c1850 Texian Campaigne Historical Staffordshire Black Transferware 9.5" plate<br>James Beech Historical Texas Battle Scenes No cracks, chips, crazing, stains, or<br>restorations. Clean as they get.<br><br>The "Texian Campaigne" transferware pattern was introduced about 1837; although<br>made in Staffordshire, it was produced to appeal to Americans. The pattern was<br>designed to commemorate the 1835-1836 revolution fought against Mexico by Texans<br>for their independence (the word 'Texian' is the British form for Texas.)<br><br>The Texas Revolution (October 2, 1835 – April 21, 1836) was a rebellion of<br>colonists from the United States and Tejanos (Texas Mexicans) in putting up<br>armed resistance to the centralist government of Mexico. While the uprising was<br>part of a larger one, the Mexican Federalist War, that included other provinces<br>opposed to the regime of President Antonio López de Santa Anna, the Mexican<br>government believed the United States had instigated the Texas insurrection with<br>the goal of annexation. The Mexican Congress passed the Tornel Decree, declaring<br>that any foreigners against Mexican troops "will be deemed pirates and dealt<br>with as such, being citizens of no nation presently at war with the Republic and<br>under no recognized flag". Only the province of Texas succeeded in breaking with<br>Mexico, establishing the Republic of Texas, and eventually being annexed by the<br>United States.<br><br>The revolution began in October 1835, after a decade of political and cultural<br>clashes between the Mexican government and the increasingly large population of<br>American settlers in Texas. The Mexican government had become increasingly<br>centralized and the rights of its citizens had become increasingly curtailed,<br>particularly regarding immigration from the United States. Colonists and Tejanos<br>disagreed on whether the ultimate goal was independence or a return to the<br>Mexican Constitution of 1824. While delegates at the Consultation (provisional<br>government) debated the war's motives, Texians and a flood of volunteers from<br>the United States defeated the small garrisons of Mexican soldiers by<br>mid-December 1835. The Consultation declined to declare independence and<br>installed an interim government, whose in led to political paralysis and a<br>dearth of effective governance in Texas. An ill-conceived proposal to invade<br>Matamoros siphoned much-needed volunteers and provisions from the fledgling<br>Texian Army. In March 1836, a second political convention declared independence<br>and appointed leadership for the new Republic of Texas.<br><br>Determined to avenge Mexico's honor, Santa Anna vowed to personally retake<br>Texas. His Army of Operations entered Texas in mid-February 1836 and found the<br>Texians completely unprepared. Mexican General José de Urrea led a contingent of<br>troops on the Goliad Campaign up the Texas coast, defeating all Texian troops in<br>his path and executing most of those who surrendered. Santa Anna led a larger<br>force to San Antonio de Béxar (or Béxar), where his troops defeated the Texian<br>garrison in the Battle of the Alamo, killing almost all of the defenders.<br><br>A newly created Texian army under the command of Sam Houston was constantly on<br>the move, while terrified civilians fled with the army, in a melee known as the<br>Runaway Scrape. On March 31, Houston paused his men at Groce's Landing on the<br>Brazos River, and for the next two weeks, the Texians received rigorous military<br>training. Becoming complacent and underestimating the strength of his foes,<br>Santa Anna further subdivided his troops. On April 21, Houston's army staged a<br>surprise assault on Santa Anna and his vanguard force at the Battle of San<br>Jacinto. The Mexican troops were quickly routed, and vengeful Texians executed<br>many who tried to surrender. Santa Anna was taken hostage; in exchange for his<br>life, he ordered the Mexican army to retreat south of the Rio Grande. Mexico<br>refused to recognize the Republic of Texas, and intermittent conflicts between<br>the two countries continued into the 1840s. The annexation of Texas as the 28th<br>state of the United States, in 1845, led directly to the Mexican–American War.<br><br>tw177

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c1850 Texian Campaigne Historical Staffordshire purple Transferware 9.25" plate<br>James Beech Historical Texas Battle Scenes. No cracks, chips, or restorations,<br>overall crazing with light stains in front and darker stains in back.<br><br>The "Texian Campaigne" transferware pattern was introduced about 1837; although<br>made in Staffordshire, it was produced to appeal to Americans. The pattern was<br>designed to commemorate the 1835-1836 revolution fought against Mexico by Texans<br>for their independence (the word 'Texian' is the British form for Texas.)<br><br>The Texas Revolution (October 2, 1835 – April 21, 1836) was a rebellion of<br>colonists from the United States and Tejanos (Texas Mexicans) in putting up<br>armed resistance to the centralist government of Mexico. While the uprising was<br>part of a larger one, the Mexican Federalist War, that included other provinces<br>opposed to the regime of President Antonio López de Santa Anna, the Mexican<br>government believed the United States had instigated the Texas insurrection with<br>the goal of annexation. The Mexican Congress passed the Tornel Decree, declaring<br>that any foreigners against Mexican troops "will be deemed pirates and dealt<br>with as such, being citizens of no nation presently at war with the Republic and<br>under no recognized flag". Only the province of Texas succeeded in breaking with<br>Mexico, establishing the Republic of Texas, and eventually being annexed by the<br>United States.<br><br>The revolution began in October 1835, after a decade of political and cultural<br>clashes between the Mexican government and the increasingly large population of<br>American settlers in Texas. The Mexican government had become increasingly<br>centralized and the rights of its citizens had become increasingly curtailed,<br>particularly regarding immigration from the United States. Colonists and Tejanos<br>disagreed on whether the ultimate goal was independence or a return to the<br>Mexican Constitution of 1824. While delegates at the Consultation (provisional<br>government) debated the war's motives, Texians and a flood of volunteers from<br>the United States defeated the small garrisons of Mexican soldiers by<br>mid-December 1835. The Consultation declined to declare independence and<br>installed an interim government, whose in led to political paralysis and a<br>dearth of effective governance in Texas. An ill-conceived proposal to invade<br>Matamoros siphoned much-needed volunteers and provisions from the fledgling<br>Texian Army. In March 1836, a second political convention declared independence<br>and appointed leadership for the new Republic of Texas.<br><br>Determined to avenge Mexico's honor, Santa Anna vowed to personally retake<br>Texas. His Army of Operations entered Texas in mid-February 1836 and found the<br>Texians completely unprepared. Mexican General José de Urrea led a contingent of<br>troops on the Goliad Campaign up the Texas coast, defeating all Texian troops in<br>his path and executing most of those who surrendered. Santa Anna led a larger<br>force to San Antonio de Béxar (or Béxar), where his troops defeated the Texian<br>garrison in the Battle of the Alamo, killing almost all of the defenders.<br><br>A newly created Texian army under the command of Sam Houston was constantly on<br>the move, while terrified civilians fled with the army, in a melee known as the<br>Runaway Scrape. On March 31, Houston paused his men at Groce's Landing on the<br>Brazos River, and for the next two weeks, the Texians received rigorous military<br>training. Becoming complacent and underestimating the strength of his foes,<br>Santa Anna further subdivided his troops. On April 21, Houston's army staged a<br>surprise assault on Santa Anna and his vanguard force at the Battle of San<br>Jacinto. The Mexican troops were quickly routed, and vengeful Texians executed<br>many who tried to surrender. Santa Anna was taken hostage; in exchange for his<br>life, he ordered the Mexican army to retreat south of the Rio Grande. Mexico<br>refused to recognize the Republic of Texas, and intermittent conflicts between<br>the two countries continued into the 1840s. The annexation of Texas as the 28th<br>state of the United States, in 1845, led directly to the Mexican–American War.<br><br>tw177

