Prodotti

18" Milor Designer Sterling Silver Beaded Necklace. Very nice quality necklace with no kinks or issues.

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18" Milor Italy Sterling silver necklace. Interesting necklace in like new condition marked and tested sterling, made from small slabs of sterling 28.7 grams.

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18" Native American Sterling Beaded discs necklace. Bottom disk is 7/8".<br><br>All precious metals are tested and guaranteed, if Stated sterling it's<br>guaranteed to be 90% silver or more, all clasps are functional, I will not offer<br>anything here with any significant issues. Measurements and weight should be<br>shown in the pics if not otherwise described in the listing.

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18" Retro Beaded sterling hearts necklace. No damage or issues 14.5 grams solid sterling hollow beads.

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18" retro sterling necklace 38.8 grams with no issues.

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18" Silpada sterling necklace. No damage or issues, marked 925 and silpada mark<br>on pendant, tested sterling also. 31 grams

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18" Southwestern Jay King - Desert Rose Trading turquoise and sterling beaded necklace. Bottom pendant 2 5/8" tall x 1 7/8" wide. Not Native American made. 49.4 grams

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18" Vintage Hand Stamped Navajo pearl sterling necklace, largest bead approx 21mm, no issues.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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18" Vintage Mexican Sterling Aztec Calendar Necklace. No damage or issues. Marked 925 tested sterling. 61.3 grams.

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18" Vintage Mid Century Modernist Mexican sterling spherical necklace, graduated circles from 27mm to 37mm wide. 114.8 grams with no issues.

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18.25" Meiji Period Kutani Charger with Japanese Bathhouse Scene. Nice large charger with unusual decor from the last half of the 19th century with no damage, expected wear to gilding on rim. Selling this charger, estate fresh. There was another with the same decor almost identical with only the slightest variations due to being hand painted. If you change the qty to 2 you'll get both.isshelf

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18.5" Christin Wolf Native American 14k gold and sterling necklace with ruby<br>78.3 grams with no issues. Nice big slabs of solid 14k gold set in silver.<br><br>Christin Wolf is a nationally recognized jewelry designer known for blending<br>timeless lines and contemporary style with a vibrant southwest color pallette.<br>For the past 30 years Christin Wolf has been recognized as a leader in Southwest<br>jewelry design.<br><br>Christin Wolf Jewelry is handcrafted by Native Americans in the Christin Wolf<br>Studio in Albuquerque’s Old Town.<br><br>All precious metals are tested and guaranteed, if Stated sterling it's<br>guaranteed to be 90% silver or more, all clasps are functional, I will not offer<br>anything here with any significant issues. Measurements and weight should be<br>shown in the pics if not otherwise described in the listing.

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18.5" Chunky Sterling link necklace. Marked 925 Thai, tested sterling. Links are 7/8" wide, 75 grams. Solid sterling but hollow links. New old stock from a Jewelry store that went out of business in 2005, most of their inventory was purchased in the last quarter of the 20th century.

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18.5" Vista Alegre Mottahedeh Lowestoft Rose Large Floor Vase 7" wide. Nocracks, chips, restorations, crazing, or gold wear.

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1800's Bohemian Beer Glass Hand Cut. 8.75" tall x 3 7/8" wide at rim. One tiny<br>chigger bite on rim, several chips on foot mostly really small, one fairly<br>significant shown in last pic.

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1800's Middle Eastern Brass Dallah with stick handle. Well over 100 years old. Dents in handle, nice patina all over, tinned interior. 8.5" tall 11" wide with handle.

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Antique Shaker Pantry Box Painted by listed Artist Betty Fischer 15.25" wide x<br>7.75" tall<br><br>Mary Elizabeth "Betty" Fischer (1931-2016) Maryland, Folk Artist. Betty Fischer<br>known for her original paintings on antique wood shutters, bird houses, barrel<br>slats and more. www.liveauctioneers.com/item/53924277<br><br>Mary Elizabeth "Betty" Fischer (1931-2016) Maryland, Folk Artist. Betty Fischer<br>known for her original paintings on antique wood shutters, bird houses, barrel<br>slats, and more.<br>Betty was very active and enjoyed gardening, sewing, and playing the piano, but<br>she will be most remembered as an accomplished and talented artist. Although she<br>did not start painting until the age of 43, she picked it up very quickly and<br>established a successful art career. Her paintings have been seen hanging in the<br>University of Maryland, the Cannon Office Building, several restaurants, other<br>professional offices, and the homes of many friends and long-time customers.

