Retro 28" Tane Modernist Sterling Mesh necklace 1" wide. Very substantial and<br>cool necklace. 125 grams. Strands can be worn twisted or straight to give it a<br>different look and shorten it a little when twisted, no damage or significant<br>wear.<br><br>Founded in 1942 in Mexico City, this year TANE proudly celebrates its 80th<br>anniversary. Over the past eight decades, with its avant-garde designs, TANE has<br>become an internationally recognized name, as well as a destination for elegant,<br>delicately and exquisitely handcrafted products in silver and gold. The company,<br>has a rich and diverse heritage and is vertically integrated, ensuring<br>sustainability from silver extraction to foundry, design and manufacturing.<br>Prior and current clients of the brand include world-famous celebrities such as<br>Jackie Kennedy, Brigitte Bardot, Catherine Deneuve, Maria Feliz, Eva Longoria,<br>Hillary Clinton, Paul Newman, Oscar de la Renta, Paul McCartney, as well as<br>international royalty. Celebrate every special moment in your life with TANE<br>Mexico 1942.

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Oystein Balle Norwegian Sterling enamel pansy earrings and pin. Top quality with<br>no damage to the enamel or wear. Earrings 7/8" x 7/8", pin 1.25" x 1.5". The<br>earrings were a little dirty in the pic but it cleaned off, no issues.

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Retro Modernist Sterling Howlite pendant on 17" necklace. Pendant 2 5/8" x 1<br>3/8", necklace. I couldn't find a mark on the necklace but it tests as sterling<br>and is non-magnetic.

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One of a Kind Gold mounted sterling silver ranger belt with 5 more sets mounted<br>to it. 6 Ranger sets total. All the ranger sets from the first half of the 20th<br>century, all sterling mounted in gold, all hand engraved, I believe all are Made<br>in Mexico except one has Made in Texas, I believe it's a Nelson Bringhoff. The<br>larger main buckle is a 1" ranger set, the others are 3/4" ranger sets. Total<br>length 41", I believe it will fit a 32" to 35" waist, an extra hole could likely<br>be added for a 36". The leather is in good condition, this was custom made by<br>"The Leather Bench" of Austin Texas. The belt is 2" at widest point and tapers<br>down to 15/16".

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1832 Thomas Shaw Georgian Silver Snuff Box and Vinaigrette. Largest 2 1/8" x<br>1.25" x .5", vinaigrette 1.25" x 7/8" x .4". Bother overall good condition with<br>good hinges and tight closures, some expected very small dents and overall wear.<br>Selling both.<br><br>Definition of vinaigrette: silver vinaigrette is a small receptacle to contain<br>scented vinegar used by ladies to ward off faintness. The earliest-known<br>examples in separate form dates from 1492. Such pieces were popular from the mid<br>18th century, They were made in innumerable forms and styles (such as circular,<br>oval, polygonal, heart-shaped or shell-shaped, and in fantasy forms, such as a<br>shoe, book, watch-case, purse, acorn...) in silver, gold or porcelain, with a<br>pierced metal grille under the stopper or the securely hinged lid to cover a<br>sponge saturated with a scented substance. Fully sterling silver hallmarked on<br>both lid and base: Maker: TS . Thomas Shaw who was registered in Birmingham<br>between 1818 & 1837 and is famous in making silver vinaigrette and snuff Box.

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Large vintage Zuni Sterling multi-stone inlay pendant on heavy necklace 28"<br>necklace, 2.75" x 3.5" pendant. No issues, clasp on necklace appears to be a<br>replacement.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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Antique Chinese Gilt Silver Kylin Necklace with lapis and carved coral beads.<br>Tested sterling or high content silver in multiple places, it will clean up very<br>nicely if that's your preference I left it as found but am sure it's silver.<br>Faint marks on back of pendant and the two hooks that hold the pendant. Necklace<br>approx 18" 39.5 grams total weight

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Antique Scottish Citrine/Agate/Sterling pendant brooch 2 3/8" 32 grams, amazing<br>condition with no wear to stones, hand engraved piece from the 19th century<br>functional as a pendant or a brooch. Unmarked tested sterling.

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Antique Scottish Shoe Buckle Joseph Gray Styles Chester Sterling Silver with<br>Citrines. 3 1/8" x 2.25" with no damage or wear to natural stones. 34.6 grams<br>hand engraved with Keltic designs.

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Huge Vintage Navajo Sterling/turquoise butterfly pin 2.75" wide x 2.4" wide 27.8<br>grams. Hallmarked on back with United Indian Traders association stamp.<br><br>The United Indian Traders Association (UITA) was established on September 13,<br>1931 for the expressed purpose of authentication of Indian crafts.1 At the time,<br>the UITA as an important player both in Indian cultural life and in advocating<br>for the sale of authentic Indian arts and crafts. UITA was incorporated as a<br>non-profit in New Mexico, with the support of a number of traders and San<br>Francisco attorney Charles Elkus. Bert Staples (Coolidge, NM) was UITA's first<br>President, R. C. Master (Zuni, NM) was Vice President, C. N. Cotton (Gallup, NM)<br>served as Treasurer and Tobe Turpen (Gallup, NM) was Secretary. Directors<br>included L. L. Sabin, C. G. Wallace, J. M. Drolet, Ramon Hubbell, Lloyd Ambrose,<br>Bruce Barnard and Mike Kirk.2 All of the founding directors and officers were<br>veteran owners of trading posts in the Southwest. The founding membership of 753<br>grew to over 125 in about 10 years.

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c1900 James Aitchison Scottish Sterling Enamel Pin Dinna Forget with<br>citrine/amethyst thistles. High quality piece appears to have hallmarks on one<br>of the thistle stems, tests sterling. 1.5" wide 15.4 grams.

