产品

Virgil Yazzie Navajo sterling and turquoise feather pendant necklace. No issues, measurements in pics.   Choker, 14.5" long.   All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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维多利亚·马佐蒂（1907-1985）世纪中叶现代抽象花瓶艺术家签名。非常好的作品，状况完美无缺。无裂纹、缺口、修复、划痕或龟裂。 9 英寸高 x 5 英寸宽。如果您认识艺术家的名字，请告诉我。这件作品由 Mazzotti 设计，并由 1960 年代签署该作品的艺术家装饰。 B26

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维维安·洛夫（1908-1982）花卉静物德克萨斯州上市艺术家。没有问题或损坏。 Vivian Rogers Love 于 20 世纪 40 年代开始在德克萨斯州圣安东尼奥举办展览。她是圣安东尼奥艺术联盟、River Art Group、Coppini Academy of Fine Arts 和 Highland Art Group 的成员。她有着漫长的展览生涯，在四十年的时间里举办了无数个个展。

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Volmer Bahner 丹麦纯银扭索饰叶别针。无损坏或明显磨损。 2.5 英寸宽 x 1 5/8 英寸高 x 14.7 克。

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W Dodson Navajo Sterling and turquoise belt buckle. No issues, weight and measurements in pics. Solid sterling with marks shown.

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WT Johnson Esquire c1850 英国律师假发，装在 Toleware 盒中，JK Metherell Maker 出品。假发装在原装盒中，假发和锡盒内的制造商和所有者姓名均匹配。显示的挂锁和钥匙已经包含在其中并且包含在其中。我在一个非常精彩但笨重的大型上锁有机玻璃展览中想到了这一点，在 2012 年左右支付埃尔顿·海德 (Elton Hyder) 的遗产之前，它和其他几件作品曾在德克萨斯大学法律图书馆展出，其中几件在 2012 年的遗产拍卖会上出售。德克萨斯州达拉斯。磨损到锡，没有重大问题。出处，来自 Elton M. Hyder, Jr. 慈善和教育基金收藏：以前位于德克萨斯大学法律图书馆。

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Wakely & Wheeler 1910 年伦敦英国英镑汤匙。令人难以置信的大而重的 8 3/8 英寸长 77 克，顶级品质标记和测试纯正，没有任何问题。 TW255

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华莱士大巴洛克纯肉汁勺和冷肉叉。出售的这两款复古单品都处于非常干净的状态，没有任何问题，也几乎没有磨损。叉子长 8 1/8 英寸，长勺 6 5/8 英寸长，碗宽 2.5 英寸，总共 167 克。 TW255

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Wallace Sterling 古董图案穿孔 Bon bon 勺子，带字母组合。 5 1/8 英寸长，碗宽 2.25 英寸。无深划痕或弯曲。 TW96

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沃尔特玻璃陶器（1943-2016）麦奎尼圣安东尼奥德克萨斯州蓝色红色滴水罐和高脚杯套装。投手有签名，高脚杯没有。全部由沃尔特·格拉斯 (Walt Glass) 制造，均来自同一庄园。最后一张照片右后部所示的一个高脚杯的脚缘上有一个非常小的缺口。没有其他裂缝、缺口或修复体。高脚杯略有不同，因为它们是手工制作的。水罐高 7.5 英寸，高脚杯平均高约 7.25 英寸。 TW14、TW17 沃尔特在圣安东尼奥长大，在陆军服役后，毕业于道成肉身大学，后来在那里获得了杰出校友奖。 1975 年，他与同为 UIW 毕业生的辛西娅·维拉 (Cynthia Vela) 结婚，他们一起度过了 40 年的时光。在发现他对创造美丽、手工、独一无二的陶器的艺术热情后，沃尔特和辛西娅在圣安东尼奥历史悠久的拉维利塔开设了他们的商店 Village Gallery，并在德克萨斯州麦昆尼开设了一家制作工作室。他和辛西娅喜欢参加全国各地的手工艺品博览会，特别喜欢圣安东尼奥河滨步道和拉维利塔沿线的“饥饿艺术家展”。四十多年来，他们的艺术事业取得了成功，他们的陶器在全球范围内受到赞赏。他独特的陶器被世界各地的政要收藏，包括英国女王、罗纳德·里根和其他名人，并被圣安东尼奥的日本姐妹城市推荐。 作为一名陶艺大师，沃尔特喜欢指导来自世界各地的专业陶艺家，分享他的技术和技能。在他的职业生涯后期，他喜欢在德克萨斯州塞甘的德克萨斯路德大学教授陶瓷，他在课堂内外都做出了贡献。在 TLU 学生和教师的帮助下，他向 Seguin 地区推出了“空碗项目”，筹集资金来帮助饥饿的人。

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以下链接提供了有关该艺术家的一些信息。 https://wapbaike.baidu.com/item/%E4%B8%87%E5%BF%97%E8%90%8D来自一栋价值约 200 万美元的房子的漂亮房地产项目。所有手工装饰和手工抛出。茶壶尺寸为 6.25 英寸手柄到壶嘴 x 3.25 英寸高。没有损坏，所有物品均处于未使用状态，并且在过去 20 年里一直放在瓷柜中。