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1800's Texas Lawman Antique Handcuffs Wild West Texas Ranger, Native American.<br>Selling the 4 pairs shown dating from the Civil war era to about 1900. One pair<br>is Pat 1899 and I believe they are the newest. That pair has a key that turns<br>but the key has been bent and the mechanism needs to be cleaned so I didn't open<br>them and they key is fragile and old, liable to break if forced. One with no<br>key, and the other with working key. The Rawhide pair is likely native American<br>as these all came from an estate that had a huge collection of authentic Native<br>American items, the family owned Herring Bros Curio Shop in San Angelo Texas<br>that shut down in the 30's. It was a native American trading post of sorts from<br>what I know. Selling the lot shown.<br>tw205

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1800's US Military Large Gold gilt Brass Eagle with 13 star flag hat badge. 4 5/8" tall with 4" wingspan, no issues.b3

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1830's Spode Copeland Garrett Footed Comotes Pair. Selling the pair shown in the<br>most amazing condition imaginable for even 10 year old porcelain but especially<br>for 180+ year old pieces such as these. No cracks, chips, restorations, crazing,<br>wear to gilding, wear to enamel, or utensil marks. Hand painted and wonderful.<br>10.25" handle to handle x 2 7/8" tall. I'm also including a pic of an example of<br>one of these with a hairline, crazing, and some wear bringing $818.18 in an ebay<br>auction in 2010. These have great painting and strong embossing, the feet are<br>really great.<br><br>Following the death of his father Josiah Spode II in 1827, Josiah Spode III kept<br>a watching brief over the Spode works. Incapacitated by an unfortunate accident<br>at the factory in 1802, he was unable to engage in the day to day business. On<br>his death in 1829 the executors administered a long standing agreement which saw<br>William Taylor Copeland running the London retail business as well as holding<br>one quarter share in the factory. At the termination of the agreement on March<br>1, 1833, Copeland purchased the remaining shares in the factory and the London<br>business. Being greatly involved in in politics, in developing art school<br>education, and living the life of a well to do London gentleman, Copeland<br>engaged one of his senior London employees as a partner and Thomas Garrett took<br>responsibility for overseeing the smooth running of the Stoke factory.<br><br>The factory grew in size during this partnership and the production of<br>porcelain, earthenware, and stoneware continued. New shapes were added and<br>patterns and designs were influenced by the rococo revival that dominated<br>fashions in the 1830s. Copeland & Garrett's bone china and felspar porcelain<br>attracted the attention of highest echelons of society, and after her Majesty<br>Queen Victoria's accession to the throne in 1837, she acquired wares for both<br>Buckingham Palace and Windsor Castle. Despite the prominence of their porcelain<br>productions they continued to make earthenware in even larger quantities with<br>markets at home and abroad. Among their finest productions are the printed<br>patterns some of which were traditional designs from Spode's time and other<br>newer patterns introduced for the contemporary market.<br><br>After 14 years, in 1847, the partnership was dissolved and Garrett returned to<br>London while Copeland continued to run the business.<br>tw221

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1832 Thomas Shaw Georgian Silver Snuff Box and Vinaigrette. Largest 2 1/8" x<br>1.25" x .5", vinaigrette 1.25" x 7/8" x .4". Bother overall good condition with<br>good hinges and tight closures, some expected very small dents and overall wear.<br>Selling both.<br><br>Definition of vinaigrette: silver vinaigrette is a small receptacle to contain<br>scented vinegar used by ladies to ward off faintness. The earliest-known<br>examples in separate form dates from 1492. Such pieces were popular from the mid<br>18th century, They were made in innumerable forms and styles (such as circular,<br>oval, polygonal, heart-shaped or shell-shaped, and in fantasy forms, such as a<br>shoe, book, watch-case, purse, acorn...) in silver, gold or porcelain, with a<br>pierced metal grille under the stopper or the securely hinged lid to cover a<br>sponge saturated with a scented substance. Fully sterling silver hallmarked on<br>both lid and base: Maker: TS . Thomas Shaw who was registered in Birmingham<br>between 1818 & 1837 and is famous in making silver vinaigrette and snuff Box.

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1837 President Martin Van Buren Signed Land Grant New York. Signed in his firstyear of Presidency, later note on reverse side shown. 17.5" x 11.5" framed, crack to back glass panel, doesn't effect anything. Gret condition with some fading, authentic.

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1837 Schoolgirl Sampler with Error. Early antique yarn sampler 19.75" x 23.5"<br>framed. Interestingly it is missing the I in the alphabet. Overall good<br>condition with expected toning, some small holes in the base cloth, recently<br>reframed within the past 20-30 years.

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1839 Writ of Republic of Texas signed Stephen William Blount. Stephen WilliamBlount (1808-1890), signer of the Texas Declaration of Independence, soldier, and county official. This was part of the Elton M Hyder collection and once on display at the University of Texas law library hance the label identiying it as what it is framed in behind the glass. Rare document with an important signature. 12.5" x 15 framed, 9.5" x 7.5" document size.