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Antique Shell cameo Pendants brooch signed A.C.C. on mount. NIce sized cameo with no damage or issues. Unsure of metal content but it looks like silver over copper. Measure 1 5/8" x 1 5/16"

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Antique Meissen Onion Scalloped Low Bowl 8.5" x 1 7/8". No scratches, cracks,<br>chips, crazing, stains, restorations, or other wear. Great piece from the early<br>20th century.<br>TW177

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c1860 Staffordshire Prattware Teapot Stand and Plate with Cattle Farm Scene. 2 great pieces from mid to late 19th century. Teapot stand is 6.5" and plate is 8 5/8". Neither have any cracks, chips, or restorations. Both have the expected crazing of 150 year old earthenware. Selling both pieces shown. In the 19th century, the Pratt name was associated with the fine, usually multi-coloured, transfer printed engravings used to decorate the lids of earthenware pots used for food, pharmaceutical products and toiletries. The business also produced domestic earthenware including relief moulded earthenware (especially jugs) and tableware with underglaze, multi-coloured decoration (‘Prattware’). Terracotta and parian ware were other wares, and Godden (1988) notes that there are examples of mid-19th century porcelain printed with Pratt multi-colour underglaze prints, however, these may have been bought-in ware decorated by the company. Whilst Felix Pratt was the commercial driving force behind the business, the artist was a Jesse Austin who joined Pratt in the early-1840. He was an accomplished watercolour artist and engraver and over nearly 40 years, the business produced over 550 poly chrome prints used to decorate the now well known pot lids. Pratt’s first under-glaze, polychrome pot lid was made in 1847 and was a scene ‘Grace before Meals’. Austin’s subject included royalty, famous people, city scenes – there are eleven views of London – and this portrayal of the life and times of Victorian England is one of the reasons for the lid’s popularity today. Austin also made minature watercolour copies of famous paintings and these too appear on pot lids and Prattware. Although the pot lids have become well known, the engravings were also used on the containers themselves, on plates and on other domestic earthenware manufactured by the business and it is this good-quality domestic pottery that is termed ‘Prattware’. tw176

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Hotel El Paso Del Norte Childrens Doll Vanity Mirror. 4" x 2" with a few dents,<br>mirror is in good condition. Likely from the first quarter of the 20th century.<br>TW168

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Maurice Heaton(1900-1989) 16" Mid Century Modern Enameled Art Glass Charger. No<br>cracks, chips, restorations, or scratches. Guaranteed authentic, great piece of<br>art glass by well listed artist that has works in all the big museums.<br><br>Maurice Heaton grew up with two generations of English glass artists and began<br>experimenting with flat and molded glass as early as 1930. He invented a process<br>in 1947 for firing and shaping his glassware in the studio furnace, which<br>started the ball rolling for the studio glass movement of the 1960s. Heaton’s<br>work spans seven decades, and through his unique range of murals, window<br>hangings, lighting fixtures and tableware, he is considered by many a “true<br>original” (Neues Glas, April 1985).<br>tw177

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c1900 Chinese Carved Bamboo Republic Period Shou Figure. Nice piece from the<br>early 20th century. 17" tall x 7" wide, great carving.<br>TW174

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23" c1880 French Bronze Ewer Heavily embossed Cherubs, Bacchus Grapes. Very<br>large and heavy from the late 19th century with no damage. Weighs 15 pounds. In<br>the style of Clodion with ovoid bodies cast with a Bacchanal procession, also<br>decorated with acanthus and grapevine, and having winged amorini mounted atop<br>scrolled handle.

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c1960 Schermack Stamp Machine Post office. Nice piece from the mid 20th century. I don't have a key but it's open so you can replace the lock easily if you want. 9" tall, good condition with minor wear shown. TW183

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c1910 Cast Iron Still Bank Building and Star Safe . Selling both guaranteed authentic over 100 years old american cast iron. Bank building is 5 5/8" tall, safe is 3.5" tall, no damage. TW172

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c1920 Carl Thieme Dresden Flowers Cup and Saucer. All hand painted with No<br>cracks, chips, or wear to gilding. Selling the cup and saucer shown. Cup is 3<br>5/8" wide without handle x 2" tall Saucer is 5.5" wide.<br>TW172 and bdrmshlf

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Antique Persian Silver Box with Excellent engraving 7.25" x 1.5". Square box<br>with no damage, very old estate fresh tested silver (over 80%) and hallmarked<br>but I can't read the hallmark. No damage or issues, hinge works perfectly. 774<br>grams.<br>TW172

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1950's Royal Winton/James Kent English Chintz Lot of 3 Pcs. Selling all three pieces from the mid 20th century with no cracks, chips, restorations, or stains. All three have some expected crazing visible upon close examination. Creamer is 2.25" tall Largest tray is 5 3/8" wide. TW171

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18th Century Indian Katar Tiger Knife. Great early knife 18th century with<br>incredible patina, one piece construction high carbon steel. 16 1/8" long x<br>3.25" wide at widest point. Some significant wear to gold gilt decoration as<br>expected, tip has ben blunted, blade is fairly sharp.<br>tw53

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Japanese Meiji Period Celadon Fukurokuju porcelain Statue. Nice piece guaranteed<br>over 100 years old, hand modeled. 8" tall x 6" wide with no cracks, chips, or<br>restorations.<br><br>FUKUROKUJU originates from an old Chinese tale about a mythical Chinese hermit<br>(Sung Period) who was famous because he performed miracles and was said to<br>embody the celestial powers of the south polar star. Fuku means happiness, Roku<br>means riches and Ju means longevity. He is the Chinese God of wisdom, happiness,<br>wealth and long life; Fukurokuju is 3 feet tall, has a big head half his height,<br>large eyes and a snowy, long white beard. He wears garments like those worn by<br>ancient Chinese scholars and likes to play chess. He sometimes also has cranes<br>and/or a tortoise near him. He is often associated with Jurojin since the two<br>are said to inhabit the same body. He is the God of Chess players, watchmakers<br>and athletes<br>Tw53

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1990 MMA Miniature Gold Gilt Pewter Reclining Buddha. 3 1/8" long. l very high<br>quality with no damage or wear, thick plating of high carat gold.<br>tw53

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1989 MMA Miniature Gold Gilt Pewter Egyptian Figure 3.5" tall very high quality<br>with no damage or wear, thick plating of high carat gold.<br>tw53

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Dini & Cellai Italian Bronze Mounted Terracotta Cachepot. Nice piece from the early 20th century. 3.5" tall x 4" wide with no damage. TW53

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1980's Rober Lee Morris Sterling Clip on Earrings. Nice biomorphic cool subtle earrings by an important designer. 3/4" x 13/16", good working clips, no issues.

