18" Silpada sterling necklace. No damage or issues, marked 925 and silpada mark<br>on pendant, tested sterling also. 31 grams

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1970's Austin Texas watercolor "the Preacher's car" By Robert William"Windy" Winn. 12" x 16" sight 19" x 23" framed. Windy Winn was one of the co-founders of the Waterloo Watercolor Group in 1977. Painting is clean with no issues. Some wear to frame. It was local personality Cactus Pryor who introduced Wings wife Babs to his high school buddy, Windy. Jake Pickle and Windy were partners in the 1950s, handling political and advertising campaigns. Babs and Windy had a lot of fun together. They were original "founding" members of Austin Civic Theater (now the Zachary Scott Theater). They acted, danced, sang, directed and wrote plays, promoted the Austin Civic Theatre and organized the Laa Gloria Art Fiesta. He attended Austin High School in Austin, TX. In 1942, he enlisted in the US Navy and attended San Diego State university where he was editor of the Navy Base newspaper before being shipped out. When he returned, he worked briefly as a graphic artist for the Austin American Statesman newspaper and teamed with former US Rep Jake Pickle and Ed Eyers to form the advertising agency Eyers, Pickle and Winn in 1947.

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Ancient Roman Terracotta Jewelry mold or Votive offering. This is part of a large collection of artifacts I'm helping liquidate, all purchased from reputable sources over the last quarter of the 20th century, money was no object. I'm pricing everything at a small fraction of what it cost from the galleries/auctions. Just the displays alone must've cost a small fortune. They come in a very fancy Steel/acrylic display case, case measuring 5.25" tall x 3.5" wide, some wear/adhesive residue to case, Artifact is 2.5" tall x 2.25" wide and appears to have some loss at the base, possibly part of something larger.

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Graziella Jacoby (American/Czech, 1885-1980) pencil drawing of a gentleman. 14" x 20" sight 19" x 25" framed. No issues with drawing, clean frame and matting. Born in Illinois on August 12, 1885, Jacoby worked in Chicago during 1908-27. While there, she studied at the Art Institute of Chicago and continued with Mucha in Czechoslovakia and with Bellows in New York City. Upon moving to southern California in 1928, she settled in Pasadena and became active in the local art scene. During the 1940s she gave art lessons to servicement at Pasadena's Hospitality House.

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Danny Clark Navajo (1946-2021) Sterling/turquoise squash blossom necklace 3.5" x 3" Naja 24" long 137.4 grams, no issues, no damage or detectable wear, appears unworn. Danny was born Dec. 19, 1946, in Klagetoh, Arizona, into the Tó’áhaní (Near the Water Clan), born for Tótsohnii (Big Water Clan). He passed away Dec. 4, 2021, in Albuquerque. Residing in Gallup, New Mexico, Danny creates unique styles that have become recognized and highly sought after in the Southwest. He was a 40+ year veteran jeweler & who was taught by his father. What your going to get from Danny is traditional Navajo jewelry where there is never no question as to what tribe made the piece,since everything he makes has a unmistakably Navajo look! Danny stays incredibly true to his traditional roots. All precious metals are tested and guaranteed,

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Sheila Tso Navajo Spiny Oyster/opal channel inlay earrings. 1.5" tall x 3/8" wide x 5.9 grams with no issues. Navajo artisan "Sheila Tso" is a traditional Navajo artist that instinctively knows how to create earrings that cater solely to women.. Known for her fabulous lookin cluster jewelry, she carefully selects each stone, that she then lays out in some of the most attractive designs that are in todays market!

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1940's Pinocchio German Noise Maker toy. Items similar to this were used as battle calls in the civil war and possibly before. 10.5" tall in good condition with no breaks and original paint. isshelf

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Arthur Bishop Jeffreys (American/Texas, 1892-1970) large Texas landscape painting. 22" x 29" canvas 28" x 35" framed. No damage or notable issues. Nice old painting from the second quarter of the 20th century. Arthur Bishop Jeffreys, 1892-1970, was born in Hillsboro, Texas. He had a mixed career as a painter and newspaper journalist. Starting late to paint in 1923, when in his early thirties, he was employed, 1942 through 1969, by one newspaper, which changed its name three times: the Tyler Morning Telegraph, Tyler Courier-Times, and Courier-Times-Telegraph. He had moved to Tyler, Texas from Dallas in 1936, and for the newspaper worked primarily as a proofreader. However, using the name Arthur Bishop, he also wrote feature articles and shorter columns. As a young man, his destiny lay elsewhere, he was employed by the Missouri, Kansas and Texas Railway Company, apparently in Dallas, where he worked until 1918 as a road master's clerk, secretary to the chief engineer, and secretary to the general manager. Though he briefly studied in New York with Frederick Jarvis, Jeffreys was essentially self-taught. He died in Tyler, and is buried there.He was a member of the Art Students League, New York City; Chicago Art League, Illinois; Dallas Art Association; and Society of Independent Artists. His work is in the collections of the Hilton Hotel, Waco; and La Grange College, Georgia. His landscapes appeared in magazines including Holland's and Literary Digest in 1926. His 1927 painting of Charles Lindbergh's Spirit of St. Louis, autographed by the flyer, sold for $2,000 at an auction in New York City. Jeffrreys was able to make money from his similarly autographed paintings of World War I ace fighter pilot Eddie Rickenbacker, and Amelia Earhart, the first woman aviator to cross the Atlantic. Shows with Jeffreys work include the Exhibition of Texas Artists, Nashville Museum of Art, Tennessee (1927 prize); and Painters of Texas 1900-1950, Museums of Abilene (1989).