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1840's Akerly & Briggs New York Coin Silver Sugar Tongs. Rare pair of AmericanHandmade coin silver sugar tongs with a Pseudo British hallmark which I find interesting. 6 5/8" long 43 grams. tw255

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1842 Sterling Silver Inkwell Desk Set Robert Gray & Son Glasgow, Scotland.<br>Rectangular stand fitted with two removable glass inkwells, with sterling tops,<br>flanking the centered foliate engraved pen holder, hallmarked RG&S, marks<br>for Glasgow, rampant lion hallmark, date letter X, approx 4.75"h, 10.75"w,<br>6.5"d, 597 Grams Silver weight not counting the Glass inserts. One small dent on<br>top shown in pics, not a distraction and an easy repair if desired.TW197

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1843 Rococo British Teapot Hand Painted Gold Pattern #8677. Great Teapot with pattern number and other marks below that which should make identification simple along with this incredible mold. Registration mark on base and lid dates it to 1843. No cracks, chips, or restorations, very clean gold. Slight stains in interior only.10.5" handle to spout x 7.25" tall. Amazing to find in this condition a 178 year old teapot. There was a spot on one side that I wiped off, just dirt.isshelf

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1844 Oeuvres de J Racine 6 Volume set in French. Complete set 6" x 9" books in<br>great condition for 177 year old set of books. Some foxing in the first few<br>pages on each side, gilt edges, externally clean with minor shelf wear. No water<br>damage or missing pages.

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1849 Sibour (1792-1857) Catholic Archbishop of Paris Bronze Medallion. Solid bronze, clean as shown, nice antique medallion, Measurement shown in both cm and inches.

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Calice in vetro di mercurio e ferma tenda del 1850. Nessuna crepa, scheggiatura o restauro. Molto buono con una minima perdita dovuta all'argentatura. Il calice è alto 4,25 pollici x largo 3,75 pollici. La cravatta per tenda è larga 4,5" x 5 3/8" con vite.

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1851 Minton Majolica Charger with scene. Extremely rare 14 1/8" large Minton<br>Majolica Charger with Minton's 1851 date mark, I could find no other markings.<br>No chips, cracks, or restorations. Small glaze flakes one on one of the dogs<br>noses and another bottom right close to the plate stand shown in the pics. No<br>other issues.<br>While this may be an unrecorded charger, this exact border actually everything<br>outside of the interior game scene can be found on other Minton Majolica<br>chargers including the one with a bust of Henri IV and Maria de Medici in the<br>interior.<br><br>This would be one of the Earlier pieces of Minton majolica which was created by<br>Joseph Leon Francois Arnoux who was appointed Art Director at Minton in 1848.<br>His primary task was to introduce and promote new products. At the time there<br>was great interest in classical design and bright color. Arnoux decided to<br>reintroduce the work of Bernard Palissy, whose naturalistic, bright colored<br>"maiolica" wares had been popular in the 16th century. However, Arnoux used a<br>thicker body to make pieces more sturdy. This body was given a coating of opaque<br>white glaze which provided a surface for over painting in brightly colored<br>opaque glazes. Later, transparent glazes were used over relief molding. This new<br>Minton majolica was promoted, in London, at the Great Exhibition of 1851.

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1855 British Sterling George William Adams Fish Server. Very nice engraving, extremely heavy and solid with no issues. 13" long x 2 1/8" at widest point. 187 gramstw255

