufactory (established around 1743-45) is the first<br>important porcelainmanufactory in England;[1] its earliest soft-paste porcelain,<br>aimed at the aristocratic market—cream jugs in the form of two seated goats—are<br>dated 1745. The entrepreneurial director was Nicholas Sprimont, a silversmith by<br>trade, but few documents survive to aid a picture of the manufactory's history.<br>Early tablewares, being produced in profusion by 1750, depend on Meissen<br>porcelain models and on silver prototypes, such as salt cellars in the form of<br>realistic shells.<br><br>Chelsea was known for its figures. From about 1760 its inspiration was drawn<br>more from Sèvres porcelainthan Meissen.<br><br>In 1769 the manufactory was purchased by William Duesbury, owner of the Derby<br>porcelain factory, and the wares are indistinguishable during the "Chelsea-Derby<br>period" that lasted until 1784, when the Chelsea factory was demolished and its<br>moulds, patterns and many of its workmen and artists transferred to Derby.

Leggere Di più meno

Guaranteed circa mid to late 19th century, special. There is no damage, overall<br>crazing as expected with light stains on a few pieces. Hand potted with applied<br>handles, creamer is molded. Plates are 5 5/8" wide.

Leggere Di più meno

Sure to be the star of any collection or room it's in. It measures 18" without<br>the frame and 23 7/8" with. A graceful work of art that will blend in with most<br>settings. The porcelain is perfect with no damage or wear. The frame is clean<br>but missing four of the beads surrounding the plaque.

Leggere Di più meno

3.5" tall x 4.5" tall. Really incredible piece of complex hand made art pottery<br>by the Texas Artist Barbara Woodruff. No damage whatsoever.

Leggere Di più meno

15.5" tall x 6.5" wide. All hand decorated. Nice fancy embossing, really good<br>quality porcelain, no cracks, chips, or restorations, clean gold on trim and<br>handles. I'm 100% sure these have no restorations, amazing but I guess they were<br>kept out of the way for over 100 years. They're really big.

Leggere Di più meno

The only pieces that don't have damage are the 3 5/8" tall Chelsea Sprig Creamer<br>that's very unusual with the blue background and the handle less cup and saucer.<br>The saucer is 5 5/8" wide. The blue decorated pitcher is 5" tall with repaired<br>handle and a chip on rim. The multicolor painted pitcher is 4.25" tall with 3<br>small chips on the spout. The 3.5" blue striped mug has a repair on handle and<br>restored chip on base. The 4" blue striped cup has 2 chips and 2 small hairlines<br>on rim. The 4.5" pink lustre decorated pitcher has a chip on bottom of handle<br>and 2 small chips on spout.

Leggere Di più meno

c1940 Lenox Miniature Girl on Ledge Figure 3.75" tall with no cracks, chips, or crazing. b12

Leggere Di più meno

Plaque measures 5.75" x 4" frame measures 8" x 6 1/8" no damage of any kind. All<br>hand painted and artist signed. Guaranteed 19th century Hutschenreuther.

Leggere Di più meno

Some gold wear on rim and flowers closest to the rim. No chips, cracks, or restorations. Unmarked, but guaranteed RS Prussia.

Leggere Di più meno

Really nice early 1800's to 1860's compote set. I believe the Brown leaves on the rim are transfer printed, but am positive the flowers in the centers are hand painted. Every piece has slight variations some even have different colored roses in the same spots. The plates were made on a potters wheel. The Compote and plates are 9" wide x 2.5" tall, no cracks, chips, or restorations on any of the 5 pieces there is minor gold wear on the compote, very minor utensil marks here and there on all pieces, extremely light stains on the front and back of one plate. This is a really clean set and very early.

Leggere Di più meno

Early Booths thin British Ironstone bowl. This bowl is amazingly thinly potted for this type/era piece. This is an Early Booths mark, I believe from the third quarter of the 19th century. Large bowl with no cracks, chips, or restorations. 9" wide x 4.25" tall. isshelf

Leggere Di più meno

Antique Dresden Hand painted bowl. Super fancy shape with little to no wear. 7" x 7 5/8" one tiny teeny chigger bite on footrim that I attempted to show in top center of last pic. It's nothing, would never be noticed anywhere, only mentioning because it's an online sale, no other chips, cracks, restorations, or significant wear. isshelf

Leggere Di più meno

Spode Enzo Plazzotta Antoinette Sibley and Anthony Dowell in 'Friday's Child' ballet dancers sculpture. Limited Edition Sculpture on very heavy marble base, The base will be removed for shipping and they will be protected so the arms don't come into contact with anything. I will most likely ship the base separately as it's really heavy, some with threaded screw for easy removal and reassembly. 14.5" tall.