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Warren Cullar“扶手椅之梦”帆布亚克力德克萨斯州奥斯汀名列艺术家 12 英寸 x 16 英寸，无任何问题或损坏。 沃伦·卡勒 (Warren Cullar) 在大学四年级时开设了他的第一家美术馆。 1965 年获得艺术学士学位后，他加入了一家商业广告公司，由六名艺术家组成，正如他所说：“我在那一年学到的东西比我在大学 5 年学到的还要多。”他在一家大型百货公司担任过一段短暂的广告总监。搬到墨西哥在圣米格尔德阿连德的阿连德学院学习艺术对他产生了重大影响。墨西哥的色彩在他创作的艺术作品中随处可见。获得艺术硕士学位后，他获得了德克萨斯州阿比林哈丁西蒙斯大学的教学合同，后来在西德克萨斯学院开设了艺术系，完成了 8 年大学艺术讲师的经验。 1976 年夏天，他获得了学院的助学金在埃及度过了一个夏天，之后他决定成为一名全职专业艺术家。他来到奥斯汀地区，开了一家艺术画廊，5年后搬进了奥斯汀的家，他现在已经住了30多年了。沃伦通过出售他的手绘石版画和水彩画开始了他的艺术生涯。在 1978 年 12 月号的《西南艺术》杂志上，有一篇长达 11 页的文章介绍了他的艺术。他继续创作水彩画，并喜欢在德克萨斯州、科罗拉多州和加利福尼亚州的艺术博览会上出售他的作品。 1982 年，他读到了一篇关于需要冒险艺术家的杂志文章，并开始利用自己作为艺术家的技能环游世界，在秘鲁、巴西、委内瑞拉、西班牙和复活节岛进行科学考察，仅举出 49 个国家中的几个例子在他的护照上。沃伦带着素描本和水彩画环游世界，记录他对所遇到的各种文化和人民的印象。 90年代初期，他在树木繁茂的庄园后面建造了一个840平方英尺的绘画工作室，并开始从事丙烯绘画；然后他制作了手工拉丝网版画和软底蚀刻版画。他的一位收藏家要求他为乳腺癌幸存者创作一座雕塑。雕塑完成后，他对粘土的创作着了迷。这是他自墨西哥学生时代以来创作的第一座青铜器。他获得了一项大型青铜委托，并出现了一个新的方向。如今，沃伦一想到 20 年来他一直想做的就是画水彩画，他就笑了。 2004年，他建立了第二个专门从事雕塑的工作室。如今，沃伦和他的妻子基蒂·贝尔 (Kitty Biel) 拥有独立注册会计师、邮轮规划师和旅行社的双重职业，他们在德克萨斯州奥斯汀的宽敞住宅、两个工作室和雕塑花园里生活和工作。你可以看到凯蒂在他们家二楼的树顶办公室里工作，沃伦则在雕塑或绘画工作室里创作。替代 沃伦是一位出色的雕塑家和画家，他为您提供了参观、探索他的画廊/工作室和花园的机会。您很快就会发现，他只是喜欢创造，并认识到在空间的所有区域都有这样做的机会，从早餐室地板上的厨房马赛克到用他在怀俄明州挖掘的鱼化石制成的厨房后挡板。沃伦对创造力的热情和看似无穷无尽的能量使他不断朝着新的方向前进。除了创作新的绘画和雕塑外，沃伦近期的目标还包括为年轻艺术家寻找新的机会，他已经与当地高中协调了学徒计划。沃伦说：“我收集朋友，而他们又收集我的艺术品。” TW106

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Waseta Zuni Sterling inlay necklace and earrings set 18" long necklace with 2 1/8" tall girls, earrings 2" long.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist, rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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沃特福德圣诞套装 32 盎司水罐 1999 年 6 3/8" 高。此图案仅为 1999 年圣诞节生产，非常稀有，但水罐很罕见。没有裂纹、缺口、修复、划痕或硬水。

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Waterford 水晶香水瓶，带 Dobber。 4.75 英寸高。标记如上图所示。需要恰到好处地抓住光线。无缺口、划痕、裂纹或其他问题。

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沃特福德道格·桑德斯 1986 年名人经典高尔夫奖杯。我以为比赛开始于 1988 年，但它清楚地写着 1986 年。顶级品质的奖杯花瓶。 8 英寸高的切割水晶。底部边缘有一些小刻痕，边缘有两个，非常小，只有在寻找时才会注意到，并且可以轻松抛光。

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沃特福德进化花瓶。 7 英寸高 x 5 英寸宽，无裂纹、缺口或修复。

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Waterford Glandore 8 英寸圆形碗，状况如新，无裂纹、缺口、划痕，透明度极好，从未在洗碗机中清洗过，可能从未使用过。侧面带有 Waterford 酸印记，如上图所示。8 英寸宽 x 3.5 英寸高的。书架

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沃特福德凯尔莫切切水晶干红葡萄酒 (5)。每个高脚杯高 6 英寸，边缘宽 3 英寸，以 5 个价格出售。它们都没有裂纹、缺口、凹痕，没有被磨碎、没有浑浊或划痕。这个美丽的图案已于 2017 年退役。它们的标记如图所示，酸性印记位于眼镜的底部，如果仔细观察，可以在第二张图片的底部顶部看到。散装板条箱

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Waterford Kylemore 切割水晶水杯 (4)。每个高 6.75 英寸 x 边缘宽 3 9/16 英寸，以一种价格出售四个水杯，如果您更改数量，可以选择多个批次，选择两个将为您提供 8 个高脚杯，选择 3 个将为您提供 12 个高脚杯，依此类推。所有部件都没有裂纹、缺口、凹痕，没有被磨碎、没有浑浊或划痕。这种美丽的图案已于 2017 年退役。散装板条箱

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Waterford Kylemore 切割水晶水杯 (6)。每个高 6.75 英寸 x 边缘宽 3 9/16 英寸，以一种价格出售 6 个水杯，如果您更改数量，可以选择多个批次，选择两个将为您提供 12 个高脚杯，选择 3 个将为您提供 18 个高脚杯，依此类推。所有部件都没有裂纹、缺口、凹痕，没有被磨碎、没有浑浊或划痕。这种美丽的图案已于 2017 年退役。散装板条箱

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Watson Honanie Hopi 14k/Sterling belt buckle overlay style. Weight and measurements in pics. Unworn buckle with only the slightest wear. Watson Honanie Hopi Winner of Best of Class and Best of Division at the world famous Santa Fe Indian Market, Watson Honanie is the acclaimed innovator of gold overlay jewelry. His jewelry depicts tribal clans, Hopi villages, ceremonial dancers, and petroglyph images. He often incorporates gold, diamonds and gem grade turquoise in his pieces. Watsons mentor was his uncle, Fred Kabotie, manager of the Hopi Art and Crafts Guild. Watsons work is in the finest galleries in the country.