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1856 Texas Governors Elisha M. Pease/Edward Clark Signed Document. Interesting<br>document because it's signed by the Current Governor at the time Elisha Pease<br>and the Then Secretary of state and later Governor for a short time Edward<br>Clark. 12" x 16" document in 20" x 15" matting. It's loosely mounted to thick<br>framing paper and could easily be removed for re-matting. Expected toning with<br>no major issues, embossed state of Texas seal that may not show in the pics.<br><br>Clark moved to Texas in 1842 and set up a law practice.[1] He served in the<br>Texas Annexation Convention and two terms as a state representative in the Texas<br>Legislature. During the Mexican–American War he served on the staff of Major<br>General J. Pinckney Henderson and fought in the Battle of Monterrey.[2] When the<br>war ended, he served as secretary of state under Governor Elisha M. Pease and as<br>lieutenant governor serving under Governor Sam Houston.[1] When Sam Houston<br>refused to take an oath of allegiance to the Confederacy, Clark became<br>governor.[2]<br><br>Slave quarters of Edward Clark's home in Austin. He enslaved nine people.<br>Among Clark's first actions was to order the surrender of all fire arms and<br>ammunition from private merchants to the state. Furthermore, all privately owned<br>firearms were to be canvassed. Few weapons were ever turned in and most Texans<br>did not comply for fear of future confiscation.<br><br>After losing the governor's race by 124 votes to Francis Lubbock, Clark became a<br>colonel in the Texas militia during the American Civil War. In 1863 he joined<br>the Confederate States Army and was commissioned colonel of the 14th Texas<br>Infantry Regiment. He commanded the unit, as part of the Greyhound Division,<br>until being wounded in the Battle of Pleasant Hill.[1] A promotion to brigadier<br>general wasn´t confirmed by the Confederate Congress and he left the service;<br>however, in 1865 he was made a brigadier in the militia. He fled briefly to<br>Mexico at the end of the American Civil War, and returned home to Marshall,<br>Texas.[1]<br><br>Elisha Pease bio<br><br>Texas Republic<br>A native of Enfield, Connecticut, Pease moved to Mexican Texas in 1835. He soon<br>became active in the Texas independence movement and after the Texas Revolution<br>began, Pease became the secretary of the provisional government. He served as<br>the assistant secretary at the Convention of 1836 but was not an elected<br>delegate to the Convention. After independence had been won, Pease was named the<br>comptroller of public accounts in the government of the new but temporary<br>Republic of Texas.<br><br>Texas State<br>Following the annexation of Texas to the United States, Pease was elected to the<br>Texas House of Representatives in 1845 and reelected in 1847. In 1849, he ran<br>for the Texas Senate from District 11 (Brazoria and Galveston counties) but lost<br>to John B. Jones who was sworn in on November 5, 1849. Pease contested the<br>election, was declared the winner, and was sworn in four days later on November<br>9, 1849.<br><br>Pease first ran for governor in 1851 but withdrew from the race two weeks before<br>the election. He was elected in each of the next two elections, 1853 and 1855.<br>As governor, he paid off the state debt and established the financial foundation<br>that the state would later use to finance its schools and colleges.<br><br>In 1856, surveyor Jacob de Córdova of the Galveston, Houston, and Henderson<br>Railroad Company named a newly discovered river in West Texas the "Pease River"<br>after the governor.<br><br><br>The E. M. Pease Middle School is located at 201 Hunt Lane across from El Sendero<br>subdivision in the Northside Independent School District in San Antonio, Texas.<br>Civil War and aftermath<br>During the American Civil War, Pease sided with the Union. He nonetheless<br>enslaved several people; census records show ten enslaved people living and<br>laboring at Pease's Austin plantation in 1860.[2] After the war, he became a<br>leader in the state Republican Party and was appointed as the civilian governor<br>of Texas in 1867 by General Philip H. Sheridan, who was the military head of the<br>Reconstruction government. Pease's policies as governor alienated both<br>ex-Unionists and ex-Confederates and he resigned in 1869.<br><br>Elisha and his wife donated land to the City of Austin that would eventually<br>become Pease Park.<br><br>Pease died of apoplexy in Lampasas, Texas. He was buried in Oakwood Cemetery in<br>Austin, Texas.

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1860 Antique Bronze Statue with Woman Holding net. High quality bronze most<br>likely French from the third quarter of the 19th century. 10" tall and very<br>heavy for it's size as it's solid bronze. She has a tiny pin sized hole through<br>her hand that she's holding up indicating she possibly had something a string or<br>something in her hand at one point. No other issues.

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1860's Hotel Hot Tea Server Samovar Staffordshire Silver Lustre 15.5" tall x<br>11.5" wide. Circa mid 19th century with no cracks, chips, crazing, or<br>restorations. Some wear to the Platinum as shown, Spigot Turns and works. Rare<br>and unusual item.

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1860's Minton Majolica Game Pie Dish with lid. English Victorian majolica game-pie dish, Minton, c.1862, lid with game animals resting on ferns and leaves molded in relief, base modeled as a woven basket with oak branch handles, impressed mark Minton with date cypher, small area of restoration at tip of mallard's wing, approx 7"h, 13.25"l, 8"w, 6.25lbs. No damage or restorations other than the tip of the wing shown and described.isshelf

