古董俄罗斯图标手绘在木板上。 100% 手绘，创作于 19 世纪末至 20 世纪初。 12.25 英寸高 x 10.25 英寸宽，状况良好，边缘有轻微磨损。油漆上出现一些稳定的裂纹。 这个图标和我将列出的其他图标都是已有 100 多年历史的古董图标，全部来自 25-30 年前从专门从事这些图标的顶级拍卖行购买的一个系列。大多数拍品都太旧了，我无法找到拍品信息，而且我没有时间尝试找出艺术家等。所以我只是根据尺寸、绘画质量和状况快速对它们进行评级。

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Antique Russian silver box. 5 1/8" wide x 1.5" tall x 237.9 grams. Hand engraved with incredible skill, over 100 years old, hallmarked as shown 87.5% silver. Lid fits very tight in a good way. Do dents or significant wear.

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古董俄罗斯银质办公桌对开本。 14 英寸 x 10 英寸，顶部带有厚实心 87.5% 银板和实心银脚，内页松散。东西很漂亮，拍照很难。

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古董俄罗斯银汤匙。 4.25 英寸长 x 7/8 英寸宽碗 x 13.1 克。安德拉斯

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保证古董手工雕刻桑托斯娃娃很可能是墨西哥或意大利的。尺寸为 15.25 英寸高 x 7 英寸宽。失去了一只手臂，脚很久以前就被削掉了，完好无损的手臂后面也缺少了一些木头。 TW84

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保证古董手工雕刻桑托斯娃娃很可能是墨西哥或意大利的。尺寸为 13 英寸高 x 5.5 英寸宽。看起来好像缺了三个手指头，好像拿着什么东西。不知道眼睛有什么问题。其中一个可能丢失了，或者可能被涂掉了。你可以看出它曾经被漆成粉红色，而且油漆是经过精心去除的，而不是我做的。底座上似乎涂有几层薄薄的油漆。 TW62

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保证古董手工雕刻桑托斯娃娃很可能是墨西哥或意大利的。尺寸为 14 英寸长 x 6.25 英寸宽。看起来好像它可能在某一点上连接在一起。眼睛有雾，但我用指甲清洁了一部分，应该清洁更多。 TW62

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古董苏格兰玛瑙/紫水晶/纯蓟别针。非常漂亮的 19 世纪样品，来自当地庄园收藏，2.5 英寸宽 x 2 英寸高，31.4 克，未标记，但经过英镑测试。状况惊人，没有发现任何问题。很多令人惊叹的手工雕刻。

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古董苏格兰黄水晶/玛瑙/纯银吊坠胸针 2 1/8 英寸，重 32 克，令人惊叹的作品，但缺少其中一块石头。未标记经过测试的纯银。

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古董苏格兰黄水晶/玛瑙/纯银吊坠胸针 2 3/8 英寸，重 32 克，状态极佳，宝石没有磨损，19 世纪手工雕刻，可用作吊坠或胸针。无标记，经过测试的纯银。

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古董苏格兰 Dirk Form 玛瑙纯银短裙别针/胸针 2 1/8 英寸宽，没有任何问题。

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古董苏格兰鞋扣 Joseph Gray 款式切斯特纯银镶黄水晶。 3 1/8" x 2.25"，对天然宝石没有损坏或磨损。 34.6 克，手工雕刻有 Keltic 图案。

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古董苏格兰纯银莫斯玛瑙短裙别针/胸针 1.25 英寸宽。没问题。

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古董 Sestrel Binnacle 船舶指南针，配有侧油灯照明。指南针看起来正常，绕 N 轴旋转时始终指向北方。没有重大问题。 10.5 英寸宽 x 10 英寸高，带手柄

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古董塞夫勒风格法国瓷墨水瓶/托盘/火柴盒。出售的套装是 100 多年历史的手绘法国瓷器，没有裂纹、缺口或修复。墨水池的原装插件，火柴盒有一个撞针，并且永久固定在托盘上。托盘宽 13.5 英寸。 TW203

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古董贝壳浮雕吊坠胸针，底座上签名有 ACC。大小合适的浮雕，没有损坏或问题。不确定金属含量，但看起来像是铜上的银。尺寸 1 5/8" x 1 5/16"

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保证19世纪。无裂纹、缺口或修复。外缘上的大部分镀金都明显磨损，钴区域上的一些内部十字形镀金也有明显磨损。全部手工装饰。 16 英寸 x 2.25 英寸深。

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未标记，但保证是 20 世纪初的日本或更早版本。喷嘴上有微小的油漆剥落。无裂纹、缺口或修复。 3 1/8 英寸高 x 5 英寸宽，带手柄。

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古董东南亚雕刻彩鸟壁挂。保证是 19 世纪至 20 世纪前 25 世纪的作品，带有明显的铜绿。很棒的作品，可能是缅甸或泰国的。 14.75 英寸高 x 8.25 英寸宽。颜色鲜艳，但因污垢而变得暗淡，如果需要的话，涂上类似于霍华德橙油/蜂蜡的东西确实可以使它变得生动起来。 TW253

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古董东南亚木雕镀金人物。 8 英寸高 x 5 英寸宽，带支架。这个人物很可能是20世纪初的，而这个摊位却是最近才建的。一些人失去了脚、一颗牙齿和手尖。 TW252

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使用时没有断裂或弯曲。这些是我将列出的大量收藏的一部分。 5 3/8 英寸长，不含皮革 1 英寸罗威尔。 TW30

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古董斯塔福德郡书挡男人和女人斜倚在沙发书挡人物上。 19 世纪，没有裂缝、缺口或修复。 8.5 英寸高 x 7.75 英寸宽.. TW105

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古董斯塔福德郡鞋匠和妻子书挡人物。 19 世纪，没有裂缝、缺口或修复。 6.5 英寸高。 TW105