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C 1815 Samuel behere, Edward Wigan British Sterling Buckle. Hallmarked SG EW a<br>pin added later to wear as a brooch. 3 3/8" x 2 5/8" 68.4 grams, Amazing piece<br>with incredible workmanship, no damage. Hallmarked all over the place with an<br>early engraved I.S. on reverse side, articulating hinges to work however it's<br>supposed to work. This is from a collection of antique Highlander/Scottish<br>silver. I went around in circles with the hallmarks longer than I could afford<br>to, it's from 1800-1820's.

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Porfirio Salinas (1910–1973) Big Bend Texas/Mexico Landscape South of El Paso.100% guaranteed Original Oil on canvas painted by Porfirio Salinas in the 1960's<br>with no damage or restorations of any kind. Overall: 32 3/4 by 38 3/4 inches<br>24" x 30" painting. Salinas is not as well known for his west Texas/Northern<br>Mexico desert landscaped but he did do some. I'm sure it was more pleasant<br>sitting in a bluebonnet field close to home in the spring then it was sweating<br>in the desert, but a trained eye should be able to see this master's skill and<br>respect his diversity.<br><br>On Oct 18, 2008 a much smaller Porfirio Salinas landscape with a similar terrain<br>was offered for auction by David Dike Fine Art at a $15,000 starting price, I'm<br>unsure if it sold or what it sold for. It was titled "75 Miles South of El<br>Paso", 1953 oil on canvas 16 x 20. So less than half of the size of this<br>painting, it had the same cacti and Red Yucca. In 2019 prickly pear Cacti<br>Landscape by Salinas brough $125,000 with the buyers premium at the same David<br>Dike Fine Art.<br><br>The paper on this frame possibly covers the title of this painting, I'm tempted<br>to remove it but I'm going to try my best not to as the old brittle paper does<br>help date the painting and I really like to leave things as I found them. No<br>damage or restorations whatsoever to the painting, thoroughly examined under<br>both natural and UV light.<br><br>Porfirio Salinas (November 6, 1910 – April 18, 1973) was an early Texas<br>landscape painter who is recognized for his depictions of the Texas Hill Country<br>in the springtime. He was one of the first Mexican American artists to become<br>nationally recognized for his paintings. He was described by The New York Times<br>as being United States President Lyndon B. Johnson's favorite painter. Works by<br>Salinas are displayed in the Texas State Capitol, the Texas Governor's Mansion<br>and in a number of museums including the Witte Museum in San Antonio, Texas and<br>the Panhandle-Plains Historical Museum.<br><br>Early history<br>Salinas was born on November 6, 1910, near Bastrop, Texas. He came from a family<br>of Mexican American tenant farmers, his father Porfirio G. Salinas and his<br>mother Clara G. Chavez Salinas leaving the farm for San Antonio when Porfirio<br>was a child. Salinas was a precocious talent who drew and painted from the time<br>he was a small boy and received encouragement from his teachers. He had little<br>formal education and left school when he was young in order to work in an art<br>supply store. When he was fifteen he met the English-born landscape artist<br>Robert William Wood (1889–1979) at the store.<br><br>Salinas went to work in Wood's studio in 1925, where he learned the basics of<br>being a professional painter. He stretched Wood's canvasses, and learned to<br>frame paintings, how to mix paints and how to prepare canvas under Wood's<br>supervision. Wood was a very capable businessman, and Salinas learned how to<br>sell and market his art from the English painter. Salinas accompanied Wood and<br>the Spanish-born artist and teacher José Arpa (1858–1952) on sketching trips to<br>the hills and valleys surrounding San Antonio where they painted blooming<br>wildflowers in the spring and the Texas Red Oak in the fall. With his talent and<br>hard work he was soon capable of professional work.<br><br>Professional career<br>Salinas began painting professionally in 1930, when he was twenty years old.[4]<br>His early work was influenced by his mentor Robert Wood's paintings.[5] He<br>painted many scenes of Texas bluebonnets, the state flower, which were sold to<br>tourists by the artists and galleries in San Antonio, Texas. In 1939 he began<br>working with the art dealer Dewey Bradford (1896–1985), who sold paintings,<br>frames and art supplies in the state capital of Austin.<br><br>National recognition<br>While Salinas sold his work steadily, by 1960 he was known primarily to Texas<br>collectors and tourists who visited San Antonio. In 1961, this changed rapidly<br>with the election of his collector Lyndon B. Johnson (1908–1973) to the Vice<br>Presidency of the United States. With his ascension from the United States<br>Senate to being Vice President, Johnson and his wife Lady Bird Johnson<br>(1912–2007) purchased a large French-style chateau from the socialite and<br>heiress Perle Mesta (1889–1975). They decorated the house with French antiques<br>and tapestries that were already in the home, but the foyer was hung with Texas<br>wildflower paintings by Salinas. Lady Bird Johnson was quoted as saying, "I want<br>to see them when I open the door, to remind me of where I come from." At the<br>time of the President Kennedy's assassination, Salinas had completed a scene of<br>a horse drinking titled "Rocky Creek" that was meant to be presented to Kennedy<br>during his ill-fated visit to Dallas. Lyndon Johnson told the Washington press<br>that Porfirio Salinas was "his favorite artist." President Johnson also<br>presented a Salinas painting to President Gustavo Diaz Ordaz of Mexico as an<br>official gift from the United States. The patronage of the President was a<br>tremendous boost to the artist's career and during the 1960s, his work sold<br>briskly for ever higher prices. The Johnsons' Salinas paintings remain in the<br>collection of the LBJ Ranch today. President and Lady Bird Johnson were both<br>advocates and admirers of wildflowers. Lady Bird Johnson will always remain<br>linked to the subject of wildflowers because of her "Beautify America" campaign<br>and the Highway Beautification Act, which was passed by the United States<br>Congress in 1965. As part of that effort, many miles of Texas roadsides were<br>seeded with Texas bluebonnets, Lupinus texensis, the flowers that Salinas is<br>known for painting.<br><br>Death and posthumous reputation<br>Salinas was recognized by the city of his birth, Bastrop, Texas in 1960, when he<br>was fifty years old. He had a solo exhibition at the Witte Museum in San Antonio<br>in 1962. His work was widely published by the New York Graphic Society, which<br>added to his national reputation. In 1967 his work illustrated a book titled<br>Bluebonnets and Cactus that was published in Austin.<br><br>Salinas died on April 18, 1973, after a brief illness. He was memorialized in<br>the City of Austin with Porfirio Salinas Day in 1973. Ruth Goddard wrote a book<br>titled Porfirio Salinas that was published two years after his death. There is a<br>Youth Art Exhibition showcasing work by K-12 students, named after the artist,<br>held each year in Bastrop. In celebration of the centennial of Salinas' birth,<br>the Witte Museum mounted an exhibition titled Porfirio Salinas: Painting South<br>Texas that opened on October 16, 2010, and ran to March 20, 2011.<br><br>Artistic production<br>The professional career of Porfirio Salinas stretched to more than forty years.<br>According to the art historian Jeffrey Morseburg, he is estimated to have<br>painted between two and three thousand works. His work is divided among a number<br>of subjects, but Hill Country landscapes of the Texas bluebonnets predominate.<br>The bluebonnet landscape has remained eternally popular with both collectors of<br>historic Texas paintings and contemporary artists. Salinas also painted many<br>scenes of Texas red oak trees in the autumn and prickly pear cactus. There were<br>also scenes of the Texas desert in the Texas Panhandle and of arid West Texas.<br>Salinas made trips to Mexico and painted rural Mexican villages and the<br>volcanoes that are south of Mexico City. For Mexican American audiences, Salinas<br>painted small scenes of bullfights, cockfights and Mexican fandangos.<br><br>Personal life<br>Salinas married Maria Bonillas, a Mexican woman who worked for the Mexican<br>National Railways, in San Antonio in 1943. They had a single child, Christina<br>Maria Salinas, who was born in 1945. Maria Bonillas Salinas helped manage her<br>husband's career. The Salinas home and studio was located at 2723 Buena Vista<br>Street in San Antonio. It consists of a small stone home with a detached studio.