Leggere Di più meno

Large Antique French Holy water font Ruffony. 13.75" tall x 10" wide, mixed<br>metals on wood, great condition.

Leggere Di più meno

JL Menau Graf Von Hennebert Porzellan Echt Reticulated footed hand enameled porcelain bowl. 10 7/8" wide x 3.5" tall with no damage and almost no signs of wear, very minimal wear to gilding. isshelf

Leggere Di più meno

Antique Staffordshire Bookends Man and Woman reclining on sofa bookend figures. 19th century with no cracks, chips, or restorations. 8.5" tall x 7.75" wide.. tw105

Leggere Di più meno

Antique Staffordshire Cobbler and Wife bookend figures. 19th century with no cracks, chips, or restorations. 6.5" tall. tw105

Leggere Di più meno

C1900 French T&V Limoges porcelain plaque. Appears to be artist signed<br>Hodkinson. 7.5" x 9.75" plaque in 11 5/8" x 9 1/8" frame. Nice antique over 100<br>year old hand painted plaque. No damage.

Leggere Di più meno

c1900 Equestrian/ scene Adams Jasperware biscuit barrel. 6" tall without bail x 6" wide, no damage, restorations, or stains. tw274

Leggere Di più meno

c1860 Two relief molded jugs pewter mounted. Selling both jugs shown, tallest 9.5" to thumb lift. No damage to ceramics, blue one marked T booth on lid and Cork and Edge on base has some loss to the mounting but the lid is intact and functional unrestored condition. Tw274

Leggere Di più meno

1860's Minton Majolica Game Pie Dish with lid. English Victorian majolica game-pie dish, Minton, c.1862, lid with game animals resting on ferns and leaves molded in relief, base modeled as a woven basket with oak branch handles, impressed mark Minton with date cypher, small area of restoration at tip of mallard's wing, approx 7"h, 13.25"l, 8"w, 6.25lbs. No damage or restorations other than the tip of the wing shown and described. isshelf

Leggere Di più meno

Early Celadon bowl. 5 1/8" wide x 1 5/8" deep, good early piece likely Chinese<br>from a collection put together in the third quarter of the 20th century<br>traveling through and working in Asia. Glaze inconsistencies and crazing that<br>may not be intentional but are very attractive. A few tiny chips to footrim<br>mostly glazed over.

Leggere Di più meno

Franz Kriwanek (American, 1920-1994) Mid Century Modern Texas Studio Pottery<br>large vase. 9.75" tall x 7" with with no damage or restorations. Fresh from a<br>local Austin TX estate, most likely made when he was teaching in TX before<br>moving to Silverton.<br><br>Franz Kriwanek (American, 1920-1994). artist, potter, professor and author<br>renown for blending clays and glazes from soils and minerals of the San Juan<br>Mountains near Silverton Colorado. Pottery made from these mixtures is very<br>durable with a distinctive allure. When Germany conquered Czechoslovakia,<br>Kriwanek was forcibly drafted into the German Army. He was then sent to North<br>Africa desert, but one morning when he and the other forced draftees awoke, they<br>were alone. Kriwanek was sent to the Prisoner of War Camp in Clarinda, where he,<br>an artist by trade, began painting again, specifically illustrations of the<br>camp. Once the war was over, he was released and returned to Europe, where he<br>lived in the Netherlands for four years. In fact, Winegardner said a family in<br>Shenandoah sent Kriwanek to the University of Iowa where he could obtain his<br>teaching degree. He then taught in Shenandoah for one year, followed by Mount<br>Pleasant, Iowa.<br><br>In 1948, Franz Kriwanek settled in Sweden to study Sino-Swedish stoneware under<br>the masters Wilhelm Koge and Stig Lindberg. While in Sweden he had 7 one man<br>exhibits.In 1963, He arrived in Texas, taking a position on the art faculty at<br>Texas Tech University. For months after he arrived in West Texas, he sought a<br>clay suitable to stand 2,400 degrees. He found it in a quarry in Snyder, Texas.<br>He believed in using local materials and developed a series of glazes which have<br>cotton gin ashes as they main component. These glazes follow the same traditions<br>of Chinese ash glazes.<br><br>“Franz Kriwanek was born on May 1, 1920 in Worschach, Austria.<br>Winegardner said when Germany conquered Czechoslovakia, Kriwanek was forcibly<br>drafted into the German Army. He was then sent to North Africa desert, but one<br>morning when he and the other forced draftees awoke, they were alone.<br>“The Germans were gone. They had left them in the desert,” said Winegardner.<br>“The first thing they did was surrender.”<br>Kriwanek was sent to the Prisoner of War Camp in Clarinda, where he, an artist<br>by trade, began painting again, specifically illustrations of the camp. Once the<br>war was over, he was released and returned to Europe, where he lived in the<br>Netherlands for four years.<br>“Someone he knew in Clarinda sponsored him and his family to move back to<br>Clarinda,” Winegardner said. “He then moved to Shenandoah and started Kriwanek<br>Pottery and Art School. He was really promoted and supported by people in<br>Shenandoah.”<br>In fact, Winegardner said a family in Shenandoah sent Kriwanek to the University<br>of Iowa where he could obtain his teaching degree. He then taught in Shenandoah<br>for one year, followed by Mount Pleasant, Iowa.<br>“He ended his teaching career as chair of ceramics at the University of Texas at<br>Lubbock,” said Winegardner. “He ended up in Silverton, Colorado with Silverton<br>Mountain Pottery. He passed away in 1994, but his pieces have recently become<br>overly popular.”