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古董斯塔福德郡牧羊犬超大一对 12 英寸长 x 11.25 英寸高，约 1860 年。这些都是令人难以置信且不寻常的。没有裂缝或缺口。每个人的两条腿都经过专业修复。由于这是一项专业工作，所以很难找到。两个前部合二为一，两个后部合二为一。没有其他问题。几乎不可能找到这些完好无损的东西，其他经销商只是没有足够的知识或诚实来称呼它。

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古董斯塔福德郡人物高地夫妇带时钟约 1870 年 13.75 英寸 x 9 英寸宽。底座附近有轻微的射击缺陷。无裂纹、缺口或修复。清洁釉面漆。

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框架尺寸为 8.75" x 6"，瞄准器为 2" x 6" 原始框架。 Stevengraph 状况良好，原始框架有一些磨损。史蒂文格拉夫的迷人世界。比尔·坡斯着。 我们今天所知的史蒂文图画（Stevengraphs）令人着迷的丝绸图画实际上起源于英国遥远的纺织工业的萧条，而 19 世纪英国经济学家和政治家理查德·科布登（Richard Cobden）可能享有部分功劳。 1860年，所谓的《科布登条约》生效，这是由科布登谈判达成的一项自由贸易条约，取消了英国对丝绸、锦缎和丝带等商品的保护性关税。它对英国丝带编织业集中地考文垂 150 年的影响是毁灭性的。考文垂百分之四十五的人口靠织带谋生。织布机被毁，两年间有 9,000 人移居国外寻找工作。 但有一个人足智多谋，克服了这一打击，足以养活自己的家人和他雇用的织工，并以很小的方式促进了考文垂的经济。这个人就是托马斯·史蒂文斯 (Thomas Stevens)，1828 年出生于福尔斯希尔 (Foleshill) 边远地区。托马斯·史蒂文斯 (Thomas Stevens) 还是个孩子的时候，就在位于考文垂上井街 (Upper Well Street) 的 Pears and Franklin 公司学习了丝带编织工的技艺，并于 1854 年在皇后街 (Queen Street) 创办了自己的企业。他对自己的行业的各个方面都了如指掌，而且提花织机对他特别感兴趣。这种织机是法国约瑟夫·提花 (Joseph Jacquard) 于 1790 年左右发明的，并于 1820 年引入英国，其卓越性能很快得到认可，因此到 1838 年，考文垂已有 2,200 台提花织机在运转。提花织机的原理基于机械操作装置控制线圈和滑轮在纺织品中编织图案的事实。 托马斯·史蒂文斯通过一系列发明改进、改造和完善了织布机，使他能够生产出具有精致细节和三维效果的丝绸作品。他创作了精美绝伦的图片、音符、文字和肖像。制作史蒂文格拉夫作品的第一步是艺术家在方格纸上绘画。这些设计是原件、肖像的复制品、印刷品的复制品，并且通常是插图手稿形式的文本。维多利亚时代对覆盖作品整个表面的热爱在这些作品中经常得到体现。方格纸图片看起来像是十字绣刺绣作品的设计。 人们制作了大卡片来承载艺术家的图片，并为图片的每条编织线中的每种颜色制作并穿孔了一张单独的卡片。这些梳理机被放入环形链条中并放置在提花织机中以调节经纱的运行。每次携带纬纱的梭子穿过织机时，都会使用一张不同的卡片，要求改变经纱，从而改变图案。许多作品使用了十到十二种颜色。整个图案完成后，提供了一个空间，图案开始重复。通过这种方式，编织者生产出了编织精美的图画丝带线轴，然后在分离区域将其分开。由于将卡片放入织布机中的工作量很大，因此在进行更改之前编织了许多图片丝带，并使用了一组不同的卡片。史蒂文斯生产的一款 13 英寸长的书签需要 5,500 张穿孔卡片。 托马斯·史蒂文斯并不是考文垂唯一一位能够通过编织图案丝带在经济大萧条中幸存下来的织工，他也不是第一个在提花织机上制作图案的人。早在 1801 年的里昂，黑白肖像就让人们惊叹不已。 1855 年，詹姆斯·哈特 (James Hart) 编织了描绘维多利亚女王和拿破仑 111 的丝绸图片，1858 年，约翰·卡尔迪科特 (John Caldicott) 编织了一条印有考文垂国会议员爱德华·埃利斯 (Edward Ellice) 肖像的丝带。但最著名的提花织工是托马斯·史蒂文斯 (Thomas Stevens)。是他脱颖而出，也是他发明了“史蒂文格拉夫”这个词。 到 1862 年，史蒂文斯已经生产了九种不同设计的书签。 1862 年，他注册了四种新图案：“不变的爱”、“祝你圣诞快乐”、“感恩节”和“你的新娘日”。同年，他创作了几幅较大的作品，适合装框，但他显然改变了对这些照片的看法，因为在接下来的 16 年里，他不再创作这些作品，而是将自己限制在制作他受欢迎的书签上。 。谁制造了第一个史蒂文格拉夫型书签是一个颇有争议的问题，这一荣誉的竞争者是约翰·卡尔迪科特、约翰·拉特利夫，或许还有托马斯·史蒂文斯。与史蒂文斯同时代的人中，除了刚才提到的那些人之外，还有约翰·卡什和约瑟夫·卡什兄弟，以及道尔顿和巴顿。 1863 年，威尔士王子和王妃的皇室婚礼，以及 1864 年莎士比亚诞辰三百周​​年，为编织者提供了充足的素材，以满足渴望纪念品的国家的需求。奇怪的是，此时史蒂文斯的竞争对手退出了竞争，并在一段时间内为他留下了一个空闲的空间来生产他的书签和相关物品。到 1880 年代末，他已经制作了 900 多件物品，其中包括香袋、生日诗句、圣诞和新年祝福、日历、扇子、情人节礼物、女士领带和腰带、兄弟会订单的象征性腰带、适合装框的图片以及当然，还有一直流行的书签，许多书签末端都带有流苏。装裱画的尺寸从 1 1/4 x 4 英寸到 7 1/2 x 13 英寸不等，他的各种物品售价低至 5 美分，腰带则高达 14 美元。 1877 年，史蒂文图谱作为赠品赠送给订阅《女士花柜》的人们。 1870 年代，博兰、韦尔奇和伦顿复制了他的书签，而 WH 格兰特则在 1880 年代模仿了他的装裱画，从而展开了竞争。史蒂文斯成为七个孩子的父亲。 1878 年，他搬到伦敦，负责监督不断扩大的业务。此时，除了伦敦之外，他还在纽约市、辛辛那提、莱比锡、格拉斯哥、都柏林和伦敦德里设有销售机构。在他最活跃的时期，为了刺激展览会上的销售，他派织工带着他的提花织机到许多展览会上。在那里，人们可以观看一件作品的编织过程，然后购买并将其带回家作为展会的纪念品。他或他的儿子们曾举办过这样的活动，其中包括 1876 年的费城百年纪念博览会；约克博览会，1879 年；爱丁堡，1886 年；曼彻斯特，1887 年；辛辛那提 1888；伦敦，1890 年；芝加哥，1893 年；圣路易斯，1904 年；巴黎、安特卫普、利物浦、布里斯托尔、波士顿、布鲁塞尔和巴黎。 在赢得 30 多枚奖牌和文凭后，托马斯·史蒂文斯于 1888 年 10 月 24 日在伦敦去世，并被埋葬在考文垂的家族墓地中。他的两个儿子托马斯和英格在他去世前管理着考文垂工厂，并继续经营这项业务。托马斯·史蒂文斯（Thomas Stevens）在一个以条件恶劣着称的行业中建立了舒适的工作条件。他的工厂有充足的照明、通风、宜人的用餐区，而且卫生。 1940 年，德国对考文垂的猛烈轰炸摧毁了他的建筑物和生意，但他在数百名专门研究史蒂文格拉夫古董收藏家的赞赏中得以生存，其中包括总部位于欧文顿河畔的史蒂文格拉夫收藏家协会的 175 名活跃成员。纽约州哈德逊市以及英格兰、加拿大、苏格兰、奥地利、南非、新西兰以及美国的成员。 1972 年 4 月在伦敦拍卖史蒂文格拉夫 (Stevengraph) 的最高价格为 1,560 美元。这篇文章是《无玷始胎》的典范，极为罕见。然而，史蒂文斯的许多作品的售价都在许多收藏家的承受范围之内。人们关心的是他们收藏的物品是否是史蒂文斯制作的真品以及它们的年代。这两件事都存在困难。 1865 年，卡片上就形成了图案，很多年后，同样的卡片可以再次使用来生产相同的物品。没有模具或蚀刻板被破坏的限量版。某些物品可以根据它们描绘的事件和日期来确定日期，就像 1876 年费城百年博览会的日期一样。有些物品可以根据某些物品背面的纸张上注明的奖项数量来确定日期。当然，很多都是在编织时签名的。陶器上的菱形登记标记可以追溯到 1842 年至 1883 年期间使用的许多年。 托马斯·史蒂文斯是一位商人，生产畅销的奢侈品或纪念品。如果主题很吸引人，情感也很吸引人，人们就会为自己购买或作为送给朋友的小礼物。因此，他和他的继任者的设计反映了维多利亚时代的品味，而这些品味在很多情况下都是当时的普遍品味。其中包括维多利亚女王、莎士比亚、爱德华七世国王、约翰·沙利文、罗伯特·伯恩斯、“水牛比尔”科迪、奥托·冯·俾斯马克王子以及克利夫兰总统和夫人的肖像。 在景观的总标题下，我们发现了许多英国城堡，如巴尔莫勒尔堡、凯尼尔沃思城堡、沃里克城堡和温莎城堡。其他景观包括水晶宫、国会大厦、伦敦塔和塔桥，以及 1888 年辛辛那提俄亥俄河谷和中部各州百年博览会。历史图片包括哥伦布离开西班牙、哥伦布登陆、独立宣言和纳尔逊之死。在那些描绘《偷窥狂》、《丽达》、《戈黛娃夫人游行》和《普赛克浴》的编织物中，可以找到古典和传奇的主题。某些作品展现了维多利亚时代的多愁善感，如《God Speed the Plough》、《Good Old Days》、《Called to the Rescue》、《Grace Darling》和《For Life or Death》。图中描绘了许多战舰和火车以及许多体育赛事。后者包括对西班牙斗牛、赛马、猎狐、板球、自行车比赛、网球和棒球的描绘。 托马斯·史蒂文斯 (Thomas Stevens) 是一位技艺高超的精湛工艺大师，只要其丝质纤维粘在一起，就会受到高度尊重。 TW61