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无标记，尺寸为 4 英寸宽 x 1.5 英寸高。玻璃上无裂纹、缺口或划痕。

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Wayne & Carla Johnson Zuni Petit Point 绿松石项链。项链长约 18 英寸，高 3.25 英寸，重 29.5 克。没有问题。 标记或未标记如图片所示，重量和其他尺寸见图片。抱歉，我的珠宝存放在安全位置，在售出之前无法访问更多图片、视频或测量数据。如果您查看图片/描述，您的问题应该得到解答。非常感谢您的时间和考虑！所有贵金属均经过测试并有保证。被称为“银”或“锭”的美洲原住民珠宝首饰保证至少含有 90% 的银。手镯拍摄于 6 英寸女性手腕上。

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Wayne and Jocelyn Haloo Zuni Dragonfly high grade turquoise/coral/shell pendant/pin Weight and measurements in pics. Solid sterling silver, Really nice materials used in this one. No issues. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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Wayne Muskett - Calvin Begay Canyon collection Sterling Multi-stone inlay cuff bracelet<br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn't answered in this listing that we put so much effort into already :)<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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WB 复古美洲原住民纯银/绿松石波洛领带。 Bolo 和小费都是纯正的，绳索真的很酷，没有任何问题。 Bolo 1.75 英寸高 x 1.5 英寸宽，总重 38.7 克。

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Weaver Selina Hopi Sterling belt buckle. Hallmarked as shown, tested sterling with no issues. Weight and measurements in pics. Hopi jeweler Weaver Selina began his career in 1967 working and studying at the Hopicrafts shop, learning from Bernard Dawahoya and other experienced jewelers. He is from the village of Shungopavi at Second Mesa and now has his own outlet where he sells his creations and those of other Hopi artists.

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Webster American MCM Sterling 个人烟灰缸/盐。出售所示的套装没有任何问题或明显磨损。每个长 2.5 英寸。当然，它们是您想要的任何形状，很棒的设计。总重 52.3 克TW120

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韦伯斯特纯银覆盖三脚架。 20 世纪初的古董物品，没有重大问题、没有裂纹、没有深划痕或丢失。 TW80

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韦奇伍德黑色玄武岩艾森豪威尔总统半身像高 8.5 英寸，无裂纹、缺口或修复体，包括如图所示的文件。 TW53

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保证不出现裂纹、缺口或修复。一些可能会或可能不会清洁的变色区域。尺寸为 2 英寸高（不含银盘盖）x 5.25 英寸宽。

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保证不出现裂纹、缺口或修复。糖边上有小磨损的釉面区域。糖尺寸为 3.75 英寸高（带盖子）x 5.25 英寸宽。奶精的喷嘴手柄高 3 英寸 x 5.25 英寸。 B7

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Wedgwood Gold 佛罗伦萨肉汁船和底板。该图案于 1986 年退役，这两件作品没有损坏或可检测到的磨损，没有裂纹，镀金没有磨损。 6" x 8" 底板。出售所示的确切零件。书架

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Wedwood 三色心形碧玉盒。无裂纹、缺口或修复。 5.5 英寸宽 x 2 英寸高

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韦勒哈德森樱花花瓶。 7.25 英寸高，没有裂缝、缺口或修复。有些开裂，有一些轻微的污渍。 TW212

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西德克萨斯美洲原住民史前水瓶可能是 Caddo Quapaw。极其早期的作品，可能已有 1000 多年的历史。我知道它附带了一些肯定是在德克萨斯州西部发现的东西。一堆箭头和碎片等。虽然它更有印加/玛雅的感觉，尤其是壶嘴上的肖像。我确信这不是20世纪，但它应该是这样的。无修复或裂纹，边缘有小缺口。略低于 12 英寸高 x 7.5 英寸宽。 TW154

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西山风景水彩画综合体和彩色签名 -野兔 - 18.25 英寸 x 14.25 英寸带框。 7.5" x 12" 瞄准镜。干净的框架油漆和垫子。

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Wilbert Secatero Navajo Sterling turquoise and coral bolo tie Sterling slide and tips, 3" x 2 3/8" slide, 40" long, 79.6 grams. <br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist, rings photographed<br>on the appropriate sized finger when possible. With bracelets if the measurement<br>is not given in the description then inside circumference is shown where the<br>metal meets the number on the the cloth tape measure.