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Ray Bennett Navajo Sterling Waterweb Turquoise Mountain turquoise pendant. 3.25" tall with bail x 1 5/8" wide x 33.1 grams with no issues, appears unworn.Raymond Bennet, Navajo, has been a silversmith since 1994. He lives where he was born and raised, in Gallup, New Mexico. He learned his craft from his family members, including both his parents and his uncles.Raymond Bennett (Navajo) is a listed silversmith in Barton Wright's "Hallmarks of the Southwest". He began using “R. Bennett or Ray Bennett” in 1978. At one time Ray was the resident silversmith for Atkinson’s Trading Company.All precious metals are tested and guaranteed,

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Darrin Livingston Navajo Sterling Fluorite pendant. 2 7/8" tall x 7/8" wide x 18.8 grams with no issues, appears unworn.Darrin Livingston resides in Church Rock, New Mexico, where he has lived most of his life. He currently lives there with his family. Church Rock is where his father and grandfather are from also; this is where he learned his silversmith trade at the age of thirteen. He attended public high school, which he enjoyed, and after graduating he really got serious with the silversmith trade and earned a living from it. A hallmark of Darrin’s jewelry is how is how precisely each piece is constructed and finished. We call this how “clean” the workmanship is. The stones are evenly set into tight fine silver bezels. There are no sharp edges or other careless craftsmanship. His pieces are obviously the work of an artist who takes no shortcuts and whose care for quality of every piece that leaves his studio is professional and complete. From the simplest single stone pendant to the advance design and crafting of a mulit-stone dragonfly necklace, Darrin’s work reflect the best traditional of Navajo silver work and pride.All precious metals are tested and guaranteed,

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Carol Wylie Navajo Native American Sterling Multi-stone Chandelier earrings 5" tall x 1.25" wide with no issues whatsoever. Appear unworn. All natural high grade turquoise stones/spiny oyster 47.3 grams total weight. Navajo artisan Carol Wylie is now in her 50's & has been making jewelry for over 25 years now..It is very obvious in her work how 25 years has paid off & what you are going to get from her is perfection & extremely precise work. She lives on the Navajo reservation in western New Mexico. All precious metals are tested and guaranteed,

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Southwestern Sterling stone set cuff bracelet. Nice quality unmarked but tested sterling vintage cuff, unsure of stones. 56.6 grams, 7" including the 1.25" gap 1.5" wide in center.

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Sterling Carved Mother of Pearl/citrine pendant 2.25" tall x 1.75" wide x 17.6 grams with no damage or issues.

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c1910 Antique Cast Iron Bank Collection Building and Policeman with billy club. The Policeman is 5.75" tall for scale on the others. No breaks, original paint, all guaranteed antique over 100 years old. Selling all three for one price. tw219

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Vintage Western Cows/Cowboys Copper Printing blocks.. No totally sure how to date these, but they're old, unusual and cool. Largest is 9.25" long, tallest is 2.25" tall, selling all three for one price.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.6" 1930's Vintage Navajo deep Stamped sterling silver/turquoise cuff bracelet. Great cuff with intricate stampwork and natural turquoise. 35.2 grams, feels like ingot. All precious metals are tested and guaranteed,

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Louis-Ernest Barrias (French, 1841 - 1905) Ferdinand Barbedienne (1810-1892) Diminutive Bronze footed vase with Child hanging from vines. A Barrias work cast by Barbedienne. A fantastic piece from the last quarter of the 19th century that everyone has room for. 4.25" tall x 4" handle to handle, solid bronze, extremely heavy for it's size, great patina. Louis-Ernest Barrias (13 April 1841 – 4 February 1905) was a French sculptor of the Beaux-Arts school. In 1865 Barrias won the Prix de Rome for study at the French Academy in Rome. Barrias was involved in the decoration of the Paris Opéra and the Hôtel de la Païva in the Champs-Élysées. His work was mostly in marble, in a Romantic realist style indebted to Jean-Baptiste Carpeaux. He was born in Paris into a family of artists. His father was a porcelain-painter, and his older brother Félix-Joseph Barrias a well-known painter. Louis-Ernest also started out as a painter, studying under Léon Cogniet, but later took up sculpture with Pierre-Jules Cavelier as teacher. In 1858 he was admitted to the École nationale supérieure des Beaux-Arts in Paris, where his teacher was François Jouffroy. In 1865 Barrias won the Prix de Rome for study at the French Academy in Rome. Barrias was involved in the decoration of the Paris Opéra and the Hôtel de la Païva in the Champs-Élysées. His work was mostly in marble, in a Romantic realist style indebted to Jean-Baptiste Carpeaux. In 1878 he was made a knight of the Legion of Honour, an officer in 1881, and a commander in 1900. Barrias replaced Dumont at the Institut de France in 1884 then succeeded Cavelier as professor at the École des Beaux-Arts. In 1900-03 he served on the Council for the National Museums. Among his students were Josep Clarà, Charles Despiau, Henri Bouchard, Fernand Hamar, and Victor Ségoffin. Ferdinand Barbedienne (1810-1892) was the inspiration and driving force behind one of the most important French art foundries. He pioneered the use of mounts and, more commonly, bronze sculpture including figures and animals. Barbedienne produced catalogues of bronze reproductions of Greek and Roman classical sculpture and experimented with champlève and cloisonné enamels during the third quarter of the century. Barbedienne exhibited several pieces of furniture at the 1855 Paris Exhibition including an ormolu mounted oak dressing table and an ormolu mounted ebony veneered bookcase. Both pieces were executed in his favoured Renaissance revival style for furniture. Furniture with mounts signed by Barbedienne is extremely rare. The Barbedienne foundry handled the casting of numerous national monuments and architectural schemes. Ferdinand Barbedienne himself also took an active part in the promotion of contemporary sculpture and became one of the founders for Davis d'Angers' medallions as well as much of Rude's sculpture. His signature varied from hand written capitals to stamp in capitals, usually F. Barbedienne, Fondeur or BARBEDIENNE PARIS. In 1839 Barbedienne collaborated with the inventor Achille Collas who had succeeded in enlarging and reducing works of art to arbitrary sizes by a simple mathematical calculation, allowing the accurate reduction of classical and contemporary marbles for the purpose of reproduction in bronze. In 1850 Barbedienne was commissioned to furnish the Paris town hall for which he was awarded with the 'medaille d' honneur' at the Paris Exposition Universelle in 1855. Barbedienne's awards: Paris, 1878; 'Grand Prix', 'Grande Médaille d'Or', 'Diplôme d'honneur' , and 28 'Médailles de Coopérateurs'. Vienna 1873; 2 'Diplômes d'Honneur', 'Médailles de Progrès', and 25 'Médailles de Coopérateurs'. Paris 1867: 'Jure Rapporteur (Hors Concours)'. London 1862; 3 Medals for Excellence. Paris 1855; 'Grande Médaille d'Honneur'. London 1851; 2 Council Medals. Makers Bibliography: Barbedienne, Ferdinand, Catalogue des Bronzes d'art 1886 , Fonderie d'art Français: Val d'Osne, Fonderie de Tusey, Antoine-Louis Barye, Fonderie Rudier, Charles Crozatier, Ferdinand Barbedienne, Livres Groupe, (Paris) 2010 Mestdagh, Camille and Pierre Lecoules, L'Ameublement d'art français: 1850-1900, Editions de l'Amateur (Paris), 2010, pp.23, 120, 155, 161 and 179. Kjellberg, Pierre, Les Bronzes du XIX Siècle, dictionnaire des sculpteurs, Editions de l'Amateur (Paris) 1987, pps.653-658. Meyer, Jonathan, Great Exhibitions: London, New York, Paris, Philadelphia, 1851-1900, Antique Collector's Club (Woodbridge, UK), 2006. Ledoux-Lebard, Denise, Les Ebénistes du XIX Siècle, Editions de l'Amateur, (Paris) 1984, p.38. Cooper, Jeremy, 19th Century Romantic Bronzes, New York Graphic Society, 1975 pps. 25, 41,149. tw203