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古董钢制复活节兔子巧克力模具。 20 世纪第一季度的重钢饼干/巧克力/冰淇淋模具。大约 8 英寸 x 14 英寸，通过顶部钢上的印记编号为 8042，我找不到其他标记。 TW58

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古董纯银手柄袜子缝补。 19 世纪末至 20 世纪初，经过测试的纯银手柄，有一些小凹痕，N 字母长 6 英寸。

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古董纯犹太教 Yad Torah 指针，带玛瑙手柄。保证固体高含量 90% 或更多银，经测试没有可检测到的痕迹。 16 英寸长，147.5 克，没有任何问题。100 多年积累的银抛光剂可能隐藏了标志。 TW125

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古董纯银 Repousse Master 盐和胡椒瓶装在展示盒中。如图所示，这是一套非常棒的产品，没有弯曲或凹痕。盒子有些磨损，但外部很干净，锁扣无法保持盒子关闭。胡椒高 3.75 英寸，盐宽 3.5 英寸，英国英镑标志，测试英镑。盒子尺寸 10.5 英寸 x 5.5 英寸 x 3.25 英寸TW203

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Antique Sterling silver 14k gold accented mourning/sweetheart pin/brooch. Selling the pin shown circa last half of the 19th century. Tested and guaranteed solid sterling silver with tested solid 14k gold leaves, weight and measurements in the photos. Listed with ExportYourStore.com

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Antique Silver enamel hand engraved pendant and other. One 19th century, hand engraved, great. The other appears to be carved stone, unsure of age. Neither with any markings, both sterling or high content silver. Tallest 1 5/8".