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Wilbert Verhelst (1923 - 2012) 美国青铜自由形状人物。测量高度 7 3/4 英寸宽度：10 1/2 英寸深度 2 5/8 英寸威尔伯特·费尔赫斯特讣告Verhelst, Wilbert (Bill) Dallas 得克萨斯州艺术家为 SMU 艺术系设立了雕塑项目，并领导该项目直至退休，在教学 20 年后，于 1986 年成为名誉教授。他被学生们亲切地称为“Ver”。他是《雕塑工具、材料和技术》教材的作者。他于1978年发起首届德克萨斯雕塑研讨会，每两年举办一次，多年来一直如此。他委托制作的大型雕塑在全国各地随处可见，并且他还在无数的展览中展示了许多其他雕塑。他身后留下了他的妻子、艺术家苏珊·莱基、继女佩吉·萨维奇、继子约翰·萨维奇、女儿博比·乔·米勒和他的妹妹威尔玛·波特。

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Wilbur Musket Navajo 印花纯银 - 绿松石和珊瑚影盒皮带扣。 3 1/8 英寸 x 2 5/8 英寸，适合 1.5 英寸皮带，重 57 克，没问题。 Wilbur Muskett Sr. 在 20 世纪 60 年代开始制作珠宝。他的儿子也是纳瓦霍银匠。沙夫的《美洲印第安人珠宝 III》和霍加特的《美洲原住民和西南部银质标志》中都提到了他。所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示内周长金属与布卷尺上的数字相符的地方。

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Wilbur Muskett Navajo sterling turquoise and coral bear paw belt buckle. Weight and measurements in pics.

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Wilfred B. Henry Navajo cast silver high grade turquoise pin. No damage or issues, weight and measurements in pics. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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Will Denetdale Navajo Sterling malachite pendant. High quality pendant with no issues. Weight and measurements in pics. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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7.75 英寸高 x 6.75 英寸宽。无裂纹、缺口或修复。可能曾经有一个额外的盖子，并且顶部的镀金有磨损。

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William Lawrence deMatteo (1923-1988) 手工锤打纯银叶盘 6.5 英寸 x 4.5 英寸 x 114.5 克，没有任何问题。 威廉·劳伦斯·德马特奥（William Lawrence deMatteo，1923年10月12日至1988年5月14日），银匠和工艺大师，出生于纽约市，是伊丽莎白·罗梅尔曼·德马特奥和威廉·盖塔诺·德马特奥的儿子，威廉·盖塔诺·德马特奥是一位出色的银匠，从萨勒诺的阿西亚罗利移民到美国，意大利，当他还是个孩子的时候，和他的家人在一起。威廉·劳伦斯·德马特奥 (William Lawrence deMatteo) 在新泽西州伯根菲尔德郊区长大，在附近的特纳夫莱 (Tenafly) 上学，同时观察和吸收父亲的精湛技艺。德马特奥于 1941 年开始在哥伦比亚大学学习雕塑和美术，但在美国加入第二次世界大战后，他于 1942 年 11 月加入海军，并在太平洋战区担任鱼雷轰炸机飞行员。 1946 年 11 月 14 日，他在阿斯伯里帕克与画家杰恩·沃波尔 (Jayne Walpole) 结婚，后者后来与他人共同创办了一家美术馆。他们育有三个女儿和一个儿子。德马特奥恢复了父亲的学徒生涯，并可能在朝鲜战争期间被召回海军服役之前继续在哥伦比亚大学学习。 1953年他出院。 比尔·德马特奥（Bill deMatteo），正如人们所熟知的那样，在服役期间参观了修复后的弗吉尼亚殖民地首府，并要求参观银匠店。当得知殖民地威廉斯堡没有这些设施时，他看到了自己的机会。德马特奥离开海军后不久，他回到威廉斯堡，并于 1953 年 7 月加入参谋部，担任银匠。他创建了整个银匠项目，并负责 James Geddy 银匠店，在那里他培训店主向游客解释手工艺，指导和监督学徒进行各种金属加工，并手工制作十八世纪银制品的复制品在店里出售。 。德马特奥还复兴了殖民地银匠詹姆斯·克雷格在威廉斯堡的商店“在金球奖的标志处”。 1963 年 1 月，德马特奥晋升为工匠大师和银匠大师。 根据威廉斯堡殖民地的座右铭——未来可以从过去学习——德马特奥将大部分时间花在教育和广告工作上。根据威廉斯堡殖民地工作人员托马斯·K·布洛克 (Thomas K. Bullock) 准备的一份研究报告，德马特奥于 1956 年出版了《十八世纪威廉斯堡的银匠——关于他的生活和时代以及他的工艺的叙述》，简要介绍了银器制造和所用技术的历史在殖民时代。 DeMatteo 还为 1971 年的视频节目《威廉斯堡的银匠》以及随附的手册提供了大部分信息。在影片中，他展示了制作十八世纪银咖啡壶的每个阶段，从接收银币或待熔化的废料开始，与客户讨论委托细节、方法和设计，然后用锤子塑造作品并抛光完成的咖啡壶。 1971年和1972年，德马特奥在伦敦城市理工学院约翰卡斯爵士艺术系学习设计、银匠和方法，并与专业的伦敦银匠一起学习； 1975 年，他成为第一位被伦敦 Worshipful Company of Goldsmiths 选为荣誉外籍会员的美国工匠。 随着德马特奥的技艺逐渐为工作人员和访客所认识，他收到了许多设计和制作纪念礼物的请求。 1955 年，他为殖民地威廉斯堡制作了一枚城镇传令钟，送给温斯顿·丘吉尔爵士，次年，丘吉尔的照片出现在《生活》杂志的封面上。德马特奥为白宫记者协会向约翰·F·肯尼迪、林登·B·约翰逊、理查德·M·尼克松、杰拉尔德·R·福特和吉米·卡特总统的年度演讲设计了演讲稿。他为来访的总统、女王、国王和总理设计了许多手工制作的礼物，美国国务院委托 deMatteo 制作银托盘，并于 1978 年在戴维营协定中赠送给埃及总统安瓦尔·萨达特和以色列总理梅纳赫姆·贝京。 1976 年，为了纪念亚历山大·格雷厄姆·贝尔 (Alexander Graham Bell) 发明电话一百周年，美国电话电报公司委托德马特奥制作了一件抽象银件，这与他殖民风格的杰作不同，上面刻有贝尔通过电话传送的第一句话。电话。尽管他很聪明，但他是一个谦虚的人，坚持认为自己是一名工匠，而不是艺术家。德马特奥满足于制作美丽的实用物品，他认为这些物品没有达到艺术家所需的想象力和执行力的水平。他对卓越的追求得到了美国建筑师学会的认可，并于 1960 年授予他工艺奖章，以表彰他在工业艺术方面的杰出成就。 在殖民地威廉斯堡工作了 26 年后，德马特奥于 1979 年离开并与家人一起搬到了亚历山大。他与儿子奇普·德马特奥 (Chip deMatteo) 以及殖民地威廉斯堡的同事菲利普·索普 (Philip Thorp) 一起开设了 Hand & Hammer Silversmiths。德马特奥继续探索并扩展他的范围，超越十八世纪的形式。他是一个和蔼可亲的人，以令人放松的微笑而闻名。他是一位强烈的完美主义者，坐在长凳上用锤子塑造贵金属时，对周围的环境充耳不闻。他也是一位足智多谋的工匠，当他在市场上找不到合适的锤子时，他会自己制作锤子。德马特奥曾经说过，“成为一名银匠是一种令人愉快、可爱的生活方式”，虽然他对自己的银制品并不完全满意，但他“对我过的生活非常满意”。威廉·劳伦斯·德马特奥 (William Lawrence deMatteo) 于 1988 年 5 月 14 日在亚历山大的一家医院因白血病去世。他的儿子继续在 Hand & Hammer 银匠店工作，保存了他的骨灰。