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Vintage Egyptian sterling enamel pendant. Marked 925 with what I believe are<br>Egyptial hallmarks on the top of the bail 1 7/8" x 1.25" with no damage 12.8<br>grams.

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c1870 Meiji Period Japanese Kutani Bowl. 7" x 2.75" with no cracks, chips, or<br>restorations.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. J Wright Modernist Southwestern sterling cuff bracelet. Nice clean well made<br>cuff, some people call J Wright Navajo, I didn't try to verify that one way or<br>another. 40.6 grams, substantial cuff.

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David Yurman 14K Yellow Gold Sterling Silver Double "X" Twisted Cable earrings.<br>Marked inside Yurman 14k 925. 14.5 grams Guaranteed 100% Authentic David Yurman.

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Antique Russian Icon Hand painted on wood panel. 100% hand painted from the late 19th to early 20th century. 12.25" tall x 10.25" wide in good condition with minor wear to edge shown. Some stable cracks in paint. This Icon and others I'll be listing are all antique Icons over 100 years old all from one collection purchased 25-30 years ago from top Auction houses that specialize in these. Most of the lots are too old for me to find the lot information and I just don't have time to try to figure out the artists etc. so I am just quickly grading them based on Size, quality of the painting, and condition.

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c1880 Antique Miniature Hand Painted porcelain plaque brooch 1 7/8" tall x 2.25" wide, plaque in good condition with minor wear to plaque.

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3pc Ancient Korean Ceramics lot Goryeo-Joseon Dynasties. Selling the three pieces shown, all 500-1000 years old, possibly older. Center piece has no damage 10" tall, the white vessel has a large but stable crack running all around it, left piece has an old professional restoration to top rim that has degraded somewhat and a tight stable hairline around the base. Selling all three good early pieces of Korean ceramics that display very well and are real. isshelf

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Antique Chinese Silver Enamel Malachite bangle bracelet. Marked silver tested<br>high content silver, high quality filigree and enamel work with genuine<br>malachite stones. approx 7.5"

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Antique Persian Silver Snuff box Addolhosein. Amazing Workmanship, the box is so well made it forms a basically air/waterproof seal when it's shut. Shuts easily with an audible click stays shut, made by hand with extreme precision. 2 7/8" x 1 7/8" x .75" x 82.8 grams.

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sz 8.5 Vintage Native American oversized Modernist sterling ring. Very high quality unmarked ring. All precious metals are tested and guaranteed,

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1870's Royal Worcester Lotus Form Satsuma Style Teacup and saucer. I didn't look<br>up the date code but it's from the last half of the 19th century. Slightly<br>smaller than a modern teacup but larger than a demitasse or coffee cup. 5 3/8"<br>saucer 2 78" wide cup without handle. Strong embossing's on both pieces very<br>high quality porcelain, a price tag from about a 1960's or so antique shop.

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sz6.5 John Atencio 18k/Sterling and Amethyst Golden Gate Horizontal ring.<br>Authentic, guaranteed super clean top quality with no issues. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 6 Ring.