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Antique Sterling silver Hand engraved Amethyst Jeruselum cross pendant necklace. Circa first quarter of the 20th century, pendant possibly older and unmarked. Mark shown in pics on necklace. Some minor wear to stones.

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Antique Sterling silver openwork belt buckle Victorian. Hallmarked as shown in the pictures. Tested and guaranteed solid sterling silver, measurements and weight in pictures.

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Antique Sterling silver Tiffany Co Travel 15J Concord Watch Company Travel Clock. Frame sterling silver, clock not. Clock ticks and appears to keep good time.

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古董纯邮票盒/链条，配有代客自动剃须刀实用刀/雪茄刀。出售展示的东西，庄园新鲜，与发现的一模一样。链子上有硬币标记，90% 是硬币银，邮票盒上有纯银标记。刀长 2 3/8 英寸，闭合时有 7/16 英寸开口，适合老式小雪茄。

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古董史蒂文斯和威廉姆斯红白浮雕玻璃花瓶。 7.25 英寸高，无裂缝、缺口或修复。19 世纪末至 20 世纪初。 浮雕玻璃是一种豪华的玻璃艺术形式，通过浮雕玻璃雕刻或蚀刻和雕刻不同颜色的玻璃融合层来产生设计，通常在深色背景上带有白色不透明玻璃图形和图案。该技术首次出现在公元前 30 年左右的古罗马艺术中，它是浮雕风格的更豪华的雕刻宝石容器的替代品，浮雕风格使用天然分层的半宝石，如缟玛瑙和玛瑙。玻璃可以实现一致且可预测的彩色层，即使对于圆形物体也是如此。书架

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古董 Swatow 亚洲粗陶蓝色装饰鱼缸。非常古老，19 世纪或更早。来自 20 世纪中叶整个东南亚的收藏。我不确定是中国人还是东南亚人。 9.75 英寸宽 x 3.5 英寸深。上一张图片中最大的外缘有裂纹和一些缺口，没有其他缺口、裂缝或修复。 B62

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古董 Swatow 亚洲粗陶蓝色装饰鱼缸。非常古老，19 世纪或更早。来自 20 世纪中叶整个东南亚的收藏。我不确定是中国人还是东南亚人。 8 1/8 英寸宽 x 3.25 英寸深。开裂，没有裂缝、碎裂或修复，外部有一些矿物沉积物，可能需要一些努力才能清理干净。 B62

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古董德克萨斯品牌铁烛台 (5) 19 世纪。伟大的 19 世纪品牌熨斗，如图所示，有些生锈。最高的是 21 英寸，最短的是 13 英寸，其中三个可以制作很棒的烛台，其中带有开口手柄的。出售所示的五个。保证所有熨斗都是拥有 100 多年历史的古董品牌熨斗。 40 年来，它们一直是西方物品收藏的一部分。

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古董德克萨斯蜂蜜男孩冰淇淋开瓶器/抹刀。 20 世纪上半叶的伟大作品，长 11.75 英寸，没有任何问题。书架

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古董泰国青铜微型音乐家。很棒的小三重奏，实心青铜，非常重，因为它们的尺寸很小，最高的只有 2 3/8 英寸。该中心的头部/颈部确实有一个非常古老的修复，直到几乎通过拍照我才看到。没有其他问题。他们的背上都有相似的标记。 TW218

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古董西藏观世音菩萨珊瑚/玻璃镶嵌金属神龛。所示状态下为 11.75 英寸高 x 6.5 英寸宽，带有一些破裂的珠子。我相信有些珠子是珊瑚的，大部分是玻璃的，我相信这些珠子已经有 100 多年的历史了，但我不太确定有多老。

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古董西藏珊瑚/绿松石/玻璃狮子/兔子。出售的两件都状况良好，只是缺少一些绿松石珠子，实际上可能是玻璃，狮子缺少一颗牙齿。狮子头动了。狮子高 5.5 英寸 x 长 5 英寸。两个都卖。 TW154

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古董西藏混合金属鼻烟盒。 19 世纪的盒子，材质为银（经过测试）、铜和黄铜。漂亮的自然铜绿和出色的做工。 4.25 英寸高 x 3.5 英寸宽。亚洲货架