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William Spratling mixed metals sun and moon pin" wide with no issues. c1940'sSpratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and exploring. He sought out remote villages in the state of Guerrero, 110 miles from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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William Spratling Silver Dome screw back earrings, no issues. . Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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William Spratling silver modernist sterling screw back earrings sphere 18 grams, measurements in pics, no issues. . Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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William Spratling silver modernist sterling screw back hand earrings, a rare variation in all sterling. These are all one piece, typically they have an amethyst tulip. . Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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William Spratling sterling Amethyst pre-columbian style pin 1 5/8" tall x 1 1/16" wide.Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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William Spratling sterling Aztec style pin 1.5" wide with no issues.Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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William Spratling sterling Aztec style pin 1/7/8" wide with no issues. c1940'sSpratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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William Spratling sterling Bird pin with amethyst 52.7 grams, other measurements in pics.Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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William Spratling sterling Feather fur clip with amethyst 22.5 grams, other measurements in pics.Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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William Spratling Sterling Fish abalone pins pair, measurements in pics. Selling the two pins shown for one price. . Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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William Spratling sterling fur clip 14 grams, other measurements in pics.Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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William Spratling Sterling Pan American buttons (4) c1940's .75" x 1" each. I think these go in open button holes, maybe on a shirt pocket back in the days. I think they were to celebrate a special Pan American 50 year thing in the 1940's. Selling all 4 shown for one price. . Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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William Spratling sterling Bird pin with amethyst 20.9 grams, other measurements in pics. Stone intact and structurally sound with what appears to be natural fissures.Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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William Spratling(1900-1967) Taxco Modernist sterling abalone fish cufflinks. No issues. William Spratling(1900-1967)<br>Spratling, an architect and artist who taught at Tulane University in New Orleans, came to Mexico in the late 1920s and settled in the city of Taxco. Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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William Spratling(1900-1967) Taxco Modernist sterling Amethyst cufflinks 18mm<br>wide 12.9 grams. William Spratling(1900-1967) Spratling, an architect and artist<br>who taught at Tulane University in New Orleans, came to Mexico in the late 1920s<br>and settled in the city of Taxco. Having developed an interest in Mesoamerican<br>archaeology and culture from his colleagues at Tulane, he traveled to Mexico for<br>several summers lecturing and exploring. He sought out remote villages in the<br>state of Guerrero, 110 miles from Mexico City, where in some places Nahuatl, the<br>Aztec language, was spoken. Spratling collected artifacts and contemporary<br>indigenous crafts. Spratling made a fortune manufacturing and designing silver,<br>but his true life's work was to conserve, redeem, and interpret the ancient<br>culture of his adopted country. He explained for North American audiences the<br>paintings of Mexico's modern masters and earned distinction as a learned and<br>early collector of pre-Columbian art. Spratling and his workshop gradually<br>became a visible and culturally attractive link between a steady stream of<br>notable American visitors and the country they wanted to see and experience.<br>Spratling had the rare good fortune to witness his own reputation -- as one of<br>the most admired Americans in Mexico -- assume legendary status before his<br>death. William Spratling, His Life and Art vividly reconstructs this richly<br>diverse life whose unique aesthetic legacy is but a part of its larger cultural<br>achievement of profoundly influencing Americans' attitudes toward a civilization<br>different from their own.