Leggere Di più meno

Franz Kriwanek (American, 1920-1994) 1965 Mid Century Modern Texas Studio<br>Pottery Framed Plaque 9.25" x 16" total 13.25" x 7" plaque, absolutely no damage<br>or wear.<br><br>Franz Kriwanek (American, 1920-1994) artist, potter, professor and author renown<br>for blending clays and glazes from soils and minerals of the San Juan Mountains<br>near Silverton Colorado. Pottery made from these mixtures is very durable with a<br>distinctive allure. When Germany conquered Czechoslovakia, Kriwanek was forcibly<br>drafted into the German Army. He was then sent to North Africa desert, but one<br>morning when he and the other forced draftees awoke, they were alone. Kriwanek<br>was sent to the Prisoner of War Camp in Clarinda, where he, an artist by trade,<br>began painting again, specifically illustrations of the camp. Once the war was<br>over, he was released and returned to Europe, where he lived in the Netherlands<br>for four years. In fact, Winegardner said a family in Shenandoah sent Kriwanek<br>to the University of Iowa where he could obtain his teaching degree. He then<br>taught in Shenandoah for one year, followed by Mount Pleasant, Iowa.<br><br>In 1948, Franz Kriwanek settled in Sweden to study Sino-Swedish stoneware under<br>the masters Wilhelm Koge and Stig Lindberg. While in Sweden he had 7 one man<br>exhibits.In 1963, He arrived in Texas, taking a position on the art faculty at<br>Texas Tech University. For months after he arrived in West Texas, he sought a<br>clay suitable to stand 2,400 degrees. He found it in a quarry in Snyder, Texas.<br>He believed in using local materials and developed a series of glazes which have<br>cotton gin ashes as they main component. These glazes follow the same traditions<br>of Chinese ash glazes.<br><br>“Franz Kriwanek was born on May 1, 1920 in Worschach, Austria.<br>Winegardner said when Germany conquered Czechoslovakia, Kriwanek was forcibly<br>drafted into the German Army. He was then sent to North Africa desert, but one<br>morning when he and the other forced draftees awoke, they were alone.<br>“The Germans were gone. They had left them in the desert,” said Winegardner.<br>“The first thing they did was surrender.”<br>Kriwanek was sent to the Prisoner of War Camp in Clarinda, where he, an artist<br>by trade, began painting again, specifically illustrations of the camp. Once the<br>war was over, he was released and returned to Europe, where he lived in the<br>Netherlands for four years.<br>“Someone he knew in Clarinda sponsored him and his family to move back to<br>Clarinda,” Winegardner said. “He then moved to Shenandoah and started Kriwanek<br>Pottery and Art School. He was really promoted and supported by people in<br>Shenandoah.”<br>In fact, Winegardner said a family in Shenandoah sent Kriwanek to the University<br>of Iowa where he could obtain his teaching degree. He then taught in Shenandoah<br>for one year, followed by Mount Pleasant, Iowa.<br>“He ended his teaching career as chair of ceramics at the University of Texas at<br>Lubbock,” said Winegardner. “He ended up in Silverton, Colorado with Silverton<br>Mountain Pottery. He passed away in 1994, but his pieces have recently become<br>overly popular.”

Leggere Di più meno

1920's Noritake Art Deco heavily gilt oval bowl. Very amazing piece in near mint condition with no damage or detectable wear. Marked as shown, likely decorated by Pickard or one of the other Chicago decoration studios of the first half of the 20th century.. 10.25" x 7" x 2.5" deep.tw270

Leggere Di più meno

Antique Royal Doulton Stoneware miniatures. Selling the three pieces from the first quarter of the 20th century with no damage. Loving cup is unmarked but has been attributed to Doulton by reliable sources, it's 7/8" tall, mug and creamer are 1 9/16" tall. Selling all three pieces. kitshelf

Leggere Di più meno

c1830-40 British Hand painted heavily gilt compote. Very amazing and wonderful from the first half of the 19th century, unmarked, British. I spent not one second trying to identify the maker as there just is no extra time. Knowing that it's Ridgway, Spode, etc won't make it any nicer. My theory is the ones that care know already. 10.25" wide x 6.5" tall. No cracks, chips, or restorations.