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古董蒂芙尼纯银公羊头大师盐，带 B 字母。通过改变数量出售一两件，两者状况相同，没有损坏或明显磨损。 3 英寸宽 x 1.75 英寸高 x 72 克。没有凹痕、弯曲或其他问题。可通过更改数量出售一两。 查尔斯·蒂芙尼 (Charles Tiffany) 1812 年 2 月 15 日出生于康涅狄格州基林利。大约 25 年后，即 1837 年，查尔斯·蒂芙尼 (Charles Tiffany) 和约翰·杨 (John Young) 以及后来的 1841 年，他们添加了 JL。埃利斯作为合伙人在曼哈顿下城创办了蒂芙尼·杨·埃利斯 (Tiffany, Young and Ellis)。当时该公司成立之初是为了销售精美商品和文具。蒂芙尼于 1853 年购买了其父母的公司股份，并将公司的重点转向销售高档珠宝和商品。蒂芙尼购买了母公司的股份后，该公司更名为蒂芙尼公司。1867 年，蒂芙尼公司成为第一家在巴黎世界博览会上荣获银器卓越奖的美国公司。 1868 年，公司成立，拥有四家商店，并走上了继续发展到今天的公司的正确道路。卑微的开始 当杨和蒂芙尼开始创业时，他们最初提供文具和商品等商品，然后转向提供珠宝和银器。该业务继续发展并制造珠宝，后来在巴黎开设了一家工厂。他的商店采用了欧洲珠宝的标准，因此英镑在美国和美国珠宝市场上站稳了脚跟。 蒂芙尼决心获得独一无二的珠宝。正是这种渴望推动了他的产品受到追捧，特别是在纽约的上层阶级中。该公司生产的珠宝之所以广为人知，部分原因是富人想要其产品。 1830年代，蒂芙尼在当时的珠宝界崭露头角，因为他们在商品上明确标明了价格。这消除了顾客讨价还价并尝试协商他们当时购买的商品价格的机会。此外，蒂芙尼在当时是独一无二的，因为他们只接受现金付款，并且不允许赊购其商品。 由于当时内战威胁到珠宝采购，蒂芙尼调整了公司的重点，最终生产了剑、奖章、轻型盔甲和许多其他战争所需的物品。 1877 年，蒂芙尼公司 (Tiffany & Co.) 已成为家喻户晓的品牌，很容易影响整个行业，并能够进行稀奇古怪的采购。当时，人们以 18,000 美元的价格购买了现在被称为“蒂芙尼钻石”（一颗南非黄钻）的钻石，重 287 克拉。这颗钻石在近一年的时间里被切割成 128.54 克拉，最终在史密森尼博物馆展出。如今，蒂芙尼公司是一家美国全球奢华珠宝商和专业零售商，总部位于纽约市。了解标记 蒂芙尼公司以“蒂芙尼钻石”而闻名，但更因其使用纯银而闻名。当查看蒂芙尼 (Tiffany) 制造的纯银时，有几个标记可以帮助您确定其来源以及这件作品是否确实是蒂芙尼 (Tiffany) 制造的或假货。最初，有几位银匠向蒂芙尼供应银餐具和空心器皿。这些银匠除了在作品上打上蒂芙尼的标记外，还在作品上打上了自己的标记。蒂芙尼纯银的一些品牌包括 William Gale、Gale & Hughes、Wood & Hughes、John Polhemus、Henry Hebbard、William Bogert、Grosjean & Woodward、Moore & Hebbard 和 John C. Moore。 1868 年，摩尔银匠公司并入蒂芙尼公司，蒂芙尼公司随后开始生产自己的银器。正是在那时，银币上刻有艺术总监的姓名缩写或公司总裁的姓名缩写，但这种情况一直持续到 1960 年代中期。蒂芙尼创造的银器上的每一个设计都代表着该公司悠久而自豪的历史传承。

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古董锡巧克力模具 2 个斑鸠和兔子。两者均从 20 世纪上半叶开始销售。最大 11 英寸 x 5 英寸 x 4.5 英寸。 TW22

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均出售 19 世纪中后期。我见过这些所谓的内战墨水池，听说它们是在战场上挖的。我不知道这些，但它们肯定是 19 世纪的。一张是俄语的，另一张没有标记。枝条、扣环和铰链都工作良好。其中一个缺少覆盖弹簧以密封罐子的部件。如果重要的话，很多事情都会起作用。除了佩戴合适外，没有其他问题。他们的身高均为 1 9/16 英寸。

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古董旅行验光师套件。非常完整的 19 世纪下半叶的套装，可能一直使用到 20 世纪初。一个装满镜片的木盒，然后是一个更大的皮盒，里面装有试用镜片和适合实际眼科检查的可互换镜片的眼镜。该盒子还有一个可拆卸托盘，顶部有一个用于放置所示视力表的袋子。出售的所有物品均按原样出售，带有 100 年的污垢和污垢，盒子外部有些磨损，木质镜头盒上的闩锁缺失。

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古董部落银项链。这幅作品挂在我几年前购买的一位美国外交官庄园的墙上。儿子的妻子是中国人，已故外交官的大部分职业生涯都在中东/亚洲度过。他有大量的大剑等，我认为这可能是外交礼物。经过测试，保证银含量高达80%以上。项链长约 24 英寸，每边 10 英寸，吊坠长 4 英寸。重 165.9 克。

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古董土耳其锡制冰淇淋模具 c.1900 巧克力或冰淇淋模具。 4.5 英寸 x 2.5 英寸。没问题，铰链坚固。 B8

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Antique Unger Brothers Art Nouveau Sterling silver belt buckle. Solid sterling silver with weight and measurements in pictures, some expected wear with no damage. anderas

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古董德克萨斯大学奥斯汀国会大厦纪念品很多。所有 4 件物品都是 20 世纪上半叶的，可能都是 1910 年之前的。任何一件都没有损坏，全部出售 4 件，最大的 8 3/8 英寸宽。UT 的那件被称为德克萨斯州立大学，非常酷。块坑袋

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Antique Victorian 9ct gold and turquoise pin/brooch . Tested and guaranteed solid 9ct gold. It XRF‘s at just over 9ct 37.7% gold. No issues, circa late 19th century to turn of the last century. Weight and measurements in pictures, unmarked.

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保证是 19 世纪或更早的。我相信这甚至可能是18世纪。没有任何损坏或修复。蕾丝的分离来自于烧制。不确定制造商。 4 英寸高。

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我正在休假，直到 2/9/19，如果您现在订购，它将在 2/10/19 发货。 保证是 19 世纪或更早的 相对于其尺寸来说非常重的硬瓷。质量非常好。无裂纹、缺口或修复。 4.25 英寸高

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我正在休假，直到 2/9/19，如果您现在订购，它将在 2/10/19 发货。保证是 19 世纪或更早的 相对于其尺寸来说非常重的硬瓷。质量非常好。我相信右手有非常古老的专业修复。无其他损坏。 6 英寸高。

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Antique Vienna porcelain figure man holding floral bouquet. No damage, weight and measurements in pics.