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William Spratling(1900-1967) Taxco Modernist sterling fist cufflinks, fully<br>functional with no issues. 22mm square, 12.7 grams. William Spratling(1900-1967)<br>Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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William Spratling(1900-1967) Taxco Modernist sterling fist cufflinks, fully<br>functional with no issues. 20mm wide, 14.7 gramsWilliam Spratling(1900-1967)<br>Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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William Spratling(1900-1967) Taxco Modernist sterling Frog in pool cufflinks,<br>fully functional with no issues. 16mm x 12mm x 16.5 grams. William<br>Spratling(1900-1967) Spratling, an architect and artist who taught at Tulane<br>University in New Orleans, came to Mexico in the late 1920s and settled in the<br>city of Taxco. Having developed an interest in Mesoamerican archaeology and<br>culture from his colleagues at Tulane, he traveled to Mexico for several summers<br>lecturing and exploring. He sought out remote villages in the state of Guerrero,<br>110 miles from Mexico City, where in some places Nahuatl, the Aztec language,<br>was spoken. Spratling collected artifacts and contemporary indigenous crafts.<br>Spratling made a fortune manufacturing and designing silver, but his true life's<br>work was to conserve, redeem, and interpret the ancient culture of his adopted<br>country. He explained for North American audiences the paintings of Mexico's<br>modern masters and earned distinction as a learned and early collector of<br>pre-Columbian art. Spratling and his workshop gradually became a visible and<br>culturally attractive link between a steady stream of notable American visitors<br>and the country they wanted to see and experience. Spratling had the rare good<br>fortune to witness his own reputation -- as one of the most admired Americans in<br>Mexico -- assume legendary status before his death. William Spratling, His Life<br>and Art vividly reconstructs this richly diverse life whose unique aesthetic<br>legacy is but a part of its larger cultural achievement of profoundly<br>influencing Americans' attitudes toward a civilization different from their own.

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William Spratling(1900-1967) Taxco Modernist sterling stone inlaid cufflinks,<br>fully functional with no issues. 27mm wide, 17.4 gramsWilliam<br>Spratling(1900-1967) Spratling, an architect and artist who taught at Tulane<br>University in New Orleans, came to Mexico in the late 1920s and settled in the<br>city of Taxco. Having developed an interest in Mesoamerican archaeology and<br>culture from his colleagues at Tulane, he traveled to Mexico for several summers<br>lecturing and exploring. He sought out remote villages in the state of Guerrero,<br>110 miles from Mexico City, where in some places Nahuatl, the Aztec language,<br>was spoken. Spratling collected artifacts and contemporary indigenous crafts.<br>Spratling made a fortune manufacturing and designing silver, but his true life's<br>work was to conserve, redeem, and interpret the ancient culture of his adopted<br>country. He explained for North American audiences the paintings of Mexico's<br>modern masters and earned distinction as a learned and early collector of<br>pre-Columbian art. Spratling and his workshop gradually became a visible and<br>culturally attractive link between a steady stream of notable American visitors<br>and the country they wanted to see and experience. Spratling had the rare good<br>fortune to witness his own reputation -- as one of the most admired Americans in<br>Mexico -- assume legendary status before his death. William Spratling, His Life<br>and Art vividly reconstructs this richly diverse life whose unique aesthetic<br>legacy is but a part of its larger cultural achievement of profoundly<br>influencing Americans' attitudes toward a civilization different from their own.

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William Spratling(1900-1967) Taxco Modernist sterling cufflinks 30mm both ways,<br>10.8 grams. Fully functional with no issuesWilliam Spratling(1900-1967)<br>Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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William Spratling(1900-1967) Taxco Modernist sterling mixed metal cufflinks.<br>Each side 18mm x 14mm, 15.3 grams. William Spratling(1900-1967) Spratling, an<br>architect and artist who taught at Tulane University in New Orleans, came to<br>Mexico in the late 1920s and settled in the city of Taxco. Having developed an<br>interest in Mesoamerican archaeology and culture from his colleagues at Tulane,<br>he traveled to Mexico for several summers lecturing and exploring. He sought out<br>remote villages in the state of Guerrero, 110 miles from Mexico City, where in<br>some places Nahuatl, the Aztec language, was spoken. Spratling collected<br>artifacts and contemporary indigenous crafts. Spratling made a fortune<br>manufacturing and designing silver, but his true life's work was to conserve,<br>redeem, and interpret the ancient culture of his adopted country. He explained<br>for North American audiences the paintings of Mexico's modern masters and earned<br>distinction as a learned and early collector of pre-Columbian art. Spratling and<br>his workshop gradually became a visible and culturally attractive link between a<br>steady stream of notable American visitors and the country they wanted to see<br>and experience. Spratling had the rare good fortune to witness his own<br>reputation -- as one of the most admired Americans in Mexico -- assume legendary<br>status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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William Zunie (Zuni, 1938-1983) Channel inlay bolo tie 38" long with 2.25" tall x 2" wide slide. 32.1 grams.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist, rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Willie Shaw 纳瓦霍珍珠母槽镶嵌纯银手链。适合最大 6 5/8 英寸的手腕，没有问题。 所有贵金属均经过测试和保证，任何被称为银或纯银的美洲原住民珠宝均保证至少含有 90%（硬币）银，甚至可能更高含量。任何标记的内容都保证与其标记的一致，大多数手镯都是在 6 英寸的手腕（无毛）上拍摄的，戒指则尽可能在适当尺寸的手指上拍摄。对于手镯，如果描述中未给出尺寸，则显示内周长金属与布卷尺上的数字相符的地方。