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Early sterling silver basket. Retailed by Tiffany & Co. at 550 Broadway, New<br>York. The use of the 550 Broadway address dates it to 1853-70, Oval shallow bowl<br>and scalloped gadrooned rim with chased and engraved fleurs de lys. Foot raised<br>and lobed with scalloped gadrooned rim and engraved leaves. Swing handle<br>scalloped and gadrooned. William Gale was one of the great New York City<br>silversmiths who created silver retailed by Tiffany & Co. before they made their<br>own silver. 5.75" wide x 7" tall with handle 299.5 grams. No damage, dents or<br>bends. Nice strong hinge on handle.<br><br>Charles Tiffany was born February 15, 1812 in Killingly, Connecticut. About 25<br>years later, in 1837, Charles Tiffany and John Young, and later in 1841, they<br>added J.L.. Ellis as a partner, began Tiffany, Young and Ellis in Lower<br>Manhattan. That company at the time was founded at first to sell fancy goods and<br>stationery. Tiffany bought his parents shares of the company in 1853 and changed<br>the focus of the company to sell upscale jewelry and merchandise. Once Tiffany<br>bought his parent’s shares, the company was renamed to Tiffany & Co. In 1867,<br>Tiffany & Co. was the first United States based company to win an award for<br>excellence in silverware at the Exposition Universelle in Paris. In 1868, the<br>company became incorporated, had four stores and was on the right path to<br>continue to grow to the company that it is today.<br><br>A Humble Start<br>When Young and Tiffany began their business, they originally started off with<br>offering items such as stationery and merchandise before moving on to offering<br>jewelry and silverware. The business continued to grow and manufacture jewelry,<br>and later opened a location in Paris. His stores adopted the standards of<br>European jewelry and therefore, sterling became established in the United States<br>and the American jewelry market.<br><br>Tiffany was determined to obtain one-of-a-kind jewelry. It was that desire which<br>helped fuel how much his products were sought out, specifically among the upper<br>classes of New York. The jewelry created by the company became partially well<br>known because of the wealthy people who desired its products. In the 1830’s,<br>Tiffany made it’s mark in the jewelry world at the time because they clearly<br>marked the prices on their goods. This eliminated the chance that customers<br>would haggle and try to negotiate the prices of the goods that they were<br>purchasing at the time. Additionally, Tiffany’s was unique at the time because<br>they only accepted cash payments and didn’t allow their goods to be purchased on<br>credit.<br><br>With the Civil War threatening jewelry purchasing at the time, Tiffany adjusted<br>the focus of his company and ended up manufacturing swords, medals, light armor<br>and many other items that were needed for war. In 1877, Tiffany & Co. had become<br>such an established name that it easily influenced the industry and was able to<br>make outlandish purchases. This when the now called “Tiffany diamond” (a yellow<br>South African diamond) was purchased for $18,000 at 287 carats. The diamond was<br>cut down to 128.54 carats over nearly a year and was eventually put on display<br>in the Smithsonian. Today, Tiffany & Co. is an American worldwide luxury jeweler<br>and specialty retailer, headquartered in New York City.<br><br>Understanding the Markings<br>While Tiffany & Co. is famous for the “Tiffany diamond” they are even more<br>famous for their use of sterling silver. When looking at actually sterling<br>silver that is made by Tiffany’s there are several markings that can help you<br>figure out the origin and if a piece is indeed made by Tiffany’s or fake. At the<br>start, there were several silversmiths who supplied silver flatware and<br>holloware to Tiffany’s. Each of those silversmiths marked the pieces with their<br>own marks in addition to marking them with Tiffany’s marks. Some of the makes of<br>Tiffany’s sterling silver include William Gale, Gale & Hughes, Wood & Hughes,<br>John Polhemus, Henry Hebbard, William Bogert, Grosjean & Woodward, Moore &<br>Hebbard and John C. Moore.<br><br>In 1868, Moore silversmithing firm was absorbed into Tiffany & Co. and Tiffany’s<br>then began the production of its own silver. It was at that time that the silver<br>was to be marked with the initial of the Artistic Director or the initial of the<br>President of the firm but that was continued until the mid-1960’s. Each design<br>on the silver that Tiffany’s creates represents the long and proud heritage that<br>comes with the company’s history.<br>b70

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The Book of Days A Miscellany of Popular Antiquities Edited by R. Chambers 1863<br>- London - W. and R. Chambers 10.5" by 7.5";832pp.; 840pp. DETAILS A first<br>edition of this interesting pair of books covering a variety of topics, from the<br>pasage of time, to English folklore legends, to railway information, all related<br>to a certain month of the year. The Chambers Book of Days ( The Book of Days: A<br>Miscellany of Popular Antiquities in Connection with the Calendar, Including<br>Anecdote, Biography, & History, Curiosities of Literature and Oddities of Human<br>Life and Character ) was written by the Scottish author Robert Chambers. It was<br>a miscellany of popular antiquities in connection with the calendar, and it is<br>supposed that his excessive labour in connexion with this book hastened his<br>death. Two years before, the University of St Andrews had conferred upon him the<br>degree of doctor of laws, and he was elected a member of the Athenaeum Club in<br>London. It is his highest claim to distinction that he did so much to give a<br>healthy tone to the cheap popular literature which has become so important a<br>factor in modern civilization. With illustrated title pages and numerous<br>engravings. Complete in two volumes. CONDITION In half-calf prize bindings with<br>marbled boards. Externally sound, with some wear to the boards and spine as<br>shown. Some foxing on the first few pages front and back of each edition, strong<br>binding, clean overall with no missing pages or water damage. 160 year old<br>books.