Leggere Di più meno

c1840 Orientalist Transferware Arabic/Asian Scenes collection Siam, Asiatic Views, Palestine, and one more unmarked. All with no cracks, chips, restorations, or significant wear. 8" plates, 9" pickle/relish dish. Selling the lot shown.

Leggere Di più meno

Antique Delft Tiles in wood frames. Selling the 4 16th/17th century Dutch delft tiles possibly cut to fit in these oval frames in the late 18th to early 19th century. Frames 5.75" x 7" some glaze loss and scratches to tiles, cracks in wood frames. Selling the 4 shown with /military scenes.

Leggere Di più meno

1907 Charles Wallace Quicksell Limoges Raised gold porcelain Syrup pitcher for Dr Herbert G Pettebone for Jessie Flick Beers. Great piece with no damage or restorations, very minimal wear to gilding. Interesting with the built in provenance. 5.75" tall. No markings other than what's shown, top quality porcelain most likely French. Quicksell Decorated a fair amount of Porcelain in the Early 20th century, I believe he was decorating in the US, possibly for Pickard. tw271

Leggere Di più meno

c1890 Cunha palissy ware Charger with Snake/turtle. 9.75" wide, very slight loss<br>to leaves on top, actually I only found one spot. No restorations or major<br>damage to top. There appears to be a restorations to the foot-rim which has<br>shrunk/ degraded. Strong stable piece that displays very well, some white wall<br>paint on front and reverse side from when it wasn't taken down while painting<br>interior wall. So the place to the left of the second pic is slight loss, the<br>place to the right is white interior wall paint.

Leggere Di più meno

Large 1820's Staffordshire Lion Indian/African/Egyptian Scene Pyramids Serving bowl. Amazing condition 12 5/8" diagonal, extremely cool pattern that seems to be extremely rare as I can find no exact matches. Guaranteed 190+ years old with no cracks, chips, restorations, or significant wear. Has am impressed Asterix type mark on the reverse side that may be an early Adams mark. tw272

Leggere Di più meno

18th Century Rudolstadt Volkstedt Napoleonic Horse figure. I guarantee this figure to be 200+ years old. If it is actually a depiction of Napoleon's horse then it would be early 19th century, but I believe it be from the last decade of the 18th century. 5 7/8" tall x 6.5" long, with a very old professional restoration that is now flaking off on the mid to upper body of the horse. Volkstedt Porcelain - History In September 1760, Georg Heinrich Macheleid (1723-1801) made a request to Prince Johann Friedrich, Fürst von Schwartzburg-Rudolstadt to establish a porcelain factory in Sitzendorf, Thuringia, Germany. Macheleid previously worked at a glass factory in Glücksthal. Independent of the ceramicists at Meissen, Macheleid conducted his own research into creating a hard paste porcelain.Prince Johann Friedrich granted Macheleid’s request in 1762 with the stipulation that the plant be located near his court in Schwarzburg-Rudolstadt. Macheleid established the Aelteste Volkstedter Porzellanfabrik (Oldest Volkstedt Porcelain Factory) in Volstedt which became part of Rudolstadt in 1923. Macheleid created a self-sustaining village for his workers.In 1767, Macheleid left. The factory came under the control of the prince, his wife, his son, and five other investors. They leased the factory to Christian Nome from Erfurt. During the latter half of the eighteenth century, Volksted gained a reputation for its well modeled and painted figurines, rivaling those of Meissen. In 1793, Prince Johann Friedrich purchased all outstanding shares. In 1797, Prince Ludwig Friedrich, Johann’s successor, sold the factory to his brother-in-law Ernest Constantine, Landgrave of Hesse-Philippstahl, who sold it to Wilhelm Greiner and Carl Holzapfel several years later. Nome left around 1800.isshelf

Leggere Di più meno

18th Century Meissen Figure. 5.5" tall x 5.25" at widest point. Very old<br>professional restoration to left arm, loss to ribbon/flowers in hair and a few<br>tiny chips on ruffles and lace.<br>figcab

Leggere Di più meno

C1890 10.25" RS Prussia Bowl. No damage of any type or restorations, wear to rim gilding. tw271