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Hand Painted Hochst Porcelain Coffee Set in box. Amazing set from the last half<br>of the 20th century 100% hand painted each piece signed by the artist. The<br>quality of this set compares with any of the worlds top porcelain manufacturers<br>and while Hochst isn't as prolific and sold in as many stores as Meissen,<br>Herend, Royal Copenhagen, etc it's just as good and a set like this would cost a<br>few grand if available today. It's mint I believe never been out of the box,<br>it's from a several million dollar home that was the couples' second home,<br>rarely visited. It's a demitasse coffee set 4 3/8" wide saucers cups 2 13/16"<br>wide without handles. It's complete and comes with 8 saucers, 6 cups, creamer,<br>sugar, and coffeepot. I'm guess it's 30-40 years old and there is minor<br>degradation to the foam interior of the box and some soiling to the box. there's<br>a different scene on each piece.<br><br>History of Hochst porcelain<br><br>The factory at Höchst was founded in 1746 and was supported by the Elector of<br>Mainz. They at first only produced faience but later (around 1753) mainly<br>porcelain was produced. The mark used was the wheel mark and later the wheel<br>mark with the electoral crown above it. Melchior was the most famous of the<br>figurine designers who worked for Hochst. After a fairly short existence, as was<br>the case with most of the makers of porcelain in the 18th century, Hochst’s<br>factory was closed in 1796. Nearly two centuries later, a modern factory was<br>opened in 1947. While the second factory closed in 1964. A third one followed in<br>1965 and is still around

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c1890 Signed Webb Whimsy Brides Bowl in gilt metal stand. Clearly acid stamped<br>WEBB on base over where the old piece of tape is, I don't have all day to hold<br>it at just the right angle to show it in a picture. Smaller than typical brides<br>bowl 7.5" at widest point x 6" tall. No damage whatsoever.<br>tw270

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1950's Matchbox 4 Models of Yesteryear Sentinel Sand and Gravel truck. Clean original box. No detectable wear to truck, no touchups.

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1960's Matchbox Y-12 Models of Yesteryear Horse Bus Lipton's Tea. Clean box with mint toy with no wear or touchups. One spot on top rear of toy where they got an extra bit of white paint on it, I've removed these spots before but I won't mess with it as I don't have time for more photos, but that's what it is.

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c1924 Roseville Imperial II Bulbous Vase no cracks, chips, restorations,<br>crazing, scratches, or detectable flaws. 7" tall x 6.5" wide. Above average<br>glaze with crisp molding.<br>isshelf

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1960's MCM Frankoma Aqua Orbit Gracetone collection. Selling the rare and<br>desirable collection shown, six pieces total counting the lid to the candy dish.<br>12 oz v8 can shown for scale. Tallest is the brandy snifter formed vase at 9"<br>tall x 5 7/8" wide. No cracks, chips, crazing, or restorations to any pieces,<br>One factory glaze pop shown in the interior of the deep compote to the right,<br>it's shown in the fifth pic. The lid to candy dish has some worn gold paint,<br>it's not covering a restorations I'm sure, I can remove the rest before shipping<br>upon request.<br><br>Gracetone Pottery was produced from 1959 to 1967. John Frank purchased a<br>Muskogee, Oklahoma company named Synar Ceramics in September, 1957, eventually<br>naming it Gracetone in December. He designed a new line of dinnerware named<br>Orbit, the name based on a circular motif. Many of the original Synar pieces<br>continued production. Unfortunately the company did not meet expectations, so<br>Frank closed it in May, 1962.<br><br>Frank's associate J.C. Taylor purchased the company, along with its assets, to<br>continue production with a reduced number of items. He eventually decided to<br>stop production entirely in February, 1967.

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1945 Rookwood MCM Chinoisiere Vase 6.25" tall. No cracks, chips, or<br>restorations, overall crazing which seems intentional.

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Large 1990 Carol Felley StoryTeller Sterling dangle earrings. 2.5" long x 1.25"<br>wide x 18.8 grams total weight, no issues.Following her passion for painting and jewelry design Carol moved to New Mexico<br>after graduating from Carnegie Mellon University with a Fine Arts degree. She<br>was inspired by the jewelry making community in the Southwest and opened a<br>design and jewelry manufacturing business in Albuquerque, New Mexico which she<br>owned and operated for thirty years. She has also been deeply moved by her volunteer work with hospice and decided to<br>develop a new jewelry company called “Style Conscience” dedicated to raising awareness and support for specific causes that she is passionate about. Carol<br>has rededicated her efforts and has combined her love and talent for jewelry<br>design with her passion for making a difference in the world.<br><br>Carol has developed her own unique signature jewelry collections that raise<br>awareness jewelry to a new level of design and beauty. She believes that women<br>want to wear something precious and meaningful that is beautifully designed to<br>express their support for important causes. Carol’s jewelry is crafted from<br>precious metals and gemstones and each individual piece is beautifully finished<br>by hand.”

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Darrin Livingston Navajo Sterling Carico Lake turquoise ring. Natural stones with some natural fissures. 29 grams, size 6. Darrin Livingston resides in Church Rock, New Mexico, where he has lived most of his life. He currently lives there with his family. Church Rock is where his father and grandfather are from also; this is where he learned his silversmith trade at the age of thirteen. He attended public high school, which he enjoyed, and after graduating he really got serious with the silversmith trade and earned a living from it. A hallmark of Darrin’s jewelry is how is how precisely each piece is constructed and finished. We call this how “clean” the workmanship is. The stones are evenly set into tight fine silver bezels. There are no sharp edges or other careless craftsmanship. His pieces are obviously the work of an artist who takes no shortcuts and whose care for quality of every piece that leaves his studio is professional and complete. From the simplest single stone pendant to the advance design and crafting of a mulit-stone dragonfly necklace, Darrin’s work reflect the best traditional of Navajo silver work and pride. All precious metals are tested and guaranteed,

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1960's Matchbox Models of Yesteryear Y-6 1913 Cadillac. Clean box, mint car with no wear or touchups.

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Larger Gemset Sterling baroque pearl pendant 3.5" tall x 2 5/8" wide, marked 925, tested sterling 43.7 grams.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 40's-50's Zuni Flush inlay coral tufa cast silver bracelet. Very fantastic with no significant issues, bruise to one coral but it's not going anywhere. All precious metals are tested and guaranteed,

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1960's Matchbox Models of Yesteryear Y-6 1926 Type 35 Bugatti. Tear on reverse side of box, no wear or touchups to car.