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c1890 Sportsman Carved Italian Alabaster Figure by Picciole 11" tall. Great shape as shown with minimal wear, there may have been a bronze cane part that came out in the back, no longer here. B55

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c1860 Moore & Co Wild Rose Blue Transferware Soup Bowl 9.25" wide with no<br>cracks, chips, stains, or glaze wear, they've hardly been used and are over 150<br>years old. minor crazing on back side.<br><br>The scene depicts Nuneham Courtenay, Oxfordshire, the seat of the Earl Harcourt,<br>set in grounds laid out by Capability Brown around 1780. Under various<br>partnerships, the Sewell family ran St Anthony's Pottery at Newcastle upon Tyne<br>from 1804 to 1878. The design is printed in a deepish blue on a clear white<br>body. There is an impressed backstamp.<br>b55

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c1910 Bourne & Leigh Blue Willow England Soup Bowls 9" Selling both earthenware<br>with light expected crazing no stains, no cracks, or chips.<br>B55

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17" 1930's WMF Ikora Glass Centerpiece Massive Bowl Art Deco Spider Web Red and<br>Yellow 11.5 pounds 4" tall. It's unmarked, originally bore a paper label.<br>Guaranteed c.1930-1950 WMF Ikora. Pretty much speaks for itself. No cracks or<br>chips. No scratches on upper surface, expected wear to base that rests on table.<br>Developed by Karl Wiedmann and manufactured by the Württembergische<br>Metallwarenfabrik (WMF) company in Germany. I have another one of these listed<br>separately slightly larger in the same colors.

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c1910 Antique Japanese Kashigata Carved Wood Cookie Mold Large size 9.75" x 5" with 6.5" x 4.25" cookie size. TW165

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Vintage Polish Sterling and Baltic amber brooch, 1.75" wide x 1 3/8" tall with no damage, marked 925 on pin.

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Antique Chinese Filigree Silver Vermeil Enamel Earrings. Nice antique Chinese earrings from the first half of the 20th century with no damage or issues. I did replace one back. Measure Just over 1" both marked silver.

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Vintage Rochard Trinket Box Limoges hand painted. No damage, good hinge and clasp that snaps shut. 2" wide x 1.75" tall. b60

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Steuben 6401 Wafer Stem American Art Glass Water Goblets (4). Nice set from the<br>last quarter of the 20th century with no damage, cloudiness, or scratches. All<br>very clean near mint. They each have a ground pontil with S engraved in the<br>bottom of each glass. Guaranteed Steuben American crystal, best of the best. 8<br>1/8" tall x 3 5/8" wide at rim. Selling all 4 shown, the exact 4.<br>TW170

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Steuben Mid Century Modern Fruit/Seafood Cocktail Glasses American Art Crystal<br>set of (9). Nice set from the last quarter of the 20th century with no damage,<br>cloudiness, or scratches. All very clean near mint. They each have a ground<br>pontil with S engraved in the bottom of each glass. Guaranteed Steuben American<br>crystal, best of the best. 2.25" tall x 4.25" wide at rim. Selling all 9 shown,<br>the exact 9.<br>TW170

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c1860 Cut Crystal Decanter. Really elegant decanter, likely French or Bohemian. Circa mid 19th century. Some roughness on inside of top rim that could easily be ground down, one small nick on bottom of stopper. No exterior visible chips or cracks.15" tall. TW 107

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16.5" Polia Pillin(1909-1992) Mid century Modern California Art Pottery Bowl<br>late 1940's-50's. Exceptional early heavily potted Pillin piece just discovered<br>estate fresh. Bought from Polia for $75, I'm thinking the 101 on the tag<br>indicates it was likely her 101st piece made. This is a really big bowl with<br>typical crazing and 3 of the tiniest glaze flakes on the outside rim. No cracks,<br>chips, or restorations.<br><br>Polish-born Polia Pillin (1909-1992) and her husband William established their<br>ceramic studio, The Pillin Art Pottery Company, in their Los Angeles, CA garage<br>in 1948. Her husband shaped and glazed the pots that became canvases that Polia<br>used to paint fanciful scenes of people and animals in the mid-century style.<br>Thousands of pieces were produced and Polia became one of the most highly<br>regarded of contemporary studio potters today.<br><br>The clay used for Pillin pottery was typically red-brick in color. William<br>experimented with different glazes and produced some pieces without Polia’s<br>artwork. However, it was Polia’s artistic designs that garnered her<br>international recognition. Polia was inspired by the Cubism movement and by the<br>works of Pablo Picasso whom she greatly admired. Her style is often referred to<br>as “Byzantine”. Polia’s favorite subjects were women, horses, birds, fish and<br>other animals painted over colorfully rich glazes. The overall pallet had an<br>organic, jewel-toned quality.<br><br>Each piece of Pillin pottery was hand-thrown, glazed, painted and hence, unique.<br>Because Pillin worked from her garage (and in her kitchen when she lived in<br>Chicago), she did not have access to expert tradesmen, chemists or specialized<br>equipment that could mass produce her work. For that reason, most Pillin pottery<br>is highly crazed. Rare pieces with little to no crazing command higher values.<br><br>Most pieces of Pillin pottery were produced beginning in 1948 and marked on the<br>bottom with Polia’s signature “Pillin” in either thick or thin black ink. Rare<br>pieces produced in her Chicago kitchen in 1946 and 1947 are incised “46” or<br>“47”. Some very early pieces are marked “W+P” above the Pillin signature to<br>indicate William throwing the pieces and Polia decorating them. Thicker thrown<br>pieces tend to indicate earlier works.