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Antique Sterling Repousse Master salts and Pepper shaker in presentation box. A really great set as shown, no bends or dents. Some wear to box but exterior is clean, the catch doesn't keep the box shut. Pepper 3.75" tall, salts 3.5" wide, British sterling hallmarks, tests sterling. Box measures 10.5" x 5.5" x 3.25" tw203

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c1970's Sarried Ltd Finely Carved Beaver Sculpture with Brass stick. This guy is really nice, done by a very talented carver. 8" tall x 8" long x 4.25" wide. No issues. TW228

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c1850 Antique Chinese Pith Watercolor/Gauche Paintings on rice paper framed early 20th century. Selling the lot shown, these are mid 19th century Chinese framed in the first half of the 20th century as they already had value at that time. Two are 5 1/8" x 7 5/8" with some damage to paper at the edges as shown, the images are clean so could be reframed if seen as a distraction. The other is 12 1/8" x 5 7/8" framed with a double image each having sight of 3 5/8" x 2 1/8". Selling the lot shown all from the same estate, fresh. tw227

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Modernist Sterling Patriotic Multi-stone channel inlay southwestern cuff bracelet. Supersmith Gallup New Mexico Hallmark.  Supersmith Inc, also known as David Rosales Designs “Contemporary Designs, Traditionally Made,” located in Gallup, New Mexico, consists of several extremely talented Native American craftspeople from the Navajo and Zuni tribe. In 1997, David Rosales, founded Supersmith Inc along with his cousin, John Delgado. What started as a small operation in his garage, has grown to offer one of the highest selections of contemporary Native American jewelry in the Southwest. Born and raised in Gallup, NM, David was trained as a mechanic and was offered an opportunity to accept a managing job at a jewelry company, which changed his life completely. After discovering his own creativity and design ability, and the partnership with his cousin, John Delgado, Supersmith Inc was born. Most commonly known for beautiful, clean inlay work and stunning color combinations, their new tagline is “Contemporary Designs, Traditionally Made.” Working from an old Coors warehouse, artists work within three different departments which include a lost-wax casting department, an inlay department, and a finishing department. The end results are one of hand-crafted beauty from talented artists of all ages. Keeping with family traditions, David’s daughter, Sheree, joined the team in 2016. Today Supersmith employs approximately forty employees who continue to produce hand-crafted contemporary jewelry with continually evolving designs and color combinations to keep up with current trends and popularity. Supersmith strives to keep jewelry making alive by training and encouraging young generations of artists. All precious metals are tested and guaranteed,

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1970's Linda Genet Texas Studio Pottery vase Mid Century Modern. Great piece by Retired professional potter Linda Genet, a former student of Ishmael Soto that made a name for herself locally and this piece shows you why. 6.75" tall x 5.5" wide with no damage. tw227

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Robert Eickholt Iridescent Studio art glass vase. No cracks, chips, restorations, or scratches. 5" wide x 6" tall. Robert Eickholt is a well known glass artist who has been creating captivating blown glass for over 40 years. Robert founded Eickholt Glass in 1978 when he returned home to Columbus, Ohio after studying glassblowing in Berkeley, California. Once home he continued his studies at Ohio State and at the Columbus College of Art and Design. Since its founding the studio has produced numerous types of beautiful art glass creations such as paperweights, vases, eggs, sculptures and perfume bottles. Each piece is made one at a time and completely unique. Eickholt Glass is quite well known for their distinctive designs which incorporate precious metals including gold and silver and rare oxides like cobalt and copper. Their beautiful art glass has earned them accolades worldwide. isshelf

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1844 Oeuvres de J Racine 6 Volume set in French. Complete set 6" x 9" books in<br>great condition for 177 year old set of books. Some foxing in the first few<br>pages on each side, gilt edges, externally clean with minor shelf wear. No water<br>damage or missing pages.