Leggere Di più meno

1880's French A Klingenberg Limoges Demitasse cup and saucer set (7). Selling the 7 Eggshell porcelain demitasse (espresso) cup and saucers shown, they each look to have an ornate P monogram on the saucer incorporated into the pattern, really an amazing set all hand painted with absolutely no damage. No cracks, chips, restorations, or significant wear to gilding, they all ring like a bell. Selling all 7 with 4.5" wide saucers, small cups not tea cups, these are cabinet sized or for strong espresso coffee.A. Klingenberg was an accomplished Limoges artisan painter when he opened his own porcelain factory and decorating studio in the Limoges region of France in the early 1880's. There does not seem to be a surfeit of information about Klingenberg or his company other than that he merged with Charles Dwenger's studio sometime in the late 1890's or very early 1900's. Klingenberg & Dwenger together manufactured porcelain products, produced decorated finished porcelain pieces, and exported them world-wide until 1910 when the company closed its doors. While there may be a paucity of detail about A. Klingenberg and his company, there are numerous astonishingly lovely works of art that this short-lived company left behind.

Leggere Di più meno

18th Century KPM Berlin Porcelain Woman with pear in hand figure. Woman with a pear in her hand : KPM Berlin, 18th century. Designed by Friedrich Elias Meyer in 1765, standing on a three-passage base with tree support. Porcelain with polychrome painting and. Underglazed blue sceptre and impressed v. 8.5" tall with loss to each of the three bowl and wear to gilding at base. No other chips, cracks, or restorations. issshelf

Leggere Di più meno

Hutschenreuther Porcelain Mallard Duck in flight. Amazingly no damage on this delicate figure. 5.5" wide x 4.5" tall, best quality hand painted figure.

Leggere Di più meno

18th century Derby Porcelain boy figure. 6.25" tall, late 18th century with slight loss to tree limbs, something at each foot and minor wear here and there. No restorations, no cracks. isshelf

Leggere Di più meno

Herend Albino Rabbits figure. 2.25" tall and wide with no damage or wear. figshelf

Leggere Di più meno

c1890 Large R.S. Prussia Tankard Pitcher 11 1/8" tall x 7 7/8" handle to spout.<br>No cracks, chips, or restorations, slight wear to gilding on top rim. Original<br>Authentic 120 or so year old RS Prussia porcelain.<br>isshelf

Leggere Di più meno

Antique Dresden porclain oval bowl Measures 9 13/16" x 7" x 1 5/8" deep. All hand painted with no cracks, chips, or restorations. isshelf

Leggere Di più meno

Herend Hadik Hussar Porcelain Figure. No cracks, chips, or restorations. 9" tall.   Top quality, hand painted, authentic with no issues. 

Leggere Di più meno

c1900 Sterling Enamel Art Nouveau Arabesque calling card case. Tested sterling<br>with hallmark as shown hand painted hand engraved S monogram on reverse. no<br>damage or dents, some scratches to enamel. 91 grams. 3.25" X 2.5"

Leggere Di più meno

c1920's Dresden Ballerina figures with lace dresses. Very good condition with minor expected loss to dresses, no significant loss or chips elsewhere, no cracks. Tallest 5", selling both. isshelf

Leggere Di più meno

c1890 RS Prussia Deep Bowl 10.5" x 3.5" deep no cracks chips, or restorations,<br>some wear to gold but extremely attractive. Colors much more vibrant than pics<br>suggest.

Leggere Di più meno

c1850 Large Masons Ironstone Centerpiece Planter. Nice large piece ready to be<br>put to use. over 150 years old with no damage or detectable wear. The feet are<br>slightly uneven so it does rock, could put a felt on one foot or just leave it<br>alone. 10.75" x 9.75" x 4.5" tall. Uncommon shape.<br>isshelf

Leggere Di più meno

Large French Sevres Style Porcelain Jewelry Casket. Large sized amazing quality<br>100% hand painted jewelry box from the first quarter of the 20th century. Nice<br>hinged enclosure that clasps it shut very tight then the lid pops up slightly<br>when the clasp is opened. The hinge is nice and tight so it stays open at<br>various intervals. Very nice raised gold all over, with a very well painted<br>romance scene on top. 8" wide x 3.75" tall shut x 5.5" deep. No cracks, chips,<br>restorations, or detectable wear. This has been very well cared for and likely<br>not used for the past 100 years or so.

Leggere Di più meno

Rosenthal Bear Figure. 7.25" long x 4.5" tall with no cracks, chips,<br>restorations, or other issues.<br>TW153

Leggere Di più meno

Retro Paul Uhl Raku Studio pottery teapot form sculputure. Vintage estate fresh<br>piece from the late 20th century.<br><br>9.5" tall x 10.5" wide with no cracks, chips, restorations or other issues<br><br>Paul Has been a full time Clay artist for over 35 years, since graduating from<br>U.T. Austin. Showing and selling his work at jury art shows and galleries all<br>over the country.