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c1920's Chinese Soapstone Bookends. Nice pair of early 20th century Chinese hand carved soapstone bookends, minor wear as shown but overall condition with no major breaks. Both marked China as shown in the second pic. b49

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1987 Chris Hammack Original Wood Carving "Worlds Greatest Lobbyist" Fort Worth<br>Texas. 10.5" tall x 4 3/8" wide at base. Extremely rare find by a noted artist<br>that started the same year this was created reproducing his sculptures in resin<br>which have sold all over the world. This is one piece of solid carved wood other<br>than the round base. The carving is incredible and it's obvious why he's been so<br>successful. This was under a glass dome all it's life and is in mint condition.<br>It will be extremely well packed to get there in the same condition. I won't be<br>including the dome as it would complicate shipping. Below is a bio from his<br>website.<br><br>After all these years, one thing remains,<br><br>Chris Hammack loves to whittle and make people laugh.<br><br>Chris’s carving career began over 36 years ago after a thirty foot fall landed<br>him in the hospital. During a five month convalescence he picked up a piece of<br>firewood and a pocket knife and began carving caricatures, of which he had<br>sketched as a young boy growing up in Texas.<br><br>Within a couple of years, Chris was competing in carving competitions and<br>bringing home some blue ribbons.<br><br>The years following would begin to bring national acclaim to his work as a<br>woodcarver. In 1987, Hammack started a very successful wholesale business<br>reproducing his original carvings in resin. This company, Spit N’ Whittle, led<br>to his work selling around the globe. During these years he also designed<br>several successful gift lines for other major gift companies in the US.<br><br>Hammack has shared his carving talent through teaching numerous live seminars<br>nationwide, and now also teaches classes one on one over the internet.<br><br>Chris happily says,<br><br>“For me, woodcarving has never lost its magic. Give me a good piece of basswood<br>and a sharp knife and I’m content”<br><br>Today, Chris lives on a small island in Mexico where he still creates his<br>original works of art, and teaches.<br>tw162

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c1890 Mother of Pearl Glass Vase blue with Zigzag pattern. 6.5" tall with No<br>cracks, chips, or restorations.

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Vintage Neiman Marcus Limoges Hand Painted Trinket box shaped like a shoe. Ni<br>piece from the 3rd quarter of the 20th century with no damage and good hinge,<br>nice snap when closing and it stays shut. 3.25" long x 2" tall.<br>TW169

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Fred Davis Abraham Paz Sterling Silver Angel Bird Brooch with Turquoise 3/4 x 1<br>1/8 inches in size. Marked on back "925 Echo en Mexico" and with artist's logo -<br>might be Abraham Paz who was a silversmith & designer for Fred Davis. Also has<br>the old eagle mark with number 22 inside. Pin can be worn sideways (as a bird)<br>or up/down (as an angel).Good conditio, with no significant issues.

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c1900 Chinese Famille Rose Hat/Wig Stand 11 1/8" tall x 4.75" wide. Nice piece late Qing to early Republic period with nice painting and no damage. TW161

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1866 Thomas Bradbury and Sons Siverplate and Cut Glass Biscuit Jar. Very special<br>piece with diamond registration mark dating it to 1866. Top quality cut glass<br>with no cracks or chips, some expected very minor roughness to outside rim that<br>goes inside holder. No wear to plating. 7.25" wide at base x 8.5" tall.<br>TW167<br><br>The business traces its origin to Fenton, Creswick & Co, a partnership involving<br>Matthew Fenton (an apprentice of Thomas Law), Richard Creswick and William<br>Watson. They were active as silversmiths and Sheffield platers and were among<br>the first to enter their mark at the Sheffield Assay Office in 1773.<br>In 1789 Fenton left the firm and was replaced by Edward Oakes. The firm changed<br>its style to Fenton, Creswick, Oakes & Co. In 1795 the partnership was dissolved<br>and the business was continued under the style of Watson & Co under the<br>partnership of Thomas Watson, James Fenton and Thomas Bradbury I (a former<br>apprentice of the firm).<br>Later, Thomas Bradbury II (son of Thomas Bradbury I) and William Watson (nephew<br>of Thomas Watson) were admitted to the partnership.<br>In 1831 William Watson retired and the business was continued by Bradburys<br>(Thomas I and II) under the style of Thomas Bradbury & Son.<br>The firm was active at Arundel Street, Sheffield with London showroom at 12<br>Gough Square, Fleet Street.<br>In 1855 the firm changed its name to Thomas Bradbury & Sons, under the<br>partnership of Joseph and Edward Bradbury (sons of Thomas Bradbury II).<br>In 1877 the partners were Thomas Bradbury III (brother of Joseph Bradbury) and<br>John Sutherland Henderson.<br>The partnership was dissolved in 1888 and the firm was managed by Walton Turner<br>Bradbury, Joseph Bradbury Jr and Frederick Bradbury (sons of Joseph Bradbury<br>Sr). Frederick Bradbury is the author of the fundamental book "A History of Old<br>Sheffield Plate".<br>The business was converted into a limited liability company in 1905, under the<br>style Thomas Bradbury & Sons Ltd.<br>The company closed its activity in 1943 and dies and tooling were bought by<br>Atkin Brothers.

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c1910 American Brilliant Period Cut Glass Vase with Alternating Intaglio Panels<br>11.75". Really large and special one of a kind piece from the late 19th to early<br>20th century. I cannot find a signature but that doesn't mean there isn't one.<br>It is very clean with one very small chip on inside rim and a few small chips on<br>foot,no chips to sides or wear to the cutting.<br>TW167

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c1940 Bakelite Art Deco Lamp with Glass Inserts. Great little lamp with no issues in working condition. 9.75" tall. TW160

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Frances Blinebry(1910-1995) 1950's Peak Mountain in Arizona, El Paso Texas Artist. 8" x 10" board 13" x 11" framed with no issues. Frances Blinebry(1910-1995) first exhibited at the El Paso Woman's Club Exhibition in 1943 and continue to exhibit there for many years through her life. She is a listed artist in the seminal Texas reference Dictionary of Texas Artists, 1800-1945 . This is a rare find and sweet oil on board. This is sure to complement your David Swing, El Boone or Willard Page collections. Signed Frances Blinebry, as shown. TW159

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Large Hazel Atlas Horlicks Malted Milk Jar c1930 10.75" tall x 5.5" tall, rare<br>to find the original lid. Nice jar with no damage or issues, clean with no<br>scratches.<br>B55