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Vintage Native American Sterling/turquoise pendant/pin. 2.25" x 1.5" x 20.8<br>grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Large Russian Fedoskino Lacquer Box. Good condition with two small dings on the back corner of the box top rim above the hinge and slight wear in interior and on base. 9.5" x 7" x 2 3/8" tall. isshelf

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Russian Fedoskino Lacquer Box Late 20th century. No damage or wear, hand painted. 3 1/8" x 2 7/8" x 1.5" deep. isshelf

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c1920 Art Deco 935 Silver guilloche enamel box. Descreetly fancy as can be. Extremely high quality tick solid silver. Gilt interior and exterior, wear to exterior gilding. No damage to enamel anywhere. Lid forms airtight seal. 2.75" wide without hinge or catch, 7/8" deep 120 grams.

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Vintage Bronze Buddha Statue. I believe this may be an antique, but I'm not totally sure. It's from a nice estate that had lots of antiques and artifacts collected long ago. I believe it's southeast asian. 7" tall x 4.5" wide at the base. Nice piece with some good age on it, likely 19th century or earlier. TW201

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Russian Fedoskino Lacquer Box Late 20th century. No damage or wear, hand painted. 3.5" x 3" x 1.5" deep. isshelf

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c1870 Old Paris Porcelain Snuff Box/Powder Jar. No cracks, chips, or restorations, some wear to gilding. 3 5/8" wide x 1.25" tall. tw201

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Navajo Sterling and Blue ridge turquoise pendant. Signed RB, marked and tested sterling 1.5" x 3", 26 grams.

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Meiji Japanese Shakudo Sterling/Gold on bronze Mixed Metal ring. Some wear to gold overlay, no other issues.

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1797 British George III Sterling fish server. No damage or issues, 11.5" x 3.1" at widest point. 144.3 grams. The handle may be slightly weighted, but most of the weight is in the thick blade with fantastic hand engraving. Monogram as shown, likely some sort of royalty. London hallmark dating it 1797, makers mark I.O, I am unsure who that is, possibly John Orme. tw255

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Incredible Matrix Large Vintage navajo sterling/turquoise ring. Nice old ring from the 50's or 60's, extremely interesting matrix with spiderweb turquoise on one side, lots of Pyrite, then lighter turquoise shown. Marked as shown. 14.1 grams. All precious metals are tested and guaranteed,

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sz 5.25 Kathleen Chavez Navajo Sterling and Sonoran Turquoise Ring. Marked and tested sterling 1.75" face, 15 grams. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 5 Ring.

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MCM Sterling Pietra Dura Multistone Mosaic Inlay southwestern mountains pendant with Lapis, Coral, and other stones. A somewhat confusing piece made by an artist that seemed to be able to think for oneself and combine many styles but didn't care to sign such a work of art. A fantastic Mid century style to the silver mounting which I have no way of know is period or not, really good lapidiary work on a level that has never really been common in the US, but the scene sure reminds me of an Arizona mountain landscape. All hand done approaching micromosaic level. Tests sterling, completely unmarked. 29 grams 3.5" tall x 2.5" wide. This piece is really clean, there are some marks on the wings in the pics, they were residues of silver polish which I have removed.

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Antique Bronze Water Dropper. Late 19th century solid heavy, well cast bronze water dropper.. Best of the best quality. I'm not sure if it's Chinese or Japanese, you be the judge. I'm guaranteeing it's antique. 2" tall x 3.5" long. TW227

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sz5 Navajo Old Pawn Sterling High Grade Nevada Turquoise ring. 1.25" face width, 10.2 grams, no issues. Unmarked tested sterling. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 5 Ring.

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Vintage Navajo Sterling and Royston Turquoise Pendant and Necklace. Very heavy set, pendant unmarked but tested sterling, the clasp for the necklace is marked Mexico sterling but I suspect it may be a replacement and maybe the necklace is originally native american. Everything tests sterling. Very heavy beads 191.4 grams total. Pendant is 3 3/8" x 1 5/8" Necklace is 28.5". Selling the necklace and pendant.

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Pre-Columbian Quimbaya Hanging Incense Bowl. A similar example without the figures on the sides can be found in the Brooklyn Museum, Museum Expedition 1938, Dick S. Ramsay Fund, 38.586. 9" wide x 5.5" tall. Excavated item with professional museum grade restorations. Appears to have been broken into several large pieces and restored, all pieces appear present. Very special piece.This is part of a large collection of artifacts I'm helping liquidate, all purchased from reputable sources over the last quarter of the 20th century, money was no object. I'm pricing everything at a small fraction of what it cost from the galleries/auctions.

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sz8 Barbara Bixby 18k Gold Sterling and Garnet ring. No damage or significant issues. 14.8 grams. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 8 Ring.

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Vintage SOL Sterling and Amethyst necklace and earring set.. Super cool vintage set from the third quarter of the 20th century. Has a super cool tribal look to it. Genuine amethyst, full of inclusions and some variations of color. Some wear to the stones, but overall very attractive with lots of character. Total weight 158.2 grams for necklace and earrings. Necklace is 18.5" long, pendant is 2.25" long.. Earrings are 1 7/8" long.

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Vintage Sterling cross and necklace 18" Italian necklace, 3.25" Mexican cross, both marked and tested sterling 77 grams total weight.

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18th/19th century Tortoise shell snuff box. 3.75" wide x 1 5/8" deep x 1 1/8" tall, 200 years of wear with no significant issues, completely stable crack front top left corner, close-ups shown in last two pics. These were all purchased in New York at Parke-Bernet Galleries before they were bought out by Sotheby's in 1964.

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c1900 Cast Iron Art Nouveau Woman dresser tray 7" tall x 6.25" wide, great looking piece guaranteed over 100 years old. very light surface rust on reverse that'll take less than a minute to remove. TW226

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Sterling silver crystal necklace. Great looking necklace, adjustable at 17" and 18", stones untested. No damage or wear to stones.

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1970's Matilde Poulat Style Mexican Silver pendant and necklace 16" necklace 2.5" long pendant. 19.9 grams total marked and tested sterling.

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c1840 British Imari hand painted earthenware platter. No damage or restorations. 10" x 7.75" unmarked. isshelf

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Retro Carnelian Mexican Modernist sterling pendant. Clean with no issues. 2 5/8" tall with bail x .75" wide.