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Willie Yazzie, Sr. (Navajo), 1928-1999 Overlay silver belt buckle 2" x 1 5/16" x<br>22.5 grams with no issues. Fits a 1" belt.<br><br>Navajo Overlay Artist Willie Yazzie<br><br>After the success of the overlay designs made at the Hopi Guild many other<br>silversmiths and shops incorporated overlay in their designs (see Overlay is Not<br>Always Hopi Made). Navajo trader Dean Kirk opened his own trading post at<br>Manuelito, New Mexico (between Gallup and the Arizona border) by January 1941.<br>The silver work made in Dean’s shop was typically Navajo tourist type designs<br>and hallmarked UITA22 (under the auspices of the United Indian Traders<br>Association) until about 1951. That’s when Kirk designed a series of overlay<br>pins to be made by Navajo smiths in his employ incorporating Hohokam and Mimbres<br>designs. These designs proved to be very popular, as a 1958 newspaper<br>advertisement for Enchanted Mesa in Albuquerque promoted “Dean Kirk’s Navajo<br>Overlay Silver”. The overlay pieces made at Kirk’s shop were rarely hallmarked.<br><br>However, one of the Navajo silversmiths who worked for Dean Kirk was Willie<br>Yazzie, he made his own hallmark and used it on pieces he made in Kirk’s shop.<br><br>Much of the following information was relayed to Alan Ferg (archivist and<br>archaeologist at Arizona State Museum) by William P. (Willie) Yazzie, Jr, in<br>February 2018. Ferg’s investigation of an overlay belt buckle in his possession,<br>lacking a hallmark, has led to previously unrecorded information about Willie<br>Yazzie, as well as the identification of an additional hallmark used by the<br>artist.<br><br>According to Social Security records, Willie A. Yazzie was born at Chinle,<br>Arizona in 1928. His son says he learned silverwork at Dean Kirk’s trading post<br>in Manuelito in the early 1950s, and created his touchmark (or hallmark) no<br>later than 1960, and after that time his pieces made at Dean Kirk’s would have<br>included his gourd dipper hallmark. His designs often incorporated animal<br>figures such as roadrunners or Navajo designs including Yeis and Father Sky. He<br>never added “tamp work,” or a textured pattern to the background designs.<br><br>In 1960 Ansel Hall, concessionaire at Mesa Verde National Park, was looking for<br>a silversmith to demonstrate at the park during the summers months, Dean Kirk<br>recommended Willie Yazzie and he was hired by Hall. Willie worked at Mesa Verde<br>in the summers from 1960 to 1983, except for 1965 when he was sick. Yazzie<br>created a special hallmark to denote pieces he made at Mesa Verde. The mark<br>depicts Square Tower House, a ruin within the park, and was included with his<br>gourd dipper mark during the summers of 1960-1964 and 1966-1983.<br><br>Willie A. Yazzie died in 1999, but his family, including his widow, daughter and<br>Willie Jr continue the tradition of Willie’s overlay work. Willie Jr said that<br>his sister has most of their father’s tools and stamps, and that she still uses<br>the gourd dipper mark. Willie uses mostly his initials as his hallmark, but<br>doesn’t do much silverwork anymore, he is retired from the National Park Service<br>where he was a ranger at Canyon de Chelly. Willie, who lives in Chinle, said his<br>sons do a little silversmithing, but that they are busy and don’t have much time<br>for it.

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Willie Yazzie, Sr. (Navajo), 1928-1999 Overlay silver pins (2) Largest 2", 18.9 grams total weight. <br><br>Navajo Overlay Artist Willie Yazzie<br><br>After the success of the overlay designs made at the Hopi Guild many other<br>silversmiths and shops incorporated overlay in their designs (see Overlay is Not<br>Always Hopi Made). Navajo trader Dean Kirk opened his own trading post at<br>Manuelito, New Mexico (between Gallup and the Arizona border) by January 1941.<br>The silver work made in Dean’s shop was typically Navajo tourist type designs<br>and hallmarked UITA22 (under the auspices of the United Indian Traders<br>Association) until about 1951. That’s when Kirk designed a series of overlay<br>pins to be made by Navajo smiths in his employ incorporating Hohokam and Mimbres<br>designs. These designs proved to be very popular, as a 1958 newspaper<br>advertisement for Enchanted Mesa in Albuquerque promoted “Dean Kirk’s Navajo<br>Overlay Silver”. The overlay pieces made at Kirk’s shop were rarely hallmarked.<br><br>However, one of the Navajo silversmiths who worked for Dean Kirk was Willie<br>Yazzie, he made his own hallmark and used it on pieces he made in Kirk’s shop.<br><br>Much of the following information was relayed to Alan Ferg (archivist and<br>archaeologist at Arizona State Museum) by William P. (Willie) Yazzie, Jr, in<br>February 2018. Ferg’s investigation of an overlay belt buckle in his possession,<br>lacking a hallmark, has led to previously unrecorded information about Willie<br>Yazzie, as well as the identification of an additional hallmark used by the<br>artist.<br><br>According to Social Security records, Willie A. Yazzie was born at Chinle,<br>Arizona in 1928. His son says he learned silverwork at Dean Kirk’s trading post<br>in Manuelito in the early 1950s, and created his touchmark (or hallmark) no<br>later than 1960, and after that time his pieces made at Dean Kirk’s would have<br>included his gourd dipper hallmark. His designs often incorporated animal<br>figures such as roadrunners or Navajo designs including Yeis and Father Sky. He<br>never added “tamp work,” or a textured pattern to the background designs.<br><br>In 1960 Ansel Hall, concessionaire at Mesa Verde National Park, was looking for<br>a silversmith to demonstrate at the park during the summers months, Dean Kirk<br>recommended Willie Yazzie and he was hired by Hall. Willie worked at Mesa Verde<br>in the summers from 1960 to 1983, except for 1965 when he was sick. Yazzie<br>created a special hallmark to denote pieces he made at Mesa Verde. The mark<br>depicts Square Tower House, a ruin within the park, and was included with his<br>gourd dipper mark during the summers of 1960-1964 and 1966-1983.<br><br>Willie A. Yazzie died in 1999, but his family, including his widow, daughter and<br>Willie Jr continue the tradition of Willie’s overlay work. Willie Jr said that<br>his sister has most of their father’s tools and stamps, and that she still uses<br>the gourd dipper mark. Willie uses mostly his initials as his hallmark, but<br>doesn’t do much silverwork anymore, he is retired from the National Park Service<br>where he was a ranger at Canyon de Chelly. Willie, who lives in Chinle, said his<br>sons do a little silversmithing, but that they are busy and don’t have much time<br>for it.