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1987 Walt Glass Pottery(1943-2016) McQueeney San Antonio Texas Art Pottery Vase.<br>12" tall x 6.5" wide. An unusual piece from before he got more into mass<br>production, great piece of large art pottery.<br>B55<br><br>Walt grew up in San Antonio and, after serving in the Army, graduated from The<br>University of the Incarnate Word where he later received an Outstanding Alumnus<br>Award. He married Cynthia Vela, also a UIW graduate, in 1975, and they enjoyed<br>40 years together. After finding his artistic passion in creating beautiful,<br>handmade, one of a kind pottery, Walt and Cynthia opened their shop, Village<br>Gallery, in San Antonio's historic La Villita and a production studio in<br>McQueeney, Texas. He and Cynthia loved participating in craft fairs around the<br>country with a special fondness for the "Starving Artists Show" along the San<br>Antonio River Walk and La Villita.<br>They enjoyed a successful artistic venture for over forty years and their<br>pottery has been appreciated across the globe. His unique pottery was collected<br>by dignitaries from around the world, including the Queen of England, Ronald<br>Reagan, and other notables, as well as being featured by San Antonio's sister<br>city in Japan.<br>As a master potter, Walt enjoyed mentoring professional potters from around the<br>world, sharing his technique and skill. Later in his career, he loved teaching<br>Ceramics at Texas Lutheran University in Seguin, Texas where he contributed both<br>in and out of the classroom. With the help of TLU students and faculty, he<br>introduced the "Empty Bowls Project" to the Seguin area, raising funds to help<br>feed the hungry.

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Chinese Republic Period Blanc De Chine Fisherman Figure 9.75" tall. Circa mid 20th century late republic period. Minor loss to something sticking out from his hand at the top of the net. No other cracks, chips, or restorations. TW157

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Cantagalli Antique Itanian Faience Reticulated Plate with Crest. 9.5" wide with no cracks, chips, or restorations. 19th century. About Ulisse Cantagalli Ulisse Cantagalli was a superb artist and an even better businessman. Not much of him is known before 1878 when he took over the family factory in Florence and started to produce highly decorative Italian ceramics in the Renaissance style. At the time the taste for this kind of pottery was a very hot trend in the English speaking countries. He devoted his artistic energy to the understanding of the techniques and the designs of the old masters from Gubbio, Deruta, Urbino and other important ceramic centers. His ability to master the ruby and golden luster techniques of Mastro Giorgio Andreoli brought the factory to fame, particularly in Britain. The passion for Italian pottery and its role in the success of Cantagalli’s factory is well described in a delicious article published in the New York Times in 1879, titled “The Making of Majolica: A Florence Pottery Factory”. The event that more than any other contributed to the International success of Cantagalli was his friendship with William de Morgan, Britain’s most talented and most admired pottery and tile designer of his days. He introduced him to influential collectors in England and US and encouraged him to participate to International exhibitions. In a short time, Cantagalli works were highly regarded in English speaking countries, where they still are popular Collector’s items. Cantagalli died in 1901. His wife and daughter continued to operate the factory in Florence. In 1934 they sold it together with the Cantagalli’s trademark to Amerigo Menegatti, former artistic director of the factory. The economic turmoil following World War II forced Menegatti to a step change in production. He began to offer more utilitarian items, which still bore the famous cockerel that English speaking collectors find so appealing. The Cantagalli factory closed in 1985. The production of Cantagalli ware is now over, although the Menegatti family still owns the trademark. TW156

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Abstract Raku Planter Vase. I can't make out the mark but it's fantastic. 6.75" tall x 5.75" wide with no damage or wear. B54

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Cesar Aquino Peruvian Gourd Art. Really cool and nice with no damage or wear. 10" tall x 4.75" wide. B54

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c1900 Blackpool England Souvenir Double inkwell in boat form. No cracks or chips, slightest wear to the front mond seam, oxidation to brass collars on inkwells. 7.25" long. B54

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c1910 Antique Japanese Kashigata Carved Wood Cookie Mold lot. Selling all three Bamboo is 7.25" x 3 5/8", longest is 12.75" with a 2.75" cookie size. TW165

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c1900 Sevres Style Bronze Mounted Porcelain Cabinet Flate French Hand Painted woman w/Cherub artist signed Huet. No scratches, cracks, chips, or restorations, minor wear to inside ring of gold just outside the portrait. TW165

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1983 Rosenthal Bjorn Wiinblad Chinese Zodiac Years of the Boar Plate. 11 3/8" wide with no damage or noticeable wear. TW155

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Pewter trimmed Graniteware Tea Kettle with Childrens Granite ware Teapot. Selling the pair late 19th century. The Large tea kettle is super clean and useable with tight lid and only a small dent under the spout. 11" handle to spout x 8.75" tall. Childs teapot has a few dings and bent bottom of spout, missing lid. 2.75" tall. Selling both. TW164

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Hawkes Twist Cut Crystal Wine Goblets (10) 5 5/16". Selling all 10, top quality American antique cut crystal. One has chip on foot, it's on the front right in the pics, the chip could be polished out. No other chips or cracks, beautiful scarce art deco pattern by an Important American Glass company. TW164Thomas Gibbons Hawkes, born in County Cork, Ireland in 1846 to a prominent family with a glassworking heritage, emigrated to the United States in 1863. His career began as a foreman for glass factory Hoare and Daily in Brooklyn, New York moving with the company to Corning, New York in 1868.Once in Corning, he soon opened his own cutting shop which was incorporated as T.G. Hawkes & Company in 1890. This on the heels of success the year before when Hawkes famously won acclaim and Grand Prize at the Universal Exposition in Paris.Thomas Gibbons Hawkes European taste for sparkling cut glass at this time was emulated in the United States in what was called the Brilliant Cut Glass Period. Over 1,000 cutting shops were founded to meet the demand and T.G. Hawkes & Company flourished. The company was in operation for 82 years.

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1880's Cornelius Desormeaux Saunders & James Francis Holland Shepherd Birmingham Sterling Silver Boxed Salt dips/Spoons Cranberry Liners. Talk about fancy, imagine the impression you'd make showing up to a dinner date with this set! Interesting Orientalist design with original flawless cranberry art glass inserts. Incredible original wood box measuring 6 3/8" x 2.5" x 3.25". The salts are 1 7/8" wide with 2.75" long spoons. No notable issues. tw152

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c1992 Wedgwood Blue Elephant Paperweight and Trinket Box. Selling both with no wear or damage whatsoever. The measure about 3.25" wide. This pattern was made from 1992-1995. b49

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c1890 St Malo Terracotta Tobacco Jar Scottish Man. 6" tall with no cracks, chips, or restorations. Guaranteed late 19th to early 20th century. TW162

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c1790 Derby Figure Group Pair "The Welsh Tailors" Woman Breastfeeding guy with tongue out. Selling the pair late 18th century. Interesting pair with the Tailor sticking his tongue out at his wife that's breastfeeding, strange. Tallest is a hair under 6". Minor losses and some old restorations, woman is missing part of one leg. TW162