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Kordes & Lichtenfels 835 Silver Mid Century Modern brooch. Great 1960's well made piece 1.5" wide, no issues.

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Vintage Tommy Jackson Navajo Sterling multistone Overlay Style bracelet. 7" very high quality with no issues 43.5 grams .5" marked and tested sterling. Tommy Jackson was born in Phoenix, Arizona on January20, 1958 but grew up in the heart of Navajo land in Chinle, Arizona. He went to high school in Chinle, the town at the mouth of the legendary Canyon de Chelly—a stronghold for 19th century Navajo, known then as the “Lords of the Land”. Steeped in mythology, this landscape echoes the strength and beauty in the Navajo bedrock of beliefs—foremost of those is responsibility to family and clan. A husband, father, and grandfather, Tommy is also a world-renowned gold and silversmith, his award-winning pieces on exhibit in museums and treasured in collections around the world. As a premier Navajo Silversmith he counted amongst those few known as “The Supersmiths.” Jackson started silversmithing in 1973, learning at the bench of his parents, renowned silversmiths Gene and Martha Jackson. (He is also the nephew of Dan Jackson, another well-known silversmith.) However, it was his mother who urged him to pursue a degree, and he followed her footsteps into education, eventually teaching elementary school at Wide Ruins on the Reservation. But jewelry-making called to him in his spare time, in the after-hours, in the late night, and by 1988 he was winning prestigious awards, and has continued winning nearly every year since at the big shows, including Santa Fe Indian Market and the Heard. He was also chosen as Navajo Tribal representative for the Salt Lake City Winter Olympics. A striking example of Tommy’s pieces is the motif of Navajo rug designs. He sometimes works these patterns directly into the gold or silver; or he inlays stones in visually stunning creations that reflect the complexity of Navajo tapestries. Other pieces are a declaration of his passion for high-grade American turquoise. These pieces are all about the great stone. He will use heavy-gauge silver, and in keeping with the old style tradition then chisel or hand-stamp, all with an eye of showcasing a great old American turquoise stone such as Bisbee, Morenci, Lander Blue or Candelaria. He is known for integrating traditional Navajo designs with a modern flair, working with gold and silver and a variety of precious and semi-precious stones. He has won numerous awards for his beautiful and unique jewelry from the Heard Museum Show in Phoenix, Santa Fe Indian Market and The Museum of Northern Arizona, to name a few including First at Indian Market, as recently as 2014. He and his wife, Marie, who does much of the stone-cutting for his pieces, have pieces featured in national publications.

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Ancient Terracotta head on stand. From a collection of world artifacts, much eastern, much from the central and Southern US. Honestly not 100% sure where it's from but I know it's early, guaranteed over 500 years old, likely much older. 3" x 3.25" wide without stand, 4.5" tall with stand. Stand is vintage, head is an ancient shard and particularly nice. b60

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Large Pre-Mayan Olmec Articulating Arms Pre-Columbian figure. 10" tall x 7" wide, very old restoration on one shoulder and to neck I believe, very old stable fissures at hips. Rare, museum quality with unusual complex articulating arms likely intended to hold various size offerings. The arms move smoothly and fluidly with no evidence of a string as seen with simpler versions of these. This was made by a master potter approx 2500 years ago. Authenticity guaranteed. This is part of a large collection of artifacts I'm helping liquidate, all purchased from reputable sources over the last quarter of the 20th century, money was no object. I'm pricing everything at a small fraction of what it cost from the galleries/auctions. Olmec, the first elaborate pre-Columbian civilization of Mesoamerica (c. 1200–400 BCE) and one that is thought to have set many of the fundamental patterns evinced by later American Indian cultures of Mexico and Central America, notably the Maya and the Aztec. The Nahuatl (Aztec) name for these people, Olmecatl, or Olmec in the modern corruption, means “rubber people” or “people of the rubber country.” That term was chosen because the Olmecs extracted latex from Panama rubber trees (Castilla elastica) growing in the region and mixed it with the juice of a local vine (Ipomoea alba, moonflower) to create rubber. The chief Olmec sites are San Lorenzo, La Venta, Laa de los Cerros, and Tres Zapotes in what is now southern Mexico. Much of what is known about the Olmecs was inferred from archaeological excavations at those sites, which have uncovered large earthen pyramids and platforms and monumental stone carvings. The Olmecs are especially identified with 17 huge stone heads—ranging in height from 1.47 to 3.4 metres (4.82 to 11.15 feet)—with flat faces and full lips, wearing helmetlike headgear. It is generally thought that these are portraits of Olmec rulers. Other Olmec artifacts include so-called baby-faced figures and figurines. These display a rounded facial form, thick features, heavy-lidded eyes, and down-turned mouths, and they are sometimes referred to as were-jaguars. The Olmecs lived in hot, humid lowlands along the coast of the Gulf of Mexico in what is now southern Veracruz and Tabasco states in southern Mexico. The first evidence of their remarkable art style appears about 1200 BCE in San Lorenzo, their oldest known building site. This site is remarkable for its many stone monuments, including some of the colossal carved heads mentioned above. In the late 20th century a stone slab engraved with symbols that appear to have been the Olmec writing system (sometimes called epi-Olmec, or Isthmian) was discovered in the village of Cascajal, near San Lorenzo. The Cascajal stone dates to approximately 900 BCE and may be the oldest example of writing from the Americas. Other objects containing glyphs include the Tuxtla Statuette, the Chiapa de Corzo shard, the O’Boyle mask, and the La Mojarra stela (discovered 1986). The last object, which displays 465 glyphs, greatly facilitated the interpretation of the epi-Olmec language, though many questions remain. The Olmecs developed a wide trading network, and between 1100 and 800 BCE their cultural influence spread northwestward to the Valley of Mexico and southeastward to parts of Central America. The constructions and monuments of the Olmecs, as well as the sophistication and power of their art, make it clear that their society was complex and nonegalitarian.