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1865 Dollhouse folk art pottery slip decorated Red clay rocking chair. Great piece 8.75" tall x 4 3/8" wide. Old professional restoration to right wing of chair. Looks to have been broken and professionally restored, but that was long ago, only visible under closed examination. I guarantee it to be of period, not totally sure whether it's American or British as I have seen similar examples from both countries.tw260

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1866 Thomas Bradbury and Sons Siverplate and Cut Glass Biscuit Jar. Very special<br>piece with diamond registration mark dating it to 1866. Top quality cut glass<br>with no cracks or chips, some expected very minor roughness to outside rim that<br>goes inside holder. No wear to plating. 7.25" wide at base x 8.5" tall.<br>TW167<br><br>The business traces its origin to Fenton, Creswick & Co, a partnership involving<br>Matthew Fenton (an apprentice of Thomas Law), Richard Creswick and William<br>Watson. They were active as silversmiths and Sheffield platers and were among<br>the first to enter their mark at the Sheffield Assay Office in 1773.<br>In 1789 Fenton left the firm and was replaced by Edward Oakes. The firm changed<br>its style to Fenton, Creswick, Oakes & Co. In 1795 the partnership was dissolved<br>and the business was continued under the style of Watson & Co under the<br>partnership of Thomas Watson, James Fenton and Thomas Bradbury I (a former<br>apprentice of the firm).<br>Later, Thomas Bradbury II (son of Thomas Bradbury I) and William Watson (nephew<br>of Thomas Watson) were admitted to the partnership.<br>In 1831 William Watson retired and the business was continued by Bradburys<br>(Thomas I and II) under the style of Thomas Bradbury & Son.<br>The firm was active at Arundel Street, Sheffield with London showroom at 12<br>Gough Square, Fleet Street.<br>In 1855 the firm changed its name to Thomas Bradbury & Sons, under the<br>partnership of Joseph and Edward Bradbury (sons of Thomas Bradbury II).<br>In 1877 the partners were Thomas Bradbury III (brother of Joseph Bradbury) and<br>John Sutherland Henderson.<br>The partnership was dissolved in 1888 and the firm was managed by Walton Turner<br>Bradbury, Joseph Bradbury Jr and Frederick Bradbury (sons of Joseph Bradbury<br>Sr). Frederick Bradbury is the author of the fundamental book "A History of Old<br>Sheffield Plate".<br>The business was converted into a limited liability company in 1905, under the<br>style Thomas Bradbury & Sons Ltd.<br>The company closed its activity in 1943 and dies and tooling were bought by<br>Atkin Brothers.

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Campionatore di ricamo ad ago per studentessa americana del 1870 Jessie Pearson. 18,25" x 19,75" con cornice.B49