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古董维也纳青铜征服者骑马高细节微型模型。非常漂亮的 19 世纪青铜器，细节令人难以置信。我在底座上能找到的唯一识别标记是 F 标记，我不确定伯格曼是否标记过类似的东西。在我看来，质量可与伯格曼相媲美。距员工顶部 8 英寸高 x 5 英寸宽。没有可检测到的问题。 B29

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古董瓷器人物组情侣喝茶镀金木底座 19 世纪大号 7 英寸高 x 8 英寸宽，无底座。底座为木质，高 11.5 英寸 x 9 英寸 x 2.25 英寸。木质底座有些磨损。女士的两根手指在底座上缺少两片碎叶。没有其他损坏或修复。

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古董 Von Schierholz 德累斯顿烛台。无裂纹、缺口、修复或花瓣损失。是的，我非常小心地将它慢慢地放在花岗岩上拍摄基础照片，因为我一生都在做这样的事情。 14 英寸高 x 11 英寸宽。书架

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古董 Wavecrest 艺术玻璃别针/饰品盘。 4.75 英寸宽 x 1.5 英寸高。玻璃上无裂纹、缺口或划痕。

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古董韦德伍德黑色玄武岩肯洛克洁具奶精渥太华和花卉。两个庄园都新鲜。一个稍大的 5 3/8" 喷嘴，可处理 x 2.25" 高且无标记。里面有一个注释，日期可以追溯到 1798 年，我不确定这是否正确，但显然是韦奇伍德，我保证它是 19 世纪或更早的。稍微小一点的是19年末到1910年左右，我没时间查日期代码。两者都没有任何损坏、丢失或修复。两者都卖TW129

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Antique William Kerr American Sterling silver Art Nouveau belt buckle. Solid sterling silver (tested) with weight and measurements in pictures.. Marked as shown, fits up to a 1 1/8" belt.

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Antique Yemenite Silver filigree Bracelet. Very old bracelet guaranteed solid<br>silver (tested), recently acquired from a collection put together in the mid<br>20th century. 215.9 grams, again guaranteed silver of a fairly high content, 80%<br>or more. Measures 2.5" across in the interior, 4.75" across the exterior.

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Antoinette Qumawunu Hopi overlay roaring bear earrings sterling silver. Great earrings with no issues, tested and guaranteed solid sterling silver, any marks detected, weight, and measurements will be shown in the pictures. Circa last quarter of the 20th century. Listed with ExportYourStore.com

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Antonio Pineda (1919-2009) Los Castillo 现代主义太空时代纯银袖扣 1 5/16" x 0.75" 面，24.7 克。在墨西哥格雷罗州的塔斯科山镇，大规模采矿可以追溯到十六世纪，白银是一种生活方式。墨西哥革命后的几年（1910- 20），珠宝和其他银制品都是在那里以完全创新的方法制作的，知情者现代主义和新的墨西哥民族认同的创造。如今，89 岁的安东尼奥皮内达是塔斯科学院的两名在世成员之一，被公认为世界级设计师和墨西哥国宝。近两百件皮内达广受好评的银制作品将在 展出于《银色诱惑：墨西哥现代主义者安东尼奥·皮内达的艺术》（Silver Seduction: The Art of Mexican Modernist Antonio Pineda）展览于 2008 年 8 月 24 日在福勒博物馆首次亮相。值得注意的是，考虑到皮内达的众多成就和国际声誉，他自我定位主要担任 Taxqueño（塔斯科）银匠。从一开始，塔斯科运动就开创了新的局面以技术成就和设计为基础。出生于美国、居住在塔斯科的设计师 William斯普拉特林被誉为当代塔斯科白银运动的先锋，一群才华横溢的墨西哥设计师后来建立了独立工作室并开发了独特的“塔斯科学校”。这些设计师融合了多种美学取向——前哥伦布时期的艺术；墨西哥殖民时期的银制品、宗教图像和其他艺术品；和当地流行艺术——将它们融入广泛的现代主义之中。皮内达本人因其大胆的设计和对宝石的巧妙运用而受到赞誉。银色诱惑痕迹 他的作品从 20 世纪 30 年代到 70 年代的演变，包括项链和项链各五十多件手镯，以及许多漂亮的戒指、耳环和他的空心器皿的各种例子餐具。所有作品都体现了皮内达难以实现的高度精致执行力的结合和手工制作的吸引力。 Pineda 的珠宝以其对人体形态的优雅诠释而闻名。常常是据说 Pineda 非常适合身体，穿着时感觉很舒服。因此，例如，厚几何项链乍一看似乎太重或太僵硬，佩戴起来不舒服，但事实上，多面、铰接或镂空，优雅地环绕颈部或诱人地垂坠下胸围。此外，没有其他 Taxqueño 珠宝商使用如此多昂贵的半宝石或镶嵌如此多的宝石。与皮内达一样，他具有很多独创性、技巧和多样性。只有最有才华的银匠才能掌握Los Castillo 珠宝 - 历史 Antonio Castillo 和他的兄弟 Jorge、Miguel 和 Justo 于 1939 年创立了 Los Castillo。他们都曾在 William Spradling 的高高店当学徒，然后在墨西哥塔斯科开始自己的生意。安东尼奥·卡斯蒂略在斯普拉特林工作期间晋升为银匠大师。几十年来，洛斯卡斯蒂略作坊培养并雇用了许多熟练的银匠，其中包括卡斯蒂略兄弟的表弟萨尔瓦多·特兰、西吉·皮内达、安东尼奥·皮内达和安东尼奥·卡斯蒂略的妻子玛戈·范·沃里斯·卡尔。所有这些艺术家都继续开设了自己的成功工作室，其中包括范·沃里斯·卡尔 (van Voorhies Carr)，她在与安东尼奥·卡斯蒂略 (Antonio Castillo) 离婚后创立了玛格特·德塔斯科 (Margot de Taxco)。洛斯卡斯蒂略以其优质银器以及将铜和/或黄铜与纯银混合的混合金属而闻名。其他装饰性家居饰品有镀银和镶嵌石材装饰。 查托 (豪尔赫) 卡斯蒂略 (Chato (Jorge) Castillo) 是卡斯蒂略兄弟之一，曾在 20 世纪 30 年代为威廉·斯普拉特林工作。他以其技术专长和设计才华而闻名。他开发了结合金属、银羽毛、阿兹特克马赛克或石镶嵌、贝壳或鲍鱼镶嵌的技术……（墨西哥银：莫里尔和伯克的现代手工珠宝和金属制品（Schiffer：2007 年，第 4 版），第 86 页。

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Antonio Pineda (1919-2009) Mid Century Modern sterling belt buckle 2.5" x 1 3/8", fits up to a 1 1/8" belt. 42.9 grams. <br><br>Pineda is one of two living members of the Taxco School and is recognized as a<br>world-class designer and a Mexican national treasure. <br> Pineda’s jewelry is especially known for its elegant acknowledgment of the<br>human form. It is often said that a Pineda fits the body perfectly, that it<br>feels right when it is worn. So, for example, a thick geometric necklace that<br>might at first glance seem too weighty or rigid to wear comfortably is, in fact,<br>faceted, hinged, or hollowed in such a way that it gracefully encircles the neck<br>or drapes down the décolletage.  In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with as much ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master.