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Vintage Carolee and Whiting and Davis Clip on gold tone earrings. Selling both pairs of vintage clip ons with no issues or damage. Whiting and davis 1 1/16" tall, Carolee 1 5/16" long. Strong clips, no wear to gold.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Foster Yazzie Navajo Sterling Turquoise, Coral Cuff Bracelet. Great<br>looking vintage cuff with no significant issues. 7" including the 1.5" gap 2<br>1/16" wide in center 95 grams

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Large Daniel Clark Navajo Sterling Natural Turquoise Heavy stamped cuff Bracelet. 6 5/8" including the 1 1/8" gap, 1 11/16" wide 122 grams marked and tested sterling.

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18th Century French Chinoisiere Carved Abalone perfume bottle 3.5" tall x 1.75" wide with no damage. No identifying marks, 18th to early 19th century guaranteed. Hand engraved mounting and mother of pearl.

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32" Meiji Period Japanese Satsuma Temple Floor Vase. 32" x 16" wide with handles. Tiny amount of loss to foo lions tentacles on each side of one handle, takes forever to find. No other cracks, chips, or restorations. Mid to late 19th century piece unmarked but I've seen this shape one other time with a Kinkozan mark on the side with the decoration. I believe it's Kinkozan. Please excuse my poor cellphone pictures. I don't currently have space to take good pictures of items this size. Like everything else it will be packed with loving care by me and Thanh for guaranteed safe arrival.

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c1860 French Cobalt blue cut glass perfume with ornate silver mounting. Illegible hallmark shown center of last pic in the center of the lip of the silver lid. Original inner stopper intact. Amazing bottle with no issues, top silver lid snaps on tight, inner stopper forms waterproof seal, no chips or cracks. 5.25" tall x 1.5" wide.

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Antique Chinese Famille Rose Medallion Teapot Creamer and Sugar. This is an assembled set, the teapot is mid to late 19th century, Sugar about 1900 and creamer about 1920. They look good together all three with good painting and no damage.. Some wear to gilding and glaze flake on teapot handle shown when spout is facing right. Sugar is 5" tall, teapot is 7" tall. Selling the pieces shown with no cracks, chips, or restorations. Underglaze factory chips on bottom rim of sugar lid. TW226

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1933 University of Texas 50 year Anniversary Magic Lantern Slides George Littlefield Brackenridge Hall. Ok, the newest these can be is the thirties, they may be older. I'm assuming they are the same age. The one that just say's University had some writing on the outside that I didn't realize was on the outside when I cleaned them. I know I remember the word fifty. These are actual slides of course and nothing is going to clean off of them, I was very careful I just didn't see that was on the outside. I wouldn't mention it but I think it might help date them as I think they are one of a kind slides from the University. I think these were custom ordered by the University and likely shown at an important event there. I have no idea, but these are the only three I have. The one with the writing that came off has a crack in the corner, no other cracks or chips on the others. 4" x 3.5".  They are backlit in the pictures.   isshelf

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6 Antique Crystal Cut Overlay Sherry Glass Stems. Very nice, best of the best quality. They have to be Val St Lambert, St Louis, Baccarat, one of the handful of top quality glass makers in the world. They are about 4 oz, believe they would be sherry glasses. Estate fresh with healthy natural wear on outside of footrim. I believe they are 19th century, though they could be early 20th century. 4" tall x 3" wide at the rim, controlled bubble stem. No cracks, chips, restorations, cloudiness, or detectable wear. Selling all 6 shown. TW225

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1920's Steuben Etched Glass compote in Selenium red. Engraved pattern on stem making it rare if not one of a kind. 8" tall x 8" wide, acid stamped Steuben on base, no damage or detectable wear.Steuben Glass WorksSteuben Glass is an American art glass manufacturer, founded in the summer of 1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is in Steuben County, from which the company name was derived. Hawkes was the owner of the largest cut glass firm then operating in Corning. Carder was an Englishman (born September 18, 1863) who had many years' experience designing glass for Stevens and Williams in England. Hawkes purchased the glass blanks for his cutting shop from many sources and eventually wanted to start a factory to make the blanks himself. Hawkes convinced Carder to come to Corning and manage such a factory. Carder, who had been passed over for promotion at Stevens and Williams, consented to do so.In 1918, Steuben was acquired by Corning Glass Works and became the Steuben Division.In July 2008, Steuben was sold by Corning Incorporated for an undisclosed price to Schottenstein Stores,[2] which also owns 51% of Retail Ventures, a holding company for DSW, Filene's Basement, and formerly Value City Department Stores; Value City Furniture, which changed its name to American Signature Furniture; 15% of American Eagle Outfitters, retail liquidator SB Capital Group, some 50 shopping centers, and 5 factories producing its shoes, furniture and crystal.On September 15, 2011, Schottenstein announced it was shutting down Steuben's Corning factory and Manhattan store, ending the company's 108-year history. Soon after, Corning Incorporated repurchased the Steuben brand. In early 2014, The Corning Museum of Glass announced that it would work with independent contractors to reproduce Steuben using a new, lead-free formula and their classic leaded crystal.Carder period (1903-1932) Steuben Glass Works started operation in October 1903. Carder produced blanks for Hawkes and also began producing cut glass himself. Carder's great love was colored glass and had been instrumental in the reintroduction of colored glass while at Stevens and Williams. When Steuben's success at producing blanks for Hawkes became assured, Carder began to experiment with colored glass and continued experiments that were started in England. He soon perfected Gold Aurene which was similar to iridescent art glass that was being produced by Tiffany and others. Gold Aurene was followed by a wide range of colored art glass that eventually was produced in more than 7,000 shapes and 140 colors.Steuben Glass Works continued to produce glass of all sorts until World War I. At that time war time restrictions made it impossible for Steuben to acquire the materials needed to continue manufacture. The company was subsequently sold to Corning Glass Works and became the Steuben Division. Carder continued as Division manager without any real change in the company's operation except that he now had reporting responsibilities to Corning Glass Works' management. Corning's management tried, mostly unsuccessfully, to limit the articles that Steuben made to only the most popular. Production continued until about 1932.In 1932, there was a major change in Steuben management. The nationwide depression had limited the sale of Steuben and there was a lessening of public interest in colored glass. In February 1932, John MacKay was appointed to Carder's position. Carder became Art Director for Corning Glass Works. Steuben then produced primarily colorless art glass.Steuben still produced colored art glass, but mostly to fill special orders. A few new colors were added after Carder transitioned into his new role with Corning Glass Works, but the last known sale for colored art glass by Steuben was in 1943isshelf