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Frame measures 14.5" x 12 3/8" canvas measures 7 3/8" x 9 3/8" really ornate 3"<br>deep frame with no major issues. No issues or restorations to painting. There<br>were two brackets added to the back to hold the painting in as the original<br>nails are missing. There was a modern cover over the back canvas to protect it,<br>that'll be re installed prior to shipping. Estate fresh at the time of this<br>listing this is the first time it's been for sale in a really long time.<br><br>He married his first wife in 1871, maybe this is her? Regardless this is one of<br>his earlier pieces from before he got famous.<br><br>Born  December 9, 1848 (1848-12-09) Lockport, New York<br>Resting place  Glenwood Cemetery, Lockport, New York 43°10′53.73″N 78°42′33.1″W<br>/ 43.1815917°N 78.709194°W / 43.1815917; -78.709194<br>Died  May 12, 1915, Stamford, Connecticut, United States<br><br>Burr H. Nicholls (December 9, 1848 – May 12, 1915) was an American painter who<br>studied art with Carolus-Duran in Paris and first exhibited his work in London<br>at Dudley Gallery. Most of his works were based upon scenes from the seven years<br>that he studied and lived in Europe.<br><br>Nicholls was married three times, but it was his marriage to his second wife,<br>Rhoda Holmes Nicholls, that caused a media sensation across the United States.<br>In 1897 both Burr and Rhoda Nicholls submitted paintings to the Paris Salon;<br>Rhoda's was accepted with honorable mention but Burr's was rejected. This<br>triggered a period of marital discontent followed by separation. Their divorce<br>was finalized in 1906 and was reported in many American newspapers. Journalists<br>warned women of the peril of pursuing vocations that put them in competition<br>with their husbands.<br><br>Early life<br><br>Burr H. Nicholls was born in Lockport, New York to Luman Nicholls and Ann<br>Halliday Nicholls. Painters in his family included his mother and his nephew<br>Henry, son of his brother Mark. Henry made copies of several of Burr's paintings<br>including a Brittany farm scene and The Red Staircase.<br><br>Marriage<br><br>His first of three marriages was to Alice McDonald or Alethea P. McConnell in<br>1871; she died in 1876.<br><br>Nicholls met the English artist Rhoda Holmes during a trip to Venice. They<br>married in 1884 at Lyminster Church in Sus, England, honeymooned in Venice and<br>sailed for the United States in the spring of 1884.<br><br>The couple exhibited their works in some of the same shows, like the Chicago<br>Interstate Industrial Expositions. In 1893 the Nicholls lived in a "cosey" home<br>and both had studios on the top floor. By 1896, Nicholls lived with his wife in<br>a West 50th Street mansion in New York City with their daughter and son, Rhoda<br>Olive and Arundel Holmes Nicholls.<br><br>The couple's marriage became contentious when in 1897 one of Rhoda Holmes<br>Nicholls works was accepted with honorable mention by the Paris Salon, but<br>Burr's work was denied. The couple separated the following year. Their divorce<br>was finalized by September 18, 1906 and "newspapers widely warned women about<br>the dangers of success and its potential influence on marital and domestic<br>bliss."<br><br>His final marriage was to Josephine Lewis of Buffalo, New York. Her brother was<br>Dr. Park Lewis, a "well-known physician".<br><br>Education and career<br><br>Nicholls studied art in Buffalo, New York with Lars (L.G.) Sellstedt and with<br>Carolus-Duran at the Paris Beaux Arts. He studied and worked in England, Paris,<br>Italy and Brittany for seven years which provided inspiration for his paintings<br>for years. Most of Nicholl's paintings were made of European subjects and<br>settings, like A Street Scene in France and A Quiet Corner, Venice, exhibited at<br>the Pan-American Exposition of 1901 held in Buffalo, New York.<br><br>His first exhibition was in 1879 at London's Dudley Gallery. Nicholls exhibited<br>at "every important exhibition in America" and the Paris Salon. His work was<br>favorably received at the 1891 Society for the Promotion of Art exhibition at<br>Eden Musee [New York].<br><br>The Buffalo Fine Arts Academy, now the Albright-Knox Art Gallery, had acquired<br>works by Nicholls by 1882.<br><br>He and his third wife were members of the Buffalo Historical Society.<br><br>Death<br><br>Nicholls died in May, 1915 in Lockport, New York.<br><br>Collections<br><br>Albright–Knox Art Gallery: Hunting up a Quotation and A Group of Fowls<br><br>Peabody Institute: The Vegetable Garden<br><br>Pennsylvania Academy of the Fine Arts: Effect of Sunlight<br><br>Andrew Carnegie and Parisian M. Johannot were collectors of his works.

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1870's Royal Worcester Lotus Form Satsuma Style Teacup and saucer. I didn't look<br>up the date code but it's from the last half of the 19th century. Slightly<br>smaller than a modern teacup but larger than a demitasse or coffee cup. 5 3/8"<br>saucer 2 78" wide cup without handle. Strong embossing's on both pieces very<br>high quality porcelain, a price tag from about a 1960's or so antique shop.

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1874 Antique American Painted Tin Shorebird decoy. Great folding decoy from thelast quarter of the 19th century with good original paint with a few expected dings likely from stray pellets. 9.5" long x 10" tall with stand. Stand of course was made later for display purposes and the fit isn't the greatest. The stick, copper fitting and tin bird are all original. B70

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1875-1905 JB&SM Knowles American Sterling Fancy Serving Spoon Newton and Lincoln. I'm not sure if Newton and Lincoln was a hotel or what, reguardless it's a great spoon that's really clean in basically like new condition and it's about 120-140 years old. 8.75" long 54.5 grams.tw255

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1878 Royal Worcester Japonesque Satsuma Style Teapot. Very unusual perhaps one of a kind teapot. No cracks, chips, or restorations. 8.75" long x 6.75" tall. Composed of a low fired earthenware like satsuma so there is crazing with no exterior stains, some minor interior stains.tw203

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1880's Cornelius Desormeaux Saunders & James Francis Holland Shepherd BirminghamSterling Silver Boxed Salt dips/Spoons Cranberry Liners. Talk about fancy, imagine the impression you'd make showing up to a dinner date with this set! Interesting Orientalist design with original flawless cranberry art glass inserts. Incredible original wood box measuring 6 3/8" x 2.5" x 3.25". The salts are 1 7/8" wide with 2.75" long spoons. No notable issues. tw152

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1880's Fanciest sterling spoons ever. Ok, maybe not fanciest ever but they are<br>great and better than anything anybody makes these days, better than most stuff<br>that was being made in that period. Two dated 1889 xmas gifts. All marked,<br>tested, guaranteed 80% silver or more. Longest 6" 113.3 grams total weight, all<br>solid and heavy for their sizes.