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Wilson Jim Navajo silver and turquoise pendant. Measurements in pics.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Wilson Navajo Sterling Heavy 印花手镯。无损坏或明显磨损。

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Wilson Padilla Navajo Sterling and Multi-Mine Specimen turquoise belt buckle. Appears possibly unworn, high quality speciman stones from what I believe to be American turquoise mines. Bottom center and right appear to be Bisbee. No issues, measurements in pics. Wilson Padilla is a Native American Navajo Silversmith creating unique sterling silver settings for specialty stones like White Buffalo Turquoise, Candelaria Turquoise and Apache Blue Turquoise. His work is highly regarded and a favorite of Native American jewelry enthusiasts.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more<br>pictures, videos, or measurements until sold. If you look at<br>pictures/description your question should be answered. Thank you so much for<br>your time and consideration!<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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WL Southwestern sterling fox pendant with no issues. Likely Native American made, Measurements in pics.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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科隆大学 550 周年纪念铜牌。 （沃尔夫冈·瓦尔纳）。城市徽章上方的龙船，躺着的密涅瓦举起一只猫头鹰/铭文“科隆汉萨城大学 1388 - 1938”，宽 70 毫米，罕见，但特别是带有原始表壳且保存完好。

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工作古董 Tavannes 瑞士怀表 15 颗宝石。漂亮的古董手表，滴答作响，似乎走得很准。总宽度 45 毫米，表盘约 40 毫米。外壳状况良好。

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Working Chonographe Suisse Works/Dial/Crystal/18k buttons 36mm dial, working condition, removed working, still ticking, chronograph works. It will be handled/stored carefully. The buttons are likely solid 18k gold as it came from an 18k watch with a damaged case. Including everything shown including the frame that goes inside the watch and the back that covers the works under the gold back. The crown was carefully removed to remove the watch. Nothing was damaged. This is ready to go in a watch.

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WV Sterling Onyx channel inlay bolo tie. Signed WV sterling on reverse, no issues. 38" longMarked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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ww1 美国胜利铜质奖章“伟大的文明战争”3 英寸高，带丝带。

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WW1 时代书形战壕打火机。功能齐全，没有损坏，内脏出来可以更换液体/燧石，所有盖子都就位。我的妻子没有给机械装置拍照，不幸的是我没有也永远不会有时间。很棒的、不寻常的打火机，没有任何问题。我在任何地方都找不到识别标记。两端刻有假页，不确定图片中是否显示。书架

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WW1 时代准备牙签架与士兵。 2 1/8 英寸高，顶部边缘有一些非常小的缺口，没有其他缺口，没有裂缝。牙签抽屉

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WW1 时代战壕艺术灯 3 Lite。酷炫的沟槽艺术灯看起来接线良好，如果您想让它再次成为一盏灯，只需要在其上安装新的灯顶即可。没有其他问题。 TW87

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ww1 德国铜壳风沟艺术开信刀。出售两个最长 8.25 英寸的开信刀，两者都具有有史以来最好的 100 年未抛光“无需思考”铜绿。我认为它们是由手榴弹迫击炮导带制成的。 TW187

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WW2 Era Caterpillar Watch Fob Art Deco Sentinel 怀表 1940 年代.. 出售手表和表扣，全新，很可能从 1940 年代就在一起了。这块手表可能已经很长时间没有使用了。我稍微试了一下，它滴答作响了一下就停了。所以它可能需要清洁一下，我没有时间弄乱它，也不想在我有限的时间里弄乱它。在我看来，表链比手表更有价值。钥匙扣顶部的绿色是蜡，我用拇指指甲轻松地取下了一些。 TW208

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二战时代日本病理学手术刀片。刀片顶部刻有Nothung...Nacht，案子上刻有庆城帝国大学医学院病理学系普通病理学。所以刀片可能是德国制造的。刀片上有一些小缺口，否则很锋利，不确定它有什么类型的手柄，但它不存在。盒子长 12 1/8 英寸，有些磨损并丢失了盒子中的细木工。

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二战时代照片海军士兵照相亭照片。就规模而言，一分钱一分货。 TW255

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二战时代纯银飞行员翅膀领带杆。翅膀刚刚超过 2 英寸宽，标记为纯币，我不相信顶部的酒吧是纯币。11.3 克。

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WW2 Era Sterling silver Pilots sweetheart bracelet. Selling the bracelet shown with no issues.

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ww2 时代韦科德克萨斯州添加银行公民国家银行批次 (3) 出售所有三个。棕褐色的一件是薄荷色的，原盒装，另外两件处于良好的工作状态，干净且有吸引力。没有照片中未显示的明显瑕疵。我只有一把钥匙适用于所有三个银行。它们的尺寸约为 4.25 英寸宽。

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二战曼哈顿计划核试验场补丁和别针。两件正宗的曼哈顿项目物品来自于 80 年代组装的大型二战收藏品。它们装在一个小型现代阴影盒中，部分显示，因此贴片背面有魔术贴。补丁尺寸为 2 5/8" x 2"，徽章尺寸为 0.75"，由 Whitehead 和 Hoag 制作。我包括了他们附带的玻璃正面暗盒。

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二战时期的斯特林航空队机翼与 Star HJ。 1 5/16 英寸宽 x 1 3/16 英寸高。 b41

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二战 Sterling Pilots 甜心胸针。 2.75 英寸 x 2 英寸，13.1 克，经过纯正标记和测试。

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