Leggere Di più meno

c1760 Derby Allegorical Figure Musicians 10" tall 5.25" base. Uncommon and large figure from the third quarter of the 18th century. Under UV examination, I observe that there is professional restoration overall, particularly to the all figures and horn, the figural group is intact with hairline from cape through to pedestal, typical small chips and losses to applied foliates and flowers. B38

Leggere Di più meno

4 1950's Charles Dickens Royal Doulton Character jugs 4.5". Selling the 4 jugs<br>shown from the 1950's 4" tall with no cracks, chips, restorations, or crazing.<br>isshelf

Leggere Di più meno

Huge 19th century brown glazed teapot with eagle 12" tall x 15" handle to spout,<br>a few tiny glaze flakes at the slot on the lid to keep it secured, real chips,<br>no cracks, no restorations. Built in strainer, this is a very big teapot<br>guaranteed from the last half of the 19th century.

Leggere Di più meno

Belleek Black Mark Lotus creamer and sugar. No cracks, chips, or restorations. Lotus flowers on creamer and petals on sugar. Selling both. Creamer 3 1/8" tall. Both ring like a bell. Pink trim on sugar, no trim on creamer. TW154

Leggere Di più meno

Nymphenburg Blanc de Chine Allegorical Figure and two lions. Selling the three figures in perfect condition. Tallest 4.5". These are from the third quarter of the 20th century but the lions or a very similar version in the same size are still available from Nymphenburg directly for $195 each. Selling the lot of three with no cracks, chips, or restorations. figshelf

Leggere Di più meno

Large 1968 Austin Texas Potter Don Herron covered jar 8" tall x 8.5" wide with<br>no cracks, chips, or restorations. Nice Early work by Local Potter Don Herron<br>who has also been an Art professor at the University of Texas since 1974. Signed<br>DH 1968.

Leggere Di più meno

Herend Queen Victoria Woven Reticulated bowl. 7.25" square, hand painted with<br>handmade border. No cracks, chips, or restorations.<br>TW5

Leggere Di più meno

1970's Peter Deneen Studio Pottery Ashtray. Really nice ashtray to use for whatever you want from the 70's or 80's. 5" wide x 2 1/8" tall. Peter Deneen began his lifelong journey with ceramics while studying pottery at Luther College in Decorah, Iowa. During this period he also began attending Marguerite Wildenhain’s Pond Farm School (located in northern California) in 1968. Peter went on to earn his M.A. from the University of Iowa in 1971. Inspired By Art & History During this time, Peter caught the inspirational fire of the Bauhaus movement of Walter Gropius in Post World War I Germany. The main thrust of the Bauhaus “was to create an environment which would nurture the bond between art, industry and trade through education; to insure the cooperation of industry and artists in the field of mass production.” ESTABLISHING DENEEN POTTERY In 1972, Peter and Mary Deneen established their first studio and showroom at Park Square Court in the Lowertown neighborhood of St. Paul. Here they began producing hand thrown functional and decorative pottery and dinnerware. “Form follows function,” was embedded within their work through the teachings from Marguerite Wildenhain, recalling the Bauhaus lessons she learned from Gerhard Marcks. It was during this time that Mary started to produce more commemorative items and ceramic figures, while launching a “Bear Essentials” line. White Picture corner top leftWhite Picture corner top rightWhite Picture corner bottom leftWhite Picture corner bottom rightEarly Days of Deneen Pottery 1974 PARK SQUARE COURT IN LOWERTOWN • “The Spin of a potter’s wheel brings prosperity, unfettered life-style.” This was the title of the article that ran in a local St. Paul publication around 1974. “Peter Deneen sits at his potter’s wheel, fingers fashioning burnt-cinnamon clay into pots and plates, goblets and candle-holders, tall, corked canisters and small spice bottles.” At this time, the Deneens wanted to open retail outlets similar to Pottery Barn, but make all of the products at their Lowertown studio. A favorite quote (of the current office) staff has Peter saying. “We’ll never be more than a handful of people. I’d never get larger than three stores,” says Peter.” “Don’t say ‘never,'” interjects Mary.” Wow, how the path has deviated from the plans made in 1974! tw129

Leggere Di più meno

C1900 Hutschenreuther Porcelain Plaque "Gute Nacht" (Good Night) after Georg<br>Hom. Fantastic Hand painted porcelain plaque from the turn of the last century.<br>French Retailers label on reverse. The 107 impression in the porcelain found on<br>the reverse side was used by Hutschenreuther for this sized plaque. Old<br>calligraphy on reverse side indicating it was given as a gift in 1908. The frame<br>and I believe the plaque are late 19th century and I believe it was an<br>extravagant 2nd hand gift at the time in 1908 as a plaque like this with this<br>quality of painting was never not a luxury item. 9" x 11" framed, 4" x 5.75"<br>plaque.<br>isshelf