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1880's Figural Napkin Ring Boy with top hat 2.3" tall, slightly bent, no detectable markings, obviously victorian possibly Kate Greenway. Unpolished with possible wear to plating.B70

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1880's Figural Napkin Ring Tennis racket and ball. There's a scratch in the interior, it's not a crack, doesn't penetrate. Upon close examination the tip of the handle of the racket is broken off, worn plating, rare napkin ring.TW134

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1880's French A Klingenberg Limoges Demitasse cup and saucer set (7). Sellingthe 7 Eggshell porcelain demitasse (espresso) cup and saucers shown, they each look to have an ornate P monogram on the saucer incorporated into the pattern, really an amazing set all hand painted with absolutely no damage. No cracks, chips, restorations, or significant wear to gilding, they all ring like a bell. Selling all 7 with 4.5" wide saucers, small cups not tea cups, these are cabinet sized or for strong espresso coffee.A. Klingenberg was an accomplished Limoges artisan painter when he opened his own porcelain factory and decorating studio in the Limoges region of France in the early 1880's. There does not seem to be a surfeit of information about Klingenberg or his company other than that he merged with Charles Dwenger's studio sometime in the late 1890's or very early 1900's. Klingenberg & Dwenger together manufactured porcelain products, produced decorated finished porcelain pieces, and exported them world-wide until 1910 when the company closed its doors. While there may be a paucity of detail about A. Klingenberg and his company, there are numerous astonishingly lovely works of art that this short-lived company left behind.

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1880's Majolica Plate and shallow bowl. Selling both pieces of British majolica, largest 8.75" wide, neither with any damage or restorations, light stains on bowl.isshelf

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1880's Majolica Stag plate and leaf dish. Selling both pieces, leaf dish wish small chip on reverse side shown at top of last pic, tiny chip and short tight hairline on plate. No other chips, no cracks, no restorations.isshelf

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1880's New England peachblow vase 3.75" tall x 2.5" wide with no damage or<br>issues.<br><br>The Glass of New England 1818-1888<br>The glass industry was attracted to New England for many of the same reasons it<br>was attracted to other locations throughout history; access to natural fuel<br>resources, availability to world marketplaces, and a ready work force. Of the<br>many glass houses in New England in the early to mid-1800s, two of the best<br>known were The New England Glass Company and The Boston and Sandwich Glass<br>Company. The New England Glass Company was located in the Cambridge area of<br>Boston. The use of the term "Cambridge Glass" in literature has led to some<br>confusion with the somewhat later Cambridge Glass Company of Cambridge, Ohio.<br>The New England Glass Company was incorporated in 1818. Deming Jarvis, the only<br>one of the four owners with practical business experience, was to run the shop.<br>Mr. Jarvis, born in Boston into a wealthy family, had working experience in the<br>dry goods business before joining the NEGC. He had a unique talent for selecting<br>the right men and getting them to come to work for him, including some of<br>Europe's most skillful cutters. Deming's father died in 1823, leaving him with<br>considerable wealth and he spent some time in Pittsburgh<br>studying the local methods of glass making.<br>isshelf

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1881 US 2 Cent U.S. Revenue stamp on check from Bank of Lewisburg West Virginia<br>with Confederate dollar. Selling both items from the same estate as found, there<br>is a tear in the center of the check but stamp looks good, confederate dollar is<br>very rough as shown but real, 1862.

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1881 Victorian Sterling brooch 1.75" x 1 3/8" 6.2 grams with no issues.

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1882 18.5" Crown Derby Imari Tea Tray Rare form of early tray with an uncommon<br>pattern. No cracks, chips, or restorations, some wear to gilding as shown. 138<br>years old.<br>b22

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1883 John G Brown Engraving with Children. Art measures 11.75" x 9.25" matting is 10.5" x 12.75". No issues with authentic over 100 year old engraving except minor yellowing under edge of matting.Tw61

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1884,1885 Silver Dollar cufflinks. Selling the pair shown of oversized cufflinks. Authentic 90% silver late 19th century American Currency in nickel silver mounts. Selling the exact pair shown with no issues.

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1884-91 American Sterling Cigar Lighter with ornate Reticulated border Ferd<br>Fuchs & Bros New York W Monogram. 6" long x 3.25" wide x 2 5/8" tall. No bends<br>or dents 96 grams Guaranteed circa late 19th century, I don't think it was ever<br>used. It was probably given as a gift 120+ years ago and displayed or stored<br>since.<br>tw123

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