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Antonio Pineda (1919-2009) Taxco 970 silver modernist botanical pin, measurements in pics.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco 970 silver photo holder keychain. All info in pics, stays shut with catch loop. Holds .5" x 1" pics.Antonio Pineda (1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco 980 silver flower pin 12.8 grams, other measurements in pics.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco articulating silver and amethyst pin/earrings, measurements in pics. Amazing set, the pin is hinged in the center of each rod, so they wiggle all over the place, very sturdy and well made.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco flower pin with leaf, measurements in pics.Antonio Pineda (1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach, informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Hammered silver leaf form bracelet, measurements in pics.  7" long with no issues. Antonio Pineda (1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Hammered silver pin and earrings set. All pieces hand hammered and seem a perfect match. Earring don't have a Pineda hallmark but the Mexico and Sterling stamps look the same. Measurements and weight in pics.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Mixed metals horse head pin measurements in pics. Buying the exact item shown with no issues.  Sterling and copper.   Antonio Pineda (1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,large-scale mining can be dated to thesixteenth century, and silver is a way of life. In the years following the Mexican Revolution (1910–20), jewelry and other silver objects were crafted there with an entirely innovative approach, informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Modernist Cat's Eye sterling cufflinks, No<br>issues whatsoever, fully functional. 29mm x 25mm face, 27 grams. Antonio Pineda<br>(1919-2009) Pineda’s jewelry is especially known for its elegant acknowledgment<br>of the human form. It is often said that a Pineda fits the body perfectly, that<br>it feels right when it is worn. So, for example, a thick geometric necklace that<br>might at first glance seem too weighty or rigid to wear comfortably is, in fact,<br>faceted, hinged, or hollowed in such a way that it gracefully encircles the neck<br>or drapes down the décolletage.  In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with as much ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master.

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Antonio Pineda (1919-2009) Taxco Modernist Cat's Eye sterling cufflinks, No<br>issues whatsoever, fully functional. 28mm x 20mm x 25.1 grams. Antonio Pineda<br>(1919-2009)  Pineda’s jewelry is especially known for its elegant acknowledgment<br>of the human form. It is often said that a Pineda fits the body perfectly, that<br>it feels right when it is worn. So, for example, a thick geometric necklace that<br>might at first glance seem too weighty or rigid to wear comfortably is, in fact,<br>faceted, hinged, or hollowed in such a way that it gracefully encircles the neck<br>or drapes down the décolletage.  In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with as much ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master.

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Antonio Pineda (1919-2009) Taxco Modernist Onyx sterling bracelet/earrings. Absolutely no issues, 6.75" long bracelet, other weight and measurements in pics. No damage or detectable wear to stones. Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexicos state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (191020), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pinedas acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pinedas many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School. These designers incorporated numerous aesthetic<br>orientationsPre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular artsmerging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pinedas hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pinedas jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Modernist Sterling amethyst leaf pin. Very interesting and unusual treatment to the squiggly bottom. 18.3 grams, other measurements in pics.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Modernist Sterling Onyx cufflinks, No issues<br>whatsoever, fully functional. 20mm square, 21.2 gramsAntonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Modernist sterling clips. Selling the three, clip what you want to clip. Measurements in pics. Two likely tie clips, third maybe money clip or bookmark, not sure.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Modernist Sterling cufflinks 13/16" 9/16" face.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Modernist Sterling Macaw cufflinks .75" face.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Modernist Sterling Mixed metals cufflinks 1 3/8" x 1" face.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Modernist Sterling Moonstone cufflinks, No<br>issues whatsoever, fully functional. 20mm x 18mm face, 14.3 grams.Antonio Pineda<br>(1919-2009)  Pineda’s jewelry is especially known for its elegant acknowledgment<br>of the human form. It is often said that a Pineda fits the body perfectly, that<br>it feels right when it is worn. So, for example, a thick geometric necklace that<br>might at first glance seem too weighty or rigid to wear comfortably is, in fact,<br>faceted, hinged, or hollowed in such a way that it gracefully encircles the neck<br>or drapes down the décolletage.  In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with as much ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master.

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Antonio Pineda (1919-2009) Taxco Modernist Sterling Onyx cufflinks 18mm square,<br>19.9 grams. Antonio Pineda (1919-2009)  Pineda’s jewelry is especially known for<br>its elegant acknowledgment of the human form. It is often said that a Pineda<br>fits the body perfectly, that it feels right when it is worn. So, for example, a<br>thick geometric necklace that might at first glance seem too weighty or rigid to<br>wear comfortably is, in fact, faceted, hinged, or hollowed in such a way that it<br>gracefully encircles the neck or drapes down the décolletage.  In addition, no<br>other taxqueño jeweler used as many costly semiprecious stones or set them with<br>as much ingenuity, skill, and variety as did Pineda. Only the most talented of<br>silversmiths could master.