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c1930 Rosenthal Elite Lustre decorated Art deco Charger Octagonal Platter with heavy gold Butterfly and Fruit. Near mint with no cracks, chips, restorations, crazing, or detectable wear. 12.75" Looks to have been designed by a Rosenthal family member according to mark on base of another piece I have inthe same pattern. tw150

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c1900 Derby Silver Company Art Nouveau Jewelry Casket with Woman Silver Plated. Nice large box with no significant issues. Nice hinge, no wear to plating. Unusual over the top piece. 6.5" x 6" x 3.5" tall. tw149

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Longwy Sanka Zebras African Style French Art Pottery 1990's absolutely no wear or damage. Guaranteed authentic with un-mistakeable quality. These pieces are from the last quarter of the 20th century, new Longwy is Very expensive. The tray is 5.25", large jar is 4.5" tall x 5.5" wide other jar is 2.5" tall x 3.75" wide.The Boch family, known for their great influence on the ceramic industry, founded the “Faiencerie de Longwy” in 1798 in a former convent.The production received great recognition during the First Empire: after Emperor Napoleon Bonaparte had attended the workshops, he ordered the complete tableware for the Imperial Legion of Honor. In 1835, the Faiencerie passed into the possession of the d’Huart family and became a thriving business. In the period around 1870, the heyday of the Second Empire, Orientalism came into fashion. This trend of oriental art and culture will have a big impact on the Faiencerie: the family d’Huart hires on the Italian Amédée de Carenza, director of the ceramic works Mikado. Inspired by the enamel metal works discovered in Japan, de Carenza develops an alternative in ceramics: and the first Emaux de Longwy were born.During this time, the Faiencerie retains the manufacture of tableware, and designed a number of specific designs such as flowers and bird motifs that often occur in the period between 1870 and 1918. In the 1920s, Art Deco then enters this bastion of Orientalism.The association with “Primavera” marks a fruitful period which culminated in the Decorative Arts Exhibition of 1925 in Paris. This complete renewal of forms and decorations created Longwy’s reputation in the United States and Europe during the period before the war.Longwy is the exclusive distributor of semi-industrially manufactured pottery enamel to this day. The historic stamp guarantees the authenticity of the pieces. The last decades were marked by the collaboration of contemporary artists and designers. This brought forth an amazing collection combining tradition, luxury and the beaux arts. The limited editions are sought after and coveted collectors’ items.tw149

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Royal Doulton Flambe Figurine HN 3229 entitled "The Geisha" which was designed in 1983 for members of The Exclusive Collectors Club. The Figurine is signed by Pauline Parsons who designed it. This beautifully detailed Figurine is 9-5/8" tall. This piece is in excellent condition and has no chips, cracks, crazing, hairlines or repairs.. Any white spots are flash glare. tw149

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Royal Doulton Flambe Figure Eastern Grace Numbered limited edition. Made only in 1985, this 12 1/2" high red beauty is #528 of a Limited Edition of 2,500. The dress is decorated in blacks and blues in an "indented" style. Her black hair matches the undergarment. No chips, cracks, crazing or repairs. Any white spots are flash glare.tw149

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4 Ruby Bohemian Etched Cordial Glasses. These are nice old glasses from the first half of the 20th century. I'm unsure of the maker but I'm sure they are Czechoslovakian glass. They have two different bases as shown in the pics, the tops are the same. They are perfect with no damage or wear. 3 3/8" tall x 1 13/16" wide at rim. TW148

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c1920's Haviland Art Deco Woman Cabinet Plate. 8 5/8" wide with no cracks, chips, restorations, or significant wear. Very unusual one of a kind plate. tw146

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Abbott J Hoecker "Heck" Colonials National Invitation Golf Tournament 1987 Fort Worth, Texas Watercolor "Rest in the Shade". 15" x 23" with no issues. Hoecker was a very good illustrator that did several books in the mid to late 20th century including "Little Moron" in 1943, "happy days with Pablo". He played an active role in the Southwest Watercolor Society in the Seventies. Obiously a very talented artist, painting is great with no damage. NO frame

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1950's Elman Clothes Vintage Sewing Pattern Display with Butterick/McCall's Dress patterns. Buying exactly what's shown here patterns from the fifties and sixties.

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c1980 Manuel Felguerez Welded Steel Tennis player Sculptures Selling both, tallest is 16.25" tall, good condition. Only the man is hand signed Felguerez on the back of the base. TW159

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c1900 Meiji Period Noh Actor Japanese Bronze Okimono. Heavy solid patinated bronze figure guaranteed over 100 years old, unmarked. 7.75" tall x 7.5" wide with no damage. B50

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Russian Fedoskino Lacquer Trinket Box Madonna and Child Artist Signed. Great<br>little box with no issues or damage. Had sticker residue on base that I removed<br>for the last pic of the base. 2 7/8" x 1 5/8" x 1" tall.<br>b50

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c1910 Art Nouveau Hand painted limoges portrait plate 8.5". No cracks, chips, or<br>restorations.<br>B50

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Denys Pierre Puech, French, (1854-1942), marked in the cast Barbedienne Fondeur, circa 1880's-1890's a very uncommon bronze by an important French Sculptor in very good condition. 16.25"h, 8.5" wide x 26.75lbs From a family of farmers (his brother was Louis Puech, Député for the Seine Department from 1898 to 1932, and Minister of Public Works from 3 November 1910 to 27 February 1911), he began as an apprentice in the marble workshop of François Mahoux in Rodez. In 1872, after two years training, he pursued an apprenticeship in Paris in the workshop of François Jouffroy then of Alexandre Falguière and Henri Chapu, at the same time following an evening course at the Beaux-Arts. 1881 and 1883 saw his first successes, when he twice won the second prize in the prix de Rome contest, for his Tyrtaeus singing the Messanians (Tyrtée chantant les Messéniennes) and Diagoras dying for joy on learning of his two victorious children's triumph at the Olympic Games (Diagoras mourant de joie en apprenant le triomphe de ses deux enfants vainqueurs aux Jeux Olympiques) respectively. He at last won first prize in 1884, with Wounded Mezentius (Mézence blessé). From then on he received several official commissions from the French Third Republic, sculpting (among others) busts of Jules Ferry (1895), Charles Augustin Sainte-Beuve (1898), Émile Loubet (1901) and Benito Mussolini (1925). In all, 573 works are inventoried. He founded a museum of fine art in Rodez in 1903 (now the Musée Denys-Puech). The building, inaugurated in 1910, was designed by him in conjunction with the architect Boyer to best show off his sculptures. He was elected a member of the Académie des Beaux-Arts in 1905, and made a knight of the Légion d'honneur on 17 January 1908. On 13 May 1908, he married princess Anina Gagarine Stourdza (1 June 1865 – 14 April 1918), a painter herself, of whom he sculpted a statue holding a painter's palette in 1914. He was Director of the French Academy in Rome from 1921 to 1933. Among those who studied with him were the American sculptors Clara Hill,[2] Ernest Keyser[3] and Helen Farnsworth Mears.