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Collection Native American/Southwestern sterling clip-on earrings. All with no issues Turquoise ones on the left are 1 3/16" x 15/16, total weight 60.7 grams. All from one collection, all with the boxes shown with photos on top for easy storage/organization.All precious metals are tested and guaranteed,

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1959 Harding Black (1912-2004) Texas Studio Art pottery ginger jar with bubbly<br>cobalt blue glaze and hand incised decoration throughout. 7" tall x 6.5" tall,<br>an amazing Texas Mid century modern entirely handmade one of a kind jar made by<br>the celebrated potter Harding Black in 1959. It's amazing in so many ways, all<br>the incisions and decoration done by hand and a unique dark blue bubbly glaze.<br>It's estate fresh and has never been offered for sale anywhere until now, it's<br>mint with absolutely no damage, wear, or restorations.<br><br>Harding Black San Antonio (1912 - 2004)<br><br>A ceramist, sculptor, painter, bricklayer, teacher, Black graduated from<br>Brackenridge High School and attended San Antonio Junior College (1929-30). In<br>1933, Black was taught by Rudolph Staffel to make wheel-thrown pottery and also<br>began to teach children's ceramic classes at the Witte. Black directed ceramic<br>installation in a San Antonio reconstruction project sponsored by the National<br>Youth Administration and the Works Progress Administration art program. In 1955<br>he retired from teaching and devoted his time to ceramics. Black became a<br>well-known ceramist from his research, innovations, and writings in the field.<br>Black's collection and archive is housed at Baylor University. Harding Black's<br>work with clay serves an an important bridge between early Texas and mid-century<br>pottery.<br><br>anderas

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1940's-50's Zuni Shell Channel inlay clip-on earrings 3.5" tall x 1.5" wide x 24.1 grams with no issues, strong springs on clips.All precious metals are tested and guaranteed,

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Vintage Chinese silver bracelet. Very substantial and heavy bracelet with no issues.

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Modernist Native American Sterling petrified wood gemset necklace. Marked as shown, from a very high end collection of mixed tribes Native American Jewelry. Approx 22" long 23.4 grams total weight. Gemstone untested, bottom stone looks like a Jasper/petrified something or other, great looking with no issues. All precious metals are tested and guaranteed,

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2 Chinese Republic Period brass mounted pewter tea caddies. Both from first half<br>of the 20th century with dents and a little wobbly, displaying well. 6.5" tall.

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Vintage sterling silver agate cufflinks. Nice old pair of mid century sterling cufflinks with no damage, nice and tight at hinges.

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Vintage Sterling dangle earrings 3 pairs. Selling the three pairs shown, longest 3 1/8", all test sterling, two pairs marked. No damage or issues with any.

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c1890 French Tressemann & Vogt Raised Gold Limoges Dinner plate set. Selling the set of 6 shown one with very shallow chip to edge, shown bottom plate in the second pic, a few with minor wear to gilding, on rims. None with cracks or restorations, no loss to surface raised decoration or any surface scratches, an amazing set that was in the top of it's class 125 or so years ago, hand painted, they quit making things of this quality a long time ago. 9" wide. isshelf

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6" Jay Livingston Navajo/Zuni Sterling and coral bracelet JAY JACOB LIVINGSTON(Navajo/Zuni b. 1979- present)Jay Livingston is a very talented, creative silversmith who has skills far beyond his years. There is good reason for that. Jay spent his life working with his father, Zuni legend, Jake Livingston. Jay's jewelry has a traditional feeling with fine stamp work, meticulous technique and perfect lapidary. Beautiful turquoise and coral appear throughout his jewelry.Jay Jacob Livingston is a third-generation silversmith / jewelry artist. Jay Livingston is a pleasant and warm young man who has been learning precision jewelry-making techniques as the understudy of his master silversmith father, Jake Livingston, from a very young age – all the while finding and incorporating his own techniques and designs. Currently residing is Sanders, Arizona, Jay says that his true roots arise from Pine Springs, AZ, located on the Navajo reservation. Jay Livingston is part Navajo and part Zuni, and he feels that both of his cultures influence his work."I am an artist and my name is Jay Jacob Livingston, a third generation silversmith. I've been the understudy of master silversmith Jake Livingston from such a young age, nine years old to be exact, all the while finding and incorporating my own techniques and designs. I currently reside in Sanders, Arizona. However, my true roots arise from Pine Springs, Arizona which is located on the Navajo reservation. If I am not working on jewelry I am in Pine Springs tending the family ranch.I am Navajo and part Zuni. Both of my cultures influence my work, however as of late my motivation is derived from my beliefs in the Native American Church. I've also been trained in metal fabrication receiving certifications with high honors from Tulsa Welding School and San Juan Community College. This type of training has allowed me to create my own style of metal fabrication including heavy stamp work. My beliefs play an important role in my life and it's depicted in my work. I continue to blend my ideas with my techniques to innovate within my medium however one day I plan to expand my boundaries.I have won several ribbons for First Place titles in prestige art shows around the country including the Santa Fe Indian Market, Heard Museum Guild Indian Fair and Market, Southwest Indian Art Fair and the Navajo Nation Fair. Every form of art I create is truly one of a kind and is a part of me. I believe the Creator blessed me with this gift not only to show the beauty of my culture but share the blessing from the Creator to all his children. All precious metals are tested and guaranteed,

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16" Retro Sterling Toggle necklace with Pink Visual heart charm.  This was a promotional item given by pink visual to actresses.  If you purchase it I can send you a link of a picture of her wearing the necklace online if that's of interest.  Nice solid heavy necklace, Tests sterling marked what looks like JC 925. The heart could easily be cut off if not wanted, I could do it if asked but obviously wouldn't unless asked. 59.3 grams.