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Antonio Pineda (1919-2009) Taxco Modernist Sterling Pre-columbian style cufflinks.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Modernist sterling screw back earrings. Selling the earrings shown with no issues.Antonio Pineda (1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other silver objects were crafted there with an entirely innovative approach, informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Modernist Sterling/Onyx cufflinks. Faint hallmark as shown, .5" x 1.5" face.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Sterling belt buckle 59.7 grams, very sturdy, other measurements in pics. This is an extremely high quality and good looking buckle. Due to reflections it's difficult to present items of this type in the light the deserve in the time available to me.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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AR Joyeros 14k/950 银耳环吊坠和项链套装。图片中的所有物品均为实心 14k 金或高含量银。耳环和吊坠 1 1/8 英寸 x 5/16 英寸，项链长 19 英寸，总重量 25.5 克。阿隆·迪勒以色列 1970镶工珠宝商、AR Joyeros 所有者和设计背后的艺术家。他在非洲、南美洲和中美洲旅行了三年，并于1996年抵达墨西哥塔斯科，在墨西哥国立大学学习珠宝制作和艺术。在家工作几年后，他于 2005 年在塔斯科镇中心开设了自己的商店。

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仿古青铜佛头可能是藏族，帽子上有头骨。这件作品的支架很可能是20世纪中叶的，头部是否年代久远就很难抉择了，它看起来很漂亮，而且是青铜色的。 9 英寸 x 5.5 英寸（不含支架） 支架尺寸为 5.5 英寸 x 2 5/8 英寸，因此总高度为 11 5/8 英寸。 TW223

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仿古雕刻片岩佛头供盒/香炉。非常重、雕刻精良的片岩佛头盒，大部分是中国古董，是 20 世纪第三季度在亚洲工作/旅行时组装的。我不确定它有多大，但我确信无论年龄如何，它都很棒，而且您不太可能找到另一个。无重大损坏，可能有小碎片。 10.5 英寸高，带支架 x 7 英寸宽。

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仿古中国青铜莲花底座和油灯。两者都是来自同一庄园的实心青铜，并且完美契合，他们有可能在某一时刻结婚，因为莲花底座顶部有非常旧的焊料/焊接残留物，而油灯底座上没有残留物。它可能是佛陀或观音的底座。底座尺寸为 5 英寸高 x 4 英寸底座 x 1 7/8 英寸顶部莲花花瓣内部。油灯底座宽 1.75 英寸 x 顶部宽 3 7/8 英寸 x 高 3 1/8 英寸。两者都有漂亮但略有不同的铜绿。出售展示的东西，底座在底部有标记。书架

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仿古中国风日式银铁盒。极高质量的锅可能来自 20 世纪上半叶。我相信这是带有中国古风的日本风格。铜珐琅盖，玉饰。玉饰顶端的小刻痕，盖子是原创的，因为它像手套一样贴合。不会太紧，也不会太失落，刚刚好。我相信它会保持气密密封。 6.75 英寸（带喷嘴）x 5.5 英寸 x 4.5 英寸高（不包括手柄）。重 493 克，经过测试并保证纯银含量高。 TW163

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Archie Ganadonegro Navajo sterling silver Royston turquoise spiny oyster pendant with beaded necklace. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa last quarter of the 20th century. 18" long.

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Arnold Maloney Navajo vintage deep stamped sterling silver concho belt buckle. Tested and guaranteed solid sterling silver, fits up to a 1.5" wide belt. Weight and measurements in pictures, circa last quarter of the 20th century.

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装饰艺术 835 银 Württembergische Metallwarenfabrik WMF 德国手链 7.5 英寸长 x 7/8 英寸宽，没有任何问题，这是 WMF 最令人向往的手链之一，大约 1930 年的槲寄生图案。著名制造商 Württembergische Metallwarenfabrik (WMF) 生产的精美黄铜、铜和银金属制品装饰着世界各地餐厅、酒店和家庭的桌面。 WMF 因其 19 世纪末的新艺术风格作品和 20 世纪初生产的装饰艺术作品而受到收藏家的特别青睐。

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Art Deco Mixed Metal 830 Silver on Brass Carl Larsen Denmark Silver Box with<br>Amber Cabochon. Ring shown for scale purposes only, not included. 9.5" x 3.25" x<br>2" tall, no significant issues, strong hinge, thick metal, great box ready to<br>put stuff in.<br>TW217

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装饰艺术纯红红玉髓/白铁矿胸针和耳环。胸针的另一侧标有德国和英镑的数字标记，不幸的是，我没有时间去思考，耳环标有 925。胸针可能来自 1920 年代左右，耳环较晚，但我不确定晚了多久。两者均来自同一庄园，品质卓越。胸针宽 1 7/8 英寸，耳环高 1.75 英寸 x 宽 7/8 英寸，没有缺失宝石或明显损坏。耳环背面缺失。总重 17.9 克。

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Art Deco Sterling Danecraft floral bracelet. Weight and measurements in pics. No issues. In the early 1900s, as Italy was continuing to become the world leader in<br>fashion, the Primavera family worked as jewelry artisans in the beautiful area<br>of Pescara, Italy. In 1918, the family founded Primavera Designs and by 1921 it<br>had become the largest jewelry company in the Abruzzo region. It was there that the family became well known throughout the region for their<br>ability to design and make jewelry for royalty and wealthy families. Often one<br>of the Primavera jewelry artisans would go directly into the home of a patron to<br>design and reproduce a cherished object of art into jewelry. This continued in Italy until 1934, when Mr. Victor Primavera, Sr. immigrated to<br>the United States and incorporated his company in Rhode Island; the jewelry<br>capital of the United States. Primavera Designs now had a United States<br>division, known as Danecraft, with a small factory and Mr. Victor Primavera, Sr.<br>heading up the design and model making teams. His forte in designing product was always timeliness. He often said that it was<br>easy to design a piece to be shown in a museum, but it took research and talent<br>to design product that would be worn by a woman with fashion sense. Although the candlelight has been replaced by fluorescent light and some of the painstaking handwork has been supplemented by modern machinery, the rich and<br>beautiful handcrafted look of distinction continues.<br><br>Since 1934, Danecraft has been privately owned and operated by the Primavera<br>family.

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装饰艺术风格 Sterling Sanborns 墨西哥银紫水晶镂空手链。 6.75 英寸 1 1/8 英寸中心宽度。 58.5 克，非常干净，没有任何问题，非常不寻常的一块。

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