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c1920 Mounted Porcelain Dresser Box hand painted under glaze. Nice piece of transitional late nouveau early deco. 4.5" wide x 2.5" tall with no damage, perfect tight hinge. TW158

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c1900 Antique Chinese Shiwan Figure Sancai Glaze 9.5" tall. Nice large early 20th century Sancai Shiwan figure. old rpair to the bottom of the neck of his cloak. TW157

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c1850 Old Paris Porcelain Figure Woman Pouring Tea Made into Electric Lamp. This<br>was made into an electric lamp in the first half of the 20th century. It's mid<br>19th century porcelain French i'm 99% sure. It was not damaged when lamped but I<br>don't want to damage the great job they did lamping it so I'm not removing it to<br>find a mark 14.75" total height, 10" figure height without fittings. The lamp<br>works.<br>B49

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c1900 EAPG Mold Blown Water Pitcher Early American Pattern Glass. 8.75" tall x<br>7" handle to lip with no cracks, chips, restorations, dings, or hard water. I'm<br>unsure of pattern but I'm 100% sure it's over 100 years old and American with no<br>damage.<br>TW144

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c1900 Vinranka Gefle Flow Blue Sweden Pitcher6.25" tall x 7.75" wide handle to<br>spout. A nice milk or juice pitcher much larger than a creamer, probably one<br>liter. They made a few sizes of these and this is the largest and most difficult<br>to find. No cracks, chips, restorations, or crazing.<br>TW144

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c1850 Texian Campaigne Cup Blue Transferware Staffordshire James Beech Historical Texas Battle Scenes in the 1840's or 50's. No cracks, chips, or restorations, fine overall crazing. 2.5" tall x 3.75" wide at rim, extremely rare. The "Texian Campaigne" transferware pattern was introduced about 1837; although made in Staffordshire, it was produced to appeal to Americans. The pattern was designed to commemorate the 1835-1836 revolution fought against Mexico by Texans for their independence (the word 'Texian' is the British form for Texas.) The Texas Revolution (October 2, 1835 – April 21, 1836) was a rebellion of colonists from the United States and Tejanos (Texas Mexicans) in putting up armed resistance to the centralist government of Mexico. While the uprising was part of a larger one, the Mexican Federalist War, that included other provinces opposed to the regime of President Antonio López de Santa Anna, the Mexican government believed the United States had instigated the Texas insurrection with the goal of annexation. The Mexican Congress passed the Tornel Decree, declaring that any foreigners against Mexican troops "will be deemed pirates and dealt with as such, being citizens of no nation presently at war with the Republic and under no recognized flag". Only the province of Texas succeeded in breaking with Mexico, establishing the Republic of Texas, and eventually being annexed by the United States. The revolution began in October 1835, after a decade of political and cultural clashes between the Mexican government and the increasingly large population of American settlers in Texas. The Mexican government had become increasingly centralized and the rights of its citizens had become increasingly curtailed, particularly regarding immigration from the United States. Colonists and Tejanos disagreed on whether the ultimate goal was independence or a return to the Mexican Constitution of 1824. While delegates at the Consultation (provisional government) debated the war's motives, Texians and a flood of volunteers from the United States defeated the small garrisons of Mexican soldiers by mid-December 1835. The Consultation declined to declare independence and installed an interim government, whose in led to political paralysis and a dearth of effective governance in Texas. An ill-conceived proposal to invade Matamoros siphoned much-needed volunteers and provisions from the fledgling Texian Army. In March 1836, a second political convention declared independence and appointed leadership for the new Republic of Texas. Determined to avenge Mexico's honor, Santa Anna vowed to personally retake Texas. His Army of Operations entered Texas in mid-February 1836 and found the Texians completely unprepared. Mexican General José de Urrea led a contingent of troops on the Goliad Campaign up the Texas coast, defeating all Texian troops in his path and executing most of those who surrendered. Santa Anna led a larger force to San Antonio de Béxar (or Béxar), where his troops defeated the Texian garrison in the Battle of the Alamo, killing almost all of the defenders. A newly created Texian army under the command of Sam Houston was constantly on the move, while terrified civilians fled with the army, in a melee known as the Runaway Scrape. On March 31, Houston paused his men at Groce's Landing on the Brazos River, and for the next two weeks, the Texians received rigorous military training. Becoming complacent and underestimating the strength of his foes, Santa Anna further subdivided his troops. On April 21, Houston's army staged a surprise assault on Santa Anna and his vanguard force at the Battle of San Jacinto. The Mexican troops were quickly routed, and vengeful Texians executed many who tried to surrender. Santa Anna was taken hostage; in exchange for his life, he ordered the Mexican army to retreat south of the Rio Grande. Mexico refused to recognize the Republic of Texas, and intermittent conflicts between the two countries continued into the 1840s. The annexation of Texas as the 28th state of the United States, in 1845, led directly to the Mexican–American War. tw144

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Hutschenreuther Black Knight Fish Plate Set Made for American Market (13). The<br>Black Knight mark was used between about 1925 and 1941 on dishes imported from<br>Germany by Graham & Zenger, a New York City importer and wholesaler. The dishes<br>were manufactured by Hutschenreuther Porcelain Factory. These are really great.<br>They each have hand painted accents over a transfer. There are 9 different<br>patterns all North American fish, all with the name of the fish on the back. 4<br>of the patterns have two of each plate that are slightly different in the center<br>due to the accents being hand painted. They are all mint to near mint. No<br>cracks, chips, restorations, utensil marks, or detectable wear to gilding. The<br>plates measure 9 inches or 22.8 cm in diameter.<br>TW155

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c1870 Old Paris Hand Painted Soup Tureen with Lid. Impressed G D on base 130-150 years old guaranteed, French. No cracks, chips, or restorations, some wear to gilding. It's 12.5" handle to handle x 9.5" tall x 7.25" deep. B47