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Mid Century Taxco Modernistic Hinged Bracelet. Very cool bracelet with no issues or damage. Marked and tested sterling Fits up to a 6 3/8" wrist.13/16" wide at widest point. 55 grams

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David Lotton Art Glass Birdhouse. 10.25" tall x 4.25" wide, unused with paperwork and take, signature shown in last pic. No cracks or chips but roughness in inner rim of factory ground base, likely always been like that.DAVID LOTTON David Lotton is a second generation American glassblower. He is the oldest son of Charles Lotton and was introduced to the world of glassblowing at a very young age. In 1970, Charles started building a furnace and began blowing pieces of glass from melted down pop bottles in a shed behind their house. David was there in this infancy and he was Charles first assistant at the age of ten. David has vivid memories of his childhood working in the shop with his father. When most children were playing childhood games he was spending time after school and on the weekends helping him at the bench. By the age of 14 he started learning how to do finishing work, polishing the bottom of the glass flat. David eventually followed in his fathers' footsteps and by the age of 15 began making paperweights. That ignited a passion to begin glass blowing.David has been creating his one of a kind vessels since 1978. His unique handcrafted works are designed with precise attention to detail. Developing his own glass formulas, David has created a complex palette of colors, giving him the ability to create his multi-layering and sculpting style. Each year David continues to study and refine the techniques he uses in creating his art.David's Clematis Reflection Series, Hollyhock Paperweight Series and Mixed Bouquets Series all reflect his floral patterns which capture his love for detail. He combines color and layering to create depth and beauty. His Organic Sculptures reflect movement and rich hues of a summer sunset. David is inspired by all nature. He has a successful ranch in the hills of Kentucky where he is inspired to evolve, change, and grow continually. He commutes back and forth to fulfill both loves.

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c1880 Crown Derby Kings Imari Cranberry bowl/Open sugar. 4 7/8" wide x 2 13/16" tall. Seems more the size or a waste or cranberry bowl to me than an open sugar. Tough to tell as measurements and shapes changed over time. Very clean with no cracks, chips, restorations, or crazing, and very clean gold. TW217

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c1890 Mt Washington decorated burmese Shot glass. 2.75" tall x 2.25" wide with no damage.MT. WASHINGTON AND PAIRPOINT GLASSMt. Washington and its successor, the Pairpoint Corporation, was one of America’s longest-running luxury glass companies (1837-1957), one that rivaled its better known contemporaries, Tiffany and Steuben. It constantly reinvented and re-invigorated its business through creativity in texture, decoration, pattern, and color - developing a variety of styles and decorating techniques which were so technically complex that few are even practiced today.The Mt. Washington Glass Company was founded in South Boston in 1837, and moved to New Bedford, Massachusetts, in 1870. In 1880, Thomas J. Pairpoint, an English silversmith, was hired to run the Pairpoint Manufacturing Company, another company in New Bedford which Mt. Washington’s owners established to produce ornate silver-plated mounts for Mt. Washington glass.In 1894, the Pairpoint Manufacturing Company absorbed Mt. Washington, and the company was renamed the Pairpoint Corporation in 1900, which remained the company’s name until it went out of business in 1938. It was revived briefly as the Gundersen-Pairpoint Glass Company but closed permanently in 1957. The company’s most successful years were from 1880 (in the height of the opulent Gilded Age) to 1930 (the end of the exuberant Roaring Twenties).MT. WASHINGTON ART GLASS AND CUT GLASSEnglishman Frederick Shirley was hired in 1872 to run Mt. Washington’s chandelier department, and two years later was put in charge of the entire company. Shirley was entrepreneurial and litigious, quick to adopt new designs and quick to complain if he thought any other firm was copying his wares. By the time he resigned in 1891, he had amassed a total of 27 patents and five design patents for various types of glass, most of which were quite successful.In 1885, Shirley introduced Burmese glass, a translucent glass that shaded from yellow to pink, which was highly decorated in the elegant and sophisticated style characteristic of the day. It became an immediate success on the Art Glass market. Shirley was a good businessman and took advantage of the dawning age of advertising to promote Burmese glass extensively.Mt. Washington’s large decorating shop specialized in enameling. The decorators who worked on Burmese glass also applied their skills to a variety of other decorated glasses with exotic names like Royal Flemish, Crown Milano, Colonial, and Pearl Satin Ware. By 1890, the company was advertising itself as “Headquarters in America for Art Glass Wares.” toothpickdrawer

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c1920 Mitsukoshi Japanese Steel Knife and fork set with celluloid handles boxed. Amazing condition, compact set, slightly smaller than todays knives and forks. Forks are just over 6" long, knives are 7" long. Really I'm almost tempted to call it a youth set, but I don't think it was intended as that. Silk lined wood box. tw120

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Navajo sterling Multi-stone cuff bracelet. No issues.All precious metals are tested and guaranteed,

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1970's Boxed Avon Collection Berry nice lip gloss, perfume pins, etc. Selling the collection shown, tallest box 2.5", the girl has some minor paint wear and marker on the back, the rest are like new, dent in strawberry box. TW120

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4 Antique Chinese Famille rose plates. 4 Chinese export plates from the first half of the 19th century. 3 the same, one slightly different. 8 5/8" wide. No damage to the three the same. The one slightly different has two nearly invisible 1" hairlines and the smallest glaze flake on the rim. Selling all four. TW120