Leggere Di più meno

Boehm Porcelain Pink American Express Rose Made in USA. No cracks, chips, or restorations. 7.25" long, not even the tiniest flake anywhere and it will be packed with the most care imaginable.Biography of Edward Boehm: In 1950, Edward and Helen Boehm started a basement studio in Trenton, New Jersey, and Ed created sculptures in realistic style that were admired enough that in 1951, two of them entered the collection of the Metropolitan Museum of Art. By the end of the decade, Boehm was represented in 11 other museums including the Buckingham Palace, Elysee Palace and the Vatican. Today the porcelains are in 134 museums and institutions throughout the world isshelf

Leggere Di più meno

Shelley miniature Cup and Saucer. 3" saucer 1 5/8" tall cup. Mint condition with no damage or wear. B32

Leggere Di più meno

c1900 Antique French Hand Painted Sevres Style Goblet Form Wine Cooler. 8.5" tall x 7.75" wide, very large piece of antique 100% hand painted French porcelain. Would make a great Cachepot, ice bucket, centerpiece, etc but it's the perfect size for a wine cooler and likely began it's life as that. Artist signed Aly.

Leggere Di più meno

Nymphenburg Blanc de Chine Allegorical Figure Set. Selling the set, tallest 7.5"<br>from the third quarter of the 20th century with 5 of Bustelli's Ovidian s<br>standing on plinths. From 1754 to 1763 Franz Anton Bustelli modeled a set of<br>small putti at Nymphenburg, representing the Roman s as described by the Latin<br>poet Ovid. He took a different approach from previous representations of s,<br>seeing them as smiling, playful children in a Baroque style, with sculptural,<br>three-dimensional poses that twist and turn. Each figure has to be seen in the<br>round to be fully appreciated. Each figure is also accompanied by a specific<br>object or objects that identify which is represented, for example, a wine barrel<br>and an upraised cup for the of wine, Bacchus. Bustelli's figures of Ovidian s<br>have been reissued since the early 20th century by the Nymphenburg factory in<br>Munich as a fitting tribute to the genius of its greatest sculptor.<br>No cracks, chips, or restorations. I've seen these sell on the secondary marked<br>for over $300 ea. I don't believe they are in production anymore but heard they<br>last retailed for close to 1k each.<br>tw166

Leggere Di più meno

Antique French Gilt Bronze Champleve with onyx lamp. I believe this was likely<br>an urn or candelabra from the third quarter of the 20th century before they had<br>electric lamps that tastefully turned into a lamp in the first half of the 20th<br>century. Working condition, Highest quality 25.25" total height to the top of<br>the finial, 23.25" to the place where the shade will rest below the finial.

Leggere Di più meno

c1910 Haviland Limoges Scalloped bowl with Pink Blue and Yellow Flowers. First quarter of 20th century with no damage or significant wear, clean gold. 8.25" wide x 2" deep at handle. tw7

Leggere Di più meno

10 1950's English Pottery Figural Egg Cups. Selling the set from the mid 20th century with no cracks, chips, or restorations. 2.5" tall with 1.5" opening to hold egg at top. TW68

Leggere Di più meno

Vintage French Limoges Cow Creamer with butterflies. Cows and butterflies, doesn't get much better. 7" long with no cracks, chips, or restorations. isshelf

Leggere Di più meno

Boehm Porcelain Lamb and Sow Piglet. No cracks, chips, or restorations. Longest 5.5" Biography of Edward Boehm: In 1950, Edward and Helen Boehm started a basement studio in Trenton, New Jersey, and Ed created sculptures in realistic style that were admired enough that in 1951, two of them entered the collection of the Metropolitan Museum of Art. By the end of the decade, Boehm was represented in 11 other museums including the Buckingham Palace, Elysee Palace and the Vatican. Today the porcelains are in 134 museums and institutions throughout the world isshelf

Leggere Di più meno

c1960 Quality Porcelain Animal Figures lot British and Irish. Selling the four<br>figures from the 1940's-60's and in perfect condition. No cracks, chips,<br>crazing, or wear. Tallest is 3", selling all four.<br>figshelf

Leggere Di più meno

c1850 Staffordshire c1940's Royal Doulton British Ceramic Dalmation figures. On<br>the left staffordshire 5.25" tall guaranteed from the last half of 19th century<br>with two old/stable fractures on front ankles, no other damage. On right Royal<br>Doulton dalmation, early version from late 30's or 40's. 7" long x 4.25" tall<br>with no cracks, chips, restorations, or crazing. Selling both together.<br>TW210