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c1880's J.E. Caldwell Sterling Silver Server. 8.75" long x 3.75" wide 81 grams.<br>sterlingdrawer

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c1880's Gorham Fontainebleau Master butter knife F Monogram. Slight wear at tip<br>of knife 7.75" long.

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sz8.5 Leonard and Marian Nez Navajo Sterling and high grade turquoise ring.<br>Beautiful matrix and color on this stone, unsure of mine, 15.6 grams.<br><br>Fine chisel, stamp work and deeply grooved silver overlay are the hallmarks of<br>Leonard Nez’s silver jewelry whose work is featured in the Smithsonian<br>Institute. By combining the elements of the traditional with the contemporary in<br>detailed scrollwork and classic feather styling, Nez’s work is distinct and<br>recognizable.<br><br>Born in Keams Canon, Arizona, Nez met his wife Marian through his sister. It was<br>Marian, a silversmith in her own right, who first taught Nez jewelry-making. In<br>1977, he made his first pieces and by 1993 he began showing his work. He is<br>consistently the recipient of awards and his work can be found in private<br>collections, which include a silver bowl at the Smithsonian. An avid horseman<br>and highly skilled team roper, he divides his time between his silverwork and<br>the rodeo circuit,<br><br>He attributes his inspiration to God and says that sometimes design ideas come<br>to him while he is in church. “I want each piece to be better than the last.<br>I do my own designs, the ones that speak to me.”<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 8 Ring.

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Richard Tsosie Navajo Cobblestone inlay Tufa cast belt buckle. 2 5/8" x 2", takes up to a 1.25" belt.Artists › Richard Tsosie Richard is perhaps best known for his distinctive textured silver designs. His trademark techniqie of granulation was discovered by accident when he noticed silver filings were fusing onto a ring he was soldering. He calls the process which produces this granulated surface texture “reticulation,” and he has been perfecting the technique throughout his career.Born in 1956, Richard has been a jeweler since the mid 1970s. He learned jewelry making from his brother Boyd and from Kenneth Begay at Navajo Community College in Arizona. He quickly progressed from basic tasks of cutting and polishing stones to the more complex process of inlay.Richard’s contemporary silver and hold work features the use of fabrication, overlay, and granulation. He is also known for colorful inlay work with a variety of natural stones and for his fine degree of control and attention to detail. His designs are motivated by images of the natural world, particularly the Wide Ruins area of the reservation where he spent a large part of his youth. Richard says of his work, “I am inspired by the colors of the mountains at sunset, the patterns of shadow and light that emerge at dawn, and the pinpoints of starlight against the black night sky.”His pieces typically contain the symbol for lighting and an arrow pattern. The lightning stands for natural causes, while the arrowhead symbolizes man-made elements. Richard says the design represents the ups and downs of life. “Some things we can’t do anything about and you should try to enjoy life to the fullest.”All precious metals are tested and guaranteed,

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c1900 Haviland Limoges Snack Set Cup and plate Pink roses with gold. Great snack set from the late 19th to early 20th century with no damage or significant wear. The cup measures 4 1/8 inches wide, including handle and 2 inches tall. The saucer /snack plate, which has a fitted indentation for the cup, measures about 8 1/2 inches long and 7" wide. isshelf

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c1880 French Baccarat pressed glass pineapple compote. Unusual piece with holes I suppose for short prisms to hang, I'm sure it's an antique piece and though I don't have time to research it I feel it's Baccarat as I've had a fair amount of Baccarat pressed glass. Unmarked 7" wide x 2 5/8" tall. tw270

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6" Navajo Bisbee turquoise Silver bracelet. Large and heavy bracelet with<br>natural turquoise stone that I believe to be Bisbee, fits up to a 6" wrist.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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c1900 Green Moser gold enamel art glass vase. 12 3/8" tall, late 19th to early 20th century. A few small chis to factory ground rim, largest shown in third pic, nothing detectable without very close examination and they could be easily ground down. isshelf