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15pc c1900 Haviland Limoges Game Set Art Nouveau Jeweled Rims Hand Painted Over transfer. I'm including a Sauce boat with lid that isn't shown in the pics it will be a pleasant surprise as it has the same jeweled border and nice basketweave handles with gold accents. There is a repaired chip on the lid of the sauce boat. There are no other cracks, chips, or restorations to the rest of the set. There is some very minor gold wear, mainly to the platter on the very outside rim, none of it is noticeable on a fine and unique set such as this one. 13 Plates total I'm listing the quanity of each style below starting with the first pic shown of individual plate and ending with the last. 3 Woodcocks, 3 Pheasants, 2 Roadrunners?, 2 doves?, 2 Quails, 1 mallard duck. The one 17.75" x 12.25" Platter with multiple gamebirds. I've had a lot of Game sets of the years and this is the best one I've had that would mix well with most modern decor, this set would fit in anywhere. B46

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Thorens Swiss Music Box By Fred Zimbalist in the Form of a Camel Sculpture<br>nickel plate on brass with fine floral scrolled etching and glass eyes. The back<br>is hinged and opens to reveal a music box with finely etched panel Working<br>condition sounds beautiful. No damage, in very good condition with no notable<br>issues. Measures 10" high x 6" x 12" at base.<br><br>Russian born, Fred Zimbalist, 1909-2003, comes from a family of musicians. He<br>founded the Zimbalist Music Box Company located in Cleveland, Ohio. Fred<br>Zimbalist is known for unique music boxes. Most notably were the music boxes<br>made of Nickel Silver plate on brass, then hand etched in India. Each piece took<br>approximately 3 to 4 weeks to create and no two pieces are exactly alike. Once<br>etched, they were shipped to the US where the music boxes were fitted with<br>Thorens components.<br>tw152

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Orrefors Royal Swedish Air Force Presentation Plate to Captain John Gallaher. I'm not sure when this was presented, sometime in the 20th century, likely during or directly after some sort of war or conflict. 9.25" wide, super heavy, rare and one of a kind. Some wear here and there but no cracks, chips, or restorations. b43

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c1910 Japanese Bronze Ikebana Planter 3 Piece Versatile. This piece is really amazing. It can be put together so many different ways allowing for it to be used in different locations at different heights, then a few pieces can be used alone and the other piece used for something else. I know it was engineered this way even though the 100 year old instructions are long gone. Each way I put it together it fit snugly as if that was it's original intention.. It's wonderful, super heavy solid bronze with top notch casting. When the three pieces are assembled as in the first pic it is 12" tall, the top tray is 11.5" wide, the center round planter with the spikes in it is 3.5" wide inside. There are no scratches or significant blemishes, dents, bends, etc. It's right around 100 years old from the first quarter of the 20th century. B45

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Antique Gilt Carved Wood Figure depicting Summer Harvest of Wheat. Nice early piece, possibly 18th century, mid 19th century at the latest.11 5/8" tall. some minor wear and 150+ year old woodworm holes. B43

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Cristal De Sevres red Segovie T-298 wine hocks Pair (Multiple Available) I'm<br>selling two of these for one price in like new condition with no damage or wear.<br>I have several pairs available so if you change the quanity to 6 you will<br>recieve 12 Stems. They retail for $150 each and have no wear or damage.<br>The Segovie pattern was introduced in 1977 and features vivid color cased<br>crystal with deep cut triangles and notches through the colored layer revealing<br>the crystal beneath. The design is simple and extremely elegant. The very tall<br>stem is multisided with a slight step at the base and below the bowl. The base<br>has a six pointed cut star, acid etch signed "CRISTAL SEVRES FRANCE" in the<br>center. The heavy crystal sparkles and the glass has bell like resonance. The<br>Ruby color is very rich with a hint of cranberry. The glass measures 9 3/4"<br>high, 3" in diameter at the rim, hold roughly 6 fl oz and weighs 1 lb .4 oz.<br>SEVRES CRYSTAL<br>CRISTAL DE SEVRES - In 1750, the Marquise de Pompadour Louis XV acquired the<br>privilege of having a glass production in Paris, which then sent transfer units<br>from Château Bellevue to Sèvres.<br>Under the direction of the Marquis de Marigny, brother of the Marquise de<br>Pompadour, the Manufacture Royale de Sèvres Cristaux now be devoted exclusively<br>to glass, winning a prestigious clientele throughout Europe.<br>Even today, glass is the result of a subtle alchemy of natural elements,<br>magnified by fire and orchestrated by man.<br>Cristal de Sèvres, thanks to an experience that dates back more than two<br>centuries, created from fire and air, some exceptional objects, luxury and<br>excellence in the delicate world of tableware and decoration.<br>tw150

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c1900 Carl Thieme Dresden Porcelain Dinner Bell with Hand Painted Puce Decoration 4.5" tall x 3" wide at base with no cracks, chips, or restorations. B41

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c1880 Kutani Japanese Meiji Period Porcelian Statue of Drummer Boy. Nice piece from the last half of the 19th century, Japanese. Large figure 8.5" tall x 8" wide x 8" deep. No cracks, chips, or restorations, small area of glaze loss shown in the last pic. B42

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c1930 Rosenthal Elite Lustre decorated Art deco bowl with heavy gold. Near mint with no cracks, chips, restorations, crazing, or detectable wear. 11.5" x 7.75" Looks to have been designed by a Rosenthal family member according to mark on base. tw146

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c1890 Wavecrest Art Glass Jewelry Box Dresser Jar. No cracks, chips, or restorations. Beautiful clean liner that is likely not the original 125 year old one. 4" wide x 3.25" tall. tw146

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c1890 Dresden Porcelain Casket in the Capodimonte Style. Great antique porcelain box likely Ernst Bohne or a Dresden company. Crown over N mark inside. Guaranteed over 100 years old with no cracks, chips, or restorations, hand painted. tw145

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Peint Main Limoges Pineapple Fruit Trinket Box Hand Painted. Tight hinge, stays snapped shut, no loss to decoration or gold, no cracks, chips, or restorations. 1.75" wide x 2.5" tall TW141

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Peint Main Limoges Fruit Trinket Box Hand Painted. Tight hinge, stays snapped shut, no loss to decoration or gold, no cracks, chips, or restorations. 2" wide  trinketdrawer

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Peint Main Limoges Incrustation Trinket Box Hand Painted. Tight hinge, stays snapped shut, no loss to decoration or gold, no cracks, chips, or restorations. 1 5/8" wide x 1.25" tall TW141

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Peint Main Limoges Chair Trinket Box Hand Painted. Tight hinge, stays snapped<br>shut, no loss to decoration or gold, no cracks, chips, or restorations.<br>2.25"tall x 1.75" wide<br>TW141

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Peint Main Limoges Trinket Box Hand Painted. Tight hinge, stays snapped shut, no<br>loss to decoration or gold, no cracks, chips, or restorations.<br>3" wide x 1 5/8" deep.<br>TW141

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