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c1850 Antique Chinese Canton Jumbo cups. Larger than average teacups. 4 1/8" and 4/75" wide at rim. Largest has two stable hairlines in the handle, no other issues, no chips, no restorations. Selling both. blkcrate

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c1900 Antique Chinese Canton cream soups. Selling both shown in perfect condition with no cracks, chips, or restorations. 4 3/8" wide without handles x 2.25" tall. Well painted by hand on both sides. blkcrate

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Italian Uranium glass Mid Century Murano Burmese dolphin figure. Selling the figure shown from the third quarter of the 20th century with no damage, previously sold at Early's art glass auction in the 90's or so. 7.25" tall, first pic shown with a uv flashlight shining on it.Burmese glass is a single layer glass with delicate coloration of pink or salmon shading to yellow by the addition of uranium oxide and gold to the original glass batch. This created a yellow opaque glass which on reheating turned to a salmon color shading into the yellow. Further reheating turned the salmon color back to yellow as shown on the scalloped base of this figurine. The uranium in the glass causes the vase to fluoresce brightly when exposed to black light.

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Vintage 800 silver Turquoise/Marcasite Art Deco Rooster Brooch. Great European piece from the mid 20th century, there are additional hallmarks but I can't find my loupe. 1 7/8" 14 grams, no issues.

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c1900 Japanese Banko Han Painted Porcelain Teapot. No damage or restorations. 5" wide with handle x 3.25" tall tw161

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c1900 Art Nouveau Sterling and Crystal perfume bottles Enamel/Cranberry silver overlay glass. Selling the three amazing bottles shown, all three fit for a queen, best of the best. 4" to 4 5/8" tall. The large cut glass with sterling enamel portrait top has some very small chigger bites as cut glass always does, no large chips. NO chips to other bottles, some mineral deposits in the large jar, none in the others. Selling the three bottles shown. All three marked sterling tw161

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18th century Cast iron hardware locks Texas/Mexico frontier. From an Austin Artists/Geologists estate that had some connection to UT. I'm not sure where they originate from but they are almost as old as dirt, really nice, hand forged. LIkely older than the 18th century I am conservatively calling them. Longest is 8.75" long without the added part that goes behind the door or whatever it came off of. b7

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1940's Heisey Orchid Etching on Lariat blank Fan vases pair. Selling both, this pattern was made from 1940-1943. No cracks, chips, restorations, hard water, or scratches. 7" tall x 6.25" wide at rim. TW225

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Pre 1850 Staffordshire transferware multicolor medici and pearlware historical bowl. Selling the three pieces shown with no cracks, chips, or restorations. Cup is 3.5" wide x 3 1/8" tall, saucer is 6 1/8" wide, bowl is 6 3/8" wide. tw148

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432 Gram Chinese Nephrite Jade Boulder carving.4 1/16" x 2 7/8" x 1.5", NIce carving. Estate fresh piece likely mid 20th century. Guaranteed authentic nephrite jade. tw225

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239 Gram Chinese Nephrite Jade Boulder carving. Nice carving 4 1/8" x 3 1/8" x 1" Estate fresh piece likely mid 20th century. Guaranteed authentic nephrite jade. tw225

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776 Gram Nephrite Jade Boulder carving. 5" x 3.75" x 1.5", guaranteed authentic nephrite jade. I think I have it sideways in the pics, there's a monkey on the bottom that should probably be on the left side. Estate fresh piece likely carved in the mid 20th century. tw225

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c1890 Antique Carlsbad Austria Oyster Plate. 9" wide with no cracks, chips, or restorations, some wear to gilding on rim. isshelf

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c1870 Pewter Relief Plaque Signed crawford. 7 3/8" square 4.5" sight with no damage. Much better in person as it's difficult to photograph behind the glass. TW148

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c1900 Haviland Limoges Butter Pat Set of 10. Selling the 10 early 20th century Haviland Limoges butter pats shown with no cracks, chips, or restorations, minor wear to gilding. 3" wide. TW224

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2 c1870 Imari Plates. Selling both Japanese imari hand painted plates from the last half of the 19th century with no cracks, chips, or restorations and expected minimal wear to gilding and enamel as shown. 8.75" wide imshelf

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Vintage Native American Sterling Shadowbox channel inlay ring 9.7 grams. All precious metals are tested and guaranteed,

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Vintage Mexican sterling turquoise pendant on necklace. 23.2 grams total 1 5/8"<br>pendant, 18" necklace. Both pieces marked and tested sterling. Necklace has<br>never been worn and is much more recent than pendant.

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Large Vintage Sterling Chrome Chalcedony ring. Very cool unmarked (tested) sterling from the third quarter of the 20th century with no issues. A very substantial 22 grams. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 8 Ring.

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1920's Austria Portrait Butter Pat set for Herzog Galleries Houston. Selling the set of 5 shown, combination of hand painted accents over a transfer. 3" wide with no cracks, chips, or restorations. isshelf

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WW2 Era Caterpillar Watch Fob Art Deco Sentinel Pocket watch. Selling the fob shown.

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Designer Sterling Pop Art Moderne Mesh screen bracelet. Very unusual piece that I feel should be by an important designer. I don't recognize the hallmark but I didn't try, maybe one day I'll have time. It's marked and tested sterling, very lightweight, very well made and in good condition. Weighs 10 grams 7.75" inside diameter.

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Egyptian Silver and turquoise pendant with necklace. This piece is great and has significant age on it but I don't have time to figure out the hallmarks, I know the bottom one means it's egyptian, I believe 80% silver purity, there's another one on the top piece that's different. Great piece, 50-100 years old. The necklace was on it when I got it, the necklace tests sterling with a replacement clasp that isn't sterling.34.5 grams Pendant is 3" long x 2.25" wide, necklace is 24" long. This is a very high quality piece, not the typical tourist piece you find.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.75" Vintage Native American Sterling Stampwork cuff bracelet. Nice heavy hand stamped cuff from the third quarter of the 20th century. All precious metals are tested and guaranteed,

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