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Jolene Eustace (Cochiti/Zuni) 18k/14k/sterling Carved Turquoise, coral, and<br>shell necklace. Jolene is an extremely talented artisan, the galleries that<br>carried her work seem to be mostly out of stock. I believe she has always been<br>quality over quantity, producing a very limited amount of jewelry as you can<br>tell she invests a lot more time/skill/money into her pieces than a large<br>percentage of todays Native American artisans'. Amazing piece as shown. Bottom<br>piece has 18k, 14k, and sterling(marked and tested), two side pieces 14k and<br>sterling. Approximately 17" total length, 144.6 grams total weight.<br><br>Jolene A. Eustace-Hanelt is respected as a master jeweler. She comes from a<br>family of jewelers and potters. She grew up helping her parents. In a cover<br>story for Indian Artist Magazine, Jolene shared: "I was eight when I made my<br>first piece. I got an order to do 100 tie tacks...That was over 100 bucks." She<br>bought a 10 speed bike with the money. She added, "Then I realized I could be<br>self-sufficient with my work as an artist...My work is my release. My work is my<br>meditation. It's a way of going back to Mother Earth." (Zuni/Cochiti, active<br>1985=-present: contemporary, gold, silver leaf, set stones jewelry, alabaster<br>sculptures)<br><br>(A note from Keishi Jewelers a retailer of her wearable art) Sharing our Keshi<br>"Jolene" story: Jolene is (obviously) quite a beautiful woman, and the staff of<br>Keshi commonly referred to her as "the jewelry dess." One day, someone fessed up<br>and told Jolene what she'd been nicknamed, and her reply was "I'm not the<br>jewelry dess, I MAKE jewelry FOR desses!" That response certainly endeared her<br>to us even more!<br><br>Jolene is a daughter of well-known artists Ben and Felicita Eustace. Ben, from<br>Zuni, was a jeweler who, in turn taught his Cochiti wife Felicita the art of<br>jewelry making. Felicita is also a potter, specializing in traditionally made<br>storytellers. The Eustaces passed their demand for quality on to their 13<br>children, including Jolene.<br><br>Jolene was educated at the Institute of American Indian Arts in Santa Fe. She<br>learned jewelry making from her parents and Hopi jeweler Duane Maktima. She has<br>been fabricating jewelry since the mid-80s.<br><br>Always seeking challenges, Jolene relocated to Essen, Germany in the mid-1990s<br>with her German-born former husband and infant son. Several times a week, she<br>commuted by train between her home and Europe’s renowned art school, the<br>Künstakadamie, in Düsseldorf. There she studied frawing and painting. Jolene is<br>a recipient of a fellowship from the Southwestern Association for Indian Arts<br>(SWAIA) and has worked with SWAIA’s mentor program, teaching jewelry techniques<br>to Native students.<br><br>Jolene’s jewelry is characterized by the quality of materials and its striking<br>individuality. She says, “Whoever said you have to play by the rules? I want my<br>jewelry to say something. It cannot be just jewelry. In my jewelry, design and<br>fabrication have to deal with personal experiences and traditional values<br>conflicting and collaborating with present society.”<br><br>Jolene’s parents once said to their children, “If you’re going to do jewelry at<br>tall, you have to do it our way, the right way.” It wasn’t the designs they were<br>talking about, it was the technical aspects of their work: setting stones,<br>welds, and engravings. From the time of their training, the Eustace kids learned<br>a respect for materials and techniques of their art.<br><br>Jolene’s hallmark is a stamped “JAE” and a trademark design which represents<br>sage that was designed by her Dad long ago.<br><br>Tribal Affiliation<br>Cochiti/Zuni<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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1907 Charles Wallace Quicksell Limoges Raised gold porcelain Syrup pitcher for Dr Herbert G Pettebone for Jessie Flick Beers. Great piece with no damage or restorations, very minimal wear to gilding. Interesting with the built in provenance. 5.75" tall. No markings other than what's shown, top quality porcelain most likely French. Quicksell Decorated a fair amount of Porcelain in the Early 20th century, I believe he was decorating in the US, possibly for Pickard. tw271

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.75" Vintage Navajo shadowbox silver bracelet with turquoise. Unmarked, fits up to a 6.75" wrist.All precious metals are tested and guaranteed,

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Zuni Coral flush inlay silver bracelet. Fits up to a 6.25" wrist, no<br>issues. Very special unmarked bracelet.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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1960's Matchbox King Size K-4 International Tractor. Some wear to box, no wear to tractor, no touch ups, the glue that held the wheels on no longer works which is common, a dab of silicon will keep them on if necessary.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.5" Mike Bird Romero San Juan and Taos Pueblo Agate and Onyx bracelet, fits up<br>to a 6.5" wrist with no issues.<br><br>Mike Bird-Romero is an accomplished jeweler known for his technical mastery,<br>innovation, and respect for historical techniques and designs. Born in 1946 in<br>San Juan Pueblo, his artistic interests were fostered in a household of<br>creativity. His grandmother Luteria Atencio was a respected potter whose works<br>are in the Smithsonian Institution. His mother Lorencita Bird was an<br>accomplished and well-known Pueblo textile artist and educator. After learning<br>some basic metal-working skills in junior high school, Mike began serious work<br>with metals in the late 1960s, teaching himself from books on the topic and<br>buying some old tools while making others. By the 1980s, Mike had emerged as a<br>major figure in contemporary Native American jewelry making. Selecting only the<br>best, most dramatic materials, Mike became known for bold, sculptural<br>interpretations of traditional designs.<br><br>Although he is largely a self-taught artist, Mike’s work has been influenced<br>both by extensive research into historic Navajo and Pueblo jewelry and by<br>observing great silversmiths who lived near his home including Mark Chee and<br>Julian Lovato. A true student of Pueblo tradition, Mike is inspired by old<br>photographs of Indians wearing historical jewelry. “I am trying to revive the<br>old jewelry,” he explains.<br><br>Mike’s hallmark, two small birds, is found on the back of his pieces.<br><br>Tribal Affiliation<br>San Juan and Taos Pueblo<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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****All James Avery jewelry on the Estate Fresh Austin website is used/pre-owned authentic jewelry that was originally purchased directly from James Avery by the owners or family of the estates we liquidate. Each item will have some degree of wear which will be shown in the photos but will be in clean condition, no boxes or paperwork will be included unless shown in the photos. The item you are purchasing is the exact item photographed as we only have one.******* 18" James Avery Semi-Retired Sterling Charm Necklace. I know the Owl charm is retired and fairly difficult to find, not sure about the others, all James Avery, all with little to no wear. The loop has been previously cut on the Owl and the Love hand.

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****All James Avery jewelry on the Estate Fresh Austin website is used/pre-owned authentic jewelry that was originally purchased directly from James Avery by the owners or family of the estates we liquidate. Each item will have some degree of wear which will be shown in the photos but will be in clean condition, no boxes or paperwork will be included unless shown in the photos. The item you are purchasing is the exact item photographed as we only have one.******* 7.75" James Avery Sterling silver Charm bracelet with lots of charms. Selling the bracelet shown with charms shown, all with little to no wear, appears unworn with box shown, all charms James Avery with uncut loops, some retired and difficult to find. The Heart Remembers charm does have Madeleine engraved on the back.

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Antique Japanese wood shoes, early 20th century. Each with Kanji signature on base. 8.25" long x 3" wide

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1950's William Spratling Sterling Screw back earrings. No damage, great vintage earrings. 16 grams total.

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6.75" Vintage Navajo sterling turquoise and coral bracelet, unmarked.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Retro Le Monde Sterling Silver Ladies watch. No damage, minimal wear, untested likely needs a battery. Watch looks a lot better in person, was difficult to photograph due to reflections.