Leggere Di più meno

c1920 Coronet Limoges Artist Signed Pheasant wall Plaque. 10.25" wide with no cracks, chips, or wear to paint/gilding. Exceptionally fancy border and nice painting. tw255

Leggere Di più meno

c1960 French Sabino/ Danish Royal Copenhagen Porcelain Bird Figures. Selling the three figures shown all from one estate collection. Royal copenhagen are 1.75" tall, sabino is 2" all in perfect condition with no damage or wear. Sabino Bird marked Sabino France. Figshelf

Leggere Di più meno

c1950 Renoleau Angouleme Faience Shaving Barbers bowl replica. No cracks, chips, restorations, or crazing. 11" x 8.25" wide. tw260

Leggere Di più meno

Hand Painted Limoges Trinket Boxes Fruit and roses. Selling both from last<br>quarter of 20th century with no damage or wear, tight hinges, snap shut audibly.<br>The Apple is 2" tall x 2" wide.<br>TW247

Leggere Di più meno

Hand Painted Limoges Trinket Boxes egg shaped. Selling both from last quarter of 20th century with no damage or wear, tight hinges, snap shut audibly. 2.75" x 1.75" x 1.75" tall. TW247

Leggere Di più meno

c1850 Staffordshire Pink lustre rimmed transferware bowl Very clean with no<br>cracks, chips, or restorations. 5.5"<br>isshelf

Leggere Di più meno

Le Tallec Limoges Porcelains Trinket Box for Tiffany Private Stock. 2" tall x 2 3/8" wide with no cracks, chips, scratches, or other issues. Strong hinge and tight closure that snaps shut. Le Tallec was a Paris studio that decorated Limoges porcelains. Founded in the 1930s by Camille LeTallec, everything was entirely hand painted of very high quality. Le Tallec did a lot of work for Tiffany and was probably the most prestigious decorating studio in France. tw249

Leggere Di più meno

c1850 KPM Heavy gold Berlin Porcelain Butter/Cheese dish with lid. No<br>cracks,chips, or restorations. 8" wide x 5.5" tall with lid on. clean gold, hand<br>decorated.<br>isshelf

Leggere Di più meno

c1900 LS&S Hand Painted Limoges Eggshell Porcelain Tiny Coffeepot and sugar bowl. All hand painted with no cracks, chips, restorations, or wear to gilding. The small pot is 5.5" tall x 5 3/8" handle to spout, the sugar is 3 7/8" handle to handle x 1 5/8" tall. No damage to either. Both very small and very great. TW247

Leggere Di più meno

Hand Painted Limoges Trinket Boxes Flower basket and painted roses. Selling both<br>from last quarter of 20th century with no damage or wear, tight hinges, snap<br>shut audibly. Largest is 2 5/8" tall x 3" wide.<br>TW247

Leggere Di più meno

c1900 Hand Painted Limoges Punch bowl w/ Stand. Great piece guaranteed over 100<br>years old, estate fresh. The bowl and the base appear to have been painted by<br>the same person, the Base was made by Delinieres & Co. It measures 10 1/8" toe<br>to toe x 3" tall x 6.5" inside the ring that keeps the bowl from slipping off.<br>The bowl was made by Tressemann and Vogt, it's 12.5" wide x 5.25" tall. No<br>cracks, chips, or restorations on either piece, very minimal wear to gilding,<br>some expected wear on the part of the base that the bowl rests on. It was not<br>uncommon for porcelain decorating studios to order from multiple companies and I<br>feel these two pieces have been together for 99.9% of their lives since they<br>were decorated sometime between 1891-1910.

Leggere Di più meno

c1900 LS&S Hand Painted Limoges Raised Gold tray. 13" x 9.75" with no cracks, chips, scratches, or wear to gold. All hand painted and wonderful, great tea or dresser tray. TW247

Leggere Di più meno

1950's Rosenthal HEIDENREICH Seagull Figures Pair<br><br>Looks splendid. Acknowledged artist, ceramist and sculptor Fritz Heidenreich<br>(1895 – 1966) designed this figure in 1934. He was a Rosenthal employee from<br>1919 to 1960, and from 1946 onwards the head of the art department in Selb. He<br>always tried to find contemporary ways of expressing his sense of forms. The<br>most famous of his works is vase called ‘Pregnant Luise’ (‘Orchideenvase’). All<br>Rosenthal famous Op-Art was started after he introduced this vase. He is also<br>well known for fish group ‘Scalare’, which was awarded with Grand Prize in Paris<br>in 1937. Seagull is marked on the backside with standard Rosenthal, Germany mark<br>in green identifying production of late 1950s.<br>They are 7.25" and 9" tall with 9" and 12" wingspans. Condition is immaculate<br>with no cracks or chips found. Colors are bright and vibrant.<br>isshelf

Leggere Di più meno