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1960's Matchbox King Size K-14 Taylor Jumbo Crane in Box. 5.25" wide box, minor spots of paint wear in a few places and slight loss to decal on back as shown, writing on one flap of box and discoloration on one side of box.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 1925-1929 Standing Liberty American Quarter Navajo Sterling cuff bracelet. Fits up to a 6 5/8" wrist, no issues. Nice old bracelet c. 1970's or before, unmarked. 43.9 grams. Quarters 90% silver, bracelet higher content.All precious metals are tested and guaranteed,

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Retro Robert Lee Morris and Silver Cloud Southwestern Sterling pendant. Selling the sterling jewelry shown, one necklace and two pendants.

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Southwestern Style sterling Turquoise/coral necklace. All the metal on this necklace is sterling other than the "aircraft cable" that's holding it together. The coral/turquoise looks great but is likely dyed/stabilized. Adjustable up to 20"

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c1890 Cunha palissy ware Charger with Snake/turtle. 9.75" wide, very slight loss<br>to leaves on top, actually I only found one spot. No restorations or major<br>damage to top. There appears to be a restorations to the foot-rim which has<br>shrunk/ degraded. Strong stable piece that displays very well, some white wall<br>paint on front and reverse side from when it wasn't taken down while painting<br>interior wall. So the place to the left of the second pic is slight loss, the<br>place to the right is white interior wall paint.

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15" Robert Eickholt Heavy Abstract studio art glass centerpiece bowl. 15" wide with no damage or detectable wear. Robert Eickholt is a well known glass artist who has been creating captivating blown glass for over 40 years. Robert founded Eickholt Glass in 1978 when he returned home to Columbus, Ohio after studying glassblowing in Berkeley, California. Once home he continued his studies at Ohio State and at the Columbus College of Art and Design. Since its founding the studio has produced numerous types of beautiful art glass creations such as paperweights, vases, eggs, sculptures and perfume bottles. Each piece is made one at a time and completely unique. Eickholt Glass is quite well known for their distinctive designs which incorporate precious metals including gold and silver and rare oxides like cobalt and copper. Their beautiful art glass has earned them accolades worldwide. tw243

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Vintage Fatoya Yazzie Sterling/turquoise brooch and more. Selling the three brooches for one price, all sterling with no issues.

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Vintage Modernist Bennett Sterling red Coral Clip-On Earrings 1.75" tall x 1 1/8" wide 17.6 grams.. No damage, strong clips on earrings.

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Vintage Mexican Sterling Mixed metals Libra Pendant Scales of Justice. 24" necklace, 1.75" pendant, no issues.

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Vintage E.M. White Native American Silver/turquoise shadowbox necklace 21" long, unmarked, tested sterling, 59.9 grams with no issues.

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Retro Sterling Labradorite pendant/necklace. No damage or significant wear.

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Zeno & Maryann Edaaki Zuni Sterling and channel inlay cross. Larger than others I've seen. 2.75" tall x 1.75" wide x 7.4 grams with no issues.All precious metals are tested and guaranteed,

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Large 1820's Staffordshire Lion Indian/African/Egyptian Scene Pyramids Serving bowl. Amazing condition 12 5/8" diagonal, extremely cool pattern that seems to be extremely rare as I can find no exact matches. Guaranteed 190+ years old with no cracks, chips, restorations, or significant wear. Has am impressed Asterix type mark on the reverse side that may be an early Adams mark. tw272

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 1976 Patriotic Native American Sterling turquoise, coral, Multi-stone inlay<br>bracelet. Fits up to a 6.75" wrist, no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 1940's Navajo Stamped silver and turquoise bracelet. Fits up to a 6.5" wrist, no<br>issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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Heavy Gold Alka Kunst Egyptian Revival Espresso cup and saucer. Very high<br>quality thick gold, great design. 4.25" wide saucer, smaller cabinet cup or<br>espresso for the fanciest of people. No damage or wear.<br>isshelf

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Thaya Sterling Red Jasper toggle necklace. Estate fresh piece with a little age on it but appears unworn. 19" 36.8 grams.

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Retro Multistone Sterling drop pendants necklace. Cool necklace all sterling and natural semiprecious stones.

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Vintage Navajo Sterling/turquoise pendant on necklace. Nice pendant from the third quarter of the 20th century, native American Navajo unmarked (tested sterling). Box chain is Italian, found together estate fresh nice natural turquoise. 26.9 grams

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Navajo Sterling Obsidian Cuff bracelet. Nice large, solid and attractive sterling cuff with no damage and little wear. 6.5" including 1.5" gap.

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Vintage Hopi pottery jar. Very well painted with no damage or significant wear. 4 7/8" tall x 4.25" wide. Circa mid 20th century.

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30's-40's Hopi pottery bowl. Some wear shown, no cracks, chips, or restorations. 4.75" wide x 3 1/8" tall.

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10.5" large MCM Enamel deer bowl from holland. Great piece from the third quarter of the 20th century with little wear and no damage to enamel. tw271

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Mid century Mikimoto Pearl/silver screw back earrings. Vintage mid 20th century Native American made pendant, unmarked (tested) sterling. Necklace is sterling 22" with an 8" extender for a total of 30 potential inches. I don't believe the necklace to be native American 19.5 grams total.

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Guglielmo Cini(1903-1979) Sterling Gemstone bee brooch. Great looking brooch with no issues, didn't test the stone but since it's in sterling I believe it is a Swarovski Crystal in a desirable retired color. Measures 1" x 7/8" with no issues.

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Mid century Mikimoto Pearl/silver screw back earrings. Great vintage condition with no issues. 1 1/16" tall 7.5 grams.

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1880's Majolica Plate and shallow bowl. Selling both pieces of British majolica, largest 8.75" wide, neither with any damage or restorations, light stains on bowl. isshelf

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